PROGRAMS for WEEK of NOV. 28Th to DEC. 4Th
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Purches Collection a to Z List of Principal Artists and Performers
Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader) -
Start Time Description Number-Cut Length User Defined 00:00:00 TOP
Start Time Description Number-Cut Length User defined 00:00:00 TOP OF HOUR 00:00:00 RUN MACRO-ON AIR 00:00:00-E (:00)LEGAL ID 00:00:00-E (:00)Enjoy Yourself (It's Later Than You Thin 0069603-001 03:17:0 Artist - Guy Lombardo 00:03:17-E (:00)Five Foot Two, Eyes of Blue 0025404-001 03:08:0 Artist - Korn Kobblers 00:06:25-E (:00)I've Got it (But it Don't Do Me No Good) 0031120-001 02:24:0 Artist - Helen Kane 00:08:49-E (:00)STREET WALKER BLUES 0019305-001 03:51:0 Artist - CAROL LEIGH 00:12:40-E (:00)Bull Dog Down In Sunny Tennessee 0015304-001 02:19:7 Artist - DOCK WALSH WITH THE CAROLINA TTAR HEELS 00:15:00-E (:00)The Live Oak Tree 0015117-001 02:47:3 Artist - Bing Crosby and The Andrews Sisters LS 00:17:48-E (:00)Wonder Where My Baby Is Tonight 0004605-001 01:59:0 Artist - Cliff 'Ukelele Ike' Edwards 00:19:47-E (:00)Mein blondes Baby 0044904-001 03:13:0 Artist - Marlene Dietrich 00:23:00-E (:00)One Time and One Time Only 0048817-001 02:46:0 Artist - The Mitchell Trio 00:25:46-E (:00)BEAUTIFUL BROWN EYES 0049519-001 01:29:0 Artist - DICK RODGERS 00:27:15-E (:00)RAH-RAH-RAH 0053114-001 02:49:0 Artist - HARRY RESER'S SIX JUMPING JACKS 00:30:04-E (:00)Embraceable You 0055811-001 03:11:0 Artist - Helen O'Connell w Jimmy Dorsey Orchestra 00:33:15-E (:00)WHO'S SORRY NOW 0060025-001 02:44:4 Artist - TINY HILL 00:36:00-E (:00)YOU DON'T KNOW ME 0071611-001 03:46:0 Artist - Olga Symphony 00:39:46-E (:00)MY BLUE HEAVEN 0076006-001 02:16:0 Artist - NICK LUCAS 00:42:02-E (:00)DRY BREAD 0077116-001 02:35:5 Artist - Merle Travis 00:44:38-E (:00)Blue Orchids -
Harry Tobias Collection, 1925-1994
http://oac.cdlib.org/findaid/ark:/13030/tf558006cx No online items Finding Aid for the Harry Tobias Collection , 1925-1994 Collection processed and machine-readable finding aid created by Performing Arts Special Collections staff. UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2002 The Regents of the University of California. All rights reserved. Note Arts and Humanities--Music Finding Aid for the Harry Tobias 138 1 Collection , 1925-1994 Finding Aid of the Harry Tobias Collection, 1925-1994 Collection number: 138 UCLA Library, Performing Arts Special Collections University of California, Los Angeles Los Angeles, CA Contact Information University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Bryan Griest © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Harry Tobias Collection, Date (inclusive): 1925-1994 Collection number: 138 Creator: Tobias, Harry Extent: 147 boxes (73.5 linear ft.) Repository: University of California, Los Angeles. Library. Performing Arts Special Collections Los Angeles, California 90095-1575 Abstract: This collection consists of manuscripts and published sheet music, lyric sheets, correspondence and other documents, and sound recordings Physical location: Stored off-site at SRLF. -
JAZZ KINGS in BATTLE! THERE's a Real, Honest -To -Goodness War Raging on the Radio
FiUTH ETTINC TELLS INSIDE STORY OF HER RISE TO STARDOM (Turn to Page Six) a The NATIONAL WEEKLY of PROGRAMS and PERSONALITIES Volume 1 Chicago, III., Week of August 28 -September 3, 1932 Number 45 JAZZ KINGS IN BATTLE! THERE'S a real, honest -to -goodness war raging on the radio. It's a swell war, very sporting, and beside it the late lamented war between and among the crooners was a mere rear guard action. Mostly this new war is being fought with press agent smoke screens and gas. It's the Battle of the Bands. It's the only war on record in which the public has ever had anything to say. In fact, in this war, the public is going to be referee-if wars have referees-and between now and January 1st the public will raise the baton of some band leader and shout: "Hail, the new King of Jazz." Not that Jazz hasn't a King now-Paul Whiteman. But there are plenty of batoneers after "Slim" Whiteman's King job. If all their batons were stacked together they would make a nice load of firewood. All of a sudden there has been a tremendous rise in the popularity of the band leaders. They used to be musicians. Now they're national heroes. ' Their fan mail rolls in by the truck load, and you can almost see the (Continued on Page Fifteen) Paul Whiteman, upper right, is battling to keep his crown as King of Jazz. Among those who are after that crown are Ben Bernie, upper left, Ted Weems, lower left, and Guy Lom- bardo, lower right. -
1930S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1930 Great Day Paul Whiteman/Bing Crosby Jan 1930 More Than You Know Ruth Etting Jan 1930 A Little Kiss Each Morning Rudy Vallee Jan 1930 The Man From The South Ted Weems Jan 1930 Falling In Love Again Marlene Dietrich Feb 1930 Strike Up The Band Red Nichols Feb 1930 You Do Something To Me Leo Reisman Feb 1930 Nobody’s Sweetheart Paul Whiteman Feb 1930 Puttin’ On The Ritz Harry Richman Feb 1930 Should I Arden-Ohman Orchestra Feb 1930 What Is This Thing Called Love Leo Reisman Mar 1930 Happy Days Are Here Again Ben Selvin Mar 1930 Let Me Sing And I’m Happy Al Jolson Mar 1930 Stein Song (University Of Maine) Rudy Vallee Apr 1930 On The Sunny Side Of The Street Ted Lewis Apr 1930 A Cottage For Sale Guy Lombardo Apr 1930 Sing You Sinners High Hatters Apr 1930 It Happened In Monterey Paul Whiteman Apr 1930 When It’s Springtime In The Rockies Hilo Hawaiian Orchestra May 1930 Exactly Like You Ruth Etting May 1930 The Lonesome Road Ted Lewis May 1930 You Brought A New Kind Of Love To Me Paul Whiteman/Bing Crosby May 1930 Ten Cents A Dance Ruth Etting May 1930 Dancing With Tears In My Eyes Nat Shilkret Jun 1930 Get Happy Nat Shilkret Aug 1930 Little White Lies Fred Waring Aug 1930 Betty Coed Rudy Vallee Aug 1930 Bye Bye Blues Bert Lown Aug 1930 If I Could Be With You One Hour Tonight McKinney’s Cotton Pickers Sep 1930 I’m Confessin’ Guy Lombardo Aug 1930 Sheik Of Araby Red Nichols Aug 1930 Beyond The Blue Horizon Jeanette MacDonald Aug 1930 I Still Get A Thrill Ozzie Nelson Oct 1930 Body And Soul Paul Whiteman Oct 1930 China Boy Red Nichols Oct 1930 Three Little Words Duke Ellington Oct 1930 My Baby Just Cares For Me Ted Weems Oct 1930 Body And Soul Libby Holman Jan 1930 The Peanut Vendor Don Azpiazu Jan 1930 Embraceable You Red Nichols Jan 1930 Memories Of You Louis Armstrong Jan 1930 You’re Driving Me Crazy Guy Lombardo Feb 1930 I Got Rhythm Red Nichols Feb 1930 Something To Remember You By Libby Holman Feb 1930 St. -
The Great Escape! ♪
THE GREAT ESCAPE! ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Vol.1 No. 3 July/August 2007 Presented by www.dixieswing.com Quotable Jazzmen Volume 3: The Woodchopper By Bob Knack© “Some guys dig ditches, I have a band. other than his own; like a Glenn Miller song. “If I see Miller, It’s what I do.” I’ll tell him you requested that”, he’d retort. According to That was Woody Herman, clarinetist, vocalist and Herd trombonist and music director for the band during the bandleader extraordinaire, who fronted his own outfits for eighties, John Fedchock, after a drunk belligerently asked over fifty years. Woody was born May 16, 1913 in for several non-Herd requests one night an exasperated Milwaukee and was a show-biz natural. He was dancing in Woody asked him, “What did you pay to get in here”, and vaudeville at age six, and became a leader for the first time handing him a twenty said “See you later, pal.” when he took over the remnants of the Isham Jones band “Glenn and I were very good friends”, explained in 1936. ‘I got the job because I could sing and dance a Woody in another televised interview, “and he advised me little,” said Woody. Known as “The Band That Plays the about certain players. For instance, once in Boston he had Blues”, their first engagement was at New York’s’ Roseland a lead trumpet player who was bothering him. -
BING CROSBY a Pictorial Tribute
A VICTUl2IAL Tl2II3UT~ WOOI\IN4> tlAllV AT TMlIN4> IT "Ali" "VI:IlIllN4>Le Iif'LVIi WIN A WAil ll~ Editor JAMES W. BOWSER Writer JOSEPH L KOENIG Art Director AUGUSTINE PENNFITO Production Director NQRMANRAW Art Editor GARY JUNGE Production Manager ROSWElL LODEN Research Director BING CROSBY A Pictorial Tribute. Copyright Cl 1977 by Dell Publishing Company, Inc. All rights reserved. Dell Pu bl ishing EVA8AYNE Comp8lly, Inc., Executiv, end ed,IOri.1 olliess, 1 Dag Hammar. skjold Piau, New York. N.Y 10011. Helen Mey",., Chairman : Photo Researcher Catl W. Tobey President. NANCY MASTERSON • "For all the roads he traveled in his memorable career, Bing Crosby remained a gentleman, proof that a great talent can be a good man despite the pressures of show business. "He lived a life his fans around the world felt was typically American: suc cessful yet modest, casual but elegant. He revolutionized popular music, sang the biggest hit of all time, and yet was a man who would he at ease in any American home." President Jimmy Carter f A slar was born here in Tacoma. but didn', stay long. An early playmate ,,",os YOllngest sisler, Mary Rose. • For half a century, Bing Crosby roots were not in the cosmopolitan, The first time came just after hi s was the living embodiment of technologicaUy oriented America fifth birthday, when his father, America. Eternally young and cool, where he would achieve fame and Harry Lowe Crosby, was offered a optimistic in the face of overwhelm wealth, but in the small towns that bookkeeper's job with the Inland ing odds-whether global depres always were the bedrock of his im Brewery of Spokane. -
Bing Crosby Milestones of a Legend 12 Original Albums and Bonus Tracks Bing Label: Documents
neuerscheinungen wallets EASY LISTENING 16 ORIGINAL ALBUMS ON 10 CD s Bing Crosby Milestones Of A Legend 12 Original Albums and Bonus Tracks Bing Label: Documents Crosby Milestones of a Legend Genre: Easy Listening Format: 10 CD Wallet Veröffentlichung: 16.09.2016 Katalognr.: 600328 Label Code: 12281 Preiscode: 10M9 4 0 5 3 7 9 6 0 0 3 2 8 7 Vertriebsgebiet: ww einer der herausragenden Protagonisten der amerikanischen Unterhaltungsmusik 12 Original Alben + 29 Bonustracks einige seiner besten und erfolgreichsten Alben aus den Jahren 1956 bis 1962 HIGH SOCIETY, BING SINGS WHILST BREGMAN SWINGS, BING WITH A BEAT, BING & SATCHMO, A MUSICAL AUTOBIOGRAPHY OF BING, WISH YOU A MERRY CHRISTMAS u.a. Louis Armstrong, Fred Astaire, The Andrews Sisters, Frank Sinatra u.v.a. Bing Crosby war einer der herausragenden Protagonisten der aus den Jahren 1956 bis 1962 und zeigt die große Bandbreite amerikanischen Unterhaltungsmusik. Lässig, smart, heiter – und seines musikalischen Könnens: HIGH SOCIETY, SOME FINE mit einem Timbre gesegnet, das selbst unter Hunderten von OLD CHESTNUTS, BING SINGS WHILST BREGMAN SWINGS, Stimmen leicht zu erkennen ist, verströmte er als Sänger und SONGS I WISH I HAD SUNG THE FIRST TIME AROUND, BING Schauspieler einen unwiderstehlichen Charme. Markenzeichen WITH A BEAT, FANCY MEETING YOU HERE, BING & SATCHMO, des 1903 in Tacoma geborenen Sängers waren exquisite A MUSICAL AUTOBIOGRAPHY OF BING, EL SENOR BING, Schmachtfetzen und eingängige Jazzmelodien, die er mit einer WISH YOU A MERRY CHRISTMAS und SELECTIONS FROM sanften Stimme vortrug, die laut New York Times an die eines HOLIDAY INN. Mit dabei sind weitere hochkarätige Größen der „freundlichen Bären“ erinnerte. -
Buddy Clark.. Don Mcneill...GETS Gracie Allen...ALLERGIC Andy
PROGRAMS FOR WEEK BEGINNING MAY 2 FO R T Y PA GE S 4 Pe# eiteutdiet dd! Veeteytt 1 Pete 33 Buddy Clark ... JOLSON'S FAVORITE IN THIS Don McNeill...GETS GIVEAWAYS ISSUE: Gracie Allen...ALLERGIC TO MINK Andy Russell... ARNHEM'S PARTNER musicfi hath IN HAL NICHOLS' "MEMORY ROO M" T isn't just coincidence that ties of KFOX. When Hal Nichols asked for "Funds 1Barty, the famous feline mas- For Feed" for the starving deer of Southern California cot of the Memory Room, and during the drought, Memory Roomers responded by the Dixie and Trixie, the two feath- hundreds. The proceeds were turned over to the Hu- ered songsters, play such a large mane Society for administration. When the Long Beach part in Hal Nichols' nightly KFOX presentation of branch of the Southern California Humane Society found MELODIES 'N ME MORIES. The beloved Memory the need of new quarters, Hal and his faithful Memory Room Maestro is an animal lover of the first water, and Roomers again came to the rescue. The Humane Society his many good deeds in the animal world prove it. now has a regular weekly program on KFOX, "The Pet Recently he was the recipient, together with Barty, of a Parade," 7:30 Thursday evening, of which the famous life membership in the Southern California Humane So- Memory Room cat, Barty, is honorary Grand Marshal. ciety, presented in honor of his support of that organiza- Yes, there is much of the milk of human kindness mixed tion through the Memory Room progrim and the facili- with the MELODIES 'N MEMORIES that thousands ;«, of KFOX listeners enjoy nightly at 6:30 • • on KFOX. -
Download Full Book
Stage to Studio James P. Kraft Published by Johns Hopkins University Press Kraft, James P. Stage to Studio: Musicians and the Sound Revolution, 1890-1950. Johns Hopkins University Press, 2003. Project MUSE. doi:10.1353/book.60326. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60326 [ Access provided at 30 Sep 2021 01:34 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Stage to Studio t ~ STUDIES IN• INDUSTRY AND SOCIETY Philip B. Scranton, Series Editor Published with the assistance ofthe Hagley Museum and Library I. Burton W Folsom Jr. Urban Capitalists: Entrepreneurs and City Growth in Pennsylvania's Lackawanna and Lehigh Regions, r8oo-r920 2. John Bodner Workers' World: Kinship, Community, and Protest in an Industrial Society, I9oo-I940 3· Paul F. Paskoff Industrial Evolution: Organization, Structure, and Growth ofthe Pennsylvania Iron Industry, IJso-r86o 4· David A. Hounshell From the American System to Mass Production, r8oo-r932: The Development ofManufacturing Technology in the United States 5· Cynthia J. Shelton The Mills ofManayunk: Industrialization and Conflict in the Philadelphia Region, q8rr831 6. JoAnne Yates Control through Communication: The Rise of System in American Management 7· Charles W Cheape Strictly Business: Walter Carpenter at Du Pont and General Motors 8. John K. Brown The Baldwin Locomotive Works, I8JI-I9If: A Study in American Industrial Practice 9· James P. Kraft Stage to Studio: Musicians and the Sound Revolution, r890-I950 James P. Kraft Stage to Studio Musicians and the Sound Revolution, r89o-r950 The Johns Hopkins University Press Baltimore and London © 1996 The Johns Hopkins University Press All rights reserved. -
744 101St Chase and Sandborn Show Anniversary Show Nbc 60 Ex Com 5008 10-2-4 Ranch #153 1St Song Home on the Range Cbs 15 Ex Co
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 6089 A TRIBUTE TO AL JOLSON A STAR STUDDED SHOW HONORING AL JOLSON 10/1/1946 MUT 52 EX NET 6228 A TRIBUTE TO IRVING BERLIN ALEXANDER'S RAGTIME BAND 8/3/1938 CBS 75 VG/EX NET 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO -
Crosby, Bing 1903 -1977 U.S
418 CROSBY Crosby, Bing 1903 -1977 U.S. Radio Personality and Entertainer Often referred to as "America's Crooner," Bing Crosby was area. In September 193o he married Fox starlet Dixie Lee, who the defining male singer of his time and one of the most pop- was a much bigger star at the time. ular and successful stars of the zoth century. He dominated Crosby emerged as a star himself in 1931 with the release of the recording, film, and radio industries for 3o years. the short film I Surrender Dear in the summer (made in part to Crosby's soft, conversational singing style, which critic Will promote his new hit single) and the debut of his nightly 15- Friedwald has described as a "warm B -flat baritone with a lit- minute radio program for the Columbia Broadcasting System tle hair on it" (199o), appealed to a broad audience of Amer- (CBS) in the fall. CBS built him up as a crooner to rival the icans and helped establish American popular song as both a National Broadcasting Company's (NBC) original crooner, legitimate art form and an extremely profitable mass media Rudy Vallee, and by December, Crosby, Russ Columbo (also at industry. Crosby's relaxed, modest star persona, folksy NBC), and Vallee were the most popular singers in the nation. charm, and quick wit also contributed greatly to his success. Crosby's public image, however, was more controversial. The informality of his radio variety show and his easy banter He had missed the debut of his New York radio show because with guests made listeners feel especially comfortable with of his drinking, and he was widely regarded in the industry as him and ensured Crosby a prominent place in the hearts of unstable.