The Guardian, January 19, 1976
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Carly Simon “I Took It to Heart That in Order to Be a Good Person, You Never Said Anything Mean About Anybody” —Carly Simon
Contributing Writers: Les Goldberg Ronnie Greenberg Randal C. Hill Lyn Jensen Debbie L. Sklar VOLUME 47, NUMBER 1 Nick Thomas JANUARY 2021 “Serving The Needs of Orange County & Long Beach Seniors Since 1974” Carly Simon “I took it to heart that in order to be a good person, you never said anything mean about anybody” —Carly Simon What’s Inside.... Calendar of Events ...................................... 5 Flashback ................................................... 6 Classifieds ............................................... 7-8 Song Preview .............................................. 9 Off The Beaten Path ................................... 10 In The Spotlight ........................................ 11 Book Club ................................................. 13 Carly Simon .............................................. 15 Long Beach. .............................................. 18 Fabulous Finds .......................................... 21 Life After Mother ....................................... 22 Busy Boomers ........................................... 25 Movie Preview ........................................... 26 Tinseltown Talks ........................................ 28 Gadget Geezer .......................................... 33 Orange County • Long Beach Page 2 SENIOR REPORTER [email protected] JANUARY 2021 Reflections Funeral Services We are a family owned and operated funeral service provider. The services we offer to our families can range from Cremation to Traditional Funerals, Catering to each -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance. -
Why Do Audiences Love a Good Romantic Comedy?
Romantic Comedies Through the Ages (History and Commentary) Why do audiences love a good romantic comedy? Are we all just hopeless romantics at heart? We just want to see the underdog guy get the girl and live happily ever after? It’s hard to say exactly why, but romantic comedies have had a long history of entertaining audiences. Whether in the theatres, opera houses, cinemas or just on your couch, audiences have had a history of laughing (and perhaps crying a bit too!) along with trials and tribulations of people falling in love. Consider the idea of romantic comedies on the Elizabethan stage. While the words “romantic” and “comedy” may not have been put together in Shakespeare’s days, all of his comedies are defined by the prevalent theme of love. Mistaken identities, twists and turns abound in A Midsummer Night’s Dream, All’s Well That Ends Well and As You Like It (just to name a few). Often the humor also focuses on a battle of wits between the sexes (Much Ado About Nothing and The Taming of the Shrew, for example). While the humor may not be seen throughout the entirety of the story (I don’t think anyone laughs when Hero is condemned to death by her father in Much Ado About Nothing), the main lovers work their way through the complications to find their way to each other in the end. The musical stage has also been keen on the idea of romantic comedy over the years. Italian comic opera – opera buffa – tended to be light and romantic in themes. -
Reviewing the Philadelphia Story
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 Reviewing The hiP ladelphia Story: social convention in remarriage comedy Carolyn Beth Greenwald Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Greenwald, Carolyn Beth, "Reviewing The hiP ladelphia Story: social convention in remarriage comedy" (1995). Retrospective Theses and Dissertations. 16188. https://lib.dr.iastate.edu/rtd/16188 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. RevievY'ing The Philadelphia Story: Social convention in remaniage comedy by Carolyn Beth Greenwald A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Approved: In Chargo of Major Work For the Major Department For t.he Graduate CoJlege Iowa State University Ames, Iowa 1995 ii TABLE OF CONTENTS Page CHAPTER ONE: INTRODUCTION 1 CHAPTER TWO: THE SHAKESPEAREAN INHERITANCE 9 CHAPTER THREE: THE PHILADELPHIA STORY 21 CHAPTER FOUR: ALLEN AND BERGMAN 42 BIBLIOGRAPHY 60 1 CHAJ>TER ONE: INTRODUCTION 'Love's stories, written in Covers riclUs 6ooK.,' (JII. fMwummer 9{jgfit's fJ}ream, I. ii. 123) The idea for this thesis came from a short paper I wrote on The Philadelphia Story (1940) directed by George Cukor. -
Sex, Politics, and Comedy
SEX, POLITICS, AND COMEDY GERMAN JEWISH CULTURES Editorial Board: Matthew Handelman, Michigan State University Iris Idelson-Shein, Goethe Universitat Frankfurt am Main Samuel Spinner, Johns Hopkins University Joshua Teplitsky, Stony Brook University Kerry Wallach, Gettysburg College Sponsored by the Leo Baeck Institute London SEX, POLITICS, AND COMEDY The Transnational Cinema of Ernst Lubitsch Rick McCormick Indiana University Press This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress.indiana.edu Supported by the Axel Springer Stiftung This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website, which can be found at the following web address: openmonographs.org. © 2020 by Richard W. McCormick All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. -
Carly Simon Hotcakes Mp3, Flac, Wma
Carly Simon Hotcakes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Hotcakes Country: US Released: 2015 Style: Soft Rock, Pop Rock MP3 version RAR size: 1867 mb FLAC version RAR size: 1464 mb WMA version RAR size: 1185 mb Rating: 4.8 Votes: 876 Other Formats: APE RA VQF WMA MP3 AA DXD Tracklist Hide Credits Safe And Sound Acoustic Guitar – Carly SimonArranged By [Strings And Woodwinds Arr. By], Conductor A1 [Strings And Woodwinds Cond. By] – Paul BuckmasterBass – Klaus Voorman*Drums – Rick 3:36 MarottaElectric Guitar [Elec. Guitar] – David SpinozzaPiano – Ken Asher*Written-By – Jacob Brackman Mind On My Man Acoustic Guitar – James Taylor Bass – Richard Davis Cabasa [Cabaza] – George A2 2:57 Devons*Congas – Ralph McDonald*Electric Guitar – Bucky PizzarelliPiano, Electric Piano, Whistle – Carly Simon Think I'm Gonna Have A Baby Backing Vocals [Background Vocals] – Carl Hall, Lani Groves, Tasha ThomasBass – Klaus A3 Voorman*Drums – Jim KeltnerElectric Guitar [Elec. Guitar] – David SpinozzaPercussion – 3:55 Ralph McDonald*Piano, Acoustic Guitar – Carly SimonVocals [La-la's] – Lucy Simon, Todd Graff Older Sister Acoustic Guitar – James Taylor , Jimmy Ryan Backing Vocals [Background Vocals] – Bennie A4 Diggs And The Revelations*Bass [Slap Bass] – Larry BreanDrums – Jim KeltnerElectric 3:06 Guitar [Elec. Lead Guitar] – David SpinozzaPiano – Carly SimonVocals [Ba-yoops] – Richard Perry Just Not True Acoustic Guitar [Acoustic Lead Guitar] – James Taylor Acoustic Guitar [Acoustic Rhythm A5 Guitar] – Jimmy Ryan Arranged By [Strings And Woodwinds Arr. By], Conductor [Strings 5:16 And Woodwinds Cond. By] – Paul BuckmasterBacking Vocals [Background Vocals] – Carly Simon, James Taylor Bass – Klaus Voorman*Drums – Jim GordonPiano – Carly Simon Hotcakes Arranged By [Horns Arr. -
James Taylor Caminante Mp3, Flac, Wma
James Taylor Caminante mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Caminante Country: Argentina Released: 1975 Style: Folk Rock, Acoustic, Soft Rock MP3 version RAR size: 1353 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1505 mb Rating: 4.6 Votes: 155 Other Formats: MP4 DTS WAV AA FLAC AC3 MOD Tracklist Hide Credits Caminante (Walking Man) A1 3:30 Percussion – Ralph MacDonaldViolin – Gene Orloff Rock And Roll Es Musica Ahora (Rock 'A' Roll Is Music Now) A2 Backing Vocals – Carly Simon, Paul Y Linda McCartney*, Rick MarottaElectric Piano – 3:25 David Spinozza Deja Que Todo Se Vaya Al Demonio (Let It All Fall Down) A3 3:30 Backing Vocals – Carly Simon, Paul Y Linda McCartney*Percussion – Ralph McDonald* Mi Guitarra Y Yo (Me And My Guitar) A4 Harmonica – Hugh McCrackenPercussion – Ralph McDonald*Piano, Organ – Don 3:30 GrolnickViolin – Gene Orloff Nenita De Papa (Daddy's Baby) A5 2:37 Backing Vocals – Carly SimonVoice [Vox Humana] – Don Grolnick No Hay Ninguna Cancion (Ain't No Song) B1 Backing Vocals – Carly Simon, Peter AsherClavinet – Ralph SchuckettPercussion – Ralph 3:28 McDonald*Written-By – David Spinozza, Joey Levine Hola Viejo Amigo (Hello Old Friend) B2 Alto Saxophone – George Young Directed By [Strings] – Gene OrloffElectric Piano – Ralph 2:45 Schuckett Migracion (Migration) B3 3:14 Percussion – Ralph McDonald*Voice [Vox Humana] – Don Grolnick La Tierra Prometida (The Promised Land) B4 4:03 Piano – Don GrolnickWritten-By – Chuck Berry Desvaneciendose (Fading Away) B5 3:32 Organ – Don Grolnick Companies, etc. Distributed By – Music Hall Manufactured By – Music Hall Printed By – Alpha S.A.I.C. -
1980 B. Lee Cooper Newberry College ..•
MUSIC AND THE METROPOLIS: LYRICAL U!AGES OF LTFE IN AHER TCAN CITIES, 1950 - 1980 B. Lee Cooper Newberry College ..• The "city" has meant one thing in our history, and quite another in the historical experience of most of Western Europe. Throughout the European past, cities have been places people went to; in America, people have generally tended to think of cities as places to get away from. In Europe the city signified a bringing together of the indispensable conditions for civilized life; in America, the city stood for something much more ambiguous . something questionable, something nega tive, even something sinister. 1 -- Eric McKitrick The relationship between modern music and the metropolis has been a subject of scholarly investigation for many years. Even in fields of American music where rural themes have traditionally been dominant, a shift of lyrical emphasis has occurred since World War II. One writer described this phenomenon by stating, "The first observation that needs to be made about Country and Western music is that it is neither 'Country' nor 'Western.' It draws most of its imagery from the town or city (or the highways leading into the city), and its geographical center of gravity is not western but southeastern."2 This assertion can be expanded into a human perspective through the following obser vation: "It is no longer interested in the open range, the cattle-drive, or the cowboy at the campfire. Today's C & W hero is frequently a city- dwelling working man struggling with the complexities of modern urban--or suburban life."J Pet~r Thorpe, the author of the preceding statements, illustrates this view of the new "country" hero by referring to Merle Haggard's lyrical saga of the bewildered, ambivalent fellow in "Workin' Man Blues." For history teachers, the shifting images of urban life in American soci ety offer excellent opportunities for instructional innovation. -
The Last of the Romantic Comedies
THE LAST OF THE ROMANTIC COMEDIES: THE DEATH AND EVENTUAL REBIRTH OF THE GENRE A Thesis Presented to The Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Fine Arts in Film by Luke Porst April 2016 2 The Romantic Comedy has been a staple of the Hollywood movie system since the birth of sound. The allure of the genre is easy to see. Comedy has always appealed to the human yearning for enjoyment and laughter. Romance is one of our deepest and truest desires. And the two go hand-in-hand in a way that truly connects with the audience’s own real experiences of love and relationships. Traditionally, the romantic comedy is synonymous is with the ideas of “true love,” “destiny,” and “happily ever after.” Of course, like all genres, the traits upon which the romantic comedy was founded have gone through various cycles and revisions. As society and culture go through shifts, so does the art that reflects it. With motion pictures being one of the most dominant art forms of the last one hundred years, naturally it most closely mirrors the changes of the world it exists in. Romantic Comedies have experienced incredible highs and some dark lows. Currently, the romantic comedy is in something of a low. While some prominent recent work in the genre has proven quite popular and critically applauded, it is all part of a current cycle in which the romantic comedy is trying to figure out it’s place in our present cynical world.