DOCSLIB.ORG

Vente En Ligne De Billets Sur Sur Billets De Ligne En Vente Partenaires De L’Étrange Festival 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vente En Ligne De Billets Sur Sur Billets De Ligne En Vente Partenaires De L’Étrange Festival 2012 Photo © Régine Cirotteau © Régine Photo Vente en ligne de billets sur www.forumdesimages.fr Forum des images : Forum des Halles / 2, rue du Cinéma / Paris 1er • Tél 01 44 76 63 00 • blog.forumdesimages.fr www.etrangefestival.com PARTENAIRES DE L’ÉTRANGE FESTIVAL 2012 L’ÉTRANGE FESTIVAL DIX-HUITIÈME ÉDITION « La perception de l’inatteignable n’est qu’un leurre de la réalité » et c’est précisément pour cette raison que fut créé L’Étrange Festival : être aux aguets et entretenir la flamme d’un cinéma différent. Déjà 18 années de découvertes ou de confirmations, et pourtant notre enthousiasme ne s’amenuise jamais. De cette nouvelle édition, émergeront certains talents du cinéma de demain. Prodigieuse passation grâce à la présence de Kenneth Anger, le pape du cinéma américain d’avant-garde, qui nous fait l’honneur de composer une carte blanche, et de participer à un débat, animé par l’un de ses fils spirituels : Nicolas Winding Refn, en complément d’un concert « tétanisant » et d’une exposition photographique inédite. Le turbulent réalisateur Jan Kounen nous offre une impeccable carte blanche, permettant de mieux cerner son univers. Trois focus sont consacrés à des cinéastes singuliers : Le discret Zurichois Mathieu Seiler ; le nouveau surdoué du cinéma anglais Ben Wheatley, NEVERet le documentariste américain SURRENDER Ron Fricke, dont les films majestueux ! continuent d’éblouir la planète cinéma. Pour la troisième année consécutive, la compétition internationale propose 21 longs-métrages en lice pour le Prix Nouveau Genre et le Prix du Public. La dix-huitième compétition internationale de courts-métrages départagera 45 films venus du monde entier pour leGrand Prix ainsi que le Prix du public. Deux nuits hautes en couleur, dont une nuit gratuite offerte par Canal+, vous sont proposées afin de rassasier les plus noctambules d’entre vous. Enfin, uneThema Motor Psycho, autour des fous de la vitesse, permettra de « speeder » vos sens. On n’a pas tous les jours 18 ans. Très bon anniversaire à toutes et à tous ! L’Étrange Festival Pour la troisième année, Canal+ Cinéma et L’Étrange Festival s’associent pour remettre le PRIX NOUVEAU GENRE à l’un des longsCOMPÉTITION métrages sélectionnés INTERNATIONALE en compétition internationale. Le film primé se verra acheté par la chaîne pour une future diffusion à l’antenne. 1 COMPÉTITION INTERNATIONALE - FILM D’OUVERTURE }6/09 HEADHUNTERS 19h30 Morten Tyldum – 2011 – Norvège/Allemagne – Thriller }8/09 Un chasseur de têtes accompli risque tout pour acquérir un tableau 21h30 de valeur dont l’actuel propriétaire est un ancien mercenaire. Un thriller froid comme la glace lorgnant vers la trilogie MILLÉNIUM du Suédois Stieg Larsson. Avant même la sortie du film, la société Summit Entertainment fut si enthousiasmée par ce projet qu’elle a directement acheté les droits du film pour en faire un remake... Découvrez l’original avant la copie ! Hodejegerne. Avec : Aksel Hennie, Synnøve Macody Lund. Scn : Lars Gudmestad et Ulf Ryberg, d’après le roman de Jo Nesbø . Prod : Asle Vatn et Marianne Gray. Mus : Trond Bjerknes, Jeppe Kaas. Photo : John Andreas Andersen. Mont : Vidar Flataukan. Durée : 1h40. Couleurs. COURTS MÉTRAGES D’OUVERTURE : WRONG COPS Quentin Dupieux – 2011 – France – 12 mn – avec Marilyn Manson Patrouillant les rues de Los Angeles, Duke, flic corrompu et mélomane, fait la rencontre d’un amateur de techno, David Dolores Frank. CORNÉE Stéphane Blanquet – 2012 – France – 5 mn 43 – Animation Du sang goutte dans un bol de soupe... Un ophtalmo ausculte l’œil d’un patient, touché par un insecte... 3 FILM DE CLÔTURE }16/09 DREDD 20h00 Pete Travis – 2012 – USA – Action Dans une ville violente du futur où la police multiplie les fonctions (juge, jury et bourreau), un flic fait équipe avec une apprentie- juge pour arrêter un gang qui vend de la drogue SLO-MO… Reboot de JUDGE DREDD (1995), par le scénariste attitré de Danny Boyle et le réalisateur d’ANGLES D’ATTAQUE (2007), PREMIÈRE INTERNATIONALE mettant en scène des personnages adaptés du comics JUDGE DREDD, créé par John Wagner et Carlos Ezquerra en 1977, avec dans le rôle-titre, Karl Urban, vu dans LE SEIGNEUR DES ANNEAUX et STAR TREK, succédant ainsi à Sylvester Stallone. L’“Action movie” dans toute sa quintessence. Avec : Karl Urban, Olivia Thirlby, Lena Headey. Scn : Alex Garland. Prod : Allon Reich, Andrew Macdonald, Alex Garland. Mus : Paul Leonard-Morgan. Photo : Anthony Dod Mantle. Mont : Mark Eckersley. Durée : 1h35. Couleurs. 5 COMPÉTITION INTERNATIONALE COMPÉTITION INTERNATIONALE }7/09 15h45 TOURISTES ! Ben Wheatley – 2012 – Grande-Bretagne – Comédie satirique }15/09 20h00 Tina a toujours mené une vie bien rangée, protégée par une mère possessive et envahissante. Pour leurs premières vacances en amoureux, Chris décide de lui faire découvrir l’Angleterre à bord de sa caravane. Un vrai dépaysement pour Tina. Mais très vite, ces “vacances de rêve” dégénèrent : touristes négligents, ados bruyants }11/09 et campings réservés vont rapidement mettre en pièces le rêve de GOD BLESS AMERICA 15h00 Chris et de tous ceux qui se trouveront sur son chemin... Bobcat Goldthwait – 2011 – USA – Comédie }14/09 Un road movie trash et romantique à la bande-son somptueuse, Frank, un cinquantenaire en phase terminale, décide de passer le 18h30 soutenu par Edgar Wright (SHAUN OF THE DEAD) et coscénarisé par les peu temps qui lui reste à tuer tous les gens qui rendent la télévi- deux acteurs principaux (Alice Lowe et Steve Oram). Ou LES TUEURS sion insupportable. Accompagné de Roxy, une lycéenne, ils vont DE LA LUNE DE MIEL revu par le réalisateur de KILL LIST. se livrer à un carnage sans limites. Sightseers. Avec : Alice Lowe, Steve Oram. Scn : Alice Lowe, Steve Oram. Prod : Claire Comédien grimaçant des années 80 reconverti cinéaste grinçant, Jones, Nira Park et Andrew Starke. Mus : Jim Williams. Photo : Laurie Rose. Mont : Robin Hill, Amy Jump, Ben Wheatley. Durée : 1h35. Couleurs. Bobcat Goldthwait embarque le frère de Bill Murray dans une satire politiquement incorrecte au goût de BREAKING BAD fustigeant le } Voir aussi FOCUS BEN WEATHLEY pages 48-49 nivellement par le bas ambiant. Un massacre généralisé salvateur ! Avec Joel Murray, Tara Lynne Barr, Mackenzie Brooke Smith. Scn : Bobcat Goldthwait. Prod : Jeff Culotta et Sean McKittrick. Mus : Matt Kollar. Photo : Bradley Stonesifer. Mont : David Hopper et Jason Stewart. Durée : 1h45. Couleurs. 6 7 COMPÉTITION INTERNATIONALE COMPÉTITION INTERNATIONALE États-Unis et Mexique, opposant une société opulente et un peuple de misère, les exploiteurs et les exploités. L’un des chocs de l’année ! Avec : Kim Stodel, María De Jesús Canales Ramírez, Manuel Ramos, Cecillia Gutiérrez, }10/09 Erasmo Rodríguez. Scn : Omar Rodriguez-Lopez. Prod : Omar Rodriguez-Lopez. Photo : 17h00 A FANTASTIC FEAR Michael Rizzi. Mont : Adam Thomson. Durée : 1h34. Couleurs. }14/09 OF EVERYTHING 19h45 Crispian Mills & Chris Hopewell – 2012 – Grande-Bretagne – Comédie À force de vouloir changer de spécialité en se dirigeant vers la lit- térature criminelle, un écrivain de livres pour enfants nourrit une obsession maladive pour les serial-killers Victoriens sur lesquels il effectue des recherches. Sombrant dans la paranoïa, il doit faire PREMIÈRE FRANÇAISE face à son psy, à son agent et à un producteur hollywoodien… Simon Pegg, repéré comme double de Nick Frost chez Edgar Wright (SHAUN OF THE DEAD), désormais sous la houlette de Crispian Mills, le chanteur du groupe de rock psychédélique Kula Shaker, et de Chris Hopewell, clippeur pour Radiohead et The Killers. Une comédie for- cément bizarroïde qui ne ressemble à aucune autre. }9/09 Avec : Kai Boyce, Zaak Conway, Filippo Delaunay, Simon Pegg. Scn : Crispian Mills. Prod : GAME OF WEREWOLVES 19h15 Geraldine Patten, Crispian Mills. Mus : Michael Price. Photo Simon Chaudoir. Mont : Dan Juan Martinez Moreno – 2011 – Espagne – Comédie fantastique Roberts. Durée : 1h40. Couleurs. } e 12/09 Au début du XX siècle à Arga, un village de Galicie, une terrible 19h00 }6/09 malédiction a transformé le fils de la marquise de Mariño en loup- 20h15 LOS CHIDOS garou. Cent ans plus tard jour pour jour, Tomás, dernier descen- }14/09 Omar Rodriguez-Lopez – 2012 – Mexique – dant de la famille, revient dans son village d’origine pour une 22h00 }9/09 Comédie cérémonie en son honneur… 19h00 Au Mexique, la famille Gonzales, propriétaire Déjà auteur d’une comédie d’espionnage (DOS TIPOS DUROS) et d’un d’une casse auto, survit entre deux autoroutes thriller décalé (UN BUEN HOmbRE), Juan Martinez Moreno s’essaye et se complait dans la médiocrité et la crasse. désormais au fantastique avec cette déclinaison amusée du mythe Quand un industriel américain passe par leur lycanthrope, dans le sillage du cultissime LOUP-GAROU DE LONDRES de boutique suite à une crevaison, il devient un PREMIÈRE FRANÇAISE internationale John Landis. Avec, dans le rôle principal, Carlos Areces, récemment appât suffisamment intéressant pour ne pas le vu dans BALADA TRISTE (Alex de la Iglesia) et EXTRATERRESTRE (Nacho laisser partir… Vigalondo). PREMIÈRE Entre Fassbinder, Jodorowsky et John Waters, Lobos de Arga. Avec : Carlos Areces, Luis Zahera. Scn : Juan Martinez Moreno. Prod : Emma Lustres & Tomás Cimadevilla. Mus : Sergio Moure. Photo : Carlos Ferro. Mont : Nacho une fable drôle et perverse sur les rapports entre Ruiz Capillas. Durée : 1h43. Couleurs. 8 9 COMPÉTITION INTERNATIONALE COMPÉTITION INTERNATIONALE }8/09 17h15 }15/09 19h30 }10/09 IRON SKY VANISHING WAVES 14h30 Timo Vuorensola – 2012 – Finlande-Allemagne-Australie Kristina Buozyté & Bruno Samper – 2012 – Lituanie – Science-fiction – Comédie / Science-fiction }12/09 Lukas, un scientifique, participe à une expérience qui lui permet 16h30 En 2018, lors d’une mission sur la Lune, des astronautes américains d’entrer dans l’esprit d’un patient comateux inconnu. Au début, il PREMIÈRE FRANÇAISE se font attaquer par des soldats sortis de nulle part. Ramenés pour ne distingue qu’une explosion de sons et d’images, puis aperçoit certains dans leur base située sur la face une femme inconnue.
Load more

Recommended publications
  • Sake, Sex and Gore: the Japanese Zombie Film and Cult Cinema
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203. This file was downloaded from: https://eprints.qut.edu.au/96101/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/ac.26.2.193_1 Sake, sex and gore: The Japanese zombie film and cult cinema Kayleigh Murphy, Queensland University of Technology Abstract Zombie film is a minor, yet growing, sub-genre within Japan’s contemporary horror genre.
    [Show full text]
  • Post-Human Nightmares
    Post-Human Nightmares Mark Player 13 May 2011 A man wakes up one morning to find himself slowly transforming into a living hybrid of meat and scrap metal; he dreams of being sodomised by a woman with a snakelike, strap-on phallus. Clandestine experiments of sensory depravation and mental torture unleash psychic powers in test subjects, prompting them to explode into showers of black pus or tear the flesh off each other's bodies in a sexual frenzy. Meanwhile, a hysterical cyborg sex-slave runs amok through busy streets whilst electrically charged demi-gods battle for supremacy on the rooftops above. This is cyberpunk, Japanese style : a brief filmmaking movement that erupted from the Japanese underground to garner international attention in the late 1980s. The world of live-action Japanese cyberpunk is a twisted and strange one indeed; a far cry from the established notions of computer hackers, ubiquitous technologies and domineering conglomerates as found in the pages of William Gibson's Neuromancer (1984) - a pivotal cyberpunk text during the sub-genre's formation and recognition in the early eighties. From a cinematic standpoint, it perhaps owes more to the industrial gothic of David Lynch's Eraserhead (1976) and the psycho-sexual body horror of early David Cronenberg than the rain- soaked metropolis of Ridley Scott's Blade Runner (1982), although Scott's neon infused tech-noir has been a major aesthetic touchstone for cyberpunk manga and anime institutions such as Katsuhiro Otomo's Akira (1982- 90) and Masamune Shirow's Ghost in the Shell (1989- ). In the Western world, cyberpunk was born out of the new wave science fiction literature of the sixties and seventies; authors such Harlan Ellison, J.G.
    [Show full text]
  • Framing a Disability Theory of Value for Contemporary Narrative
    Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative by Christopher Matthew Ewart M.A. (English), University of Calgary, 2005 B.A. (English), University of Calgary, 2001 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Christopher Matthew Ewart 2014 SIMON FRASER UNIVERSITY Summer 2014 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Christopher Ewart Degree: Doctor of Philosophy (English) Title of Thesis: Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative Examining Committee: Chair: Jeff Derksen Associate Professor Peter Dickinson Senior Supervisor Professor Clint Burnham Supervisor Associate Professor Kirsty Johnston Supervisor Associate Professor Helen Leung Internal Examiner Associate Professor Gender, Sexuality and Women’s Studies David Mitchell External Examiner Professor, Department of English George Washington University Date Defended/Approved: June 17, 2014 ii Partial Copyright Licence iii Abstract This dissertation investigates the ways in which representations of disability in fiction, film, performance and media from the modernist period to the present reflect and resist dominant histories of ability, creating surplus moments of disabled agency and value. I employ disability theory, close reading and sociocultural analysis to address inequitable representations of disability across a range of high and pop cultural narratives, from an early novel of Samuel Beckett's to films that use CGI prosthetics.
    [Show full text]
  • Western Japaneseness Intercultural Translations of Japan in Western Media
    Western Japaneseness Intercultural Translations of Japan in Western Media Edited by Frank Jacob Nord University, Norway and Bruno Surace Università degli Studi di Torino, Italy Series in Critical Media Studies Copyright © 2021 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200 C/Sancti Espiritu 17, Wilmington, Delaware, 19801 Malaga, 29006 United States Spain Series in Critical Media Studies Library of Congress Control Number: 2020946404 ISBN: 978-1-64889-115-1 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press using elements designed by Freepik. Table of Contents Western Japaneseness: An Introduction v Frank Jacob Nord University and Bruno Surace Università degli Studi di Torino,
    [Show full text]
  • Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
    Asian Extreme as Cult Cinema: The Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies, Wilfrid Laurier University MA Film Studies, University of British Columbia A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Communications and Arts Hughes 2 Abstract This thesis investigates the way Western audiences respond to portrayals of excess and otherness in Japanese Extreme cinema. It explores the way a recent (2006-2016) cycle of Japanese Splatter (J-Splatter) films, including The Machine Girl (Noboru Iguchi, 2008) and Tokyo Gore Police (Yoshihiro Nishimura, 2008), have been positioned as cult due to their over-the-top representations of violence and stereotypes of Japanese culture. Phenomenological research and personal interviews interrogate Western encounters with J-Splatter films at niche film festivals and on DVD and various online platforms through independent distributors. I argue that these films are marketed to particular Western cult audiences using vocabulary and images that highlight the exotic nature of globally recognised Japanese cultural symbols such as schoolgirls and geisha. This thesis analyses J-Splatter’s transnational, cosmopolitan appeal using an approach informed by the work of Ernest Mathijs and Jamie Sexton, Matt Hills, Henry Jenkins, and Iain Robert Smith, who read the relationship between Western audiences and international cult cinema as positive and meaningful cultural interactions, demonstrating a desire to engage in more global experiences. The chapters in this thesis use textual analysis of J-Splatter films and case studies of North American and Australian film festivals and distribution companies, which include interviews with festival directors and distributors, to analyse the nature of the appeal of J- Splatter to Western audiences.
    [Show full text]
  • Lifetime Achievement Award
    100 % BLUE AGAVE • 5 TIMES DISTILLED • HANDMADE SMALL BATCH, SINGLE BARREL • ULTRA PREMIUM THE OFFICIAL TEQUILA OF FANTASTIC FEST Enjoy tequila Ambhar responsibly. Imported by Santo Spirits, Inc. Austin, Texas 78751 Ambhar.com AmbharFantFestAd1.indd 1 8/16/10 10:56 AM DON’T YOU WISH EVERYTHING IN YOUR HOME COULD BE THIS FAST? THAT’S WHY THERE’S ROAD RUNNER HIGH SPEED ONLINE. ® Order Road Runner and get: • Road Runner® High Speed Online 7.0 Mbps, with speeds over 4X faster than DSL’s standard package • FREE PowerBoost® can provide a burst of download speed up to 50% faster • Our Advanced Fiber Network keeps you connected at all times Order Digital Cable and get: $ • No-Fee HD — unlike Satellite, there’s no contract required per month • Enjoy CBS, NBC, FX, USA and more on your schedule with FREE for 12 months Primetime On Demand 25when you bundle with Digital Cable and Digital Home Phone* Order Digital Home Phone and get: • Unlimited calling to anywhere in the U.S., Canada and Puerto Rico with Digital Home Phone Unlimited Nationwide • Caller ID, Call Waiting, 3-Way Calling, and more popular calling features — FREE 100 % BLUE AGAVE • 5 TIMES DISTILLED • HANDMADE SMALL BATCH, SINGLE BARREL • ULTRA PREMIUM Call 1-888-TWC-8585 THE OFFICIAL TEQUILA OF FANTASTIC FEST or visit timewarnercable.com *Limited time offer. Valid for new residential customers only. Road Runner High Speed Online 7.0 Mbps for $25 price applies when All The Best bundle is purchased for $109.99 per month for 12 months. All The Best bundle includes Digital Cable, Road Runner High Speed Online 7.0 Mbps and Digital Home Phone Unlimited Nationwide.
    [Show full text]
  • THE ANCIENT DOGOO GIRL Special Movie Edition
    THE ANCIENT DOGOO GIRL Special Movie Edition Director/Original story: Noboru Iguchi Molding/Character design/Pilot film director: Yoshihiro Nishimura VFX Supervisor: Tsuyoshi Kazuno Cast: Erika Yazawa, Masataka Kubota, Romi Park (voice) INTRODUCTION “The Ancient Dogoo Girl” is originally the live action late night local TV series which started on October 2009 in Japan. With the eccentric style of the story brought by the notable filmmakers, the romance between the two main characters and the serious action, “The Ancient Dogoo Girl” called word-of-mouth and won the high television rating. DIRECTOR / ORIGINAL STORY Born on June 28, 1969. Noboru Iguchi’s roles include director, actor, writer and producer. As a director, he is known for his unique “Iguchi Taste,” and is one of the pioneers of the Japanese gore films such as “The Machine Girls” and “Robo Geisha.” His film “The Larva to Love” (2003) has been selected in the top 10 by the Japanese Professional Movie Awards. MOLDING / CHARACTER DESIGN / PILOT FILM DIRECTOR Born on April 1, 1967. Nishimura is a director, a special effects/makeup artist, and a screenwriter who has worked predominantly in the horror genre. He has been credited for establishing a new type of visual film presentation, the “gore effect.” He has directed “Tokyo Gore Police,” and his work as a special effect supervisor includes “ Robo Geisha” and “The Machine Girl.” CAST Erika Yazawa Masataka Kubota STORY Makoto is a socially withdrawn high school boy who stays home all day, playing games in his room. One day, when his father drags him to the archaeological site, he finds a strange breastplate buried in the woods by chance.
    [Show full text]
  • As Viewed Through the Pages of the New York Times in 2010 & 2011
    THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 THE KOREAN THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WTHE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 This booklet is a collection of 43 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2010 & 2011. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 First edition, November 2012 Edited & Published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright © 2012 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From The New York Times 2012 © 2012 The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States.
    [Show full text]
  • Video Catalogue (VHS, DVD) – Live Action & Anime - Detailed Listing Ordered by Title Japan Foundation, Sydney, Library
    • Live action titles start on page 1 • Anime titles start on page 29 CALL NUM: 778.21 MII 1 videodisc (DVD)(117 min.) + 1 booklet (13 p.).DVD (Region 13 ASSASSINS / DIRECTED BY TAKASHI MIIKE. 4, PAL); dual layer; anamorphic wide screen (16:9) presentation; [Newtown, N.S.W.] : Icon Film Distribution, [2012]. Japanese soundtrack in Dolby Digital mono. 1 videodisc (DVD)(124 min.)DVD (Region 2 and 4, PAL); Soundtrack in Japanese. Optional English subtitles. aspect ratio (2.35:1); soundtrack in Dolby Digital 5.1. OFLC rating: M, including Violence and mature themes. Soundtrack in Japanese. Optional English subtitles: This wildly melodramatic tale of a kabuki female impersonator OFLC rating: MA15+, including Strong violence. who exacts a long-delayed revenge on the men who drove his Thirteen brave samurai must face overwhelming odds in an parents to suicide is played out against a backdrop of comic epic battle against a sadistic lord and his army of 200 to prevent rivalries between thieves in the Tokyo underworld. him from plunging Japan into war. CALL NUM: 778.21 CHI CALL NUM: 778.21 INA ALIEN VS NINJA : AVN / WRITTEN, EDITED AND DIRECTED BY SEIJI THE 47 RONIN / PRODUCED BY SANEZUMI FUJIMOTO, TOMOYUKI CHIBA. TANAKA, HIROSHI INAGAKI ; SCREENPLAY BY TOSHIO YASUMI ; [Collingwood, Vic.] : Madman Entertainment, [2011], c2010. DIRECTED BY HIROSHI INAGAKI. 1 videodisc (DVD)(90 min.)DVD (Region 4, PAL); dual layer; [Collingwood, Vic.] : Madman Entertainment, [2007], c1962. anamorphic wide screen (16:9) presentation; Japanese 1 videodisc (DVD)(199 min.)DVD (Region 4, PAL); dual layer; soundtrack options in 5.1 and 2.0 Dolby Digital, English 16:9 anamorphic wide screen (2.35:1) presentation; Japanese soundtrack in 5.1 Dolby Digital.
    [Show full text]
  • NSS Flaw Found Inside...>>
    “Keep the Cat Free” 15/02/13 Issue 1540 felixonline.co.uk Newitt lecture Imperial interfaith Secretary of State for Energy and A dialogue at Imperial for those of any faith Climate Change gives will be happening next week. lecture at Imperial. Page 8 Page 9 Union does not support NSS flaw found Inside...>> closure of Translation COMMENT Studies Unit Clarifi cation sought on reason for closure. Union wants to know how students will be supported through their degrees. Union Council vote to oppose closure wins despite no sabbatical voting for it. Doing it for the love Tim Arbabzadah Editor-in-Chief Felix reported last year that it was of banking? 16 possible to fi nd students’ names and >> corresponding CID numbers for A fl aw in the NSS has been exposed certain departments. h is time, the once more. It is possible, and not too Business School have distributed the diffi cult, for students to fi ll out the CID numbers and corresponding FILM Petition to survey on behalf of others, raising names of students on Blackboard. save Unit has concerns over the security of the sur- A student who wished to remain thousands of vey – particularly due to the impor- anonymous passed this informa- signatures tance place on its results in league tion to Felix. h e list on Blackboard tables. was originally to show students >> 3 A&E U-Turn The latest romantic films. Awww >>29 Nida Mahmud News Editor tions have been vague. Council voted to both oppose the closure of the TSU and to seek clarity, despite all sabbati- SAVE h e Union opposes the closure of the cal offi cers either abstaining or voting Translation Studies Unit (TSU), fol- against fi rst the motion.
    [Show full text]
  • Boček & Zubík Foglarovská Hrůza Co Nás Na Horrorech Štve Socialistický Zombi Mord Třináctky a Zrcadla V Horroru
    NEZÁVISLÝ HORROROVÝ ČASOPIS ČÍSLO 13 PROSINEC 2014 Boček & Zubík Foglarovská hrůza Co nás na horrorech štve Socialistický Zombi Mord Třináctky a zrcadla v horroru Třináct zastavení Pátku třináctéhoObsah . 4 Co nám na/v horroru pije krev? . 8 Asami – Polonahá královna japonských krváků . 18 Fasshon heru . 26 Zrůdné zrcadlo & Ďábelská vidina (Michael Scott) . 28 Zrcadlení strachu . 30 Poslední přání (Daniel Barták) . 36 Český horror vstává z hrobu podruhé aneb Pionýři hororu 2! . 44 Petr Boček a Miloslav Zubík . 46 Výprodej nočních můr (Petr Boček, Miloslav Zubík) . 53 Budeme se bát divadelní večer na motivy povídek P. Bočka a M. Zubíka . 55 Trinásť, Pánboh pri nás . 56 Zombeavers . 58 Tak Sakaguchi . 66 Plyšák (Vít Martin Matějka) . 67 Koledu, nebo vám něco provedu (Honza Vojtíšek) . 72 O večeru halloweenském (Michaela Neuvirtová) . 77 Horrorové třináctky . 81 13 hororových povídek / 13 hororových povídek znovu . 85 Wrong Turn 6 . 87 K – Horror aneb o co jde v korejském horroru? . 88 Rastislav Blažek a Roman Mališka . 93 Socialistický Zombi Mord . 96 Strach a smrt v díle Jaroslava Foglara . 98 Smrt ve Stínadlech (Josef Blažek) . 108 Reipu zonbi: Lust of the dead . 115 Brány na druhú stranu . 117 Swamp Thing – Bažináč . 120 Polský fi lmový a televizní horror V. 1980–1989 . 122 NYX (Robert Poch) . 128 Bloody Xmas Fest 14.–17. 11. 2014 . 132 Frank Darabont . 136 The Canal . 144 E-mail: [email protected] www.howardhorror.cz Redakce: Honza Vojtíšek, Roman Kroufek Externí spolupracovníci a spolupracovnice: Lucia Andaľová, Josef Blažek, Roman Bílek, Martin Skuřok, Andrea Parezová, Martin Štefko, Krzysztof Gonerski Ilustrace: Dávid Marcin (9, 11, 12, 13),Martin Slávik (38, 41, 43, 68), Helena Štěpánová (73, 75) Korektury: Zuzana Kocurková, Lucia Andaľová Sazba: Július Muránsky HOWAR D – 13/2014 Zrcadlo, zrcadlo… Již sám pohled do zrcadla je občas pěkný horror.
    [Show full text]
  • Unabridged Cannes Product Guide + Stills
    CANNES PRODUCTPRODUCT GUIDEGUIDE Sarah Wharton comments from them about the Tennis 10 REGOLE PER FARE 7 & 7 PRODUCERS’ Delivery Status: Screening world of today. Featured in this INNAMORARE Over the course of one night, an programme are such stars as : FRED AKA: 10 RULES FOR FALLING IN SALES SERVICE underachieving twenty-something must PERRY, ROD LAVER, PANCHO 7 & 7 Producers’ Sales Service, 122 LOVE re-examine his listless life and battle his GONZALES, KEN ROSEWELL, ILIE Teen Romantic Comedy (93 min.) Walton Street, London, SW3 2JJ UK, pot-dealing roommate to win over the NASTASE, ROY EMERSON, FRED Language: Italian Tel: +44(0)7814.681335 girl of his dreams. STOLLY, JOHN MACENROE, IVAN Director: Cristiano Bortone www.producerssalesservice.com, TORTOISE IN LOVE LENDL, ANDRE AGASSI. Writer: Cristiano Bortone, Fausto Brizzi [email protected] Romantic Comedy (81 min) Producer: Orisa Produzioni - Orkestra At Cannes: Maura Ford (Managing AFRICAN ODYSSEY Language: English 2012Wildlife Documentary (13x30 min OR Entertainment Director - Sales), Antony Ford (Company Director: Guy Browning 1x52 min) Key Cast: Guglielmo Scilla, Vincenzo Director - Acquisitions) Writer: Guy Browning Language: English Salemme, Enrica Pintore Office: Lerins R1, Tel: Co-Production Partners: Immense Director: Joanne Goldring Cohen Delivery Status: Completed +33(0)6.11.78.28.59 CARELESS LOVE Productions LLP. Writer: Joanne Goldring Cohen Year of Production: 2012 Country of Drama (105 min) Producer: Steffan Aquarone Executive Producer: Eliot Cohen Origin: Italy Language:
    [Show full text]