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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Grabación, Producción Y Finalización De Un Producto Discográfico En Dolby 5.1 Conteniendo Dos Géneros Disímiles
GRABACIÓN, PRODUCCIÓN Y FINALIZACIÓN DE UN PRODUCTO DISCOGRÁFICO EN DOLBY 5.1 CONTENIENDO DOS GÉNEROS DISÍMILES CARLOS MARIO BENÍTEZ HOYOS ANDRÉS FELIPE RAMOS LÓPEZ PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES CARRERA DE ESTUDIOS MUSICALES BOGOTÁ 2009 GRABACIÓN, PRODUCCIÓN Y FINALIZACIÓN DE UN PRODUCTO DISCOGRÁFICO EN DOLBY 5.1 CONTENIENDO DOS GÉNEROS DISÍMILES CARLOS MARIO BENÍTEZ HOYOS ANDRÉS FELIPE RAMOS LÓPEZ Proyecto de grado presentado para optar el título de MAESTRO EN MÚSICA CON ÉNFASIS EN INGENIERÍA DE SONIDO Director RICARDO ESCALLÓN GAVIRIA Ingeniero de Sonido PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES CARRERA DE ESTUDIOS MUSICALES BOGOTÁ 2009 4 CONTENIDO INTRODUCCIÓN JUSTIFICACIÓN OBJETIVOS 1. SUSTENTO DEL MATERIAL ARTÍSTICO DESDE EL CONCEPTO WALL OF SOUND ...............................................................p.13 2. LAS DIVERSAS FORMAS DE CREACIÓN DE WALL OF SOUND……..p.17 3. ARTISTAS Y ESTILOS DEL SIGLO XX INVOLUCRADOS………………p.23 4. BREVE HISTORIA DEL SONIDO ENVOLVENTE (SURROUND 5.1)…………………………………………..p.35 5. CONCEPTOS DE INGENIERÍA APLICADOS A GRABACIÓN Y MEZCLA SURROUND………………………………………………………..p.38 6. ANÁLISIS DE DISCOGRAFÍAS……………………………………………..p.48 7. BITÁCORA DE GRABACIÓN Y PRODUCCIÓN…………………………..p.68 8. PROCESO DE EDICIÓN DEL REPERTORIO CLÁSICO……………… p.106 9. DESCRIPCIÓN GENERAL DE LOS PROCESOS DE MEZCLA……….p.112 10. CONCLUSIONES…………………………………………………………….p.124 11. BIBLIOGRAFÍA……………………………………………………………….p.128 5 INTRODUCCIÓN Las convenciones de la industria musical, en donde los arreglos, la instrumentación y el diseño general de una pieza, se producen en serie bajo un esquema determinado por el objetivo único de alcanzar afinidad en un mercado o grupo especifico, con fines claramente comerciales, han mostrado formas preconcebidas de cómo elaborar un material discográfico en todas sus etapas. -
Volume 14, Issue 20 Friday, February 1, 2013 Ommand Orner News from the Bay New Zip Code Black & Gold Gala Holy Mackerel! Cc Effective Feb
Volume 14, Issue 20 Friday, February 1, 2013 ommand orner News from the Bay New zip code Black & Gold Gala Holy mackerel! Cc Effective Feb. 7, Joint Task Force The Black Heritage Organization of Naval Station Guantanamo Bay Morale, Capt. Daniel Gard Guantanamo’s new postal zip code will be Naval Station Guantanamo Bay will be sell- Welfare and Recreation will host the Big Ole Command Chaplain, Joint Task Force Guantanamo APO AE 09522-9998. The current zip code, ing tickets to its Black & Gold Gala at the Mackerel Fishing Tournament at the marina APO AE 09360, will remain open until Feb. NEX atrium on Saturday from 10 a.m. to 12 on Saturday from 7 a.m. to 12 p.m. Prizes will have been on the island for seven months start spontaneously playing an unplanned and 15. For more information, contact Air Force p.m. To buy tickets on the Joint Task Force be awarded for the top male and female for now, and I think I am finally beginning unrehearsed symphony of jazz. Each musician Maj. Jeff Elliott at 9717 or jeffrey.e.elliott@ Guantanamo side, contact milta.b.dumas. the longest fork length mackerel. The event toI understand and appreciate more deeply knows his or her instrument and how to con- jtfgtmo.southcom.mil [email protected]. To buy tickets is open to all hands and is an in bound only the motto of Joint Task Force Guantanamo, tribute his or her own unique sound, and it on the NAVSTA side, contact Katalina fishing tournament. -
Gaseous “Nanoprobes” for Detecting Gas-Trapping Environments in Macroscopic Films of Vapor-Deposited Amorphous Ice DOI: 10.1063/1.5113505
The University of Manchester Research Gaseous “nanoprobes” for detecting gas-trapping environments in macroscopic films of vapor-deposited amorphous ice DOI: 10.1063/1.5113505 Document Version Submitted manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Talewar, S. K., Halukeerthi, S. O., Riedlaicher, R., Shephard, J., Clout, A., Rosu-Finsen, A., Williams, G. R., Langhoff, A., Johannsmann, D., & Salzmann, C. G. (2019). Gaseous “nanoprobes” for detecting gas-trapping environments in macroscopic films of vapor-deposited amorphous ice. The Journal of chemical physics, 151(13). https://doi.org/10.1063/1.5113505 Published in: The Journal of chemical physics Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:30. Sep. 2021 Gaseous ‘nanoprobes’ for detecting gas-trapping environments in macroscopic films of vapor-deposited amorphous ice Sukhpreet K. Talewar,a Siriney O. -
Acoustic Immunosensing of Exosomes Using a Quartz Crystal Microbalance with Dissipation Monitoring
Acoustic immunosensing of exosomes using a quartz crystal microbalance with dissipation monitoring. Jugal Suthar,y,z Edward S. Parsons,{ Bart W. Hoogenboom,{,x Gareth R. Williams,y and Stefan Guldin∗,z yUCL School of Pharmacy, University College London, 29-39 Brunswick Square, Bloomsbury, London, WC1N 1AX, United Kingdom zDepartment of Chemical Engineering, University College London, Torrington Place, London, WC1E 7JE, United Kingdom {London Centre for Nanotechnology, 17-19 Gordon Street, London, WC1H 0AH xDepartment of Physics and Astronomy, University College London, Gower Street, London, WC1E 6BT E-mail: [email protected] Abstract Exosomes are endocytic lipid-membrane bound bodies with potential to be used as biomarkers in cancer and neurodegenerative disease. The limitations and scarcity of current exosome characterisation approaches has led to a growing demand for trans- lational techniques, capable of determining their molecular composition and physical properties in physiological fluids. Here, we investigate label-free immunosensing, using a quartz crystal microbalance with dissipation (QCM-D), to detect exosomes by ex- ploiting their surface protein profile. Exosomes expressing the transmembrane protein 1 CD63 were isolated by size-exclusion chromatography from cell culture media. QCM-D sensors functionalised with anti-CD63 antibodies formed a direct immunoassay towards CD63-positive exosomes, exhibiting a limit-of-detection of 1.7x108 and 1.1x108 exosome sized particles (ESPs)/ ml for frequency and dissipation response respectively, i.e., clin- ically relevant concentrations. Our proof-of-concept findings support the adoption of dual-mode acoustic analysis of exosomes, leveraging both frequency and dissipation monitoring for use in diagnostic assays. Introduction Extracellular vesicles (EVs) are heterogenous, biomolecular structures enclosed by a lipid bilayer. -
Sake, Sex and Gore: the Japanese Zombie Film and Cult Cinema
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203. This file was downloaded from: https://eprints.qut.edu.au/96101/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/ac.26.2.193_1 Sake, sex and gore: The Japanese zombie film and cult cinema Kayleigh Murphy, Queensland University of Technology Abstract Zombie film is a minor, yet growing, sub-genre within Japan’s contemporary horror genre. -
Post-Human Nightmares
Post-Human Nightmares Mark Player 13 May 2011 A man wakes up one morning to find himself slowly transforming into a living hybrid of meat and scrap metal; he dreams of being sodomised by a woman with a snakelike, strap-on phallus. Clandestine experiments of sensory depravation and mental torture unleash psychic powers in test subjects, prompting them to explode into showers of black pus or tear the flesh off each other's bodies in a sexual frenzy. Meanwhile, a hysterical cyborg sex-slave runs amok through busy streets whilst electrically charged demi-gods battle for supremacy on the rooftops above. This is cyberpunk, Japanese style : a brief filmmaking movement that erupted from the Japanese underground to garner international attention in the late 1980s. The world of live-action Japanese cyberpunk is a twisted and strange one indeed; a far cry from the established notions of computer hackers, ubiquitous technologies and domineering conglomerates as found in the pages of William Gibson's Neuromancer (1984) - a pivotal cyberpunk text during the sub-genre's formation and recognition in the early eighties. From a cinematic standpoint, it perhaps owes more to the industrial gothic of David Lynch's Eraserhead (1976) and the psycho-sexual body horror of early David Cronenberg than the rain- soaked metropolis of Ridley Scott's Blade Runner (1982), although Scott's neon infused tech-noir has been a major aesthetic touchstone for cyberpunk manga and anime institutions such as Katsuhiro Otomo's Akira (1982- 90) and Masamune Shirow's Ghost in the Shell (1989- ). In the Western world, cyberpunk was born out of the new wave science fiction literature of the sixties and seventies; authors such Harlan Ellison, J.G. -
Formats En Partenariat Avec Nota, Nous Vous Présentons Les Formats Qui Font Les Succès Des Chaînes Étrangères Et Créent Les Tendances Internationales
N°56 / 5458 - Vendredi 5 juillet 2019 p 21/30 Formats En partenariat avec Nota, nous vous présentons les formats qui font les succès des chaînes étrangères et créent les tendances internationales. Cette rubrique est rédigée en anglais. Original title Lifestyle - Experiment - Episodes Euphoria Friendship - Love – Youth 8 Local title Producers Cast Euphoria Sam Levinson, Drake, Future Zendaya, Maude Apatow, Format title the Prince, Ron Leshem, Angus Cloud, Eric Dane, Euphoria Daphna Levin, Tmira Yardeni, Alexa Demie, Jacob Elordi, Country of broadcast Ravi Nandan, Kevin Turen, Barbie Ferreira, Nika King, United States Hadas Mozes Lichtenstein, Storm Reid, Hunter Schafer, Genre/Subgenre Mirit Toovi, Yoram Mokadi, Algee Smith, Sydney Fiction / Drama Series Gary Lennon Sweeney Program page Production company Produced in https://www.hbo.com/ Little Lamb / The Reasonable United States euphoria Bunch / DreamCrew / TCDY Developed in Keywords Productions / HBO / A24 Israel Concept Euphoria is a glimpse at the brutality and pleasures of teen existence today. It follows a group of high school students as they attempt to cope through drugs, sex and violence in an effort to make sense of an uncertain future. Description The series features Rue, a 17-year-old recovering drug addict struggling to find her place in the world. As she returns from rehab before her junior year, she immediately goes back to buying more drugs. When she gets home late, her mother makes her take a drug test and Rue calls in a favor from her childhood friend Lexi in order to pass it. Environment The programme is led in by the drama series Big Little Lies and led out by the variety show Last Week Tonight With John Oliver. -
Framing a Disability Theory of Value for Contemporary Narrative
Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative by Christopher Matthew Ewart M.A. (English), University of Calgary, 2005 B.A. (English), University of Calgary, 2001 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Christopher Matthew Ewart 2014 SIMON FRASER UNIVERSITY Summer 2014 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Christopher Ewart Degree: Doctor of Philosophy (English) Title of Thesis: Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative Examining Committee: Chair: Jeff Derksen Associate Professor Peter Dickinson Senior Supervisor Professor Clint Burnham Supervisor Associate Professor Kirsty Johnston Supervisor Associate Professor Helen Leung Internal Examiner Associate Professor Gender, Sexuality and Women’s Studies David Mitchell External Examiner Professor, Department of English George Washington University Date Defended/Approved: June 17, 2014 ii Partial Copyright Licence iii Abstract This dissertation investigates the ways in which representations of disability in fiction, film, performance and media from the modernist period to the present reflect and resist dominant histories of ability, creating surplus moments of disabled agency and value. I employ disability theory, close reading and sociocultural analysis to address inequitable representations of disability across a range of high and pop cultural narratives, from an early novel of Samuel Beckett's to films that use CGI prosthetics. -
Western Japaneseness Intercultural Translations of Japan in Western Media
Western Japaneseness Intercultural Translations of Japan in Western Media Edited by Frank Jacob Nord University, Norway and Bruno Surace Università degli Studi di Torino, Italy Series in Critical Media Studies Copyright © 2021 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200 C/Sancti Espiritu 17, Wilmington, Delaware, 19801 Malaga, 29006 United States Spain Series in Critical Media Studies Library of Congress Control Number: 2020946404 ISBN: 978-1-64889-115-1 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press using elements designed by Freepik. Table of Contents Western Japaneseness: An Introduction v Frank Jacob Nord University and Bruno Surace Università degli Studi di Torino, -
GC-Targeted C8-Linked Pyrrolobenzodiazepine−Biaryl Conjugates with Femtomolar in Vitro Cytotoxicity and in Vivo Antitumor Activity in Mouse Models Khondaker M
Article pubs.acs.org/jmc GC-Targeted C8-Linked Pyrrolobenzodiazepine−Biaryl Conjugates with Femtomolar in Vitro Cytotoxicity and in Vivo Antitumor Activity in Mouse Models Khondaker M. Rahman,† Paul J. M. Jackson,† Colin H. James,‡ B. Piku Basu,‡ John A. Hartley,§ Maria de la Fuente,‡ Andreas Schatzlein,‡ Mathew Robson,∥ R. Barbara Pedley,∥ Chris Pepper,⊥ Keith R. Fox,# Philip W. Howard,∇ and David E. Thurston*,† † Department of Pharmacy, Institute of Pharmaceutical Sciences, King’s College London, 150 Stamford Street, London SE1 9NH, United Kingdom ‡ UCL School of Pharmacy, University College London, 29/39 Brunswick Square, London WC1N 1AX, United Kingdom § Cancer Research UK Drug−DNA Interactions Research Group, UCL Cancer Institute, Paul O'Gorman Building, 72 Huntley Street, London, WC1E 6BT, United Kingdom ∥ UCL Cancer Institute, University College London, Paul O’Gorman Building, 72 Huntley Street, London WC1E 6BT, United Kingdom ⊥ Institute of Cancer & Genetics, Cardiff University School of Medicine, Heath Park, Cardiff CF14 4XN, United Kingdom # Centre for Biological Sciences, University of Southampton, Southampton SO17 1BJ, United Kingdom ∇ Spirogen Ltd., QMB Innovation Centre, 42 New Road, London E1 2AX, United Kingdom *S Supporting Information ABSTRACT: DNA binding 4-(1-methyl-1H-pyrrol-3-yl)- benzenamine (MPB) building blocks have been developed that span two DNA base pairs with a strong preference for GC-rich DNA. They have been conjugated to a pyrrolo[2,1- c][1,4]benzodiazepine (PBD) molecule to produce C8-linked PBD−MPB hybrids that can stabilize GC-rich DNA by up to 13-fold compared to AT-rich DNA. Some have subpicomolar IC50 values in human tumor cell lines and in primary chronic lymphocytic leukemia cells, while being up to 6 orders less cytotoxic in the non-tumor cell line WI38, suggesting that key DNA sequences may be relevant targets in these ultrasensitive cancer cell lines. -
August New Movie Releases
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