Using Multicultural Literature to Develop Empathy and Compassion in Preservice Teachers: a First Step in Preparing Culturally Responsive Teachers
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Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
On Location: Filming the Great Santini
Atlanta Magazine October 1979 On Location: Filming the Great Santini By Frank O Smith “And for the flight-jacketed boy on the road to Atlanta, he filled up for the first time, he filled up even though he knew the hatred would return, but for now, he filled up as if he would burst. Ben Meecham filled up on the road to Atlanta with the love of his father, with the love of Santini.” closing paragraph The Great Santini The last week in September 1978, Bing the local citizens, however, in comparison Crosby Productions comes to Beaufort, to the luster generated by the thought of South Carolina, to film The Great Santini, Beaufort as the setting of a movie, the closely adapted from Pat Conroy’s novel. residence of movie stars for nine weeks. “We chose Beaufort,” Life in this picturesque seacoast screenwriter/director Lewis John Carlino community continues with the same says, “because it was all here. It was all regularity and adherence to ritual it authentic, all real: the air station, the always had. people, the place.” He says Louisiana and But life in Beaufort is altered with Savannah were considered; but with the presence of Hollywood. There is a approval and support from the Marine vibrancy, a detectible charge of electricity Corps, Beaufort became the obvious in the air, a current that all but choice. transforms their world in to something Carlino (who wrote the screenplay no one can possess. and directed The Sailor Who Flew From Grace with the Sea) was attracted, too, by At eight o’clock this crisp November an intangible that registered sharply in morning, the sleek transport buses, his mind the first time he visited. -
Women's Journeys, Women's Stories: in Search of Our Multicultural Future
DOCUMENT RESUME ED 418 161 UD 032 220 AUTHOR Shevitz, Linda Pollack; Shaffer, Susan Morris TITLE Women's Journeys, Women's Stories: In Search of Our Multicultural Future. Units in U.S. Women's History. Teacher Guide. INSTITUTION Educational Development Center, Inc., Newton, MA. WEEA Equity Resource Center. SPONS AGENCY Department of Education, Washington, DC. PUB DATE 1997-00-00 NOTE 129p.; For the accompanying "Student Manual," see UD 032 221 CONTRACT RP92136001 AVAILABLE FROM Women's Educational Equity Act Resource Center, Education Development Center, Inc., 55 Chapel Street, Newton, MA 02158-1060; toll-free phone: 800-225-3088; world wide web: http://www.edc.org/WomensEquity PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS American Indians; Asian Americans; *Curriculum; *Females; *Futures (of Society); Guides; Hispanic Americans; Immigrants; Intermediate Grades; Jews; Junior High School Students; Junior High Schools; Middle Schools; Multicultural Education; *United States History; *Womens Studies IDENTIFIERS Middle School Students; United States (South) ABSTRACT This collection of curriculum units in U.S. history tells some of the untold women's stories that describe some of the historical events and social settings of the past and illustrate some trends for the future. These stories are intended to encourage middle school and junior high school students to explore contemporary women's history themes that correlate with themes previously highlighted in "In Search of Our Past," also from the Women's Educational Equity Act Resource Center. Three main units on contemporary topics are presented in both this "Teacher's Guide" and the "Student Manual." Each unit of the teacher's guide contains an overview of the unit, an introduction to the topic and background on the topic, ideas for additional student activities, and selected annotated resources. -
Camille Billops and James V. Hatch Archives at Emory University
Camille Billops and James V. Hatch archives at Emory University Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Title: Camille Billops and James V. Hatch archives at Emory University Call Number: Manuscript Collection No. 927 Extent: 47.25 linear feet (95 boxes), 12 oversized papers boxes and 16 oversized papers folders (OP), 6 extra oversized papers (XOP), AV Masters: 9.25 linear feet (9 boxes and LP1-4), and 10 GB born digital material (231 files) Abstract: The Camille Billops and James Hatch Archives at Emory University consists of a variety of materials relating to African American culture and art. Language: Materials entirely in English. Administrative Information Restrictions on Access Special Restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library in advance for access to this material. Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Please note that some of the items in this collection are copies of materials held in other archival repositories. The Library will not provide researchers with copies of those items. Researchers wishing to obtain copies of these materials should contact the repository that owns the originals. Related Materials in Other Repositories Hatch-Billops Oral History at the City College of New York Emory Libraries provides copies of its finding aids for use only in research and private study. -
A Journey of the Heart: the Call to Teaching. INSTITUTION Phi Delta Fappa Educational Foundation,Bloomington, Ind
DOCUMENT RESUME ED 335 317 SP 033 199 AUTHOR BogueE. Grady TITLE A Journey of the Heart: The Call to Teaching. INSTITUTION Phi Delta Fappa Educational Foundation,Bloomington, Ind. REPORT NO ISBN-0-87367-449-9 PUB DATE 91 NOTE 110p. AVAILABLE FROMPhi Delta Kappa, Eighth St. & Union Ave.,P.O. Box 789, Bloomington, IN 47402-0789 ($5.00). PUB TYPE Viewpoints (Opinion/Position Papers, Essays,etc.) (120) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Educational Environment; Educational Quality; Elementary Secondary Education; Higher Education; Personal Narratives; Role of Education;*Teacher Motivation; *Teacher Role; *Teaching(Occupation); *Teaching Experience IDENTIFIERS Knowledge Base for Teaching; Professionalism ABSTRACT The essays in this monograph are intendedto give visibility to the nature and nobility ofteaching. The volume is a reflective celebration and an elevation ofthe call to teaching. Chapter titles include: "Acts of Teaching";"A Good Question"; "A Good School"; "Lessons for Learners";"A Need to Know"; "A Servant Profession"; "A Real World"; "A Journeyof the Heart"; and "A Promise to Keep." Personal experiences in thecareers of college and public school teachers complement thediscussion of issues. The topics covered include discussions of educationalquality, the knowledge base for teaching, the professionalizationof teaching, and the influence and impact of teachers onstudents, lives. More than 80 references are listed. (IAH) *********************************************************************** Reproductions supplied by EDRS are the best that canbe made from the original document. *************************** ***** *************************************** .40er. ,( 11111111 /Mk U DEPARTMENT OF EDUCATION "PERMISSION TO REPRODUCE THIS Improvement Once or Educabonal Reearch and MATERIAL HAS BEEN GRANTED BY EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) 0 This document has beenreproduced es received trom the person ororganization D. -
Norman Mcrae Papers, Pt
Norman McRae Collection Papers, 1960s-1980s 29 linear feet 29 storage boxes Accession #337 DALNET # OCLC # Dr. Norman McRae was born in Detroit, Michigan in 1925 and received his B.A. in history and journalism, his teaching certificate, and his M.A. in education from Wayne State University. He taught social studies and developed and managed the federal personnel department in the Detroit Public Schools until 1967, leaving to join the Michigan-Ohio Regional Educational Laboratory and to accept an Urban Education Fellowship at The University of Michigan, where he subsequently obtained his Ph.D. He returned to the Detroit Public Schools in 1970, first as assistant director of teacher education and then as director of the social studies and fine arts departments, until his retirement in 1991. Since the mid-sixties, Dr. McRae has been an avid researcher and writer on African- American history, especially the history of Detroit’s African-American community; he played a major role in the development of multicultural and human rights curricula in the Detroit school system. In 1969 he taught the first black history course offered at Wayne State University. The Norman McRae collection consists primarily of a wide range of secondary source material — clippings, articles, pamphlets, studies, government publications — on African-American history and the African-American experience. Non-Manuscript Material: A few photographs of African-American military leaders have been placed in the Archives Audiovisual Collection. Important Subjects in the Collection: Africa African Americans and the Economy African-American Biography Black Power African-American Church Race Relations in the U.S. -
America's Reconstruction
AMERICA’S RECONSTRUCTION: THE UNTOLD STORY July 8 - July 28, 2018 (Eric Foner and 2015 Institute Alumni Michael Axon) Introduction This is a three-week summer institute for K-12 school teachers of history, art, languages, literatures, and other subjects to be selected from applicants from across the country. The insti- tute, which will be held in Beaufort, South Carolina, at the University of South Carolina Beaufort (USCB) is designed for educators to learn more about one of the most neglected and misunder- stood periods in our nation’s history, the post-Civil War era of Reconstruction, and to demon- strate how that history began and was heavily influenced by people and events in the Sea Islands of South Carolina and developed there as a microcosm of greater America through the early twentieth century. USCB is especially pleased to propose hosting the 2019 Reconstruction Insti- tute in conjunction with the establishment and development of the nation’s newest national mon- ument, the four-site Reconstruction National Monument in Beaufort County. We are proud that after President Barack Obama announced in January 2017 the creation of the monument, partici- pants in our 2017 institute were able to play a role in the development of NPS foundational doc- uments, and the same is expected of the classes of 2018 and 2019. We will examine closely three broad themes over the course of the institute, including: (1) the Old South and wartime “prelude” to Reconstruction (2) the political, social, and economic facets of the Reconstruction era and its aftermath, and (3) American historical memory, the “Second Reconstruction”(the modern Civil Rights Movement), and the place of Reconstruction’s memory in modern America. -
Martin Ritt's Southern Films
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 1981 "How Come Everybody Down Here Has Three Names?": Martin Ritt's Southern Films Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/128 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 'How Come Everybody Down HereHas Three Names?": Martin Ritt's Southern Films MICHAEL ADAMS In recent years no major director has made as many filmswith South ern settings as has Martin Ritt. A New York Jew born in 1914 who briefly attended Elon College in North Carolina in the 1930s, Ritt began his acting care<)rin the late thirtiesand directed plays while in the army during World War II. He acted in and directed plays and television programs (he was blacklisted from television in 1951) for several years before directingthe firstof his twenty-two films, Edge of the City, in 1957. Nearly a third of these films have been set in the South: The Long, Hot Summer (1958), The Sound and the Fury (1959), Sounder (1972), Conrack (1974), Casey's Shadow (1978), Norma Rae (1979), and Back Roads, to be released in 1981.' This group of films exemplifies the way the South has been treated by Hollywood over the past twenty-five years, revealing a mixture of suspicion and affec tion, amusement and outrage.Ritt's attitudes toward the South have changed surprisingly little over the years. -
D26 CRUISE & RENDEZVOUS Events
D26 CRUISE & RENDEZVOUS Description of Events WEDNESDAY, APRIL 21, 2021 Beaufort Sunset Cruise: Run, Forrest, Run! Forrest Gump famously ran across the United States and in one scene he ran over a bridge and was welcomed to Mississippi. That bridge was actually the swing Bridge connecting Beaufort to Lady’s Island, SC. The swing bridge will certainly be part of our cruise as we head north on the Beaufort River… turn and float west down Factory Creek. A leisurely cruise under the swing bridge, past the beautiful downtown park and marina, passing the hospital and yacht club. We will pass the Port Royal Marina as we pass under the bridge connecting Lady’s Island to Port Royal. A little further south we will come upon Sands Beach…an area which usually provides a great dolphin show. Length: Approximately 1.5 hrs. Each boat is responsible for its own refreshments - OR - Hilton Head Sunset Cruise: Pinckney Island is located to the West across Skull Creek from Hilton Head Island and is bordered by Mackay Creek to the West. Pinckney Island was once the plantation of Major General Charles Pinckney but since 1975 has been a National Wildlife Refuge. This cruise will depart Hilton Head Island late in the afternoon and we will cruise around the north end of Pinckney Island into Mackay Creek. We will cruise south on Mackay Creek and anchor up as we watch a beautiful sunset. We will then cruise around the south end of Pinckney under the Hilton Bridges and back up into Skull Creek. This cruise is expected to last about 2 hours and each boat will be responsible for its own refreshments. -
Daufuskie Island
the Time SLANDForgot By Leslie Westlake Nestled between Hilton Head Island, SC, and Tybee Island, Ga., is tiny Daufuskie Island. With no bridge connecting this eight-square-mile treasure to the mainland, it is only accessible by Iboat. The unpaved roads have seen few cars, and tourists are greatly outnumbered by graceful live oak trees shrouded in veils of Spanish moss This southernmost tip of South Carolina may be the first Carolina sea island to be inhab- ited. Native Americans were here almost 5,000 years ago, living on a plentiful supply of fish, shrimp and oysters. By the 1730s, it was home to plantations of indigo and cotton. The large slave population spoke Gullah, a language combining English with various West African dialects which can still be heard, spoken by descendents who live here. With the end of the Civil War, former slaves purchased land and built small homes and farms. For decades the oyster industry thrived here, but many residents left the island to pursue job opportunities in Savannah. Those who remained knew very little about life on the mainland. In 1953 electricity came to the island, telephones waiting until 1972. In 1969, a young teacher named Pat Conroy came to Daufuskie to instruct the island’s mostly illiterate African-American chil- dren. He chronicled the experience in his best seller, The Water Is Wide, which became the movie “Conrack” starring John Voight. Conroy later went on the write The Prince of Tides and The Great Santini, among other novels. Today, the island is home to Daufuskie Island Resort and Breathe Spa, Melrose and Bloody Point, golf communities and Haig Point, a private golf community. -
Gendered Representation, Cultural Sustainability, and Culinary Practices of Gullah Women
ABSTRACT Title of Document: FOOD ON THE MOVE: GENDERED REPRESENTATION, CULTURAL SUSTAINABILITY, AND CULINARY PRACTICES OF GULLAH WOMEN. Katie M. White, Doctor of Philosophy, 2015 Dissertation directed By: Professor A. Lynn Bolles, Department of Women’s Studies Food on the Move: Gendered Representation, Cultural Sustainability, and Culinary Practices of Gullah Women connects Gullah women and foodways with processes of migration, cultural heritage, sustainability, and memory. Drawing on women’s studies, history, anthropology, literature, film, and food studies, this interdisciplinary project looks at the preparation and presentation of food as an integral part of a sustained Gullah culture. Using Julie Dash’s Daughters of the Dust alongside contemporary imaginaries of the senses, the work discusses how movement of peoples into and out of the Sea Islands of South Carolina complicates the relationship between the sensory, particularly taste, memory and home. Most importantly, through food-centered stories combined with analyses of cookbooks and other culinary notations, this dissertation examines the vital role women have played in maintaining Gullah culinary history and the dissemination and sustenance of Gullah culture. It enhances not only our understanding of Gullah culture but also of the processes of social and cultural changes necessary to sustain it. This work argues that the Gullah Geechee National Heritage Corridor is a critical site for cultural sustainability particularly in regard to food. Food becomes a site for mapping the traditions, pressures, changes, adaptations, and resistances within a particular racial- ethnic community as it encounters dominant cultures, as well as a site of creativity, pleasure, and survival. FOOD ON THE MOVE: GENDERED REPRESENTATION, CULTURAL SUSTAINABILITY, AND CULINARY PRACTICES OF GULLAH WOMEN By Katie Marie White. -
The Water Is Wide (Questions)
The Water is Wide (Questions) 1 How might Pat Conroy have handled the conflict between Benington and Piedmont differently? In what ways was the outcome a foregone conclusion? 2 If Mrs. Brown was ashamed to be Black, why did she teach on Yamacraw? Were there any instances when you thought Pat should have listened to her? 3 To what extent have we moved beyond racism and segregation of the 1960s, in society and in our schools? How far do we still have to go? 4 Would today’s litigation obsessed society allow teachers to do the things that Pat does for his students? Why or why not? 5 How has modernization affected other rural or remote places like Yamacraw? 6 Conroy uses some unorthodox teaching methods with his students. Are they effective? Would they work today in our culture of testing and accountability? 7 Why is it so important to Conroy that the children see and experience the outside world? If you designed a field trip for them, where would you take them and why? 8 Trace the evolution of Conroy’s racial views and attitudes throughout the book. What are key events in that evolution? 9 While he could and did have an impact on the children’s lives, what might he or others have done to improve the lives of the adults on Yamacraw? 10 [Some] like to blame the ills of education on teachers. Is poor teaching … responsible? What other factors are involved, and how might those be remedied? https://www.litlovers.com/reading-guides/fiction/1111-water-is-wide-conroy?start=3 The Water is Wide (About the Author) Author: Pat Conroy Born: October 26, 1945 Where: Atlanta, GA Education: BA, The Citadel Currently Lives: San Francisco, CA; Fripp Island, SC Pat Conroy’s father was a military man.