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Fomento De Construcciones Y Contratas, S.A. and Subsidiaries (Consolidated Group)
FOMENTO DE CONSTRUCCIONES Y CONTRATAS, S.A. AND SUBSIDIARIES (CONSOLIDATED GROUP) FOMENTO DE CONSTRUCCIONES Y CONTRATAS, S.A. AND SUBSIDIARIES (CONSOLIDATED GROUP) CONSOLIDATED GROUP BALANCE SHEET A S S E T S 31-12-2009 31-12-2008 NON-CURRENT ASSETS 12,832,839 11,829,356 Intangible assets (Note 6) 4,462,312 3,886,429 Concessions (Notes 6 and 10) 961,755 905,075 Goodwill 2,615,300 2,556,385 Total intangible assets 885,257 424,969 Property, plant and equipment (Note 7) 5,957,478 5,491,693 Land and buildings 1,640,370 1,588,241 Plant and machinery 4,317,108 3,903,452 Investment properties (Note 8) 264,093 263,919 Investments carried using the equity method 1,145,754 1,116,605 (Note 11) Non-current financial assets (Note 13) 404,024 517,868 Deferred tax assets (Note 22) 599,178 552,842 CURRENT ASSETS 8,427,874 8,768,005 Non-current assets held for sale ⎯ 7,367 Inventories (Note 14) 1,103,282 1,575,256 Trade and other accounts receivable 5,372,976 5,499,162 Trade debtors for sales and services rendered 4,894,660 4,975,888 (Note 15) Other receivables (Note 15) 420,483 472,269 Current tax assets (Note 22) 57,833 51,005 Other current financial assets (Note 13) 230,980 222,830 Other current assets 66,174 54,729 Cash and cash equivalents 1,654,462 1,408,661 (Note 16) TOTAL ASSETS 21,260,713 20,597,361 Notes 1 to 30 and the enclosed Schedules I to V are an integral part of the consolidated financial statements, along with which they form the consolidated annual accounts for fiscal year 2009. -
Festival De Barcelona
_PRO From 10 to 14 de July Festival de Barcelona ORGANICED BY: WITH THE SUPPORT OF: _PRO INDEX WELCOME TO GREC_PRO 2019 Pàg. 2 ARTISTIC HEMISPHERES Pàg. 3 BARCELONA NEIGHBORHOODS Pàg. 4 ACTIVITIES (PER DAYS) Pàg. 5 WEDNESDAY, 10TH JULY Pàg. 5 THURSDAY, 11TH JULY Pàg. 7 FRIDAY, 12TH JULY Pàg. 9 SATURDAY, 13TH JULY Pàg. 11 SUNDAY, 14TH JULY Pàg. 13 SHOWS (PER DAYS) WEDNESDAY, 10TH JULY Pàg. 16 THURSDAY, 11TH JULY Pàg. 21 FRIDAY, 12TH JULY Pàg. 28 SATURDAY, 13TH JULY Pàg. 32 SUNDAY, 14TH JULY Pàg. 36 DIRECTORY OF VENUES AND MEETING PLACES (IN ALPHABETICAL ORDER) Pàg. 40 GREC_PRO 2018 SCHEDULE Pàg. 47 1 _PRO WELCOME TO GREC_PRO 2019 As director of the Grec Festival of Barcelona, I am pleased to welcome you to the Grec_PRO, the international meeting for professionals of the Grec Festival of Barcelona. A festival is part of a landscape, a system, a fabric. It is an exceptional moment that is connected with the artistic life of the City, which links with what happens the rest of the year, which serves as a window to show everything that has been cooking and that dialogues with its talent, with its citi- zens and with your questions. We are committed to creating a model that is attractive not only for its -necessary- rooster of invited figures, but also for the artistic value, for a set of national and international alliances and for its rigor and coherence. For us it will be a priority to weave relationships with all those artists, festivals or artistic events that are offering a possible response of interest to those relevant topics that we are all concerned about. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
The Historic Charter of Barcelona (CHB)
e-Perimetron, Vol. 14, No. 1, 2019 [38-50] www.e-perimetron.org | ISSN 1790-3769 Mar Santamaria-Varas , Pablo Martinez-Diez The Historic Charter of Barcelona (CHB) Keywords: cartography; digitisation; history. Summary: This paper presents the development of the Historic Charter of Barcelona. The CHB is a research compiling, to date, all knowledge about the urban history of the city and its documentary and cartographic sources via an online tool made for researchers and citizens with the aim of explaining the history of Barcelona through 26 maps. Introduction From the foundation of Barcino around 10 BC, Barcelona has been exhaustively drawn. The number and diversity of cartographic representations of the city is massive, since portolan charts mapping the seas in the fourteenth century to contemporary digital maps imagining 1992 Olympic City. This cartographic construction has eventually consolidated the imagery of the city. Perspectives and maps reflect the distinctive social and economic conditions of each period to the point of becoming a powerful instrument that will serve, especially from the nineteenth century, to project the image of the city into the future (Santamaria-Varas & Diez-Martinez, 2016). The first images of the city placed special emphasis on the topography of the territory and the control of the waterfront and walls. If the portolan charts (Pujades, 2007) of Vallseca (1444) and Bertran (1456, 1489) represented a partial vision of Barcelona focusing on emblematic Montjuïc, the Hill defining- element of the city viewed from the sea (Fig. 1), the first global images of Barcelona created by painters and travellers such as Anton Van Wyndergaerde (1563). -
Una Vila Del Territori De Barcelona: Sant Andreu De Palomar Als Segles M-M
CORE Metadata, citation and similar papers at core.ac.uk Provided by Revistes Catalanes amb Accés Obert SANT ANDREU DE PALOMAR ALS SEGLES XiII 1 XIV (COMENTARIBIBLIOGRAFIC) Fitxa bibliogrc)fica '"rn.G'6 IIIYIDOP ","E i C*I*,U*NI Busquela i Riu, Joan J.: Una vila del territori de Barcelona: Sant Andreu de Palomar als segles m-m. UNA VIL4 DEL TERRiTORI Presentació per Carme Batlle i Gallart. DE BARCELONA Proleg del propi autor. SANT ANDREU DE PALOMAR Premi Francesc Caireras Candi, XV edi- ALS SEGLES XIII-XIV %iinoiaii-rnc~,,,9~9, ció (1989). ,x"*d,c,d, Editorial Rafael Dalmau (Col.lecci6 Fundació Salvador Vives i Casajuana núm. 107). Primera edició: Barcelona, 1991. CXXII + 220 pags Planols, quadres, il lustracrons (24 x 17) L'autor Joan J. Busqueta és doctor en Historia Medieval per la Universitat Central de Barcelona (tesi doctoral presentada el 19 de maig de 1989, amb la mdxima qualificació). És professor de la Universitat de Barcelona des de I'any 1984, vice-president del Centre d'Estudis lgnasi Iglésias de Sant Andreu de Palomar des de la seva fundació (1987). Ha difós la historia en imbits molt diversos, des del de la cultura popular, conferencies, ensenya- ment a la Universitat fins a participar en congressos científics. Des dels inicis de la seva carrera universitaria s'ha sentit atret pels estudis de la historia social i económica de les coinunitats rurals del Pla de Barcelona a la Baixa Edat Mitjana i, concretament, per la parroquia de Sant Andreu de Palomar. Fruit d'aquestes investigacions són destacats es- tudis sobre el tema, que han culminat en la seva tesi doctoral, el resum de la qual ha estat publicada per la Fundació Salvador Vives i Casajuana (19911, obra que tot seguit comentem. -
The Impact of the Olympic Games on Tourism Barcelona: the Legacy of the Games 1992-2002
The impact of the Olympic Games on tourism Barcelona: the legacy of the Games 1992-2002 Pere Duran General Director of the Turisme de Barcelona Consortium The Centre d’Estudis Olímpics publishes works aimed to facilitate their scientific discussion. The inclusion of this text in this series does no limit future publication by its author who reserves the integrity of his rights. This publication may not be reproduced, neither partially nor totally, without the author’s permission. This document was published in 2002 as chapter of the book: Miquel de Moragas i Miquel Botella (eds.) (2002): Barcelona: l’herència dels Jocs. 1992-2002. Barcelona: Centre d’Estudis Olímpics UAB, Planeta, Ajuntament de Barcelona. Ref. WP083 Pere Duran - The impact of the Games on tourism To refer to this document, you can use the following reference: Duran, Pere (2005): The impact of the Games on tourism: Barcelona: the legacy of the Games, 1992-2002 [online article]. Barcelona: Centre d’Estudis Olímpics UAB. [Date of consulted: dd/mm/yy] http://olympicstudies.uab.es/pdf/wp083.pdf [Date of publication: 2005] © 2005 Centre d’Estudis Olímpics UAB 2 Pere Duran - The impact of the Games on tourism There can be no doubt that the Olympic Games mark a “before and after” as far as tourism in Barcelona is concerned. It must also be said however that all too often the Games are seen as a mere instrument, an event which enabled the city to expand its tourist capacity, a media event which placed Barcelona on the map and led to it becoming one of Europe’s, and therefore the world’s, main tourist destinations , as it is now, ten years later. -
Barcelona Gay & Lesbian Bars
BARCELONA Chic, relaxed and one of the most liberal cities in Spain, a very progressive country with a live-and- let-live attitude, Barcelona is simply the Gem of the Mediterranean! Barcelona has its own gay neighborhood (the bustling "Gaixample" district) as well as its own beach resort town (Sitges), a half-hour train-ride away. The gayborhood is bordered by Carrer de Balmes and Gran Via de los Cortes Catalanes, and much of its gay-friendly shopping, dining and nightlife lies along Carrer de Diputaci. Even though almost everyone in Barcelona understands and speaks Spanish and English, Catalan remains the native language. Brush up on your Catalan and book one of our gay-friendly hotels in Barcelona. GAY & LESBIAN BARS Night Barcelona Sexy bar/lounge by the creators of Boy Berry, one of Barcelona's hottest saunas. Diputacio, 161 (Between Casanova & Villarroel), Eixample Tel.+34 3 49 350 317 http://www.nightbarcelona.net Bacon Bear Bar Bacon Bear Bar has a lively crowd and reigns as Barcelona's favorite hangout for bears and their admirers. Carrer De Casanova, 64 (Carrer de La Diputaci), Eixample http://baconbcn.com Chaps Cruisey scene with good music and drinksfor bears and mature, manly guys Avinguda Diagonal, 365 (Carrer de Roger de Llria) Tel. +34 9 32 155 365 http://www.newchaps.com/ Punto CBN Classic Barcelona gay Bar for 30+ crowd Address : Carrer de Muntaner, 63, Barcelona, Spain Eixample www.arenadisco.com/frame.htm www.worldrainbowhotels.com / La Chapelle The "chapel" bar is a very unique spot with white-tiled walls housing crucifixes of all shapes and sizes. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Download Presentation Notes
2020.02.17 Barcelona/Bilbao Tour Presentation (30 min.) Some slides of the architecture we will see on the tour. Present slides chronologically which is different from the trip itinerary, this is a brief preview of the class teaching this summer (Gaudi’s 5 key dates), which was structured to be a prelude for the trip. Beautiful itinerary of Gaudi: playful Batlló/Mila, Vicens; mag.opus Sagrada; essence Dragon/Crypt; serene Park; finale Bilbao. Many other treats: Barcelona Rambla, ancient bullfighting ring, Barcelona Pavilion, 92 Olympic village/park, Miró museum. Catalan brickwork Trencadis discarded parabolic signatures metalwork 1885 Pavellons Güell Dragon Gate (Tue.) first use of Trencadis Mosaic, where we see Gaudi’s resourcefulness, frugality, creativity. A study of Gaudi’s work explores this human trait that will be needed for our survival on a rapidly changing planet. By use of discarded, broken, fragmented materials as decoration, Gaudi finds redemption, a humility willing to consider all. corner cast/wrought plasticity ventilators Mudéjar contraptions Casa Vicens (Mon. - interior) 1883-1888 organic form discarded personalized Park Güell bench (Wed. - interior) 1903-1914 mosaic ventilators parabolic Jean Nouvel: Agbar Tower (Tue.) 1999-2004 Norman Foster: Bilbao Underground Station (Fri.) 1995 parabolic natural honest (+7 min.) 1892 Sagrada Familia Nativity Façade (Mon. – interior) experiments Natural Form [honest truth, taboos, answers in nature] honest organic natural mosaic honest Mies: Barcelona Pavilion (Wed. - interior) 1928-1929 IMB: Vizcaya Foral Library (Sat.) 2007 inclined reuse contraption weight (+9 min.) 1898 Colònia Güell Crypt model (Tue. - interior) equilibriated structures gravity thrusts passive tree work with, not against Park Güell colonade viaduct (Wed. -
Pdf 1 20/04/12 14:21
Discover Barcelona. A cosmopolitan, dynamic, Mediterranean city. Get to know it from the sea, by bus, on public transport, on foot or from high up, while you enjoy taking a close look at its architecture and soaking up the atmosphere of its streets and squares. There are countless ways to discover the city and Turisme de Barcelona will help you; don’t forget to drop by our tourist information offices or visit our website. CARD NA O ARTCO L TIC K E E C T R A B R TU ÍS T S I U C B M S IR K AD L O A R W D O E R C T O E L M O M BAR CEL ONA A A R INSPIRES C T I I T C S A K Í R E R T Q U U T E O Ó T I ICK T C E R A M A I N FOR M A BA N W RCE LO A L K I NG TOU R S Buy all these products and find out the best way to visit our city. Catalunya Cabina Plaça Espanya Cabina Estació Nord Information and sales Pl. de Catalunya, 17 S Pl. d’Espanya Estació Nord +34 932 853 832 Sant Jaume Cabina Sants (andén autobuses) [email protected] Ciutat, 2 Pl. Joan Peiró, s/n Ali-bei, 80 bcnshop.barcelonaturisme.cat Estación de Sants Mirador de Colom Cabina Plaça Catalunya Nord Pl. dels Països Catalans, s/n Pl. del Portal de la Pau, s/n Pl. -
BREU HISTÒRIA DE LA DIAGONAL Lluís Permanyer
BREU HISTÒRIA DE LA DIAGONAL Lluís Permanyer La Diagonal és el carrer més important del Pla de l’Eixample. L’urbanista Ildefons Cerdà li va atorgar unes característiques que el singularitzen en el sentit físic: llargada, amplada i posició. Els seus onze kilòmetres, els noranta- dos metres de la zona universitària i la forma com talla la trama de les mansanes evidencia un protagonisme indiscutible. Supera el Paral·lel i la Meridiana, que constituïen el que Cerdà va qualificar com a “via transcendental”, és a dir, avingudes ràpides per unir nuclis de població allunyats. En aquest cas: Sarrià, Gràcia, Clot i Poblenou. Totes tres van ser les úniques que van rebre de Cerdà el nom, ja que els altres carrers van ser batejats per Víctor Balaguer. El seu desenvolupament va ser més aviat lent i en tres grans etapes ben diferenciades. PRIMERA ETAPA La primera etapa va girar al voltant de la influència del passeig de Gràcia. En efecte, el 1884 va començar amb timidesa l’urbanització entre l’esmentat passeig i Pau Claris. El 1896 s’estenia ja entre Bruc i Tuset, que no era res més que el camp del mateix nom, que era el del mas i el seu propietari. El 1901 aquell extrem de la nova Barcelona era tan inhòspit, que el marquès de Robert es reconeixia més segur portant pistola en arribar tard a casa, quan venia del Liceu. Es curiós que abans d’acabar segle XIX (1891) li fos canviat el nom, almenys en aquell sector evocat fins ara, i que pertanyia a Gràcia; li van atorgar el d’ Argüelles. -
Máster En Edificación Tesina De Fin De Máster La Prolongación De La Calle
MÁSTER EN EDIFICACIÓN TESINA DE FIN DE MÁSTER LA PROLONGACIÓN DE LA CALLE BALMES Y SU UNIÓN CON LA AVENIDA TIBIDABO Estudiante: Manuel Val Jiménez Directora: Maribel Rosselló Nicolau Convocatoria: Junio 2011 La prolongación de la calle Balmes y su unión con la avenida Tibidabo 1 RESUMEN Esta tesina estudia la historia de la prolongación de la calle Balmes, desde la avenida Diagonal hasta la avenida del Tibidabo. Se muestra la evolución de la calle hasta su conversión en una de las arterias más importantes de la ciudad, y se ponen de manifiesto las motivaciones principales de su apertura, la comunicación del barrio de Sant Gervasi con el Ensanche y, posteriormente, ya con el éxito de las primeras atracciones del Tibidabo, el acercamiento de esta montaña a la ciudad. Para ello, se ha estructurado el trabajo en cuatro partes. La primera hace referencia a los orígenes de la calle Balmes, que nace con el proyecto de Cerdá, y a su trazado, que queda en esa época truncado en la avenida Diagonal. También habla sobre el Ferrocarril de Sarrià que discurría por el exterior de la calle desde sus inicios y que después será protagonista en su transformación. La segunda parte, ya en el siglo XX, lleva al lector a los primeros intentos de prolongación de la calle motivados por la agregación de los municipios vecinos a la ciudad de Barcelona en 1897 y a la urbanización de la montaña del Tibidabo a partir de 1901. En este apartado, tiene una importancia vital la Asociación de Propietarios de San Gervasio que con sus proyectos, que se compararán con los de Jaussely, y su tesón, acabó convenciendo al Ayuntamiento para involucrarse en esta operación.