DOCSLIB.ORG

A New Era for Music Education in India

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A New Era for Music Education in India Vol.1 no.1 AA NEWNEW ERAERA FORFOR MUSICMUSIC EDUCATIONEDUCATION ININ INDIAINDIA CONFERENCE NEWSLETTER 2017 I could not be more excited! Although WMEA was just an Contents inkling of an idea in 2015, we've moved ahead at such a dizzying pace it is hard to Letter from the Executive Director 02 imagine that this was just a wmea.in pipe dream not too long ago. Conference 2017 04 It seems like yesterday that Welcome from NAfME leadership 05 the Anjli Mata, Ritesh Khokhar, Poonam Burman and I began a discussion Weekend Program 06 about music teachers in India. Coming from a strong Presenters - 2017 08 music education background, I saw so much passion and desire on the part of music teachers wanting to do Board of Directors 10 better, and learn more for their students - and so much Message from the President 12 enthusiasm from students wanting to make music. I saw the powerful presence music had in their lives as Reections on NAfME's National 15 they scoured the internet trying to learn how to play Assembly guitar chords for songs - listening repeatedly to songs trying to imitate their favorite artists. We knew we had Focusing on the Classroom: 17 to do something to fulll the 20-year long goal of Recruiting and Retaining Students starting a music association that Ritesh, Anjli, and Simple Ways to Keep your Music 20 Poonam have had long before I showed up. Classroom Running Efciently Thinking ahead as to where WMEA might get the Article review: Guitar teaching in 22 support it would need to pull this off, I immediately the classroom thought of the National Association for Music Education. As a lifelong member of NAfME, I was well aware of their excellence and vision for the eld, as well as their incredible array of resources. A few months after I returned from India, I was attending NAfME's National Conference in Nashville, Tennessee ABOUT US in November and approached the leadership about the possibility of a collaboration.(Denese Odegaard, doesn't know it, but I was standing right behind her in the crowd as they announced her as the new President, The Western Music Education Association and I knew somehow I would be working with her on (WMEA) is a non-prot organization formed this). Thankfully, NAfME's response was to support music and music education overwhelmingly positive, and through the leadership across India. The mission of the association of Michael Blakeslee, Executive Director, Thomas is to positively affect music learning in India Stefaniak, Director of Membership,Russ Sperling, Western Division President, and Denese, here we are! by providing institutional guidance and quality professional development for music Now, with the help of our friends at NAfME, we are teachers. looking at unprecedented support for music education in India. However, this organization is not owned by NAfME, or WMEA. This is your organization, and can WMEA is the rst overseas Federated only succeed with the help of every single member. Afliate of NAfME, the National Your input, work, support, ideas, and creativity will Organization for Music Education based in propel WMEA forward. Help us to help you. This is the US. NAfME is one of the leading arts your profession and your future. The sky's the limit, organizations in the world, with over and we hope you'll join us for this amazing undertaking. 1,30,000 members. Along with NAfME, WMEA is in a unique position to design Thank you all, and we're grateful to have you with professional development opportunities us on this journey! specically for Indian music educators, and Natalie Sarrazin, PhD provide information on advocacy which will Executive Director, WMEA advance music education in India. 02 fb/wmeaindia 03 CONFERENCE 2017 This is WMEA’s 3rd annual conference, and we have an incredible array of talent joining us this year. In addition we have the rst appearance of NAfME’s President, We Denese wmea.in Odegaard, and Russ Sperling, Western Division President, to whom we extend a very warm welcome!! The theme for this year’s conference is “A New Era for Music Education in India,” and music educators from across India and the US will gather in Delhi on Sunday, July 23rd to hear topics regarding the future of music education in India. This year’s conference will take place at the India International Centre, Lodhi Road, and will feature the NAfME President Denese Odegaard, and the NAfME Western Division President Russ Sperling, who will present keynotes and sessions on music education, including curriculum and standards, and the future of Music Education in India. Our other presenters include Sunit Tandon, President, Delhi Music Society, who will speak about Opera, Subir Malik, member of the rock band Parikrama talking about artist promotion, Indian music performer Saskia de Rao Haas, who will discuss Sangeet4All, and Lindsay Boyd, music teacher and Music Director of the Capital City Minstrels, who will address aspects of choral conducting. Something new this year is the addition of a Choir Festival, which will take place on July 22nd at Bluebells WMEA School International, East of Kailash Western Music Education Association from 9am to 1pm. The top 10 choirs will compete for rst place, and for an JOIN MEMBERSHIP opportunity to perform at Sunday’s Conference. The choirs will be wmea.in evaluated by an international panel of judges, including NAfME President Odegaard, Western Division President Russ Sperling, and soprano Aude Priya Engel. We’d also like to introduce you to our Newsletter, which will be published 3 times a year to keep you informed on going on in music all over India. We thank you for joining us for this wonderful weekend of music! 04 D e a r W M E A fb/wmeaindia Welcome from NAfME C o n f e r e n c e Attendees, D e a r W M E A Members, On behalf of the Welcome to the Western Division of 3rd Annual 2017 t h e N a t i o n a l A s s o c i a t i o n f o r We s t e r n M u s i c Music Education E d u c a t i o n (NAfME), I extend A s s o c i a t i o n m y w a r m e s t Conference and to w e l c o m e t o t h e another school conference! Dr. Sam Tsugawa, Western year! I bring you Division President-elect and professor at greetings and best Brigham Young University, and Dr. David wishes from our NAfME Executive Board and Fullmer, Western Division Past President and staff. professor at Snow College, join me in welcoming WMEA into our division! We are How exciting to have the premiere of a new thrilled to include a new association that holds music association in India – one in which we so much promise for the growth of our can partner to share ideas and collaborate to profession in India. bring the rich diversity of music education to members in both countries. The other Western Division music education afliates of NAfME include Arizona (AMEA), Any time you participate in professional California, (CMEA), Hawaii (HMEA), Nevada development, such as this conference, you (NMEA) and Utah (UMEA). The presidents of energize your teaching and build relationships those associations and their members also with other inspiring music educators. This week, welcome you to the Western Division, and all of Russ Sperling, NAfME Western Division us look forward to new relationships and President, and I will be able to learn about opportunities to learn from one another. music education here in India and listen to what My “day job” is as Director of Visual and your needs are as music educators and as an Performing Arts for the San Diego Unied association. We are devoted to providing the School District, a district of about 110,000 resources you need and, with technology, this students Kindergarten through 12th grade. My can happen easily. role is to coordinate all arts programs and instruction for dance, music, theatre and visual Thank you to Anjali Mata, Ritesh Khokhar, and arts. I also teach the concert band class as an Natalie Sarrazin for having the vision to initiate adjunct professor at Grossmont Community the formation of this association with the College so I can remain a teacher at least once National Association for Music Education in the per week in the evening. I look forward to United States. We are thrilled to share ideas sharing my experience with you as a music and music education strategies with WMEA. educator, school district administrator, and long-serving MEA leader. Thank you for the joy of music you bring to your students and we hope your time together is I am very excited to be in New Delhi for this benecial and inspiring! conference, and I look forward to meeting and collaborating from you. Best wishes for a great Sincerely, day of professional learning! Denese Odegaard Sincerely, NAfME President Russ Sperling 05 WEEKEND PROGRAM wmea.in Saturday, July 22nd Festival of Choirs Bluebells International School East of Kailash, New Delhi WMEA Board of Directors Meeting India International Centre, New Delhi Sunday, July 23rd 9:00 - Registration (Chai/Coffee), Vendors 9:30 - Welcome - Natalie Sarrazin, Executive Director, WMEA 9:45 - Choir Festival Winner Performs 10:00 - Keynote 1: Denese Odegaard, President of the National Association for Music Education (NAfME) and Russ Sperling, Western Division President 10:30 - Keynote 2: Anjli Mata, President “NAfME and India: A New Era in Music Education” Western Music Education Association (WMEA) “Western Music Education - The Indian context” 10:45 - Sunit Tandon, “Appreciating Opera” 11:30 - Subir Malik, “Artist Management And Promotions” 12:15 - WMEA Association Meeting: Ritesh Khokhar, Natalie Sarrazin 1:00 - Lunch (provided) 1:45 - Saskia Rao de Haas, “Sangeet4All: strategies for implementing music education in the Indian Classroom” 2:30 - Russ Sperling, “Classroom Music in United States Schools” 3:15 - Chai/Coffee Break 3:30 - Denese Odegaard, “Assessment and Standards” 4:15 - Lindsay Boyd, “Leading from the Podium - Conducting to Inspire” 5:00 - Wrap-up 06 fb/wmeaindia manoke 07 Odegaard authored Curriculum Writing 101: PRESENTERS - 2017 Assistance with Standards-based Music Curriculum and Assessment Writing for Band, Choir, Orchestra and General Music (GIA), co- Natalie Sarrazin, authored the ASTA Curriculum (Alfred), and has wmea.in PhD is the Executive contributed to several GIA, NAfME and Corwin Director and co- publications.
Load more

Recommended publications
  • IME Annual Report 2020-2021 Low Size
    Supported by Annual Report 2020-2021 Only in the darkness can “ you see the stars. ― Martin Luther King “ Namaste We have collectively endured one of the defining experiences of our life and times. What started off as a pause in the hustle and bustle of daily life has now become a happening that will forever define the way we see the world. Many of us experienced loss – of loved ones, of time, of precious moments, and of a sense of normalcy. There were days when I questioned everything, and felt the meaninglessness of it all. At the same time, I realized that the future is built one day at a time, by the seemingly small actions we take each day; that, as Martin Luther King said, everything that is done in the world is done by hope. And so, we see ourselves looking back at a most strange year, but one that I am glad to report has been extremely productive for the Indian Music Experience Museum, in our mission to build community through music. The team at IME seamlessly adapted to the online world. We ensured the continuity of music education at the Learning Centre. We unveiled two new online exhibits through an important partnership with Google Art and Culture. Our work in preserving musical traditions achieved an important milestone through the creation of an online archive on the life and works of legendary violinist and composer, Mysore T. Chowdiah, in collaboration with the Shankar Mahadevan Academy. We presented a wide variety of talks, discussions, workshops, showcases, and exhibit walkthroughs online, growing our audience beyond the geographic limitations of in-person events.
    [Show full text]
  • पेटेंट कार्ाालर् Official Journal of the Patent Office
    पेटᴂट कार्ाालर् शासकीर् जर्ाल OFFICIAL JOURNAL OF THE PATENT OFFICE नर्र्ामर् सं. 08/2021 शुक्रवार दिर्ांक: 19/02/2021 ISSUE NO. 08/2021 FRIDAY DATE: 19/02/2021 पेटᴂट कार्ाालर् का एक प्रकाशर् PUBLICATION OF THE PATENT OFFICE The Patent Office Journal No. 08/2021 Dated 19/02/2021 8641 INTRODUCTION In view of the recent amendment made in the Patents Act, 1970 by the Patents (Amendment) Act, 2005 effective from 01st January 2005, the Official Journal of The Patent Office is required to be published under the Statute. This Journal is being published on weekly basis on every Friday covering the various proceedings on Patents as required according to the provision of Section 145 of the Patents Act 1970. All the enquiries on this Official Journal and other information as required by the public should be addressed to the Controller General of Patents, Designs & Trade Marks. Suggestions and comments are requested from all quarters so that the content can be enriched. ( Shri Rajendra Ratnoo ) CONTROLLER GENERAL OF PATENTS, DESIGNS & TRADE MARKS 19nd FEBRUARY, 2021 The Patent Office Journal No. 08/2021 Dated 19/02/2021 8642 CONTENTS SUBJECT PAGE NUMBER JURISDICTION : 8644 – 8645 SPECIAL NOTICE : 8646 – 8647 EARLY PUBLICATION (DELHI) : 8648 – 8688 EARLY PUBLICATION (MUMBAI) : 8689 – 8727 EARLY PUBLICATION (CHENNAI) : 8728 – 8822 EARLY PUBLICATION ( KOLKATA) : 8823 – 8828 PUBLICATION AFTER 18 MONTHS (DELHI) : 8829 – 9049 PUBLICATION AFTER 18 MONTHS (MUMBAI) : 9050 – 9180 PUBLICATION AFTER 18 MONTHS (CHENNAI) : 9181 – 9365 PUBLICATION AFTER 18 MONTHS
    [Show full text]
  • Iimb Digest February 2020 Newsmakers
    IIMB DIGEST FEBRUARY 2020 NEWSMAKERS Dr. Balkrishna Doshi, architect of IIMB and Pritzker Architecture Prize awardee, is honoured with Padma Bhushan Dr. Balkrishna Doshi, the architect of the IIMB campus, has been conferred the Padma Bhushan in the year 2020, the third-highest civilian award in the Republic of India given for distinguished service of high order. The Government of India announced the list of awardees on the eve of Republic Day. Read more IIMB’s one-year MBA ranked No.1 in India by Financial Times IIM Bangalore’s one-year full-time MBA programme, the Executive Post Graduate Programme in Management (EPGP), has shot up six places from last year to claim the 27th spot in the Financial Times (FT) Global MBA Rankings 2020. IIMB has bagged the top spot among Indian B-schools in the rankings. Read more Positive Impact Rating 2020: IIM Bangalore Among Top 30 Global Business Schools In the first edition of Positive Impact Rating, a new rating for Business schools unveiled during the 2020 World Economic Forum meet at Davos, Indian Institute of Management Bangalore (IIMB) has been rated one among nine schools in the ‘Transforming Schools’ category. IIMB has been listed along with schools such as London Business School (UK), Esade Business School (Spain), Eada Business School Barcelona (Spain) and Edhec Business School (France). Read more Prof. Ritwik Banerjee and Prof. Soham Sahoo win the Prof M. J. Manohar Rao Award for Young Researchers by The Indian Econometric Society (TIES) The Indian Econometric Society (TIES) has instituted an award for young scholars in India to commemorate Professor M.
    [Show full text]
  • Campus Connect News Letter | Vol
    Campus Connect News Letter | Vol. 5 | Issue II | May 2019 Pudukkottai Main Road Chinna Sooriyur Village Tiruchirappalli 620 02, Tamil Nadu, lndia E- Mail: [email protected]. in Campus Connect News Letter | Vol. 5 | Issue II | May 2019 From the Editor IIM Trichy conducted the seventh annual convocation in March this year. The event was presided over by Chief Guest Mr. M.M. Murugappan, Executive Chairman of the Murugappa Group, along with the Director, Chairman and Board Members of the Institute. Mr. Murugappan delivered a wonderful convocation address peppered with humorous anecdotes and advice to the graduating batch. The winter also saw multiple international events: the conference on emerging trends in librarianship, the international week, and the strategic management forum annual conference. The students also organized Dhruva and Nishtha, the cultural and management fests of the Institute. The campus hosted Sunburn, a renowned event as part of Dhruva. The summer placements, and the final placements went well, to conclude a productive season at the Institute. IIM Tiruchirappalli | 01 Institute Activities The Seventh Annual Convocation of the Indian zone comfortable, having laser focus on goals, Institute of Management Tiruchirappalli, to award leading the change, excelling in their respective degrees for the first time to the students of Post fields and keep on learning lifelong. Graduate Programme in Management (PGPM) and the Post Graduate Programme in Business The Chairman, BoG, IIM Trichy in his address Management (PGPBM), was held on Saturday, appreciated the government's move to provide 30th of March 2019 at IIM Tiruchirappalli Campus. autonomy to the Institute and mentioned that the The students were awarded a degree of Master of autonomy would promote innovation in Business Administration (MBA) instead of diploma pedagogy.
    [Show full text]
  • Maximum INDIA India Review Special Edition
    spin:Layout 1 5/27/2011 4:41 PM Page 1 INDIA REVIEW SPECIAL EDITION CELEBRATING CELEBRATING CELEBRATING a Civilization a Civilization MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 1 march 1–20, 2011 G the kennedy center, washington, dc MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 2 MESSAGE AMBASSADOR OF INDIA 2107 MASSACHUSETTS AVE. N.W WASHINGTON. D.C. 20008 April 4, 2011. Meera Shankar Ambassador of India The ‘maximum lNDlA’ festival hosted by the John F. Kennedy Centre for the Performing Arts in cooperation with the Indian Council of Cultural Relations and the Embassy from March 1-20, 2011 was a resounding success. As a co-sponsor of the festival, the Embassy was proud to be associated with ‘maximum lNDIA’. A festival of this magnitude to present India’s arts and culture in the U.S. was held after a gap of twenty five years. Our American friends were able to see and experience the rich diversity of art and culture from different parts of India under one roof — Indian dance, music, theatre, crafts, cuisine, literature and cinema. The milling crowds and sold out performances were a testimony to the tremendous interest and goodwill that Indian culture enjoys in the United States. ‘maximum INDlA’ also served as a unique opportunity for the people of India and the United States to rejoice in the steadily strengthening partnership between our two great democracies. I would like to congratulate Chairman David Rubenstein, President Michael Kaiser, Vice-President Alicia Adams and their entire team at the Kennedy Centre for their flawless execution of this large-scale project.
    [Show full text]
  • Answered On:09.08.2000 Increase in Indian Cultural Centres P.D
    GOVERNMENT OF INDIA EXTERNAL AFFAIRS LOK SABHA UNSTARRED QUESTION NO:2685 ANSWERED ON:09.08.2000 INCREASE IN INDIAN CULTURAL CENTRES P.D. ELANGOVAN Will the Minister of EXTERNAL AFFAIRS be pleased to state: (a) whether the Government have any plan to increase the cultural Centres abroad from the present 14; (b) if so, the details thereof; (c) the details of their role in the promotion of India`s cultural Heritage; (d) the details of the programmes conducted last year by the ICCR within and outside India and the scholars/artists who visited abroad during the last three years till dated; and (e) the details of the future events on anvil and the tentative itinerary of such events that will promote and propagate Indian Heritage abroad? Answer MINISTER OF STATE FOR EXTERNAL AFFAIRS (SHRI AJIT KUMAR PANJA) (a) Yes Sir, (b) The Government has decided to open a Cultural Centre in Washington (USA). There are in addition several other proposals from various Indian Missions abroad which are currently under examination. (c) The activities of the 14 Indian Cultural Centres currently in existence reflects the needs of the local population. Their activities include the organisation of talks, lectures, exhibitions of visual arts, essay competitions, performances of dance & music, staging of plays, screening of Indian films, publication of news bulletins etc. Additionally, in most of the Cultural Centres classes in various aspects of Indian culture such as music, dance, Hindi language and yoga are being conducted. The Centres also maintain libraries, reading rooms and audio-video facilities for visitors. Apart from organising their own activities, the Indian Cultural Centres provide support to the respective Indian Missions for coordinating various cultural activities.T hese Centres develop and maintain contacts with local citizens particularly students, teachers, academicians, opinion makers and cultural personalities to project a holistic picture of India`s rich and diverse cultural heritage.
    [Show full text]
  • VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018
    Vol. XXXII Regd No. ISSN 0975-7872 VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI Prof. Tarun Kumar Das, Registrar, University of Delhi, and Chief Guest during the International seminar – Indian Classical Music: Teaching and Performing Abroad”, organized by the Department, in collaboration with the Indian Council for Cultural Relations (I.C.C.R.), at the Conference Centre, University of Delhi, on 27-28 February 2018. Seated on the dais are the Keynote Speaker – Prof. Joep Bor, Professor at the Academy of Creative and Performing Arts, Leiden University, The Netherlands, Ms. Padmaja, Dy. Director General, I.C.C.R., and Prof. Suneera Kasliwal, Dean & Head, Faculty of Music & Fine Arts, University of Delhi A Hungarian folk group – Kalaka – performing, in a collaboration between the Dept. of Music and the Dept. of Slavonic & Finno-Ugrian Studies, University of Delhi, in Dec. 2017 Vol. XXXII Regd. No. ISSN 0975-7872 VAGEESHWARI March 2018 Proceedings of a two-day International seminar on “Indian Classical Music: Teaching and Performing Abroad” Organized by The Department of Music, University of Delhi In collaboration with the Indian Council for Cultural Relations (I.C.C.R.) on 27-28 February, 2018 Editor Prof. Suneera Kasliwal Editorial Board Prof. Deepti Omchery Bhalla Prof. Shailendra Goswami Dr. Ananya Kumar Dey Dr. Jagbandhu Prasad Dr. Rajpal Singh Dr. Ajay Kumar Dr. Rishitosh Kumar Student Editors Ms. Aditi Sharma Mr. Rahul Prakash Ms. Rindana Rahasya Ms. Tara Sharma SUBSCRIPTION RATES Price India : Rs.200.00 Abroad : $ 5.00 per annum For enquiry, payment, book review, subscription etc please write to : The Editor, Vageeshwari, Journal of the Department of Music Faculty of Music and Fine Arts, University of Delhi Delhi-110007 All articles published in the Journal are the copyright of the Department of Music, Faculty of Music and Fine Arts, University of Delhi, Delhi and no part thereof may be reproduced without the prior permission of the Editor.
    [Show full text]
  • East Marries West
    East marries West S H U B H E N D R A R A O & S A S K I A R A O D E H A A S East marries West p.2 Concerts p.3 Compositions p.4 Teaching p.6 From the press p.7 Audience response p.8 About Shubhendra Rao p.9 About Saskia Rao-de Haas p.10 Contact Information p.11 1 E A S T M A R R I E S W E S T Back in the sixties, two virtuosos, Ravi Shankar and Yehudi Menuhin brought the music of the East and West together with their historic collaboration titled ‘East meets West’. Five decades later, Shankar’s protégée, Shubhendra Rao and brilliant Cellist Saskia Rao-de Haas, prove that the music of East and West no longer just meets but are ready for an abiding relationship through their path breaking music East Marries West. A leading magazine writes about Shubhendra Rao, “Here is not just a master at the sitar, but a thinking musician taking his instrument beyond convention. He has become a musical bridge to many cultures.” Saskia Rao - de Haas is a pioneer in the world of music for introducing her Indian cello to North Indian classical music. Speaking about Saskia, her Guru Flute maestro Hariprasad Chaurasia said in an interview on the news channel Headlines Today: “She has been taught by God and everyone should listen to her music.” “She is Indian, because of her music”. This celebrated husband-wife duo play traditional Indian Classical Music and also compose music that is both avant garde and traditional at once.
    [Show full text]
  • India Salutes Its Corona Warriors Country Pays Tribute to Those at the Frontline of the War Against COVID-19 Potpourri
    INNOVATIVE PREVENTION The five alternative medicine systems from India I FOR INDIA How self-reliance is the fast- track to economic revival EATING RIGHT Volume 34 | Issue 03 | 2020 Understanding the traditional concepts behind seasonal cuisine INDIA SALUTES ITS CORONA WARRIORS Country pays tribute to those at the frontline of the war against COVID-19 POTPOURRI Potpourri Events of the season JULY, 2020 EID AL ADHA 30/31 One of the biggest festivals of the Islamic calender, Eid Al Adha is celebrated by the Muslim community across the country. The holy festival of sacrifice, that falls on the 10th day of the Dhu al-Hijjah as per the Islamic lunar calendar, is observed by offering prayers and distributing celebratory meals and delicious sweets to friends, family and the needy as a mark of humility and sacrifice as per God’s command. WHERE: Across India 15 AUGUST, 2020 3 AUGUST, 2020 RAKSHA BANDHAN Celebrated on a full moon day, the ancient Hindu festival of Raksha Bandhan or Rakhi is observed to mark the special bond between a brother and sister. The festival, celebrated across Indian and Nepal has vibrant, regional variations but signifies a brother’s pledge to protect his sister(s), which is solidified by latter tying a sacred and ceremonious thread on the former’s wrist in exchange for gifts and sweets. WHERE: Across India INDEPENDENCE DAY The culmination of India’s freedom struggle was achieved with Independence on August 15, 1947. Each year on this day, the entire country revels in the sacrifice of freedom fighters who laid down their lives in the effort to obtain liberation.
    [Show full text]
  • International Commissioning and Touring Report Page 53
    International Commissioning and Touring Report Page 53 APPENDICES Appendix A - Project Participants Appendix B - Case Study Interview Guide Appendix C - CASE STUDY SUMMARIES Appendix D - Data Collection Technical Appendix Appendix E - Examples of Projects with U.S./Non-U.S. Public/Private Funding Mix International Commissioning and Touring Report A-1 APPENDIX A PROJECT PARTICIPANTS ADVISORY COMMITTEE Alicia Adams Director of Special Programming The John F. Kennedy Center for the Performing Arts Washington,D.C. 20566-0001 Lisa Booth President Lisa Booth Management, Inc. 145 West 45th St., #602 New York, NY 10036 Bau Graves Artistic Director Center for Cultural Exchange One Longfellow Square Portland, ME 04101 Sylvia Sherman Artistic Director La Pena Cultural Center 3105 Shattuck Avenue Berkeley, CA 94705 Roberta Uno Artistic Director New World Theater University of Massachusetts P.O. Box 31810 Amherst, MA 01003 International Commissioning and Touring Report A-2 Miami Focus Group Meeting Miami-Dade Community College, Wolson Campus May 26, 1999 Participants Ed Allen Fantasy Theatre Project, Miami, FL Sheila Austin Miami-Dade Cultural Affairs Council, Miami, FL Elizabeth Boone Miami Light Project, Miami, FL Susan Cataballo INDAMI Intercultural Dance & Music, Miami, FL Ina Dittke Rhythm Foundation, Miami, FL Dr. William Hipp School of Music, University of Miami, Miami, FL Mary Luft Tigertail Productions, Miami, FL Jan Mapou Sosyete Koukouy, Miami, FL Georgianna Pickett Cultural Affairs Department, Miami-Dade Community College, Miami, FL Sydney
    [Show full text]
  • Resume Guide
    Resume Guide Colby Career Center Eustis 107 Waterville, Maine [email protected] (207) 859-4140 0 Resume Guide What is a resume? A resume is a selective biographical summary of experience that focuses on transferable skills and is meant to persuade a potential employer you are qualified for the position he/she needs to fill. Its purpose is meant to get you invited to an interview. A resume is a snapshot of you at a specific time for a specific audience; it has a short shelf life. You will return to your resume, editing and changing focus throughout your working life. Types of Resumes Resume structure is all about ORDER. Those who look at your resume may only take six seconds to glance at the DID YOU KNOW? document in the first review. It is important to place your Most employers spend an average of six most relevant experiences at the top of the document, where seconds looking at your resume during the information will be sure to catch the eye of the reader. At their first look-through. the same time, your resume should be consistent in format. Chronological Ordering your resume chronologically, beginning with the most recent. The chronological format is one of the more common ways to structure a resume because typically your most recent experiences demonstrate the highest relevance to the job/internship you are seeking. Listing information in reverse chronological order is often the best way to showcase skills and achievements. Often a more functional organization or a blend of a chronological and functional format will serve you better.
    [Show full text]
  • Shubhendra Rao (Sitar) & Saskia Rao-De Haas (Cello)
    The Asian Indian Classical Music Society 52318 N Tally Ho Drive, South Bend, IN 46635 Indian Classical Concert East Meets West: Sitar and Cello Shubhendra Rao (Sitar) & Saskia Rao-de Haas (Cello) with Harshad Kanetkar (Tabla) on September 15th , 2013, Sunday, 7.30 PM at the Carey Auditorium , Hesburgh Library, University of Notre Dame Shubhendra Rao is ranked amongst the key soloists of India. He creates an experience for his audience that "is not aimed at titillating the senses, but to seize the soul" (The Hindu, New Delhi, 4thFeb 2000). A protégé of world-renowned Sitar maestro, Pandit Ravi Shankar, Shubhendra has established himself not only as a master of his instrument but also as a thinking musician, constantly endeavoring to carry his instrument beyond conventional boundaries. He has performed at major music festivals and concert halls like Broadway and Carnegie Hall in New York, WOMAD festival in Guernsey, UK, Sydney Opera House in Australia, National Arts Festival in South Africa, Theatre de le Ville in Paris, Edinburgh festival and Dover Lane Music Conference, in Kolkata, India. Saskia Rao-de Haas received training from Tibor de Machula (in the western classical tradition), Pandit Hariprasad Chaurasia (the great flute maestro), Dr. Sumati Mutatkar and Shubhendra Rao, among others. She has performed at many concert halls and music festivals in India, the Netherlands, Scotland, Thailand and Turkey, among other countries. According to Pandit Hariprasad Chaurasia, “she has been taught by God … Everybody should listen to her music”. They are both popular teachers and composers and in 2008 they were commissioned by India’s premier TV station, NDTV, to compose for India’s Independence Day celebrations.
    [Show full text]