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IME Annual Report 2020-2021 Low Size
Supported by Annual Report 2020-2021 Only in the darkness can “ you see the stars. ― Martin Luther King “ Namaste We have collectively endured one of the defining experiences of our life and times. What started off as a pause in the hustle and bustle of daily life has now become a happening that will forever define the way we see the world. Many of us experienced loss – of loved ones, of time, of precious moments, and of a sense of normalcy. There were days when I questioned everything, and felt the meaninglessness of it all. At the same time, I realized that the future is built one day at a time, by the seemingly small actions we take each day; that, as Martin Luther King said, everything that is done in the world is done by hope. And so, we see ourselves looking back at a most strange year, but one that I am glad to report has been extremely productive for the Indian Music Experience Museum, in our mission to build community through music. The team at IME seamlessly adapted to the online world. We ensured the continuity of music education at the Learning Centre. We unveiled two new online exhibits through an important partnership with Google Art and Culture. Our work in preserving musical traditions achieved an important milestone through the creation of an online archive on the life and works of legendary violinist and composer, Mysore T. Chowdiah, in collaboration with the Shankar Mahadevan Academy. We presented a wide variety of talks, discussions, workshops, showcases, and exhibit walkthroughs online, growing our audience beyond the geographic limitations of in-person events. -
Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
CATEGORIZATION OF STRINGED INSTRUMENTS WITH MULTIFRACTAL DETRENDED FLUCTUATION ANALYSIS Archi Banerjee*, Shankha Sanyal, Tarit Guhathakurata, Ranjan Sengupta and Dipak Ghosh Sir C.V. Raman Centre for Physics and Music Jadavpur University, Kolkata: 700032 *[email protected] * Corresponding Author ABSTRACT Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to their sounds which is evident from the human response data collected during our experiment. Some previous attempts to categorize several musical instruments using various linear analysis methods required a number of parameters to be determined. In this work, we attempted to categorize a number of string instruments according to their mode of playing using latest-state-of-the-art robust non-linear methods. For this, 30 second sound signals of 26 different string instruments from all over the world were analyzed with the help of non linear multifractal analysis (MFDFA) technique. The spectral width obtained from the MFDFA method gives an estimate of the complexity of the signal. From the variation of spectral width, we observed distinct clustering among the string instruments according to their mode of playing. Also there is an indication that similarity in the structural configuration of the instruments is playing a major role in the clustering of their spectral width. The observations and implications are discussed in detail. Keywords: String Instruments, Categorization, Fractal Analysis, MFDFA, Spectral Width INTRODUCTION Classification is one of the processes involved in audio content description. Audio signals can be classified according to miscellaneous criteria viz. speech, music, sound effects (or noises). -
Junior Executive (Airside Operations/Finance/Office Support/Engineering /Terminal Operations/HR/ IT & Electronics) I
KANNUR INTERNATIONAL AIRPORT LTD. (KIAL) Selection of Junior Executive (Airside Operations/Finance/Office Support/Engineering /Terminal Operations/HR/ IT & Electronics) I. Qualification required as per notification : 1. Educational Qualification : First Class Graduate in any discipline or First Class Engineering Graduate in Electrical/Civil/Electronics & Communication/Computer Science/Mechanical/Instrumental/Auto mobile/Information Technology. MBA will be a desirable additional qualification. A valid LMV Licence issued by Indian Authority with three years experience is must for Junior Executive (Airside Operations). A valid LMV licence is desirable for other posts. 2. Age : 35 years as on 31/03/2017. II. List of Rejected applications not meeting the above mentioned eligibility criteria. This list is prepared based on the details provided by the candidates in the online application form. If the rejected candidate has any valid proof to be included in the provisionally accepted list of candidates, they need to forward a request along with a copy of proof of their claims to [email protected] on or before 11.09.2017 . Request without valid proof of claims will not be considered. Sl No. Ref. No. Name of Candidate Reason for Rejection 1 KA-17226 VSHNU SASIDHARAN No Prescribed Qualification 2 KA-17229 Saneesh. A No Prescribed Qualification 3 KA-17231 John Thomas Moolayil No Experience 4 KA-17240 Aravind Raveendranadh No Prescribed Qualification 5 KA-17242 Johil R No Prescribed Qualification 6 KA-17244 SNEHA R No Experience 7 KA-17254 -
Unit-1 T. S. Eliot : Religious Poems
UNIT-1 T. S. ELIOT : RELIGIOUS POEMS Structure 1.0 Objectives 1.1 Introduction 1.2 ‘A Song for Simeon’ 1.3 ‘Marina’ 1.4 Let us sum up 1.5 Review Questions 1.6 A Select Bibliography 1.0 Objectives The present unit aims at acquainting you with some of T.S. Eliot’s poems written after his confirmation into the Anglo-Catholic Church of England in 1927. With this end in view, this unit takes up a close reading of two of his ‘Ariel Poems’ and focuses on some traits of his religious poetry. 1.1 Introduction Thomas Stearns Eliot was born on 26th September, 1888 at St. Louis, Missouri, an industrial city in the center of the U.S.A. He was the seventh and youngest child of Henry Ware Eliot and Charlotte Champe Stearns. He enjoyed a long life span of more than seventy-five years. His period of active literary production extended over a period of forty-five years. Eliot’s Calvinist (Puritan Christian) ancestors on father’s side had migrated in 1667 from East Coker in Somersetshire, England to settle in a colony of New England on the eastern coast of North America. His grandfather, W.G. Eliot, moved in 1834 from Boston to St. Louis where he established the first Unitarian Church. His deep academic interest led him to found Washington University there. He left behind him a number of religious writings. Eliot’s mother was an enthusiastic social worker as well as a writer of caliber. His family background shaped his poetic sensibility and contributed a lot to his development as a writer, especially as a religious poet. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
पेटेंट कार्ाालर् Official Journal of the Patent Office
पेटᴂट कार्ाालर् शासकीर् जर्ाल OFFICIAL JOURNAL OF THE PATENT OFFICE नर्र्ामर् सं. 08/2021 शुक्रवार दिर्ांक: 19/02/2021 ISSUE NO. 08/2021 FRIDAY DATE: 19/02/2021 पेटᴂट कार्ाालर् का एक प्रकाशर् PUBLICATION OF THE PATENT OFFICE The Patent Office Journal No. 08/2021 Dated 19/02/2021 8641 INTRODUCTION In view of the recent amendment made in the Patents Act, 1970 by the Patents (Amendment) Act, 2005 effective from 01st January 2005, the Official Journal of The Patent Office is required to be published under the Statute. This Journal is being published on weekly basis on every Friday covering the various proceedings on Patents as required according to the provision of Section 145 of the Patents Act 1970. All the enquiries on this Official Journal and other information as required by the public should be addressed to the Controller General of Patents, Designs & Trade Marks. Suggestions and comments are requested from all quarters so that the content can be enriched. ( Shri Rajendra Ratnoo ) CONTROLLER GENERAL OF PATENTS, DESIGNS & TRADE MARKS 19nd FEBRUARY, 2021 The Patent Office Journal No. 08/2021 Dated 19/02/2021 8642 CONTENTS SUBJECT PAGE NUMBER JURISDICTION : 8644 – 8645 SPECIAL NOTICE : 8646 – 8647 EARLY PUBLICATION (DELHI) : 8648 – 8688 EARLY PUBLICATION (MUMBAI) : 8689 – 8727 EARLY PUBLICATION (CHENNAI) : 8728 – 8822 EARLY PUBLICATION ( KOLKATA) : 8823 – 8828 PUBLICATION AFTER 18 MONTHS (DELHI) : 8829 – 9049 PUBLICATION AFTER 18 MONTHS (MUMBAI) : 9050 – 9180 PUBLICATION AFTER 18 MONTHS (CHENNAI) : 9181 – 9365 PUBLICATION AFTER 18 MONTHS -
Iimb Digest February 2020 Newsmakers
IIMB DIGEST FEBRUARY 2020 NEWSMAKERS Dr. Balkrishna Doshi, architect of IIMB and Pritzker Architecture Prize awardee, is honoured with Padma Bhushan Dr. Balkrishna Doshi, the architect of the IIMB campus, has been conferred the Padma Bhushan in the year 2020, the third-highest civilian award in the Republic of India given for distinguished service of high order. The Government of India announced the list of awardees on the eve of Republic Day. Read more IIMB’s one-year MBA ranked No.1 in India by Financial Times IIM Bangalore’s one-year full-time MBA programme, the Executive Post Graduate Programme in Management (EPGP), has shot up six places from last year to claim the 27th spot in the Financial Times (FT) Global MBA Rankings 2020. IIMB has bagged the top spot among Indian B-schools in the rankings. Read more Positive Impact Rating 2020: IIM Bangalore Among Top 30 Global Business Schools In the first edition of Positive Impact Rating, a new rating for Business schools unveiled during the 2020 World Economic Forum meet at Davos, Indian Institute of Management Bangalore (IIMB) has been rated one among nine schools in the ‘Transforming Schools’ category. IIMB has been listed along with schools such as London Business School (UK), Esade Business School (Spain), Eada Business School Barcelona (Spain) and Edhec Business School (France). Read more Prof. Ritwik Banerjee and Prof. Soham Sahoo win the Prof M. J. Manohar Rao Award for Young Researchers by The Indian Econometric Society (TIES) The Indian Econometric Society (TIES) has instituted an award for young scholars in India to commemorate Professor M. -
Annual Report 2018 – 2019 N C E R T
NCERT Annual Report 2018 – 2019 N C E R T Annual Report 2018 –2019 February 2020 Magha 1941 PD 5H BS © National Council of Educational Research and Training, 2020 Published at the Publication Division, by the Secretary, National Council of Educational Research and Training, Sri Aurobindo Marg, New Delhi – 110 016 and printed at Pushpak Press Private Limited, B-3/1, Okhla Industrial Area, Phase-II, New Delhi – 110 020 Foreword The Annual Report presents a glimpse of initiatives undertaken by the National Council of Educational Research and Training for the year 2018–19. NCERT, the apex body working in the area of school education, provides leadership, strengthens the national education system and caters to the needs of the States and UTs. The Council has emerged as a guiding force to buildup a progressive system of education that can help in utilising the human resources as a dividend to the country. The NCERT Annual Report 2018–19, to take its mission forward, provides insights into the concerns, priorities and activities of its constituent units. The Council has undertaken various research studies, development activities, capacity building programmes and extension activities to reach out every child located in the remotest corner of the country. It has brought out the district wise reports of the National Achievement Survey and more than 500 publications, which includes textbooks, workbooks, supplementary readers, teacher guides, laboratory manuals, source books on assessment and educational journals. The Council has further ventured into development of online courses, learning outcomes for the secondary stage, curriculum frameworks for four-year integrated B.Ed, ICT curriculum, vocational education curricular materials, educational media programmes, handbooks for teachers working in special training centres for Out of School Children (OoSC), student workbooks, etc. -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Films Released in 2008
THE KALAA AWARDS 2009 NOMINEES LIST Film Name Release Cast Director Producer Audio Music Singers Lyrics Director Yuga Nov-07 Vijay,Kavya Chandra A Anand Arjun Arjun Kailash Kher, Srinivas, V. Nagendra Shreya Ghoshal, Prasad, Ranjith,Tippu,Badri Chandra, Prasad, Shankar Arjun Shanbog, Shamita Malnad Snehanjali Nov-07 Dhruva, Anju Girish H Ramesh, RG Akash Rajesh Hemanth Kumar, Girish Kamplapura Siddaraju Ramnath Lakshmi,Sharan, Kamplapura, Chaitra,Rajesh Ram Krishnan,Rajesh Narayan, V. Ramanath,Shastry Nagendra Prasad,Kavir aj Ganesh Nov-07 Jaggesh, Anant Dinesh Babu S V Srinivasalu Skanda Manikanth V Pradeep Raghu Nag Kadri Kumar,Anuradha Urdigar, Bhat,Rajesh Ram Krishnan,Ujjayni Roy Narayan, Kaviraj, Jayanth Kaykini Chanda Nov-07 Vijay, Shubha S Narayan Smt. Bhagyavati Anand S Narayan Kumarsanu, Shreya S Narayan Poonja Goshal,Chitra KS,Kunal Ganjawala, Madhubalakrishna,Shaan, LN Shastry Hettare Hennane Nov-07 SPB, Rekha, Sai Prakash Sukku Anand Mano Murthy Hrudaya Shiva,Jayanth Jayanth Herabeku Lakshmi Kaikani,K.Kalyan, Kaviraj Kaikani, Hrudaya Shiva, K. Kalyan, Kaviraj Orata I love you Nov-07 Prashanth, Shri CR Manohar Jhankar GR Shankar Rajesh Krishnan, K. Kalyan, Sowmya Nanditha,SPB, MD Hemanth Pallavi,Karthik,Chitra Kumar, GR KS,Hemanth Kumar Shankar, Shri Right Adre Nov-07 Sunil Sharavana B N Srinivas Arjun Neel Gururaj Hoskote, Raju Shyam Ananthnaswamy, LN Shimogga, Shastry, Chennaveer Shiva Bidar,Bombay Samay, Jayashree,Naresh Iyer, Shwetha,Neel, Mayura Anupama,Hariharan,Srini vas Gunavanta Nov-07 Prem, Rekha Raghuvardhan M Muniraju -
Raag-Mala Music Society of Toronto: Concert History*
RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2013 2012 2011 Praveen Sheolikar, Violin Ud. Shahid Parvez, Sitar Pt. Balmurli Krishna, Vocal Gurinder Singh, Tabla Subhajyoti Guha, Tabla Pt. Ronu Majumdar, Flute Arati Ankalikar Tikekar, Vocal Ud. Shujaat Khan, Sitar Kishore Kulkarni, Tabla Abhiman Kaushal, Tabla Ud. Shujaat Khan, Sitar Abhiman Kaushal, Tabla Anand Bhate, Vocal Vinayak Phatak, Vocal Bharat Kamat, Tabla Enakshi, Odissi Dance The Calcutta Quartet, Violin, Suyog Kundalka, Harmonium Tabla & Mridangam Milind Tulankar, Jaltrang Hidayat Husain Khan, Sitar Harvinder Sharma, Sitar Vineet Vyas, Tabla Ramdas Palsule, Tabla Warren Senders, Lecture- Raja Bhattacharya, Sarod Demonstration and Vocal Shawn Mativetsky, Tabla Raya Bidaye, Harmoium Ravi Naimpally, Tabla Gauri Guha, Vocal Ashok Dutta, Tabla Luna Guha, Harmonium Alam Khan, Sarod Hindole Majumdar, Tabla Sandipan Samajpati, Vocal Raya Bidaye, Harmonium Hindole Majumdar, Tabla Ruchira Panda, Vocal Pandit Samar Saha, Tabla Anirban Chakrabarty, Harmonium 2010 2009 2008 Smt. Ashwini Bhide Deshpande, Smt. Padma Talwalkar, Vocal Pt. Vishwa Mohan Bhatt, Mohan Vocal Rasika Vartak, Vocal Veena Vishwanath Shirodkar, Tabla Utpal Dutta, Tabla Subhen Chatterji, Tabla Smt. Seema Shirodkar, Suyog Kundalkar, Harmonium Heather Mulla, Tanpura Harmonium Anita Basu, Tanpura Milind Tulankar, Jaltarang Pt. Rajan Mishra, Vocal Sunit Avchat, Bansuri Pt. Sajan Mishra, Vocal Tejendra Majumdar, Sarod Ramdas Palsule, Tabla Subhen Chatterji, Tabla Abhijit Banerjee,Tabla Sanatan Goswami, Harmonium Kiran Morarji, Tanpura Irshad Khan, Sitar Manu Pal, Tanpura Subhojyoti Guha, Tabla Aparna Bhattacharji, Tanpura Aditya Verma, Sarod Ramneek Singh, Vocal Hindol Majumdar, Tabla Pt. Ronu Majumdar, Flute Won Joung Jin, Kathak Ramdas Palsule, Tabla Amaan Ali Khan, Sarod Rhythm Riders, Tabla Bharati, tanpura Ayaan Ali Khan, Sarod Vineet Vyas, Tabla 1 RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2010 Cont. -
Visva-Bharati, Sangit-Bhavana Department of Rabindra Sangit, Dance & Drama CURRICULUM for UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM
Visva-Bharati, Sangit-Bhavana Department of Rabindra Sangit, Dance & Drama CURRICULUM FOR UNDERGRADUATE COURSE CHOICE BASED CREDIT SYSTEM COURSE CODE: DURATION: 3 COURSE CODE SIX SEMESTER BMS YEARS NO: 41 Sl.No Course Semester Credit Marks Full Marks . 1. Core Course - CC 14 Courses I-IV 14X6=84 14X75 1050 08 Courses Practical 06 Courses Theoretical 2. Discipline Specific Elective - DSE 04 Courses V-VI 4X6=24 4X75 300 03 Courses Practical 01 Courses Theoretical 3. Generic Elective Course – GEC 04 Course I-IV 4X6=24 4X75 300 03 Courses Practical 01 Courses Theoretical 4. Skill Enhancement Compulsory Course – SECC III-IV 2X2=4 2X25 50 02 Courses Theoretical 5. Ability Enhancement Compulsory Course – AECC I-II 2X2=4 2X25 50 02 Courses Theoretical 6. Tagore Studies - TS (Foundation Course) I-II 4X2=8 2X50 100 02 Courses Theoretical Total Courses 28 Semester IV Credits 148 Marks 1850 Page 1 of 109 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) COURSE AND MARKS DISTRIBUTION STRUCTURE CC DSE GEC SECC AEC TS SEM C TOTA PRA THE PRA THE PRA THE THE THE THE L C O C O C O O O O I 75 75 - - 75 - - 25 50 300 II 75 75 - - 75 - - 25 50 300 III 150 75 - - 75 - 25 - - 325 IV 150 75 - - - 75 25 - - 325 V 75 75 150 - - - - - - 300 VI 75 75 75 75 - - - - - 300 TOTA 600 450 225 75 225 75 50 50 100 1850 L Page 2 of 109 CHOICE BASED CREDIT SYSTEM B.MUS (HONS) OUTLINE OF THE COURSE STRUCTURE COURSE COURSE TYPE CREDITS MARKS HOURS PER CODE WEEK SEMESTER-I CC-1 PRACTICAL 6 75 12 CC-2 THEORETICAL 6 75 6 GEC-1 PRACTICAL 6 75 12 AECC-1 THEORETICAL 2 25 2 TS-1 THEORETICAL