DOCSLIB.ORG

Alphabetical Index of Original Compositions and Folk-Song Arrangements* by Percy Aldridge Grainger

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Alphabetical Index of Original Compositions and Folk-Song Arrangements* by Percy Aldridge Grainger *including arrangements and realisations by others Listing compiled by Barry Peter Ould, Music Archivist of the Grainger Society. This listing at present supports limited publisher details. A catalogue of works with full scoring details and publisher information will be posted to this website in due course. In the meantime, all enquiries should be sent to the Percy Grainger Society, 2 George Street, Huntly, Aberdeenshire, Scotland, AB54 8BT - or e-mail: [email protected] Enquiries in the USA can now be phoned through to the UK by using the following number: (914) 816 1137 (Please call between 8am - 5pm US Eastern Time) Since the introduction of the new USA copyright laws, many of Grainger's compositions have gone into the Public Domain in the USA. Any work published before 1923 is now PD material in the USA. This has led to a plethora of arrangements being issued by many different American music publishers. Some of the major publishers e.g. Edwin F. Kalmus, Ludwig Music and Masters Music have published scores and material from the original publications and owing to the fact that in a few cases Grainger's music was not renewed at the Library of Congress, has led to the publishing of such major works as "A Lincolnshire Posy" and The Warriors" amongst others by these companies. Southern Music of Texas have issued a major series of Grainger's wind band music with Full Scores under the editorship of R. Mark Rogers in all cases going back to source material and correcting many of the mistakes that appeared in Grainger's scores when they were originally published in short score format. Carl Fischer Inc., who originally published a number of Grainger's wind band works have also brought out new full score editions whilst G. Schirmer Inc., Grainger's original USA publisher have issued a few band works in arrangements as well as some new editions of works already in their catalogue. Jensen Publications in association with R. Smith & Co. (UK) published some of the 'Chosen Gems for Winds' under the editorship of Keith Brion but, the series came to a halt due to copyright problems as some of the titles were owned by G. Schirmer in the USA and the UK publishers were unable to acquire the world rights which they wanted. The remaining 'Chosen Gems for Winds' (all arrangements of other composers’ music by Grainger) are in the process of being issued by Bardic Edition and The Grainger Society and an announcement will be made when these become available. Meanwhile, the copyright situation in Europe remains unaltered and Grainger is still and will continue to be in copyright until 1st January, 2032. Australia has also recently extended their copyright duration to be in line with Europe i.e. 70 years after the death of the composer/author. Anyone seeking to obtain Grainger material with the intention of making arrangements from it must seek permission from the copyright holders and submit a copy of their arrangement to the Grainger Estate for evaluation. Regrettably, in the past many inferior arrangements have been allowed which have been presented as being by Grainger himself! Unfortunately, after Grainger’s death in 1961, and the general decline in his music which followed until the Grainger renaissance in the early 1970’s, fostered an attitude that his musical legacy was a free for all. Although much in keeping with his own ethos of making his music available to all, this situation began to have an impact on the Estate in as much as necessary income to maintain the Grainger House in White Plains, began to decline and in recent years has been compounded by the reduction in mechanical and performing royalties as the collection societies change their methods of collecting such income. In one instance, a major collecting agency refused to believe that Grainger wrote any original music insisting that all he did was to make arrangements and that all his music would come under that heading and thereby would only receive a lower royalty payment against one for original works. As far as we are aware this decision has not been overturned! Whilst the Grainger Estate is only too willing to provide information and guidance, and supply where possible copies of any scores of Grainger’s music which are unobtainable through normal outlets, we do this on the understanding that ‘the labourer is worthy of his hire’ principal. Please note that we are always interested in knowing about arrangements of Grainger’s music by others and in order to keep our listing as up-to-date as possible please send us information about these if you know of any not listed here. Abbreviations used : • AFMS = American Folk Music Settings • BFMS = British Folk Music Settings • DFMS = Danish Folk Music Settings • EGM = English Gothic Music • FI = Faeroe Island Dance Folk Music Settings • FS = Free Settings of Favourite Melodies • KS = Kipling Settings • OEPM = Settings of songs and tunes from William Chappell’s Old English Popular Music • RMTB = Room Music Tit-Bits • S = Sentimentals • SCS = Sea Chanty Settings • SON = Songs of the North • YT = Youthful Toneworks Where abbreviations are followed by a number, this indicates the position within the generic series eg. S3 = Sentimental No. 3. If no number is given after the abbreviation, this indicates that although the work is part of the series, it was not given a number by Grainger (mostly in cases where the work was not published during Grainger’s lifetime). Afterword [S3] [Bardic Edition] chorus and brass chorus and piano brass band with or without chorus (arr. Kramer) special fanfare band scoring with or without chorus (arr. Kramer) Afton Water (see Three Burns Songs) [Bardic Edition] Agincourt Song [Bardic Edition] chorus Always Merry and Bright (Mock Morris) [Bardic Edition] 2 pianos (4 hands) - see also Mock Morris 2 pianos (4 hands) arrangement by Laurent Beeckmans Anchor Song [KS6] chorus [Schott] male voice and piano [Bardic Edition] Andante con moto [YT] [Bardic Edition] piano solo Arrival Platform Humlet [RMTB7; 1st movement of In a Nutshell Suite] orchestra and piano [Schott] piano solo [Schott] 2 pianos (4 hands) [Schott] solo viola or massed violas [Schott] solo violin or massed violins [Bardic Edition] solo oboe or massed oboes (ed. Wielgus) [Bardic Edition] soprano saxophone (arr. Cohen) [Bardic Edition] resonaphone or marimba solo [Bardic Edition] brass quintet (arr. Stanhope) wind ensemble or symphonic band (arr. Simpson) saxophone solo (arr. Greenberg) [Southern Music, USA] tuneful percussion (arr. Ragsdale) [Aux Arcs Music] wind band (arr. Eichenberger) [?] wind band (arr. Patterson) [USA Marine Band Library] As Sally Sat A’Weeping [BFMS; part of Two Musical Relics of my Mother] 2 pianos (4 hands) [Schott] brass quintet (arr. Kreines) [Southern Music, USA] wind band (arr. Ragsdale) [Aux Arcs Music] At Twilight mixed chorus and tenor solo [Schott] piano solo [Bardic Edition] Australian Marching Song (see also Marching Song of Democracy) [Bardic Edition] mixed chorus and room-music/orchestra orchestra Australian Up-Country Song mixed chorus [Schott] saxophone sextet (arr. Cawkwell) [Bardic Edition] piano solo (ed. Stevenson) [Schott - The Young Pianist’s Grainger] concert band (arr. Bainum) [G. Schirmer/Hal Leonard] brass ensemble (arr. Bainum) [G. Schirmer/Hal Leonard] wind quintet (arr. Lesnick) Bahariyale V. Palaniyandi [Bardic Edition] Indian cup bells, harmonium and 3 or 4 hand drums Beaches of Lukannon [KS20; 5th movement of Kipling Jungle Book Cycle ] mixed chorus, strings (ad lib.) and harmonium (ad lib.) [Schott] voice and piano (see Lukannon) [Bardic Edition] Beatless Music [Bardic Edition] six Theremins (graph score only) Beautiful Fresh Flower (Chinese Melody) piano solo (simplified; arr. Stevenson) [Schott - The Young Pianist’s Grainger] piano solo [Bardic Edition] strings and percussion (arr. Sculthorpe) [Faber Music] saxophone trio (arr. Cawkwell) string quartet (arr. Sculthorpe) orchestra (arr. Woolrich) Bell Piece (after Dowland) [Bardic Edition] tenor voice and band (ed. Duffy & Ould) Blithe Bells (after J. S. Bach) orchestra (elastic scoring) [Schott] piano and military band (ed. Ould) [Bardic Edition] piano solo (concert and easy versions) [Schott] 2 pianos (4 hands) [Schott] organ (arr. Wells) [Bardic] concert band (arr. Jager) [G. Schirmer/Hal Leonard] Bold William Taylor [BFMS43] [Schott] voice and ensemble voice and piano Bridal Lullaby, A (Theme music from Howards End) [Bardic Edition] piano solo (original version) piano solo (simplified; arr. Thwaites) harp solo (arr. Gibbs) chorus + opt. T solo and harp (piano) and/or strings (arr. Gibbs as Goodbye to Love) ssaa chorus and harp (piano) (arr. Gibbs as Goodbye to Love) organ solo (arr. Gibbs) guitar solo (arr. Smart) violin (or viola or cello) and piano (arr. Gibbs as second movement of Danish Memories suite) French or tenor horn and piano (arr. Gibbs) concert band (arr. Hartley as second movement of Tit-Bits suite) piano and orchestra (arr. Pickard) [can be performed as 2nd movement of a suite for piano and orchestra] Bridal Song (To A Nordic Princess) [Bardic Edition] organ (arr. Farnham) Bridal Lullaby Ramble (see Warriors A) piano solo (realised and edited by John Lavender and Penelope Thwaites) [Bardic Edition] Bride’s Tragedy, The double or single chorus and orchestra [Schott] chorus and orchestra (arr. Chignell) [BBC Library] wind band (arr. Ragsdale) [Aux Arcs Music] Bridegroom Grat, The [YT] [Bardic Edition] voice and piano (arr. Ould) voice and guitar (arr. Smart) voice and strings (ed. Ould) Brigg Fair [BFMS7] tenor and mixed chorus [Schott] tenor and strings (arr. Conway) [Bardic Edition] brass sextet (arr. Osmon) saxophone quintet (arr. Cawkwell) [Bardic Edition] cello and strings (arr. Palmer) cello and strings (arr. Lourenço) flute and piano (arr. Smith) alto saxophone (or tenor saxophone) and strings (arr. Lourenço) wind band (arr.
Recommended publications
  • Catalogue of Works Barry Peter Ould

    Catalogue of Works Barry Peter Ould

    Catalogue of Works Barry Peter Ould In preparing this catalogue, I am indebted to Thomas Slattery (The Instrumentalist 1974), Teresa Balough (University of Western Australia 1975), Kay Dreyfus (University of Mel- bourne 1978–95) and David Tall (London 1982) for their original pioneering work in cata- loguing Grainger’s music.1 My ongoing research as archivist to the Percy Grainger Society (UK) has built on those references, and they have greatly helped both in producing cata- logues for the Society and in my work as a music publisher. The Catalogue of Works for this volume lists all Grainger’s original compositions, settings and versions, as well as his arrangements of music by other composers. The many arrangements of Grainger’s music by others are not included, but details may be obtained by contacting the Percy Grainger Society.2 Works in the process of being edited are marked ‡. Key to abbreviations used in the list of compositions Grainger’s generic headings for original works and folk-song settings AFMS American folk-music settings BFMS British folk-music settings DFMS Danish folk-music settings EG Easy Grainger [a collection of keyboard arrangements] FI Faeroe Island dance folk-song settings KJBC Kipling Jungle Book cycle KS Kipling settings OEPM Settings of songs and tunes from William Chappell’s Old English Popular Music RMTB Room-Music Tit Bits S Sentimentals SCS Sea Chanty settings YT Youthful Toneworks Grainger’s generic headings for transcriptions and arrangements CGS Chosen Gems for Strings CGW Chosen Gems for Winds 1 See Bibliography above. 2 See Main Grainger Contacts below.
  • An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries

    An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries

    AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years.
  • ISSUE 4 FALL 2000 CONTENTS DEFINING the WIND Defining the Wind Band Sound

    ISSUE 4 FALL 2000 CONTENTS DEFINING the WIND Defining the Wind Band Sound

    A JOURNAL FOR THE CONTEMPORARY WIND BAND ISSUE 4 FALL 2000 CONTENTS DEFINING THE WIND Defining the Wind Band Sound ... page I BAND SOUND: by Donald Hunsberger Patrick Gi lmore and his contributions to the THE GILMORE ERA (1859-1892) development of the American wind band BY DONALD HUNSBERGER INSIGHTS Three Japanese Dances .. page 12 In Wine/Works Issue 2, we discussed the development and influence of the English militm)l by Bernard Rogers band journal in shaping English ensembles during the second half of the 19th centu1y. A new full score and set of pruts in an edition These English band practices were brought to America by music and instrument distributors by Timothy Topolewski and furth er highlighted by the visit of Daniel Godfrey and the Band of the Grenadier Guards CONVERSATIONS to Boston in 1872. The one person who, above others, may be credited for creating fonvard A Talk with Frederick Fennell .. page 18 movement in American band instrumentation is Patrick Gilmore, whose contributions were Conductor Fennell talks about hi s eru·ly previously listed as occurring through instrumentation expansion, balancing the number of impressions of the first performance of pe1jormers, and especially through his awakening both the A1nerican public and the musical the Three Japanese Dances in 1934 world to the vast untapped potential of the full woodwind-brass-percussion ensemble [WindWorks Issue 3]. A Talk with Mrs. Beman/ Rogers ... page 20 Elizabeth Rogers discusses Bernru·d Rogers' Th e period between the Civil War and John Philip Sousa ssuccess with his own professional approach to writing the Three Japanese Dances band in the 1890s has been somewhat of a historical "black hole" due to a lack of available resources; it is hoped that important events and developments may be fo llowed through WIND LIBRARY analysis of instrumentation/personnel changes and especially through actual scores of the Catfish Row by George Gershwin ..
  • Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano

    Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano

    Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op.
  • KSU Wind Ensemble with Kell High School Wind Ensemble

    KSU Wind Ensemble with Kell High School Wind Ensemble

    KENNESAW STATE UNIVERSITY SCHOOL OF MUSIC KSU Wind Ensemble David Kehler, Conductor with Kell High School Wind Ensemble David Roth and Taylor Watts, Conductors Thursday, April 19, 2018 at 8 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall One-hundred Eighteenth Concert of the 2017-18 Concert Season program KELL HS David Roth, Taylor Watts, Conductors Wind Ensemble ANDREW BOYSEN, Jr. (b. 1968) Kirkpatrick Fanfare (1999) Taylor Watts, conductor GUSTAV HOLST (1874–1934) First Suite in E-flat, opus 28, No. 1 (1909) I. Chaconne II. Intermezzo III. March David Roth, conductor DAVID MASLANKA (1946–2017) Give Us This Day (Short Symphony) (2005) I. Moderately slow II. Very fast BRIEF INTERMISSION KSU David T. Kehler, Conductor Wind Ensemble STEPHEN MONTAGUE (b. 1943) Intrada 1631 (2003) MORTEN LAURIDSEN (b. 1943) O Magnum Mysterium (1994), trans. Reynolds PERCY ALDRIDGE GRAINGER (1882–1961) Lincolnshire Posy (1937), edited Fennell (1984) I. Lisbon II. Harkstow Grange III. Rufford Park Poachers IV. The Brisk Young Sailor V. Lord Melbourne VI. The Lost Lady Found AFTER BRIEF INTERMISSION Combined Bands JOSEPH WILCOX JENKINS (1928–2014) American Overture for Band (1954) program notes Kirkpatrick Fanfare | Andrew Boysen Andrew Boysen, Jr. is presently a full professor in the music department at the University of New Hampshire, where he conducts the wind symphony and teaches conducting, composition and orchestration. Boysen earned his Doctor of Musical Arts degree in wind conducting at the Eastman School of Music, where he served as conductor of the Eastman Wind Orchestra and assistant conductor of the Eastman Wind Ensemble. He received his Master of Music degree in wind conducting from Northwestern University in 1993 and his Bachelor of Music degree in music education and music composition from the University of Iowa in 1991.
  • Thomas Carl Slattery-The Wind Music of Percy Aldridge Grainger Ann Arbor: University Microfilms (UM Order No

    Thomas Carl Slattery-The Wind Music of Percy Aldridge Grainger Ann Arbor: University Microfilms (UM Order No

    Thomas Carl Slattery-The Wind Music of Percy Aldridge Grainger Ann Arbor: University Microfilms (UM order no. 67-9104, 1967. 265 pp., The University ofIowa diss.) David S. Josephson [Ed. Note,' This is the second in a series of writings conceived by Prof. Josephson as an essay in bibliography, seeking to provide the foundation for a thorough and broadly-based study of the life and music of Percy Grainger. The first essay, "Percy Grainger: Country Gardens and Other Curses," can be found in Current Musicology 15 (1973): 56-63.] Percy Grainger composed and arranged music for winds from virtually the beginning to the end of his creative life. The fruits of these labors are the subject, at first glance, of the dissertation under review. In fact, however, Thomas Slattery's thesis is more than a study of the wind music: in both scope and length it is the first major attempt to deal with Grainger's life and work. The wind music provides an apt vehicle, for its remarkable range of idiom, genre, and intention allows us to explore the gamut of Grainger's productive life from almost every angle; the finest exemplars of this repertory reveal most immediately his striking ear and fastidious craftsmanship. In- deed, Grainger's largest essay for winds, Lincolnshire Posy, is a handbook of band orchestration and arguably the most idiomatic and sensitive composi- tion ever written for large wind ensemble. The table of contents reveals both the scale of Dr. Slattery's investigation and its cogent organization. The six chapters include an extended biblio- graphical summary; music for wind band; the chamber music for, with, and arranged for winds; Grainger's wind scoring; his innovations; and a sum- mary of sources.
  • Wind Orchestra 02.27.14

    Wind Orchestra 02.27.14

    College of Fine Arts presents UNLV Wind Orchestra Thomas G. Leslie, conductor Jonathan Good, guest conductor Zane Douglass, guest conductor Dean Snavely, graduate conductor PROGRAM Silvestre Revueltas Janitzio (1899–1940) Steven Bryant Dusk (b. 1972) Zane Douglass, conductor Vincent Persichetti Masquerade for Band (1915–1987) Jonathan Good, conductor INTERMISSION Percy Aldridge Grainger Spoon River (1882–1961) Dean Snavely, conductor John Mackey The Frozen Cathedral (b. 1973) Thursday, February 27, 2014 7:30 p.m. Artemus W. Ham Concert Hall Performing Arts Center University of Nevada, Las Vegas PROGRAM NOTES AND BIOGRAPHIES Silvestre Revueltas’ Janitzio, is one of the most genial of his short orchestral works, which takes its name from an island in Lake Patzcuaro in the Mexican state of Michoacán. Revueltas' composition is hardly a loving tribute to the island of the title; rather, the composer takes a gleeful poke at the tourists who had overrun the place. Revueltas wrote: "Lake Patzcuaro is filthy. Romantic travelers have dressed it up with postcard-style verses and music. Not to be outdone, I added my grain of sand. Posterity will undoubtedly reward me for this contribution to our tourist industry." Loud and festive, but with an easy waltz-like swing, Janitzio evolves from a theme in 3/8, evoking a local melody as though played by an out-of-tune band. Typically, Revueltas frequently interrupts the flow with abrupt changes of instrumentation and character. The central section of the work's ABA structure allows the oboe and clarinet, then trumpet and horn to provide an unexpectedly tender respite; before long, however, the festive music of the opening returns in full force.
  • British Orchestral Music

    British Orchestral Music

    BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) Written by Composers Born Between 1800 & 1910 A Discography Of CDs And LPs Prepared by Michael Herman Composers C-G WALTER CARROLL (1869-1955) Born in Manchester. He got his musical degrees at the Universities of Durham and Manchester and went on to an acdemic career at the University of Manchester and at the Royal Manchester College of Music. He became Music Dvisor to the City of Manchester and devoted himself to reforming and improving art education in the schools. With this goal in mind he composed piano music for children as well as instructional books. His enormous academic load precluded much time for other composing. Festive Overture (c. 1900) Gavin Sutherland/Royal Ballet Sinfonia ( + Blezard: Caramba, Black: Overture to a Costume Comedy, Langley: Overture and Beginners , Dunhill: Tantivy Towers, Chappel: Boy Wizard, Hurd: Overture to an Unwritten Comedy, Monckton: The Arcadians. Lane: A Spa Overture, Pitfield: Concert Overture and Lewis: Sussex Symphony Overture) WHITELINE CD WHL 2133 (2002) ADAM CARSE (1878-1958) Born in Newcastle-on-Tyne. He studied under Frederick Corder at the Royal Academy and later went on to teach at that school. He composed in various genres and his orchestral output includes 2 Symphonies, the symphonic poems "The Death of Tintagiles" and "In a Balcony," a Concert Overture and Variations for Orchestra. He also wrote musical textbooks that kept his name in print long after his compositions were forgotten. The Willow Suite for String Orchestra (1933) Gavin Sutherland/Royal Ballet Sinfonia ( +Purcell/Britten: Chacony, Lewis: Rosa Mundi, Warlock/Lane: Bethlehem Down, Holst: Moorside Suite, Carr: A Very English Music, W.
  • California State University, Northridge

    California State University, Northridge

    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE A STUDY OF FOLK SONGS IN THE WIND BAND REPERTOIRE: A CONDUCTOR AND EDUCATOR’S POINT OF VIEW A Thesis submitted in partial fulfillment of the requirements For the degree of Master of Music in Music, Conducting By Claudio D. Alcántar May 2018 The thesis of Claudio D. Alcántar is approved: _________________________________________ ____________ Prof. Mary Schliff Date _________________________________________ ____________ Prof. Gary Pratt Date _________________________________________ ____________ Dr. Lawrence Stoffel, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to express my immense gratitude to Dr. Lawrence Stoffel for being an amazing human being and for guiding and inspiring me to pursue a career in music education. Your love for music making and your dedication and support for music education has truly inspired me. I am forever thankful for your support and mentorship over these last two years. Gary Pratt, your love and dedication to Cal State Northridge, its students and the community continues to amaze me. Thank you for being a great role model and bringing out the best out of every student over your career as a musician and educator. You have truly inspired me to follow your steps. Mary Schliff, thank you for your continuous help over these years. You keep the music education and credential program going at Cal State Northridge and I thank you for your dedication and hard work. You have created many music educators and continue to encourage me to get out there and teach! iii DEDICATION Dedicated to my family, friends, students, teachers and everyone that has played a role in my development and growth as a musician, educator, conductor and human being.
  • PROGRAM NOTES June 4 2021 Final

    PROGRAM NOTES June 4 2021 Final

    Classical Series Friday, June 4, 2021 at 1:30 p.m. and 8:00 p.m. Saturday, June 5, 2021 at 1:30 p.m. and 8:00 p.m. Sunday, June 6, 2021 at 2:00 p.m. and 7:00 p.m. Helzberg Hall, Kauffman Center for the Performing Arts Michael Stern, conductor WOLFGANG AMADEUS MOZART Serenade No. 11 in E-flat Major, K. 375 I. Allegro maestoso II. Menuetto I III. Adagio IV. Menuetto II V. Allegro PAUL DUKAS Fanfare to Precede La Péri TIMOTHY HIGGINS Sinfonietta I. Introit II. Arias III. Scherzo IV. Finale PERCY ALDRIDGE GRAINGER Lincolnshire Posy (arr. Higgins) I. “Lisbon” II. “Horkstow Grange” III. “Rufford Park Poachers” IV. “The Brisk Young Sailor” V. “Lord Melbourne” VI. “The Lost Lady Found” The 2020/21 Season is generously sponsored by The Classical Series is sponsored by SHIRLEY AND BARNETT C. HELZBERG, JR. Additional support provided by R. CROSBY KEMPER JR. FUND Classical Series Program Notes June 4-6, 2021 Orchestra Roster MICHAEL STERN, Music Director JASON SEBER, David T. Beals III Associate Conductor FIRST VIOLINS John Eadie HORNS Sunho Kim, Acting Concertmaster Lawrence Figg Alberto Suarez, Principal Miller Nichols Chair Rung Lee* Landon and Sarah Rowland Chair Stirling Trent, Meredith McCook David Sullivan, Associate Principal Acting Associate Concertmaster Allen Probus Elizabeth Gray Chiafei Lin, David Gamble Acting Assistant Concertmaster DOUBLE BASSES Stephen Multer, Gregory Sandomirsky ‡, Jeffrey Kail, Principal Associate Principal Emeritus Associate Concertmaster Emeritus Evan Halloin, Associate Principal Anne-Marie Brown Brandon Mason ‡ TRUMPETS Betty Chen Caleb Quillen Julian Kaplan, Principal Anthony DeMarco Richard Ryan James B.
  • Ithaca College Concert Band - "Essentially English" Ithaca College Concert Band

    Ithaca College Concert Band - "Essentially English" Ithaca College Concert Band

    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 10-5-2011 Concert: Ithaca College Concert Band - "Essentially English" Ithaca College Concert Band Mark Fonder Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band and Fonder, Mark, "Concert: Ithaca College Concert Band - "Essentially English"" (2011). All Concert & Recital Programs. 246. http://digitalcommons.ithaca.edu/music_programs/246 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band Mark Fonder, conductor "Essentially English" Ford Hall Wednesday, October 5, 2011 8:15 p.m. ! Program Inglesina (1897) Davide Delle Cese (1856 - 1938) ed. by John R. Bourgeois 5’ Wind Borne (2008) Avner Havani (b. 1974) 8’ Brian Diller, Graduate Conductor Danish Folk Music Suite (1926-41) Percy Aldridge Grainger Jutish Medley (1882 - 1961) trans. by Joseph Kreines 8’ Intermission Songs of the West (1906) Gustav Holst (1874-1934) arr. By James Curnow 12’ Time Lines (2006) Kit Turnbull (b. 1969) 13’ Please note, this concert is being webcasted. Find out more information about our webcasting at http://www.ithaca.edu/music/live/ About the Program Davide Delle Cese was an Italian bandleader, composer and teacher who enjoyed a long and rich musical career. From 1885-1888, by direction of the Italian War Office, he arranged all of the known national anthems for band. As a composer, he is best known for his marches with this march, translated as “The Little English Girl,” being his most famous.
  • PERCY GRAINGER Contributors to This Volume Are Brian Allison, Malcolm Gillies, Barry Peter Ould, David Pear, Michael Piggott and Eleanor Tan

    PERCY GRAINGER Contributors to This Volume Are Brian Allison, Malcolm Gillies, Barry Peter Ould, David Pear, Michael Piggott and Eleanor Tan

    Facing PERCY GRAINGER Contributors to this volume are Brian Allison, Malcolm Gillies, Barry Peter Ould, David Pear, Michael Piggott and Eleanor Tan. Facing PERCY GRAINGER Compiled and edited by David Pear National Library of Australia in association with the Grainger Collection, the University of Melbourne Canberra 2006 © National Library of Australia 2006 Every reasonable endeavour has been made to contact the copyright holders. Where this has not been pososible, the copyright holders are invited to contact the publisher. National Library of Australia Cataloging-in-Publication entry Facing Percy Grainger. ISBN-13: 978-0-642-27639-0. ISBN-10: 0-642-27639-0. 1. Grainger, Percy, 1882—1961. 2. Composers—Australia—Biography. I. Pear, David. 780.92 The exhibition, Faring Percy Grainger, was curated for the National Library of Australia by Brian Allison, David Pear and Martin Terry in association with the Grainger Collection, the University of Melbourne. Assistant curators: Astrid Krautschneider, Irene Turpie Publisher's editor: Irma Gold Designer: Kathy Jakupee Printer: Inprint Pty Ltd Front cover: Unknown photographer Percy Grainger c. 1935 Grainger Collection, the University of Melbourne Back cover: Percy Aldridge Grainger (1882-1961) 'Blind Eye Score (Hill-Song II)' undated Large format music score used by Grainger as a visual aid whilst conducting Grainger Collection, the University of Melbourne Contents Foreword iii Jan Fullerton and Glyn Davis Grainger: The Formative Years 1 David Pear Grainger the Composer 9 Malcolm Gillies Grainger the Performer 15 Eleanor Tan Grainger the Music Arranger 23 Barry Peter Ould Grainger the Social Commentator 31 David Pear Grainger the Autoarchivist 39 Michael Piggott Grainger the Visual Gourmet 47 Brian Allison Further Reading 55 List of Works 57 Notes on Contributors 58 Exhibition Checklist 61 Foreword Jan Fullerton Director-General, National Library of Australia Facing Percy Grainger explores the many facets of the life, music.