DOCSLIB.ORG

University of Massachusetts Boston 100 Morrissey Blvd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University of Massachusetts Boston 100 Morrissey Blvd Collection: SC-0076 University Archives and Special Collections Joseph P. Healey Library University of Massachusetts Boston 100 Morrissey Blvd. Boston, Massachusetts 02125 [email protected] LOTTE JACOBI PHOTOGRAPHS circa 1930-1959 Accession Number: NA4 Repository: University of Massachusetts Boston. University Archives and Special Collections Creator: Lotte Jacobi Title: Lotte Jacobi photographs Date [inclusive]: circa 1930-1959 Extent: 1 linear foot (one flat case) Language: English Citation: Courtesy of the University Archives and Special Collections Department, Joseph P. Healey Library, University of Massachusetts Boston: Lotte Jacobi photographs Processing Information: Processed by Kim Brookes in February 1995. Finding aid updated by Abigail Austin in April 2020. Conditions on Use and Access: This collection is open for research. Copyright: The University of Massachusetts at Boston does not own copyright of these photographs. The university cannot make copies or lend these images to exhibits off campus. To do so, individuals must obtain permission from Lotte Jacobi’s literary heir(s) who own(s) copyright and Jacobi must be credited in any exhibit that includes her work. Copyright of at least one of these photographs belongs to Folkwang Archive, Berlin. PROVENANCE The Lotte Jacobi photographs may have been purchased by University Archives and Special Collections in the Joseph P. Healey Library at the University of Massachusetts Boston prior to 1990. PROCESSING NOTES Dates and other information were added to the photograph list by the processor, based on information in Lotte Jacobi, edited by Kelly Wise (Danbury, N.H.: Addison House, 1978). The photographs were numbered by a librarian when the Healey Library acquired them; when this inventory was made, there were two number fours and no number seven. University of Massachusetts Boston University Archives and Special Collections Finding Aid Collection: SC-0076 JACOBI BIOGRAPHICAL NOTE Photographer Lotte Jacobi was born in Thorn, West Prussia, in 1896. From a family of photographers, she had a studio in Berlin before fleeing Nazi Germany in 1935 (1). In the United States she worked in New York City, and Deering, New Hampshire. Jacobi’s portrait subjects have included many well-known men and women in Europe and the U.S. (1). Jacobi died on May 6, 1990 in Deering, New Hampshire. For additional biographical information, see Lotte Jacobi, edited by Kelly Wise (Danbury, N.H.: Addison House, 1978). SOURCES OF INFORMATION 1. Lotte Jacobi, edited by Kelly Wise (Danbury, N.H.: Addison House, 1978) SCOPE AND CONTENT This collection consists of thirty-five black-and-white portraits, most of well-known American and European men and women, taken in Berlin and the United States. Jacobi signed some of the photos and etched her signature into the negatives of others. All of the photographs are matted and some are framed. Few of the photographs have more than the subject’s name and Jacobi’s name and address (which may help researchers date the prints) on the back. RELATED MATERIALS The following source provides additional information on Lotte Jacobi: Lotte Jacobi Papers, 1898-2000, MC-58, Milne Special Collections and Archives, University of New Hampshire Library, Durham, NH, USA. CONTAINER LIST 1. W.H. Auden (1907-1973), writer, framed, 1, circa 1940-1949 2. Samuel Nathaniel Behrman (1893-1973), 2, undated 3. Marc Chagall (1887- ), artist 3, circa 1942 4. Theodor Daubler (1876-1934), writer 4, undated 5. Theodore Dreiser (1871-1945), writer, NY, framed, 4, 1944 6. W.E.B. (William Edward Burghardt) Du Bois (1868-1963), historian, writer. Framed. 5, undated 7. Alfred Einstein (1880-1952), physicist, Princeton, N.J., framed, 6, 1938 8. Alfred Einstein (1880-1952), physicist, and Thomas Mann (1875-1955), writer, Princeton, N.J., 8, 1938 9. Howard Melvin Fast (1914- ), writer, 9, undated 10. Antonio Frasconi, artist, writer, 10, undated 11. Robert Frost (1874-1963), poet, framed, 11, 1959 12. Robert Frost (1874-1963), poet, 12, circa 1959 13. Gerhart Hauptmann (1862-1946), 13, 1934 14. Fanny [Fannie] Hurst (1889-1968), prize: $50., 14, undated 2 | Contact: [email protected] University of Massachusetts Boston University Archives and Special Collections Finding Aid Collection: SC-0076 JACOBI 15. Freda Kirchway, editor, The Nation, 15, undated 16. Egon Erwin Kisch (1885-1948), journalist, Berlin, 16, circa 1930 17. Karl Krausl, framed, 17, undated 18. Heinrich Mann (1871-1950), Czech writer, 18, undated 19. Thomas Mann (1875-1955), writer, framed, 19, circa 1930-1939 20. Thomas Mann (1875-1955), writer, 20, undated 21. Thomas Mann (1875-1955), writer, and wife Katja, Princeton, N.J., 21, circa 1936 22. Eng. Emilio Filippo Tommaso Marinetti [Filippo Tommaso Marinetti] (1876-1944), Italian poet, 22, undated 23. Karen Michaelis (1872- ), 23, undated 24. Laszlo Moholy-Nagy (1895-1946) and unidentified men, 24, undated 25. Christopher Morley (1890-1957), 25, undated 26. Scott Nearing (1883- ), writer, naturalist, 26, undated 27. Helene (von Hindenburg) von Nostitz (1878-1944) (and unidentified man), 27, undated 28. Max Pechstein (1881-1955) and wife, German writer, 1932, Berlin. Copyright Folkwang Archive, Berlin, 28, undated 29. Gustav Reglaer (1898-1963), German writer, photoflood, 29, undated 30. May Sarton (1912- ), writer, 30, undated 31. C.P. Snow, writer, 31, undated 32. Alfred Stieglitz (1864-1946), photographer, 32, circa 1938 33. Carl Zuckmayer (1896-1977) and family, Berlin, 33, circa 1930 34. Unidentified man, framed, 34, undated 35. Unidentified woman: probably Lotte Jacobi, framed, undated 3 | Contact: [email protected] .
Load more

Recommended publications
  • Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff
    Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff Burcu Dogramaci In the period 1933–1945 the group portrait was an important genre of art in exile, which has so far received little attention in research.1 Individual works, such as Max Beckmann’s group portrait Les Artistes mit Gemüse, painted in 1943 in exile in Amsterdam,2 were indeed in the focus. Until now, however, there has been no systematic investigation of group portraits in artistic exile during the Nazi era. The following observations are intended as a starting point for further investigations, and concentrate on the exile in New York and the work of the emigrated painter Arthur Kaufmann and photographer Hermann Landshoff in the late 1930s and 1940s, who devoted themselves to the genre of group portraits. 3 New York was a destination that attracted a much larger number of emigrant artists, writers, and intellectuals than other places of exile, such as Istanbul or Shanghai. A total of 70,000 German-speaking emigrants who fled from National Socialism found (temporary) refuge in New York City, including—among many others—the painters Arthur Kaufmann and Lyonel Feininger, and the photographers Hermann Landshoff, Lotte Jacobi, Ellen Auerbach, and Lisette Model.4 Such an accumulation of emigrated artists and photographers in one place may explain the increasing desire to visualize group formats and communal compositions. In the genre of the group picture there are attempts to compensate for the displacement from the place of origin.5 This mode of self-portrayal as a group can be 1/15 found in the photographic New York group portraits where the exiled surrealists had their pictures taken together or with their American colleagues.
    [Show full text]
  • ASSOCIATION for JEWISH STUDIES 38TH ANNUAL CONFERENCE Manchester Grand Hyatt, San Diego, California December 17–19, 2006
    ASSOCIATION FOR JEWISH STUDIES 38TH ANNUAL CONFERENCE Manchester Grand Hyatt, San Diego, California December 17–19, 2006 Saturday, December 16, 2006, 8:00 PM Annie A WORKS IN PROGRESS GROUP IN MODERN JEWISH STUDIES Co-chairs: Todd S. Hasak-Lowy (University of Florida) Adam B. Shear (University of Pittsburgh) Sunday, December 17, 2006 GENERAL BREAKFAST 8:30 AM – 9:30 AM Manchester C (Note: By pre-paid reservation only.) REGISTRATION 8:30 AM – 6:00 PM Manchester Foyer AJS ANNUAL BUSINESS MEETING 8:30 AM – 9:00 AM Manchester A AJS BOARD OF 10:30 AM Maggie DIRECTORS MEETING BOOK EXHIBIT (List of Exhibitors p. 65) 1:00 PM – 6:30 PM Exhibit Hall Session 1, Sunday, December 17, 2006 9:30 AM – 11:00 AM 1.1 Manchester A PEDAGOGY AND POLITICS: TEACHING ISRAEL AT NORTH AMERICAN UNIVERSITIES TODAY Chair: Rivka B. Kern-Ulmer (Bucknell University) Discussants: Donna R. Divine (Smith College) Jonathan Goldstein (University of West Georgia) Shirah Hecht (JESNA) Th eodore Sasson (Brandeis University/Middlebury College) David B. Starr (Hebrew College) 1.2 Betsy A/B SOCIAL SCIENCE AND TEACHING ABOUT AMERICAN JEWRY Chair: Paul Burstein (University of Washington) Discussants: Claude Fischer (University of California, Berkeley) Shaul Kelner (Vanderbilt University) Shelly Tenenbaum (Clark University) 1.3 Edward A/B WHAT DOES JEWISH PHILOSOPHY CONTRIBUTE? THE CASES OF LEVINAS AND STRAUSS Chair: Sarah Hammerschlag (Williams College) Discussants: Martin Kavka (Florida State University) Kenneth R. Seeskin (Northwestern University) Eugene Sheppard (Brandeis University) Respondent: Leora F. Batnitzky (Princeton University) 21 SUNDAY, DECEMBER 17, 2006 9:30 AM – 11:00 AM 1.4 Ford A/B ASSESSING THE CHARACTERISTICS OF SYNAGOGUE TRANSFORMATION Chair: Jack Wertheimer (Jewish Th eological Seminary) Stories from Shul Ari Y.
    [Show full text]
  • W Ashington, Dc
    Foto: Modernity in Central Europe, 1918–1945 Related events around town WASHINGTON, DC WASHINGTON, Together with the exhibition Foto: Modernity in Central Europe, 1918–1945 at the National Gallery of Art, Washington, DC, area embassies, museums, and cultural institutions will feature films, concerts, lectures, and exhibitions of the Modernist Period. Photo courtesy of Ondřej Havelka & His Melody Makers’ Archive. Foto: Modernity in Central Europe, 1918–1945 June 10–September 3, 2007 This exhibition is the first survey—including more than 150 photographs, books, and illustrated magazines—ever done on the story of photography’s extraordinary success and popularity in Austria, Czechoslovakia, Germany, Hungary, and Poland during a time of tremendous social and political upheaval. A diverse program of related lectures, films, and concerts includes six interrelated film series that present many works from Central Europe never before seen in the United States. The exhibition is sponsored by the Central Bank of Hungary. National Gallery of Art www.nga.gov/foto On the National Mall at 4th Street and Constitution Avenue, NW (202) 737–4215 Washington, DC 20565 Free admission Related events around town Lectures Exhibitions December 15, 2006–October 8, 2007 June 12, 6–8pm Give Me Your Children: Voices from the Foto and Modernity: An Overview Lodz Ghetto German Historical Institute U.S. Holocaust Memorial Museum June 26, 6–8 pm March 17–July 29 Here Comes the New Photographer! Modernism: Designing a New World The 1929 Film und Foto Exhibition 1914–1939
    [Show full text]
  • Female Photographers' Self-Portraits in Berlin 1929-1933
    SELF-EXPRESSION AND PROFESSION: FEMALE PHOTOGRAPHERS’ SELF-PORTRAITS IN BERLIN 1929-1933 By Sophie Rycroft A thesis submitted to The University of Birmingham as part of the requirements for the Degree of Master of Philosophy in History of Art. Department of History of Art School of Languages, Cultures, Art History and Music College of Arts and Law The University of Birmingham September 2013 Student ID Number: 0944443 History of Art MPhil (B) Word Count: 19,998 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis is the first in-depth study of female photographers’ images of themselves, with their cameras, working in Weimar Berlin. A focus on three self-portraits by women at the heart of the so-called ‘New Photography’, will allow insight into the importance of the self- portrait genre for female photographers, who sought to establish themselves in this rapidly developing field. The photographers Lotte Jacobi (1896-1990), Eva Besnyö (1910-2003) and Marianne Breslauer (1909-2001) have diverse photographic oeuvres yet each produced an occupational self-portrait whilst in Berlin between 1929 and 1933.
    [Show full text]
  • Paintings by Streeter Blair (January 12–February 7)
    1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio.
    [Show full text]
  • Mirrors & Masks: Reflections and Constructions of the Self
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Bryn Mawr College Publications, Special Books, pamphlets, catalogues, and scrapbooks Collections, Digitized Books 2017 Mirrors & Masks: Reflections and Constructions of the Self Steven Z. Levine Bryn Mawr College, [email protected] Carrie Robbins [email protected] Follow this and additional works at: https://repository.brynmawr.edu/bmc_books Part of the Art and Design Commons Let us know how access to this document benefits ou.y Custom Citation Steven Z. Levine and Carrie M. Robbins, eds., Mirrors & Masks: Reflections and Constructions of the Self. Bryn Mawr: Bryn Mawr College, 2017. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmc_books/31 For more information, please contact [email protected]. M I R R O R S M A S K S M I R R O R S M A S K S REFLECTIONS AND CONSTRUCTIONS OF THE SELF EDITED BY Steven Z. Levine Carrie Robbins Bryn Mawr College CONTENTS 4 FOREWORD Gina Siesing 7 MIRRORING AND MASKING THE SELF Myriad Points of Light Encircling the Void Steven Z. Levine 17 THE COLLECTION AS SELF-PORTRAIT Carrie Robbins 21 COLLECTION HIGHLIGHTS Plates and Student Essays 90 ACKNOWLEDGMENTS FOREWORD So much about what makes Bryn Mawr College special comes together here. The opportunities for research and hands-on work at Bryn Mawr, at cultural heritage exhibition Mirrors & Masks: Reflections and Constructions of the Self is part of organizations in Philadelphia, and beyond. Together this year, Robbins and Director Bryn Mawr’s signature 360° program, in which cohorts of students, faculty, and of Museum Studies, Monique Scott, envisioned and created a new Collections allied professionals gather to study a complex topic from multiple disciplinary and Learning Lab within our Rare Book Room, a space in which students experiment with experiential perspectives.
    [Show full text]
  • The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
    THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XXXVI, No. 9 September 2015 FALL AUCTION PREVIEW by Stephen Perloff Desiree Dolron: Xteriors II, 2001–2006 ($60,000–$80,000), at Christie’s FALL AUCTION PREVIEW continued Christie’s will hold three Photographs sales in Sugimoto’s Kegon Waterfall, 1977 ($120,000– Fall 2015. The sales include works for new and $180,000); Bernd & Hilla Becher’s Typology of seasoned collectors alike, featuring a first-ever Four Pitheads, c. 1975, four gelatin silver prints curated Evening Sale on October 5, a Day Sale ($80,000–$120,000); and Richard Misrach’s Un- following on October 6, and First Exposure, an titled, #213-04 from On the Beach, 2004, chromo- online-only sale, now open for bidding. In addi- genic print, printed 2007 ($70,000–$90,000). tion, Christie’s will present Patrick Demarchelier: Photographs 1975–2015, a private selling exhibi- tion of the legendary French fashion photographer from October 2–12. Photographs: The Evening Sale showcases 42 works and reflects a reinvigorated focus on the incredible breadth of offerings from the full his- tory of the medium, encompassing the early begin- nings, strong modernist and post-war periods, all the way through to rising contemporary stars. Leading the way in Christie’s Evening Sale is Ansel Adams’s Clearing Winter Storm, Yosemite National Park, c. 1940, gelatin silver mural print, printed c. 1962–63, and Irving Penn’s Gingko Leaves, New York, 1990, dye-transfer print, print- ed 1992, both estimated at $300,000–$500,000.
    [Show full text]
  • Download (PDF)
    FRAMED! BAUMAN RARE BOOKS www.BaumanRareBooks.com 1-800-97-Bauman (1-800-972-2862) or 212-751-0011 [email protected] NEW YORK All books are shipped on approval 535 Madison Avenue and are fully guaranteed. Any items New York, NY 10022 may be returned within ten days for 212-751-0011 any reason (please notify us before returning). All reimbursements are limited to original purchase price. LAS VEGAS Grand Canal Shoppes We accept all major credit cards. The Venetian | The Palazzo Shipping and insurance charges are 3327 Las Vegas Blvd., South, additional. Suite 2856 Las Vegas, NV 89109 Packages will be shipped by UPS 702-948-1617 or Federal Express unless another carrier is requested. PHILADElpHIA 1608 Walnut Street Please Note: Philadelphia, PA 19103 Framed pieces require special care 215-546-6466 when shipping. Estimated shipping time is approximately two weeks. We will discuss shipping costs with Large Overhead Photograph Of Muhammad Ali Fighting Cleveland Williams, you at the time of purchase; we One Of Only 350 Copies Signed By Photographer Neil Leifer, expect most items to ship for $75. F This Copy Additionally Signed By Ali r 1. (ALI, Muhammad) LEIFER, Neil. Large original color photograph signed. No place, November a 1993. Poster-sized photographic print (19 by 19 inches), entire print 24 by 20 inches (signed beneath m image)atted and framed, entire piece measures 29 by 30 inches. e $7200. d Extraordinary poster-size color photograph taken from overhead of Muhammad Ali returning to his corner with his fists raised over his head in triumph, leaving behind a sprawled-out Cleveland “Big Cat” ! Williams, one of only 350 copies printed and signed by the photographer Neil Leifer, this copy additionally signed by Ali.
    [Show full text]
  • Focus on Photography Works from 1950 to Today
    Focus on Photography Works from 1950 to Today A Guide to the Exhibition u u u Hood Museum of Art, Dartmouth College January 13–March 8, 2009 How to Use This Guide This brochure is designed to guide you around the galleries of Focus on Photography: Works from 1950 to Today. It begins with an introduction to the exhibition and then explores three themes in contemporary photography—the landscape, photojournalism, and portraiture. Within each section several subgroupings are identified. As you walk through the exhibition, you will notice that its layout does not correspond to the order of the individual photographs discussed within this brochure. This is because Focus on Photography highlights the heterogeneous nature of photography since 1950, and the installation was planned to reflect this. The galleries are organized so that visitors can explore the diversity of contemporary photography and interpret the works in a number of ways. The number located on each photograph’s label corresponds to an entry in this guide that describes the work and orients it within the exhibition’s thematic groupings. We encourage you to make your own connections among the works on display, either according to the themes we suggest or based on your own ideas regarding subject matter, process, or aesthetics. You may explore the galleries as you choose; simply use the number on a photograph’s label to lead you to the related information in this booklet. A list of events taking place related to this exhibition is included at the back of the brochure. Cover: Nikki S. Lee, The Ohio Project (8) (detail), 1999, Fujiflex print.
    [Show full text]
  • 1 Photography As Jewish Space Before the Nazi Onslaught
    1 Photography as Jewish space Michael Berkowitz University College London Revised 20 February 2015 Before the Nazi onslaught, photography was in large measure a Jewish space as a field of endeavour in Central Europe and beyond.1 Although a retrospective precise measure is impossible, it seems that there was as a greater level of participation of Jews in photography, compared to any other occupational or professional cohort (outside of the religious-Jewish- specific). There was a continuous flow of Hungarian Jews and Ostjuden in photography- related occupations into Germany and Austria, so making a clear separation between Central and Eastern Europe is difficult.2 In a narrow sense, calling photography ‘Jewish’ infers that in addition to photographers per se, studios, photographic laboratories, and photographic equipment stores tended to be owned by Jews. Jews also worked behind the scenes as retouchers and technicians in laboratories developing film, including medical and dental X- rays. They were prominent, and troubling to antisemites, as photography editors and agents. Erich Salomon (1886-1944) and Leo Rosenthal (1884-1969) were well-known Jewish press photographers who reached vast national and even international audiences. Jewish women such as Yva (Else Ernestine Neuländer [1900-1942]) and Ilse Bing (1899-1998) were among the most prolific advertising photographers. What might be termed the Jewish space of photography was thus expansive and diverse, comprising working space, living space, commercial premises where Jews interacted
    [Show full text]
  • PDF / 5.90 MB / in German / Not Accessible
    Annual Report 2007 / 2008 1 CONTENTS 4 Opening Remarks by the Chairman of the Board THE EDUCATIONAL PROGRAM of Trustees Bernd Neumann 48 Experiencing Narrative History Interactively 5 Much More than a History Museum: a Forum for Debates, a Place of Education, a Space for Culture EVENTS, MARKETING AND DEVELOPMENT Prof. Dr. W. Michael Blumenthal 54 The Events—Unforgettable Experiences in 6 In Constant Flux: The Museum’s Program Special Locations Cilly Kugelmann 62 Marketing—Good Ideas, Great Design 64 Development—Because Together We Can THE EXHIBITIONS Achieve Much More 8 The Permanent Exhibition—Our Centerpiece 10 The Special Exhibitions—Gripping Themes, PRESS AND PUBLIC RELATIONS Creatively Curated 66 JMB Nationwide VISITOR ORIENTATION INTERNAL SERVICES 22 Visitor Service—Everything You’d Expect 69 The Administration—People, Statistics and Interfaces 25 Visitor Research—Knowing What Guests Want 70 Technical Services—Setting the Tone with 26 Visitor Statistics—Over Five Million from New Technology All Over the World PARTNERS THE COLLECTIONS AND ARCHIVES 73 Restaurant Liebermanns— 30 The Art Collection—Foundations, Legacies A Culinary Recipe for Success and Strokes of Luck 73 Cedon—Presenting the Museum Shop 32 Judaica and Applied Arts—A Resource for Regional and National Institutions APPENDIX 33 The Photography Collection—Snapshots of History 74 Timeline of the Jewish Museum 2007/2008 35 Collection Management—Where Treasures 78 The Board of Trustees Are in Good Hands 79 Friends of the Jewish Museum Berlin / Gesellschaft 36 The Archives—Foundations for Research der Freunde und Förderer der Stiftung 38 The Archive of the Leo Baeck Institute New York— Jüdisches Museum Berlin e.V.
    [Show full text]
  • Photographers Lexicon
    Photographers Lexicon Compilation by Manfred Carpentier Rosehill Art Collection Photographers Lexicon Alexander, Jesse Jesse Alexander has been involved in photography and especially motorsports photography since the early 1950s when he covered the original Mexican Road Race. He then spent many years in Europe covering Formula One and the famous long distance sports car races, the 24 Hours of Le Mans, the Mille Miglia and Targa Florio. In that period of time he also photographed theater and music personalities for the New York Times. His work is held by numerous private collectors and has been exhibited in museums in the United States, including the Birmingham Museum of Art, the Akron Museum and the Santa Barbara Museum of Art. As a young boy growing up during World War II, I was captivated by the imagery that came out of the war through the eyes of legendary photographers like Edward Steichen and W. Eugene Smith. My other heroes include Henri Cartier Bresson, Jacques Lartigue, Mary Ellen Mark, Bruce Davidson and Robert Capa. Jesse's current body of work includes travel photographs of Iceland, the Galapagos Islands, and birds. (Source: http://www.jessealexander.com) © Rosehill Art Collection, 01/2017 Rosehill Art Collection Photographers Lexicon Ando Ando. No information. © Rosehill Art Collection, 01/2017 Rosehill Art Collection Photographers Lexicon Beard, Peter Peter Hill Beard (1938) is an American artist, photographer, diarist and writer who lives and works in New York City and Kenya. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s.
    [Show full text]