Shaking the Trees PDF Book
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Slavery in America: the Montgomery Slave Trade
Slavery In America The Montgomery Trade Slave 1 2 In 2013, with support from the Black Heritage Council, the Equal Justice Initiative erected three markers in downtown Montgomery documenting the city’s prominent role in the 19th century Domestic Slave Trade. The Montgomery Trade Slave Slavery In America 4 CONTENTS The Montgomery Trade Slave 6 Slavery In America INTRODUCTION SLAVERY IN AMERICA 8 Inventing Racial Inferiority: How American Slavery Was Different 12 Religion and Slavery 14 The Lives and Fears of America’s Enslaved People 15 The Domestic Slave Trade in America 23 The Economics of Enslavement 24–25 MONTGOMERY SLAVE TRADE 31 Montgomery’s Particularly Brutal Slave Trading Practices 38 Kidnapping and Enslavement of Free African Americans 39 Separation of Families 40 Separated by Slavery: The Trauma of Losing Family 42–43 Exploitative Local Slave Trading Practices 44 “To Be Sold At Auction” 44–45 Sexual Exploitation of Enslaved People 46 Resistance through Revolt, Escape, and Survival 48–49 5 THE POST SLAVERY EXPERIENCE 50 The Abolitionist Movement 52–53 After Slavery: Post-Emancipation in Alabama 55 1901 Alabama Constitution 57 Reconstruction and Beyond in Montgomery 60 Post-War Throughout the South: Racism Through Politics and Violence 64 A NATIONAL LEGACY: 67 OUR COLLECTIVE MEMORY OF SLAVERY, WAR, AND RACE Reviving the Confederacy in Alabama and Beyond 70 CONCLUSION 76 Notes 80 Acknowledgments 87 6 INTRODUCTION Beginning in the sixteenth century, millions of African people The Montgomery Trade Slave were kidnapped, enslaved, and shipped across the Atlantic to the Americas under horrific conditions that frequently resulted in starvation and death. -
Jovanotti È Un Personaggio Colorato, Vitale, Prezioso Di Spunti E Sollecitazioni Anche Per Chi Non Dovesse Immedesimarsi Del Tutto Nel Suo Linguaggio
5 Prefazione L’idea della Zanichelli di affidare un robusto Dizionario del Pop-Rock a due dei no- stri più appassionati e colti critici musicali, Enzo Gentile e Alberto Tonti, ripercor- rendo decenni e decenni di storia della musica leggera nelle sue varie forme ed evo- luzioni, è un segnale importante per diversi motivi. Primo fra tutti quello di ferma- re una memoria storica che ci aiuta a comprendere l’evoluzione della società dal do- poguerra ad oggi. Sì, perché la Musica è la colonna sonora del tempo, degli umori degli anni, degli ideali di un periodo, della malinconia, degli entusiasmi o della rab- bia della società nel suo procedere. Voglio dire che si può perfettamente compren- dere lo stato d’animo di un popolo attraverso la colonna sonora che lo sta accom- pagnando in quel preciso momento storico. La Musica, dalla metà degli anni ’50 in poi, attraverso straordinari artisti ha suggerito mode, ha capovolto comportamen- ti. È stata la bandiera, grazie a molti brani, di lotte politiche, di battaglie civili, di poesie di protesta, di confessioni dolenti ma anche di esaltazione collettiva. Blues, Soul, Pop, Rock, Techno e tanti altri stili, fino ad arrivare alle più interessanti ricer- che sonore che partono da Brian Eno fino a Sylvian, Fripp e Scott Walker, sono le spericolate mutazioni di un’arte in perenne trasformazione che ascolta le pulsazio- ni della vita che corre. Per questo credo che un dizionario serio del Pop-Rock sia stato non solo un atto culturale indispensabile, ma un risarcimento, grazie alla cul- tura dei due autori e dei loro sensibili collaboratori, per tanti artisti a torto consi- derati minori e qui finalmente rivalutati e segnalati per il loro talento non ricono- sciuto tempestivamente. -
Shaking the Trees Free
FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street". -
Montana Kaimin, January 14, 1983 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 1-14-1983 Montana Kaimin, January 14, 1983 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, January 14, 1983" (1983). Montana Kaimin, 1898-present. 7436. https://scholarworks.umt.edu/studentnewspaper/7436 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Montana Friday, January 14,1983 Today and tomorrow, sunny and warm. High today 35, low tonight 20, high tomorrow 38. aiminMissoula, Mont. Vol. 85, No. 44 B ASUM constitution to be reviewed By Jerry Wright "Basically we're just chang KtteinRiporttf ing it (the constitution) to The Constitutional Review policy, making things more Board will present a revised dear and getting rid of ob ASUM Constitution to Central solete practices," said Firpo. Board later this month for For example, the current review and CB approval. The constitution provides for spring revisions have been made to elections to fill CB and ASUM update the constitution to re officer positions for the follow flect current policy and to clar ing fall, he said. -
The Self in the Poetry of Anne Sexton
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1984 The Self in the Poetry of Anne Sexton Katherine Frances McSpadden Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation McSpadden, Katherine Frances, "The Self in the Poetry of Anne Sexton" (1984). Dissertations. 2327. https://ecommons.luc.edu/luc_diss/2327 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1984 Katherine Frances McSpadden THE SELF IN THE POETRY OF ANNE SEXTON by Katherine Frances McSpadden A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 1984 ACKNOWLEDGMENTS I would like to acknowledge the members of my dissertation committee for their generous assistance: my director Dr. Harry T. Puckett, Assistant Professor of English at Loyola University, for his insightful guidance and patient support; Dr. Paul R. Messbarger, Associate Professor of English at Loyola, for his kind and enthusiastic praise of my work; and Dr. Rosemary C. Hartnett, Assistant Professor of English at Loyola, for many years of professional and personal friendship. All three members of my committee have shown a spirit of colleagueship and of eagerly sharing the experience of learning which will serve as a model for my own teaching experiences. -
Stay Resolution-Strong
FEBRUARY 2016 LOOK NO FURTHER: DRAMA NJTV IS YOUR HOME FOR During the past five seasons of Downton Abbey, we’ve seen the tides of history sweep from the sinking of the Titanic and World War I to the jazz-hot beginnings of the Roaring Twenties. We’ve seen Matthew Crawley melt Lady Mary’s heart. And thanks to the fabulously quotable Dowager Countess, we’re still pondering, “What is a week-end?” The sixth and final season of the popular Masterpiece series opens in 1925. Women’s rights have given Lady Mary and Lady Edith new positions of responsibility: Mary runs the COURTESY OF NICK BRIGGS estate, and Edith manages the magazine she inherited from Michael Gregson. Tom has left for Boston, and newlyweds Lady Rose and Atticus are trying their luck in Jazz Age New York. Anna faces a murder charge, and big doubts hang over the servants’ jobs. Will great houses and the fortunes that support them soon be gone? One thing is certain: NJTV will continue to be your DOWNTON ABBEY SEASON 6 home for great drama. PREMIERES WEDNESDAY, On February 2, we’re pleased to premiere Mercy FEBRUARY 3 AT 9PM Street, a new six-part series following the lives of doctors, nurses, contraband laborers, and MERCY STREET ANTONY PLATT Southern loyalists in Union-occupied Alexandria, AIRS TUESDAYS AT 10PM Virginia, and the Mansion House Hospital in the early years of the Civil War. Filmed on BEGINNING FEBRUARY 2 location in Virginia, the series is the first American drama to air on public television in more than a decade. -
Jacques Pépin: the Art of Craft KQED Perks Family Fun Day at the Presidio Officers’ Club
Member Magazine MAY 2017 Jacques Pépin: The Art of Craft KQED Perks Family Fun Day at the Presidio Officers’ Club Join the Presidio Trust and KQED for a free family fun day at the Presidio Officers’ Club onSaturday, May 13, from 10:30am to 2:30pm. Get curious about the Presidio’s natural and cultural history with special guests Curious George and the Man in the Yellow Hat, from the PBS KIDS animated television series. Enjoy interactive exhibits and hands-on bird-themed crafts celebrating International Migratory Bird Day. Learn about local wildlife from the Roving Ranger Truck and find out how you can be involved in your park! presidio.gov/kqed The wait is over for the year’s Check, Please! Bay Area’s Taste & Sip event! Join KQED and Leslie Sbrocco on Tuesday, May 23 to sample gourmet cuisine and sip great wines from restaurants and wineries from around the Bay Area. 6:30-9pm San Francisco Design Center Galleria KQED members: $85 Nonmembers: $95 A display of Jacques Tickets available through City Box Office: www.cityboxoffice.com or 415.392.4400 The 12th season of Check, Please! Bay Area is sponsored by Integrated Resources Group, European Sleep Works, Oakland International courtesy Jacques Pépin; Airport, Sutter CPMC 2020, La Tourangelle, and Total Wine & More. Jacques Pépin with daughter Claudine and granddaughter kqed.org/checkplease NPR Music’s Tiny Desk Tour: North Bay courtesy Jennifer Huang; Tank and the Bangas — the winner of NPR Music’s 2017 Tiny Desk Contest — will perform a courtesy Jacques Pépin. (top to bottom, page 2) CG: ® & © 2014 Universal Studios and/ free concert at the Lagunitas Petaluma Taproom on Goodfriend/KQED. -
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická Fakulta Katedra Muzikologie
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra muzikologie 0Hana Svěntá ETNICKÁ HUDBA VE FILMU 1Analýza filmové hudby snímků Poslední pokušení Krista a Babel ETHNIC MUSIC IN FILM Analysis of Music in Films The Last Temptation Of Christ and Babel Diplomová práce Vedoucí práce: Mgr. Matěj Kratochvíl Olomouc 2009 1 Prohlašuji, že jsem svou bakalářskou práci vypracovala samostatně a uvedla v ní veškerou literaturu a prameny, které jsem použila. V Olomouci, 30. dubna 2009 ………………………… 2 Poděkování Děkuji Mgr. Matěji Kratochvílovi za odborné vedení práce a za poskytnutí cenných rad a informací. Také děkuji Prof. Ivu Bláhovi za konzultaci k analýze filmové hudby. 3 OBSAH Úvod ………………………………………………………………….……..... 6 1. Stav bádání …………………………………………………….………... 8 2. Úvod do teorie a analýzy filmové hudby ……...………….…...…...11 2.1. Filmová hudba a její funkce………………………...….………. 11 2.2. Filmová hudba původní a archivní…………………...….…….. 13 2.3. Hudba k úvodním a závěrečným titulkům…………….………. 16 2.4. Hudební dramaturgie…………………………………….………..17 2.5. Stručný úvod do analýzy etnické filmové hudby…….………. 19 3. Přístupy k analýze filmové hudby ……………………….………… 20 4. Poslední pokušení Krista …………………………………….……… 28 4.1. Vznik filmu Poslední pokušení Krista ……………….……….. 29 4.2. Děj filmu Poslední pokušení Krista ……………….………….. 31 4.3. Tvůrčí osobnost režiséra Martina Scorseseho ……...…….…. 33 4.4. Hudebník a aktivista Peter Gabriel ………………………....… 37 4.5. Hudba k filmu Poslední pokušení Krista ……………….…….. 42 4.5.1. Spolupráce Scorseseho a Gabriela …………………….…... 42 4.5.2. Passion & Passion Sources ……………………………….… 44 4.5.3. Analýza hudby k filmu Poslední pokušení Krista ……..… 46 4.5.4. Analýza vybraných částí filmu Poslední pokušení Krista ……………………………….……………... 52 4.5.5. Zhodnocení …………………………………….…………….. 60 5. Babel ……………………………………………………….………….… 62 5.1. Vznik filmu Babel ……………………………………………... -
Symphony Orchestra and Wind Ensemble Present Peter Gabriel's
School of Music College of the Arts Scholarship Series Symphony Orchestra Wind Ensemble present Peter Gabriel’s new blood Michael Alexander, conductor David Kehler, conductor Thursday, January 10, 2013 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center Fifty-eighth Concert of the 2012-2013 Season Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall January 10, 2013 Written by Peter Gabriel Arranged by John Metcalfe The Rhythm of the Heat Downside Up San Jacinto Intruder Wallflower In Your Eyes Mercy Street INTERMISSION Red Rain Darkness Don’t Give Up Digging In The Dirt The Nest That Sailed The Sky Solsbury Hill Published by: Real World Music Ltd / EMI Blackwoodwood Music Inc. Courtesy of petergabriel.com Personnel Flute/Alto Flute/Piccolo Violin 2 Catherine Flinchum, Woodstock Rachel Campbell, Sandy Springs Dirk Stanfield, Amarillo, TX Micah David, Portland, OR Amanda Esposito, Kennesaw Oboe Terry Keeling, Acworth Alexander Sifuentes, Lawrenceville Meian Butcher, Marietta Joshua Martin, Marietta Clarinet Kimberly Ranallo, Powder Springs Kadie Johnston, Buford Brittany Thayer, Burlington, VT Tyler Moore, Acworth Viola Bassoon Justin Brookins, Panama City, FL Sarah Fluker, Decatur Ryan Gibson, Marietta Hallie Imeson, Canton Horn Rachael Keplin, Wichita, KS David Anders, Kennesaw Kyle Mayes, Marietta Kristen Arvold, Cleveland Aliyah Miller, Austell Perry Morris, Powder Springs Alishia Pittman, Duluth Trumpet Samantha Tang, Marietta John Thomas Burson, Marietta Justin Rowan, Woodstock Cello Kathryn -
Heroines of Mercy Street: the Real Nurses of the Civil War Will Focus on One Union Hospital and the Nurses Who Passed Through It
Begin Reading Table of Contents Photos Newsletters Copyright Page In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. Map of military installations around Alexandria, Virginia, in September 1862, from the Civil War memoir of Union soldier Robert Knox Sneden, whose 500 watercolors, maps and drawings are the largest collection of soldier art to survive the war. Library of Congress, Geography and Map Division/Virginia Historical Society, Richmond, VA Foreword The Civil War lives on in our imagination as a series of black and white photographs; stoic young men in uniform, fields strewn with bloated corpses, the smoldering ruins of a once proud city. It is a silent, static world, as if stilled by tragedy. But if our modern world is anything to judge by, war is vivid, chaotic, and noisy. It is above all a human experience filled with passion, tragedy, heroism, despair, and even, at times, unexpected humor. That is the story we went looking for. The series Mercy Street was largely inspired by the memoirs of doctors and female volunteer nurses who were in many ways the unsung heroes of the Civil War. For every soldier wounded in battle, there were dozens of caregivers behind the front lines selflessly trying to repair the physical and psychological damage. -
Mercy Street” to Premiere January 17 on Pbs
“MERCY STREET” TO PREMIERE JANUARY 17 ON PBS – Original Six-Episode Series to Take Viewers Beyond the Battlefield with Intimate, Human Look at Lives on the Civil War Home Front − MERCY STREET to Follow “Downton Abbey, The Final Season” on MASTERPIECE for a Powerful Sunday Night Lineup – – Award-Winning Creative Team Includes Ridley Scott, David Zabel, Lisa Quijano Wolfinger and David W. Zucker – ARLINGTON, VA; Updated December 16, 2015 – MERCY STREET, a new Civil War era drama produced in and around Richmond, Virginia, will debut Sunday, January 17, 2016, at 10:00 p.m. MERCY STREET will follow “Downton Abbey, The Final Season” on MASTERPIECE highlighting PBS as a home for internationally acclaimed television drama. The series is executive produced by Ridley Scott (Gladiator, Thelma and Louise); David W. Zucker (“The Good Wife” and “The Man in the High Castle”) of Scott Free; Lisa Q. Wolfinger (“Desperate Crossing, The untold story of the Mayflower”) and David Zabel (ER). Dean Devlin’s Electric Entertainment secured all foreign rights to the series early in the process, and will continue to sell to international territories. Based on real events, MERCY STREET takes viewers beyond the battlefield and into the lives of Americans on the Civil War home front as they face the unprecedented challenges of one of the most turbulent times in our nation’s history. Set in Virginia in the spring of 1862, MERCY STREET follows the lives of two volunteer nurses on opposite sides of the conflict; Mary Phinney, (Mary Elizabeth Winstead), a staunch New England abolitionist, and Emma Green, (Hannah James), a naive young Confederate belle. -
Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton Pdf
FREE SEARCHING FOR MERCY STREET: MY JOURNEY BACK TO MY MOTHER, ANNE SEXTON PDF Linda Gray Sexton | 320 pages | 21 Apr 2011 | COUNTERPOINT | 9781582437446 | English | Berkeley, United States Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton by Linda Gray Sexton Here is a glimpse. Not there. I try the Back Bay. And yet I know the number. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know it well. Where did you go? I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick.