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Elaine Fitz Gibbon
Elaine Fitz Gibbon »Beethoven und Goethe blieben die Embleme des kunstliebenden Deutschlands, für jede politische Richtung unantastbar und ebenso als Chiffren manipulierbar« (Klüppelholz 2001, 25-26). “Beethoven and Goethe remained the emblems of art-loving Germany: untouchable for every political persuasion, and likewise, as ciphers, just as easily manipulated.”1 The year 2020 brought with it much more than collective attempts to process what we thought were the uniquely tumultuous 2010s. In addition to causing the deaths of over two million people worldwide, the Covid-19 pandemic has further exposed the extraordinary inequities of U.S.-American society, forcing a long- overdue reckoning with the entrenched racism that suffuses every aspect of American life. Within the realm of classical music, institutions have begun conversations about the ways in which BIPOC, and in particular Black Americans, have been systematically excluded as performers, audience members, administrators and composers: a stark contrast with the manner in which 2020 was anticipated by those same institutions before the pandemic began. Prior to the outbreak of the novel coronavirus, they looked to 2020 with eager anticipation, provoking a flurry of activity around a singular individual: Ludwig van Beethoven. For on December 16th of that year, Beethoven turned 250. The banners went up early. In 2019 on Instagram, Beethoven accounts like @bthvn_2020, the “official account of the Beethoven Anniversary Year,” sprang up. The Twitter hashtags #beethoven2020 and #beethoven250 were (more or less) trending. Prior to the spread of the virus, passengers flying in and out of Chicago’s O’Hare airport found themselves confronted with a huge banner that featured an iconic image of Beethoven’s brooding face, an advertisement for the Chicago Symphony Orchestra’s upcoming complete cycle Current Musicology 107 (Fall 2020) ©2020 Fitz Gibbon. -
5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
The Godesberg Programme and Its Aftermath
Karim Fertikh The Godesberg Programme and its Aftermath A Socio-histoire of an Ideological Transformation in European Social De- mocracies Abstract: The Godesberg programme (1959) is considered a major shift in European social democratic ideology. This article explores its genesis and of- fers a history of both the written text and its subsequent uses. It does so by shedding light on the organizational constraints and the personal strategies of the players involved in the production of the text in the Social Democra- tic Party of Germany. The article considers the partisan milieu and its trans- formations after 1945 and in the aftermaths of 1968 as an important factor accounting for the making of the political myth of Bad Godesberg. To do so, it explores the historicity of the interpretations of the programme from the 1950s to the present day, and highlights the moments at which the meaning of Godesberg as a major shift in socialist history has become consolidated in Europe, focusing on the French Socialist Party. Keywords: Social Democracy, Godesberg Programme, socio-histoire, scienti- fication of politics, history of ideas In a recent TV show, “Baron noir,” the main character launches a rant about the “f***g Bad Godesberg” advocated by the Socialist Party candidate. That the 1950s programme should be mentioned before a primetime audience bears witness to the widespread dissemination of the phrase in French political culture. “Faire son Bad Godesberg” [literally, “doing one’s Bad Godesberg”] has become an idiomatic French phrase. It refers to a fundamental alteration in the core doctrinal values of a politi- cal party (especially social-democratic and socialist ones). -
THE HISTORY of GERMANY T H E U N Co Mm E N Do N E Pope , Thro Gh His Talented Uncio , , Made Several Extremely Touch I Ng Representations to the Assembly
T HE HIST O R Y O F GE R MA N Y PA R T X v l l WAR O F: L IBE R AT IO N IN T HE N E T HE R L A N D S Pre o n der an ce o the S an ia rds an d CXCVIII . p f p — Jes uits Co ur tly Vic es HE false peace co ncluded at A ugsb urg was imm e di ’ T ately followed by Charles V . s abdication of his nu r o m e ro us c o wns . He w uld willingly have resigned m r h that of the e pi e to his son Philip , had not the Spanis o r o o m o educati n of that p ince , his gl y and big ted character, inspired the Germans with an aversi o n as un c o nque rable as h . m o r o t at with which he beheld them Ferdinand had , e ver, o r n . r n e e rt he gained the fav of the Germa princes Cha les , v f o so n o o less , influenced by a fection t ward his , best wed up n h im m o N one of the finest of the Ger an pr vinces , the ether W lands , besides Spain , Milan , Naples , and the est Indies r m (Am erica) . Fe dinand received the rest of the Ger an o o m hereditary possessi ns of his h use , besides Bohe ia and r r Hungary . -
Central Europe
Central Europe West Germany FOREIGN POLICY wTHEN CHANCELLOR Ludwig Erhard's coalition government sud- denly collapsed in October 1966, none of the Federal Republic's major for- eign policy goals, such as the reunification of Germany and the improvement of relations with its Eastern neighbors, with France, NATO, the Arab coun- tries, and with the new African nations had as yet been achieved. Relations with the United States What actually brought the political and economic crisis into the open and hastened Erhard's downfall was that he returned empty-handed from his Sep- tember visit to President Lyndon B. Johnson. Erhard appealed to Johnson for an extension of the date when payment of $3 billion was due for military equipment which West Germany had bought from the United States to bal- ance dollar expenses for keeping American troops in West Germany. (By the end of 1966, Germany paid DM2.9 billion of the total DM5.4 billion, provided in the agreements between the United States government and the Germans late in 1965. The remaining DM2.5 billion were to be paid in 1967.) During these talks Erhard also expressed his government's wish that American troops in West Germany remain at their present strength. Al- though Erhard's reception in Washington and Texas was friendly, he gained no major concessions. Late in October the United States and the United Kingdom began talks with the Federal Republic on major economic and military problems. Relations with France When Erhard visited France in February, President Charles de Gaulle gave reassurances that France would not recognize the East German regime, that he would advocate the cause of Germany in Moscow, and that he would 349 350 / AMERICAN JEWISH YEAR BOOK, 1967 approve intensified political and cultural cooperation between the six Com- mon Market powers—France, Germany, Italy, Belgium, the Netherlands, and Luxembourg. -
Beethoven, Bonn and Its Citizens
Beethoven, Bonn and its citizens by Manfred van Rey The beginnings in Bonn If 'musically minded circles' had not formed a citizens' initiative early on to honour the city's most famous son, Bonn would not be proudly and joyfully preparing to celebrate his 250th birthday today. It was in Bonn's Church of St Remigius that Ludwig van Beethoven was baptized on 17 December 1770; it was here that he spent his childhood and youth, received his musical training and published his very first composition at the age of 12. Then the new Archbishop of Cologne, Elector Max Franz from the house of Habsburg, made him a salaried organist in his renowned court chapel in 1784, before dispatching him to Vienna for further studies in 1792. Two years later Bonn, the residential capital of the electoral domain of Cologne, was occupied by French troops. The musical life of its court came to an end, and its court chapel was disbanded. If the Bonn music publisher Nikolaus Simrock (formerly Beethoven’s colleague in the court chapel) had not issued several original editions and a great many reprints of Beethoven's works, and if Beethoven's friend Ferdinand Ries and his father Franz Anton had not performed concerts of his music in Bonn and Cologne, little would have been heard about Beethoven in Bonn even during his lifetime. The first person to familiarise Bonn audiences with Beethoven's music at a high artistic level was Heinrich Karl Breidenstein, the academic music director of Bonn's newly founded Friedrich Wilhelm University. To celebrate the anniversary of his baptism on 17 December 1826, he offered the Bonn première of the Fourth Symphony in his first concert, devoted entirely to Beethoven. -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
Exkursionsführer
Jahrestagung der Deutschen Bodenkundlichen Gesellschaft 5.-13. September 2009 Bonn Böden – eine endliche Ressource Exkursionsführer 1 Tagungsveranstalter Deutsche Bodenkundliche Gesellschaft Forschungszentrum Jülich GmbH, Institut für Chemie und Dynamik der Geosphäre (ICG-4 Agrosphäre) Universität Bonn, Institut für Nutzpflanzenwissenschaften und Ressourcenschutz (INRES), Bereich Bodenwissenschaften Die Tagungsveranstalter danken den Institutionen, deren Mitarbeiter sich an der Vorbereitung des Exkursionsprogramms beteiligt haben: Biologische Station im Kreis Aachen, Aachen Büro für Bodenschutzplanung D.A. Hiller, Hofstetten Dienstleistungszentrum Ländlicher Raum Rheinland-Pfalz (DLR-Mosel), Weinbau und Oenologie, Mayen Dombauhütte Köln Faculté Universitaire des Sciences Agronomiques de Gembloux, Unité de Géopédologie Faculté Universitaire Notre-Dame de la Paix, Namur, Département de Géologie Finanzverwaltung NRW, Finanzamt Leverkusen Forschungszentrum Jülich, Institut für Chemie und Dynamik der Geosphäre 4 (Agrosphäre) Geologischer Dienst Nordrhein-Westfalen, Krefeld Katholieke Universiteit Leuven, Department of Earth and Environmental Sciences Landesamt für Geologie und Bergbau Rheinland-Pfalz, Mainz Landschaftsverband Rheinland, LVR-Amt für Bodendenkmalpflege im Rheinland, Bonn Landwirtschaftskammer NRW, Bonn/Münster Pédologie Forestière (IRSIA), Gembloux RheinEnergie AG, Köln RWE Power AG Köln, Rekultivierung Land- und Forstwirtschaft, Erftstadt RWTH Aachen, Geographisches Institut Stadt Mülheim an der Ruhr, Referat -
The Visitation of Alois Ersin, S.J., to the Province of Lower Germany in 1931
Chapter 10 The Visitation of Alois Ersin, S.J., to the Province of Lower Germany in 1931 Klaus Schatz, S.J. Translated by Geoffrey Gay 1 Situation and Problems of the Province Around the year 1930, the Lower German province of the Society of Jesus was expanding but not without problems and internal tensions.1 The anti-Jesuit laws passed in 1872 during the Kulturkampf had been abrogated in 1917.2 The Weimar Constitution of 1919 had dismantled the final barriers that still existed between the constituent elements of Germany and granted religious freedom. The German province numbered 1,257 members at the beginning of 1921, when the province was divided into two: the Lower German (Germania Inferior) and the Upper German (Germania Superior), known informally as the northern and southern provinces. The southern or Upper German province, with Munich as its seat, comprised Jesuit communities in the states of Bavaria, Württemberg, Baden, and Saxony. These consisted of Munich (three residences), Aschaffen- burg, Nuremberg, Straubing, Rottmannshöhe (a retreat house), Stuttgart, and Dresden. The northern or Lower German province, with Cologne as its seat, was spread over the whole of northern Germany and included the territory of Prussia and the smaller states of northern Germany (of which only Hamburg had a Jesuit residence). At the time of the division, the new province contained fifteen residences: Münster in Westphalia, Dortmund, Essen, Duisburg, Düs- seldorf, Aachen, Cologne, Bonn, Bad Godesberg (Aloisiuskolleg), Waldesruh, 1 See Klaus Schatz, S.J., Geschichte der deutschen Jesuiten 1814–1983, 5 vols. (Münster/W.: Aschendorff, 2013) for greater detail. -
[email protected] Www
Unterkunftsverzeichnis der Stadt Bonn sortiert nach den Stadtbezirken: Bonn, Bad Godesberg, Beuel, Hardtberg Kat. * Hotel hotel Telefon Telefax Internet-Adresse Preise/Price Zimmer Adresse address telephone fax Website in € number 02 28 02 28 eMail EZ/SGL of e-mail DZ/DBL rooms BONN HG 3* Acora Hotel und Wohnen 66 86 0 66 20 20 www.acora-bonn.de EZ 53-95 120 (A) Westpreußenstraße 20-30 [email protected] DZ 65-107 53119 Bonn-Tannenbusch HG 3* Aigner 60 40 60 6 04 06 70 www.hotel-aigner-bonn.de EZ 69-102 42 (A) Dorotheenstraße 12 [email protected] DZ 88-109 53111 Bonn-Nordstadt HR 4* Ameron Hotel Königshof 26 01 0 2 60 15 29 www.hotel-koenigshof-bonn.de EZ 69-219 129 Adenauerallee 9 [email protected] DZ 109-249 53111 Bonn-Zentrum HG 3* Ameron Hotel My Poppelsdorf 26 91 0 26 10 70 www.mypoppelsdorf.com EZ 58-128 45 Wallfahrtsweg 4 [email protected] DZ 78-148 53115 Bonn-Poppelsdorf AP 3* Ameron Hotel My Südstadt 85 45 0 85 45 41 9 www.mysuedstadt.com EZ 54-138 36 Kaiserstraße 221 [email protected] DZ 74-148 53113 Bonn-Südstadt HG 3* Am Römerhof 60 41 80 63 38 38 www.hotel-roemerhof-bonn.de EZ 65-85 26 (A) Römerstraße 20 [email protected] DZ 90-100 53111 Bonn-Castell HG Am Roonplatz 91 19 30 9 11 93 30 www.hotel-am-roonplatz.de EZ 63-73 14 Argelanderstraße 91 [email protected] DZ 80-90 53115 Bonn-Südstadt AP 4* Apartmenthotel Kaiser Karl 98 14 19 99 98 14 19 98 www.apartment-hotel-bonn.de EZ ab 84 25 Vorgebirsstraße 56 [email protected] DZ ab 94 53119 Bonn-Nordtstadt HG 3* Astoria -
16 November 2018 in Bonn, Germany
United Nations/Germany High Level Forum: The way forward after UNISPACE+50 and on Space2030 13 – 16 November 2018 in Bonn, Germany USEFUL INFORMATION FOR PARTICIPANTS Content: 1. Welcome to Bonn! ..................................................................................................................... 2 2. Venue of the Forum and Social Event Sites ................................................................................. 3 3. How to get to the Venue of the Forum ....................................................................................... 4 4. How to get to Bonn from International Airports ......................................................................... 5 5. Visa Requirements and Insurance .............................................................................................. 6 6. Recommended Accommodation ............................................................................................... 6 7. General Information .................................................................................................................. 8 8. Organizing Committe ............................................................................................................... 10 Bonn, Rhineland Germany Bonn Panorama © WDR Lokalzeit Bonn 1. Welcome to Bonn! Bonn - a dynamic city filled with tradition. The Rhine and the Rhineland - the sounds, the music of Europe. And there, where the Rhine and the Rhineland reach their pinnacle of beauty lies Bonn. The city is the gateway to the romantic part of -
Ludwig Van BEETHOVEN
BEETHOVEN Piano Pieces and Fragments Sergio Gallo, Piano Ludwig van BEE(1T77H0–1O827V) EN Piano Pieces and Fragments 1 ^ 13 Variations in A major on the Arietta ‘Es war einmal ein alter Mann’ Sketch in A major, Hess 60 (transcribed by A. Schmitz) (1818)* 0:31 & (‘Once Upon a Time there was an Old Man’) from Dittersdorf’s Theme with Variations in A major, Hess 72 (fragment) (1803) 2:42 Das rothe Käppchen (‘Red Riding Hood’), WoO 66 (1792) 13:10 * 2 Liedthema in G major, WoO 200, Hess 75 ‘O Hoffnung’ (1818) 0:22 Pastorella in C major, Bia. 622 (transcribed by F. Rovelli, b. 1979) (1815)* 0:23 ( Presto in G major, Bia. 277 (transcribed by A. Schmitz) (1793) 0:34 Ein Skizzenbuch aus den Jahren 1815 bis 1816 (Scheide-Skizzenbuch). Faksimile, Übertragung und Kommentar ) herausgegeben von Federica Rovelli gestützt auf Vorarbeiten von Dagmar von Busch-Weise, Bd. I: Faksimile, 4 Bagatelles, WoO 213: No. 2 in G major (transcribed by A. Schmitz) (1793) 0:29 ¡ Bd. II: Transkription, Bd. III: Kommentar, Verlag Beethoven-Haus (Beethoven, Skizzen und Entwürfe), Bonn. Piano Étude in B flat major, Hess 58 (c. 1800) 0:41 ™ 12 Piano Miniatures from the Sketchbooks (ed. J. van der Zanden, b. 1954) Piano Étude in C major, Hess 59 (c. 1800) 0:25 £ (Raptus Editions) (excerpts) (date unknown) 4:27 3 String Quintet in C major, WoO 62, Hess 41 No. 3. Klavierstück: Alla marcia in C major [Kafka Miscellany, f. 119v, 2–5] 0:25 4 I. Andante maestoso, ‘Letzter musikalischer Gedanke’ (‘Last musical idea’) No.