The Sun King and the Merry Monarch
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ANNE MOWBRAY, DUCHESS of YORK: a 15Th-CENTURY CHILD BURIAL from the ABBEY of ST CLARE, in the LONDON BOROUGH of TOWER HAMLETS
London and Middlesex Archaeological Society Transactions, 67 (2016), 227—60 ANNE MOWBRAY, DUCHESS OF YORK: A 15th-CENTURY CHILD BURIAL FROM THE ABBEY OF ST CLARE, IN THE LONDON BOROUGH OF TOWER HAMLETS Bruce Watson and †William White With contributions by Barney Sloane, Dorothy M Thorn and Geoffrey Wheeler, and drawing on previous research by J P Doncaster, H C Harris, A W Holmes, C R Metcalfe, Rosemary Powers, Martin Rushton, †Brian Spencer and †Roger Warwick SUMMARY FOREWORD Dorothy M Thorn (written 2007) In 1964 during the redevelopment of the site of the church of the Abbey of St Clare in Tower Hamlets, a During the 1960s, my future husband, the masonry vault containing a small anthropomorphic late James Copland Thorn FSA, and I were lead coffin was discovered. The Latin inscription actively involved in London archaeology as attached to the top of the coffin identified its occupant part of Dr Francis Celoria’s digging team.1 as Anne Mowbray, Duchess of York. She was the child Naturally all the members of the group bride of Richard, Duke of York, the younger son of were very interested in such an important Edward IV. Anne died in November 1481, shortly discovery, and when Anne Mowbray was before her ninth birthday. As the opportunity to study identified we were all impressed (possibly scientifically a named individual from the medieval no-one more so than James). When the day period is extremely rare, the London Museum quickly came for Anne Mowbray to be reburied in organised a comprehensive programme of analysis, Westminster Abbey, the BBC wanted to which included the study of Anne’s life, her hair, teeth, interview Celoria, but he could not be found, skeletal remains and the metallurgy of her coffin. -
Arcadia Disjointed: Confrontations with Texts, Polemical, Utopian, and Picaresque
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque. Deborah Ann Jacobs Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Jacobs, Deborah Ann, "Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque." (1991). LSU Historical Dissertations and Theses. 5126. https://digitalcommons.lsu.edu/gradschool_disstheses/5126 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Religion, Medicine and Confessional Identity in Early Modern England Mann, Sophie Liana Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Religion, Medicine and Confessional Identity in Early Modern England by Sophie Liana Mann Department of History, King’s College London Submitted for the degree of Doctor of Philosophy in History, March 2014 1 Abstract Early modern historians often frame ‘religion’ and ‘medicine’ as distinct categories of experience and conduct. -
The Jesuits and the Popish Plot
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1950 The Jesuits and the Popish Plot Robert Joseph Murphy Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the History Commons Recommended Citation Murphy, Robert Joseph, "The Jesuits and the Popish Plot" (1950). Master's Theses. 1177. https://ecommons.luc.edu/luc_theses/1177 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1950 Robert Joseph Murphy THE JESUITS AND THE POPISH PLOT BY ROBERT J. MURPHY. S.d. A THESIS SUBMITTED II PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE or MAStER OF ARTS IN LOYOLA UNIVERSITY JULY 1950 VI't A AUCTORIS Robert Joseph Murphy was born in Chicago, Illinois, April 15. 1923. He received his elementary education at St. Mel School. Ohicago, Ill.,. graduating in June, 1937 • Ho attended St. Mel High School tor one year and St. Ignatius High School. Chicago, Ill., grQduat1ng in June. 1941. In August, 1941, he entered the Jesuit Novitiate of the Sacred Heart, Millord, Ohio, remaining there until August 1945. 'that same month he entered West Baden College, West Baden Springs, Indiana, and transtered his studies in the Department of History to Loyola University, Ohicago, Ill. He received hi. Bachelor ot Arts degree in June, 1946, and began his graduate studies at Loyola in September 1946. -
A Royal Tragedy
William Shakespeare's Richard III A Royal Tragedy Acts Three, Four, and Five Notes Provided by WISDOM Home Schooling's Online Socratic Dialogue Progra Dramatis Personae KING EDWARD IV – The leader of the Yorkists, who beat the Lancastrian king, Henry VI, and took his throne. During the final battle that beat the Lancastrians, King Edward was one of the three men who dishonourably stabbed Lady Anne’s husband when he was already down. Edward used to be a great warrior, but has now become sickly, and is more interested in entertainment and women than in feats of courage. Sons to the King: EDWARD, PRINCE OF WALES – About thirteen years old. King Edward IV and Queen Elizabeth’s older son, and heir to the throne of England. Wise beyond his years, and protective of his brother. RICHARD, DUKE OF YORK – About ten years old. Prince Edward’s younger brother, he is second in line to inherit the throne. Less serious than his brother, he is given to joking around and making fun of adults. Brothers to the King: GEORGE, DUKE OF CLARENCE – Clarence is a conflicted man. During the war between the Yorkists and the Lancastrians, he fought on whichever side seemed to be winning at the time. He was one of the three who stabbed Lady Anne’s husband. Despite his shifting alliances, Clarence nonetheless has a deep love for his wife and children. RICHARD, DUKE OF GLOUCESTER (pronounced “Gloss-ter”), who will one day become KING RICHARD III – Gloucester is a hunchback with a withered arm and a limp. -
A Pilgrimage Through English History and Culture (F-L)
Brigham Young University BYU ScholarsArchive Faculty Publications 2009-05-01 A Pilgrimage Through English History and Culture (F-L) Gary P. Gillum [email protected] Susan Wheelwright O'Connor Alexa Hysi Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the English Language and Literature Commons BYU ScholarsArchive Citation Gillum, Gary P.; O'Connor, Susan Wheelwright; and Hysi, Alexa, "A Pilgrimage Through English History and Culture (F-L)" (2009). Faculty Publications. 12. https://scholarsarchive.byu.edu/facpub/12 This Other is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 833 FAIRFAX, JOHN, 1623-1700. Rare 922.542 St62f 1681 Presbýteros diples times axios, or, The true dignity of St. Paul's elder, exemplified in the life of that reverend, holy, zealous, and faithful servant, and minister of Jesus Christ Mr. Owne Stockton ... : with a collection of his observations, experiences and evidences recorded by his own hand : to which is added his funeral sermon / by John Fairfax. London : Printed by H.H. for Tho. Parkhurst at the Sign of the Bible and Three Crowns, at the lower end of Cheapside, 1681. Description: [12], 196, [20] p. ; 15 cm. References: Wing F 129. Subjects: Stockton, Owen, 1630-1680. Notes: Title enclosed within double line rule border. "Mors Triumphata; or The Saints Victory over Death; Opened in a Funeral Sermon ... " has special title page. 834 FAIRFAX, THOMAS FAIRFAX, Baron, 1612-1671. -
Define the Following Keywords: Proletariat; Bourgeoisie; Peasant; Revolution; Capitalist; Communist;
History Summer Preparation Task: Part 1: Revolution and Dictatorship: Russia, 1917-1953 LO: To build up knowledge of Marxist ideology To explain the appeal of Marxist ideology and its weaknesses To evaluate the appeal of Marxism in Russia before 1917 1) Knowledge Learn and explain the six stages of Marxist Stage Theory Define the following keywords: Proletariat; Bourgeoisie; Peasant; Revolution; Capitalist; Communist; 2) Explanation Answer the following questions fully /'. LV/7y was Marxism appealing? Who would be attracted to Marxism? //'. What did Marx think about religion and why? iii. What did Marx think about Trade Unions and parliamentary democracy? Why? Is this surprising? 3) Evaluation/ Application (Read and make notes on the Introduction from your course textbook. ppxii-xvi. Practise the following two questions ready for a baseline test lesson 1) i) Why was Marxism increasingly appealing in Russia in the early C20th? (eg. Industrial changes, poor conditions, autocratic government) ii) What limited the appeal of Marxism in Russia in the early C20th? (eg. Extreme ideology - moderate ideology more appealing to some, Russia mainly agricultural still, the Tsar's power.) Lesson 1: Be prepared for i) a knowledge test on Marxist stage theory, ii) To answer the two evaluation questions in full using examples from the Russian context. 4) You are also expected to read at least one 'wider reading' or novel book during the first term. You may wish to start this during the summer. See the list below for some recommended texts. Boris Paternik, -
RPO -- John Dryden : Absalom and Achitophel
RPO -- John Dryden : Absalom and Achitophel Poet Index Poem Index Random Search Introduction Timeline Calendar Glossary Criticism Bibliography RPO Canadian Poetry UTEL by Name by Date by Title by First Line by Last Line Poet Poem Short poem Keyword Concordance John Dryden (1631-1700) Absalom and Achitophel 1In pious times, ere priest-craft did begin, 2Before polygamy was made a sin; 3When man, on many, multipli'd his kind, 4Ere one to one was cursedly confin'd: 5When Nature prompted, and no Law deni'd 6Promiscuous use of concubine and bride; 7Then, Israel's monarch, after Heaven's own heart, 8His vigorous warmth did variously impart 9To wives and slaves: and, wide as his command, 10Scatter'd his Maker's image through the land. 11Michal, of royal blood, the crown did wear; 12A soil ungrateful to the tiller's care: 13Not so the rest; for several mothers bore 14To god-like David, several sons before. 15But since like slaves his bed they did ascend, 16No true succession could their seed attend. 17Of all this numerous progeny was none http://rpo.library.utoronto.ca/poem/736.html (1 of 26) [6/4/2008 8:23:39 AM] RPO -- John Dryden : Absalom and Achitophel 18So beautiful, so brave, as Absalom: 19Whether, inspir'd by some diviner lust, 20His father got him with a greater gust; 21Or that his conscious destiny made way, 22By manly beauty to imperial sway. 23Early in foreign fields he won renown, 24With kings and states alli'd to Israel's crown: 25In peace the thoughts of war he could remove, 26And seem'd as he were only born for love. -
The Lincoln Humanities Journal Panopticon: Surveillance
LHJ The Lincoln Humanities Journal Fall 2016 | Volume 4 Panopticon: Surveillance, Suspicion, Fear Editor ABBES MAAZAOUI Annual publication of the College of Arts, Humanities and Social Sciences, Lincoln University of Pennsylvania. All rights reserved. ISSN 2474-7726 (print) ISSN 2474-7726 (online) 4 The Lincoln Humanities Journal (LHJ) The Lincoln Humanities Journal, ISSN 2474-7726 (print), ISSN 2474-7726 (online), is an interdisciplinary double blind peer-reviewed journal published once a year by the College of Arts, Humanities and Social Sciences of Lincoln University of Pennsylvania. Its main objective is to promote interdisciplinary studies by providing an intellectual platform for international scholars to exchange ideas and perspectives. Each volume is focused on a pre- selected theme in the fields of arts, humanities, the social sciences, and contemporary culture. Preference is given to topics of general interest that lend themselves to an interdisciplinary approach. Manuscripts should conform to the MLA style. Submissions may be made by e-mail to the editor at [email protected]. The preferred language is English. The journal is published both online and in print, in November-December of each year. Editor ABBES MAAZAOUI Lincoln University Editorial Board J. KENNETH VAN DOVER Lincoln University ERIK LIDDELL Eastern Kentucky University KIRSTEN C. KUNKLE Scholar & Opera Singer HÉDI JAOUAD Skidmore College EZRA S. ENGLING Eastern Kentucky University JEAN LEVASSEUR Bishop’s University, Canada The Lincoln Humanities Journal 5 TABLE -
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Ralph Stewart IRSS 33 (2008) 37 Gilbert Burnet’s Politics Ralph Stewart * In July, 1663, Archibald Johnston of Wariston was hanged at the market cross of Edinburgh, officially for the ‘high treason’ of accepting office in Cromwell’s government. Although many people in Scotland had held similar positions, and assisted Cromwell in other ways, only three were executed. (The others were the Earl of Argyle, and Wariston’s friend James Guthrie, a minister.) Wariston’s real crime was to have spearheaded the Scottish revolt against Charles I in the late 1630s, which began with bitter opposition to Charles’ plans to make the Presbyterian Scottish church more like the English one, and more amenable to his wishes. Wariston was co-composer of the Scottish Covenant which challenged the King’s authority, and Clerk of the unofficial parliamentary committee (made up of noblemen, lairds, merchants and ministers) which had subscribed the Covenant. When the King’s decrees on the Kirk were read out by a herald at Edinburgh’s market cross, in the traditional manner, supporters of the Covenant would oblige the herald to stay while Wariston read out a ‘Protestation’ asking for remedy of grievances and a ‘free [Kirk] Assembly and Parliament’.1 In insisting on the execu- tion and quartering of this arch-Covenanter (his head was stuck on the Netherbow Port, beside James Guthrie’s) Charles II may have been motivated partly by personal resentment - though Wariston had no significant part in Charles I’s death - but was also eliminating a symbol of resistance to the King’s authority. -
African Art at the Portuguese Court, C. 1450-1521
African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title “Poetick Rage” to Rage of Party: English Political Verse, 1678-1685 Permalink https://escholarship.org/uc/item/67k814zg Author McLaughlin, Leanna Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE “Poetick Rage” to Rage of Party: English Political Verse, 1678-1685 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Leanna Hope McLaughlin December 2018 Dissertation Committee: Dr. Thomas Cogswell, Chairperson Dr. Randolph Head Dr. Patricia Fumerton Copyright by Leanna Hope McLaughlin 2018 The Dissertation of Leanna Hope McLaughlin is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS While saving the best for last may seem like a great idea, the acknowledgements are actually some of the harder words I have ever written. How does one put into words the boundless gratitude to the people and organizations that have made this book possible? Still, I must try. This dissertation simply would not have been possible without the patience, encouragement, and guidance of Dr. Thomas Cogswell. In addition to pointing me in the direction of the most delightful and scandalous sources in early modern England, Tom’s help and advice helped me craft the larger argument and his laughter at the content fueled my drive. Thanks to Tom I will eternally move “onward and upward.” I owe Dr. Randolph Head a great deal for his unending support, his uncanny ability to help me see the narrative flow and the bigger picture, and his dogmatic attention to questions of historical practice.