Special Report: Novel Coronavirus
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Satisfaction Hd Tv Live
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Supported Sites
# Supported sites - **1tv**: Первый канал - **1up.com** - **20min** - **220.ro** - **22tracks:genre** - **22tracks:track** - **24video** - **3qsdn**: 3Q SDN - **3sat** - **4tube** - **56.com** - **5min** - **6play** - **8tracks** - **91porn** - **9c9media** - **9c9media:stack** - **9gag** - **9now.com.au** - **abc.net.au** - **abc.net.au:iview** - **abcnews** - **abcnews:video** - **abcotvs**: ABC Owned Television Stations - **abcotvs:clips** - **AcademicEarth:Course** - **acast** - **acast:channel** - **AddAnime** - **ADN**: Anime Digital Network - **AdobeTV** - **AdobeTVChannel** - **AdobeTVShow** - **AdobeTVVideo** - **AdultSwim** - **aenetworks**: A+E Networks: A&E, Lifetime, History.com, FYI Network - **afreecatv**: afreecatv.com - **afreecatv:global**: afreecatv.com - **AirMozilla** - **AlJazeera** - **Allocine** - **AlphaPorno** - **AMCNetworks** - **anderetijden**: npo.nl and ntr.nl - **AnimeOnDemand** - **anitube.se** - **Anvato** - **AnySex** - **Aparat** - **AppleConnect** - **AppleDaily**: 臺灣蘋果⽇報 - **appletrailers** - **appletrailers:section** - **archive.org**: archive.org videos - **ARD** - **ARD:mediathek** - **Arkena** - **arte.tv** - **arte.tv:+7** - **arte.tv:cinema** - **arte.tv:concert** - **arte.tv:creative** - **arte.tv:ddc** - **arte.tv:embed** - **arte.tv:future** - **arte.tv:info** - **arte.tv:magazine** - **arte.tv:playlist** - **AtresPlayer** - **ATTTechChannel** - **ATVAt** - **AudiMedia** - **AudioBoom** - **audiomack** - **audiomack:album** - **auroravid**: AuroraVid - **AWAAN** - **awaan:live** - **awaan:season** -
Factors Affecting Streamers' Loyalty to Live Streaming Platforms
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Koo, Hyunmo Conference Paper Factors affecting streamers' loyalty to live streaming platforms 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018 Provided in Cooperation with: International Telecommunications Society (ITS) Suggested Citation: Koo, Hyunmo (2018) : Factors affecting streamers' loyalty to live streaming platforms, 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018, International Telecommunications Society (ITS), Calgary This Version is available at: http://hdl.handle.net/10419/190353 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
Using Live Video for Marketing: Best Practices & Recommended Tools
Using Live Video for Marketing: Best Practices & Recommended Tools In April of 2016, more than 750,000 people gathered around their electronic devices to live-view BuzzFeed employees using rubber bands to make a watermelon explode.1 What does this say about the power of the internet? An internet marketing revolution is transpiring, and that revolution is live. Dunkin’ Donuts knew that when it broadcast a live tour of its facilities in February 2016, interviewing staff experts to discuss some of the brand’s most popular and eye-catching products, such as the iced macchiato. Chevrolet was in on the secret, too, creating a buying frenzy for the launch of its all-electric 2017 Bolt EV by streaming video from the consumer electronics trade show, CES 2016, on Facebook Live. Why Video? We’ve known for some time that videos are an essential marketing tool,2 with research showing that 80% of readers find it more convenient to watch videos, rather than reading long articles and blogs. While creating quality blog content is still central, video has become more important today.3 Skilled marketing teams have taken this influential tool to the next level, recognizing the power of “streaming” video. One tool that has made video one of the ideal channels for brand development is Tired of generic, the smartphone. Whether showing product impersonal marketing, reviews, demos, or launches—or running Q&A sessions or B2B webinars—live videos today’s consumers crave have increasingly become a fundamental part of business marketing strategies. Any the kind of connection company that embraces live video will and engagement that stand out from the competition, creating a more tangible corporate face and soul. -
Social Media Map ~ 2020
SOCIAL MEDIA MAP ~ 2020 VIDEO SHARING MANAGEMENT PODCASTING MUSIC LIVESTREAMING HEALTH & FITNESS RECRUITING Argus LOCAL & LOCATION Anthology DailyMotion & TRACKING Anchor 8tracks Be Live AroundMe Facecast Agorapulse Audioboom Amazon Music DaCast Calm Ascendify Classmates CareerArc Funny or Die Bit.ly Blog Talk Radio Apple Music Dailymotion Live CARROT Fit Eventbrite GoPro Buffer Blubrry Bandcamp Facebook Live Couch to 5K CareerBuilder Foursquare Dice Rumble Cision BuzzSprout Deezer Houseparty Cyclemeter Localeur SproutVideo Cue Castos Drooble IBM Cloud Video Daily Yoga Glassdoor MeetMe Google For Jobs TechSmith Screencast Delicious Fireside Google Play Instagram Live Endomondo Meetup TiKToK GaggleAMP iTunes iHeartRadio JW Player Fitbit Guru Nextdoor Indeed Twitch Hoosuite Libsyn Last.FM Periscope Fitocracy SimpleMapp Vevo Howsociable Omnystudio LoudUp Streamup Foodility JazzHR Swarm Jobvite Vimeo Hubspot Overcast Myspace Twitch TV Lose It! TripCase Wistia Khronos Podomatic Pandora Twitter Llve MapMyRun LinkedIn Waze PeopleFluent Wochit Later Pinecast Playmoss Vimeo Livestream My Fitness Pal Simmpler YouTube Loomly YouNow Nike Training Club Pocket Casts ReverbNation INFLUENCER PLATFORMS SmartRecruiters Marketo Podbean SiriusXM Youtube Live Nike Run Club Ambassador Runkeeper TalentBin PAYMENT Mediatoolkit Podcasts Soundcloud AspireIQ TaskRabbit Strava Amazon Pay Octopost Podigee Spotify BrandBacker Thumbtack Apple Pay Oracle Social Marketing Simplecast Tidal Sweat With Kayla ExpertVoice Upwork Sworkit Authorize.net Pardot Soundcloud Podcasting -
Quantitative Analysis
Livestreaming Music in the UK: Quantitative Analysis *Julia Haferkorn **Brian Kavanagh *Sam Leak * Dept. of Performing Arts, Middlesex University, and ** Dept. of Arts and Humanities, Kings College London As part of a larger project on livestreaming, we created a survey to investigate how musicians’ working lives have been impacted by COVID-19, and whether livestreaming has helped them. We also sought to discover musician and audience attitudes towards livestreaming, as well as the role that they think it will play in the future. Using exploratory factor analysis, we were able to identify several theoretical latent constructs in the data, which we converted to principal components to use in three multiple linear regression analyses. These allowed us to single out several variables that predicted the number of livestreams performed by musicians, and also the number watched/paid for by livestream viewers. A central theme that arose was the importance of communication during livestreams, both between audience and performer, and among audience members. Concerns about the lack of interaction and shared emotional experience appear to hold people back from watching. Opinion is mixed over whether livestreaming will provide musicians with a viable, additional income stream, but people agree that it has a role in the future for reaching new audiences, and also that it should embrace new possibilities made possible by the format rather than aim to replicate the physical concert experience. represented age category was 18-24" (10.1%, n=71). 1. Participants The vast majority of attenders were white, with "White - English, Welsh, Scottish, Northern Irish" 1,484 Participants were recruited on a volunteer accounting for 72.3% (n=508), and "Any other basis to take part in an online survey. -
Cablefax Dailytm Friday — July 8, 2016 What the Industry Reads First Volume 27 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 4 Pages Today Cablefax DailyTM Friday — July 8, 2016 What the Industry Reads First Volume 27 / No. 130 ADVERTISEMENT Don’t Miss the 2016 Deadline! Nominate the Most Inuential Minorities & Most Powerful Women Due: July 15 Editor’s Note 4 4 Note Editor’s November 2015 > Pacesetters 6 6 Pacesetters > Powerhouses 20 20 Powerhouses cablefaxmag.com > The Most 41 Prestigious Powerful Women in Cable 2015 Cablefax: The Magazine’s annual power list of women in cable p6 September 2015 cablefaxmag.com Strategic Thinkers... AMC Networks’ most powerful women have what it takes. From left to right: Sarah Barnett, DIVERSITY Linda Schupack, Lauren Gellert, Arlene Manos, Lisa Schwartz, Ellen Kroner, Jennifer Caserta The Most Influential Minorities in Cable THE PACESETTERS THE POWERHOUSES THE PRESTIGIOUS ...setting the standard p6 ...exuding great energy in all they do p20 ...leading technical innovation p41 01_CFAX_TopWomen2015_Cover.indd 1 11/4/15 5:20:29 PM THE LEADERS Shining Examples p6 THE TECHIES Sparking New Ideas THE INFLUENTIALS p41 Lighting Up the Room p30 THE EMMAs NAMIC’s Bright Marketing Winners p44 01_CFAX_Diversity2015_Cover.indd 1 9/16/15 5:03:38 PM Who should be recognized in 2016? www.cablefax.com/awards © 2016 Access Intelligence, LLC. Federal copyright law prohibits unauthorized reproduction by any means and imposes fines of up to $150,000 for violations. www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 4 Pages Today Cablefax DailyTM Friday — July 8, 2016 What the Industry Reads First Volume 27 / No. 130 Wheeler Under Fire: Sen Thune Accuses FCC Chmn of Partisanship Sen Commerce chmn John Thune (R-SD) lit into FCC chmn Tom Wheeler from the floor of the Senate Thurs, criticizing press leaks and accusing him of partisanship. -
The Legal Landscape of Live Streaming
The Legal Landscape of Live Streaming Presented by: The Alliance of Performing Arts Conferences (APAC) April 21, 2020 1 Outline 1. Key Legal Considerations when Live Streaming 2. Live Streaming Solutions 3. Monetization 4. Suggested Best Practices 5. Use Cases/Common Questions 6. Key Takeaways 7. Resources & Acknowledgements 2 Introduction This document is intended as a general introduction and guide to the legal issues related to live streaming and is not intended as a definitive outline of all legal issues related to live streaming. While the principles covered here apply to most jurisdictions worldwide, it is written from the perspective of the laws of the United States. This guide is intended solely for general information purposes only and is not intended as a substitute for legal advice. Prepared By Ali Sachedina, Esq Matthew Covey, Esq Jessi Olsen VP, General Counsel & Business Affairs Founding Partner Director of Growth (JioSaavn) (Tamizdat/Covey Law) (Big Room) 3 Key Legal Considerations when Live Streaming Key Legal Consideration when Live Streaming #1 Music Clearances Key Insights ● A venue’s live performance license with ASCAP/BMI/SESAC does not 1. Music Clearances - Two (2) Sets of Rights to be Considered: cover live streaming (on or off premises). Separate public performance for live streaming license is required. a. The Composition (“Publishing”) - Two (2) publishing licenses: ● A live stream does not require a mechanical license until it is archived i. Public Performance - the right to publicly perform the and rebroadcast and/or if the stream is recorded and sold/distributed as underlying musical composition. Secured license from a stand alone recording. -
Direct Tv Service Phone
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Ama Awards Channel Direct Tv
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Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
19 Key Essays on How the Internet Is Changing Our Lives
Edward Castronova Edward Castronova Games and the Internet: Fertile Ground for Cultural Change Games and the Internet: Fertile Ground for Cultural Change 19 key essays on how Internet is changing our lives CH@NGE 36 Where is the Internet going? ––––––––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––––––––– 11 39 Knowledge Banking for Cyberflow a Hyperconnected Society David Gelertner Francisco González Professor of Computer Science, Chairman and CEO, BBVA Yale University 59 The Internet of Things: Outlook and Challenges Juan Ignacio Vázquez Professor of Telematics, University of Deusto 83 Who Owns Big Data? Michael Nielsen Writer, scientist, and programmer 103 Cyber Attacks Mikko Hypponen Chief Research Officer of F-Secure Illustration Eva Vázquez 124 Society, the Community, and People ––––––––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––––––––– 127 217 The Impact of the Internet on Society: The Way of the Dodo A Global Perspective Lucien Engelen Manuel Castells Director of the Radboud REshape & Wallis Annenberg Chair Professor of Innovation Center, Radboud University Communication Technology and Society, Medical Centre University of Southern California 235 149 How the Internet Has Changed The Internet, Politics and the Politics Everyday Life of Internet Debate Zaryn Dentzel Evgeny Morozov CEO, Tuenti Writer and journalist 167 Designing Connections Federico Casalegno Director of the MIT Mobile Experience Lab and Associate Director of the MIT Design Laboratory