January 10, 1878
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Directory of Homoeopathic Physicians in Illinois, Indiana, Iowa, Kansas
A DELICIOUS Highly Nutritious' 1 BEVERAGE. Phillips Digestible Goeoa Easily Digested, set adapts Mich- 2288. This is entirely different from any other preparation of Chocolate or Cocoa. of full ana. Box the diseases” ILL. and graduated,hospitalsMich. one, ' DIRECTORY in new or /YRJ ubinaky upon both Arbor, cA — OF— and CHICAGO, in circular,and Ana Volumes Truss & newbeing Arbor, t'o., Y|omo£op&lhi(R- two venebeal AVENUE, a on is Ann Truss $ fRY§I(RIAfT§) pressure of This WABASH The men Imperial — — Therapeutics,” Trial. IN “monograph 1636 and Spring. Egan’s Illinois, Indiana, Iowa, Kansas, Kentucky, Missouri, the medical and of best Clinical AGENT, the others. Nebraska, and Ohio. cakds, strengthall many Boyne’s Examination as by are for 1885-6.- 'you medica VEEDER, well Used F. as circulars send our Published, by H. A. MUMAW, Nappanee, form,cured. On materia Profession of get will and I rate. Medicalsize Mich. low thein children TABLET TRITURATES very to all Arbor, PREPARED BY a :n"E22:t’ at varying E DAYS. Fbee NearlyAnn FRASER & CO., NEW YORK CITY. Pad, T:E3 works Sent night.Block, THIRTY Spring TABLET TRITURATES TABLET TRITURATES these russ and From TRITURATIONS. From TINCTURES. T day obtain Hamilton These are the finest and most carefully made an Spiral Triturations, moulded into elegant and to convenientform bedside and office dispensing. a for The Tincture Triturates contain one-half, Worn one or two minims of the Mother Tincture, or officinal Tincture of the drug it represents. Imperial The Tablets are soluble and exact, and a trial of their medical value together with their great havingbody. -
ALBION COLLEGE GRADUATING CLASS INDEX Additional Terms and Years Will Be Added As Time Allows
ALBION COLLEGE GRADUATING CLASS INDEX Additional terms and years will be added as time allows. We know some names are missing, so if you see a correction please, contact us. Winter Term Green, Denslow Elmer Pray Jr., Isaac Green, Harriet E. F. Roberts, Richard Ely 1843 Green, Marshall Robertson, George [Attendees not Graduates] Green, Perkins Hatfield Rogers, William Alcott, George Brooks Gregory, Huldah Montgomery Allen, Amos Stebbins Gregory, Sarah Ann Stout, Byron Gray Avery, William Miller Hannahs, George Stuart, Caroline Elizabeth Baley, Cinderella Harroun, Denison Smith Sutton, Moses Barker, Ellen Harroun, Sarah Eliza Timms, Daniel M. Barney, Daniel Herrick, Albert Torry, Ripley Alcander Basset, George Stillson Hickey, Manasseh Torry, Susan Woodbury Baughman, Mary Hickey, Minerva Tuttle, Marquis Hull Elizabeth Holmes, Henry James Tuttle, William Henry Benedict, Mary Elizabeth Ketchum, George Volentine, Nelson Benedict, Jr, Moses Knapp, John Henry Vose, Charles Otis Bidwell, Sarah Ann Lake, Dessoles Waldo, Campbell Griswold Blodgett, Hudson Lewis, Cyrus Augustus Ward, Heman G. Blodgett, Hiram Merrick Lewis, Mary Athalia Warner, Darius Blodgett, Mary Louisa Lewis, Mary Jane Williamson, Calvin Hawley Blodgett, Silas Wright Lewis, Sarah Augusta Williamson, Peter Brown, William Jacobs, Rebecca Wood, William Somers Burns, David Joomis, James Joline Woodruff, Morgan Carmichael, Allen Ketchum, Cornelia Young, Urial Chamberlain, Roderick Rochester Champlin, Cornelia Loomis, Samuel Sured Summer Term Champlin, Nelson Loomis, Seth Sured Chatfield, Elvina Lucas, Joseph Orin 1844 Coonradt, Ann Elizabeth Mahaigeosing [Attendees not graduates] Coonradt, Mary Margaret McArthur, Peter D. Classical Cragan, Louisa Mechem, Stanley Cragan, Matthew Merrill, George Department Crane, Horace Delphin Washington Adkins, Lydia Flora De Puy, Maria H. Messer, Lydia Allcott, George B. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
40Th Anniversary Primer
200040TH ANNIVERSARY AD PRIMER 40TH INSERT.indd 1 07/02/2017 15:28 JUDGE DREDD FACT-FILE First appearance: 2000 AD Prog 2 (1977) Created by: John Wagner and Carlos Ezquerra ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Judge Dredd is a totalitarian cop in Mega- Blue in a sprawling ensemble-led police an awful lot of blood in his time. City One, the vast, crime-ridden American procedural about Dredd cleaning up crime East Coast megalopolis of over 72 million and corruption in the deadly Sector 301. With stories such as A History of Violence people set 122 years in the future. Judges and Button Man, plus your hard-boiled possess draconian powers that make them Mega-City Undercover Vols. 1-3 action heroes like Dredd and One-Eyed judge, jury, and executioner – allowing them Get to know the dark underbelly of policing Jack, your love of crime fiction is obvious. to summarily execute criminals or arrest Mega-City One with Justice Department’s Has this grown over the years? What citizens for the smallest of crimes. undercover division. Includes Andy Diggle writers have influenced you? and Jock’s smooth operator Lenny Zero, and Created by John Wagner and Carlos Ezquerra Rob Williams, Henry Flint, Rufus Dayglo and JW: I go through phases. Over the past few in 1977, Dredd is 2000 AD’s longest- D’Israeli’s gritty Low Life. years I have read a lot of crime fiction, running character. Part dystopian science enjoyed some, disliked much. I wouldn’t like fiction, part satirical black comedy, part DREDD: Urban Warfare to pick any prose writer out as an influence. -
Q33384 William Blake and Speculative Fiction Assignment 2
Commentary on the Adaptation of Blake’s America: A Prophecy into a Series of Murals Inspired by Northern Irish Political Art and Popular Art Within the Graphic Novels of Alan Moore and Bryan Talbot. Joel Power 1 Overview Blake’s America: A Prophecy is a response to great social and political upheaval present at the end of the eighteenth century, and what Bindman calls a ‘revolutionary energy’2 in America and France. My mural adaptations focus on plates 8-10, a dialogue between this ‘revolutionary energy’, personified by 1 My images as they would appear in situ. 2 David Bindman, in William Blake, America a Prophecy, in The Complete Illuminated Books, ed. by David Bindman (London: Thames and Hudson, 2001), p. 153. INNERVATE Leading student work in English studies, Volume 8 (2015-2016), pp. 233-241 Joel Power 234 Orc, and Urizen in the guise of Albion’s Angel, before the poem turns into Blake’s ‘mythical version’3 of the American War of Independence. The genre of murals, as with those in Northern Ireland, create narratives ‘rich in evocative imagery’ presenting ‘aspirations, hopes, fears and terror’,4 telling of stories and legends between the past, present and future. The rebellious nature of the medium makes it an apt vehicle through which to adapt Blake’s work. Enriched with graphic imagery and intertextuality from Moore’s Promethea, Watchmen, V for Vendetta, Swamp Thing and Talbot’s The Adventures of Luther Arkwright, the three murals form part of a larger scale urban project which would reveal itself on city walls over a period of time, creating drama and intrigue. -
Women in Comics II'
Contents Welcome to Comics Forum 2 Programme 3 Abstracts 5 Profiles 13 Contributor Comics 19 Message from the Chair of 'Women in Comics II' Last year the first 'Women in Comics' Conference was held at The New Hall Collection, Murray Edwards College, University of Cambridge. It was a great success and as I was told 'everyone loves a sequel', I am delighted to be chairing 'Women in Comics II', here in Leeds Art Gallery on 18th November 2010. This 'Women in Comics II' conference, like its predecessor, celebrates the growing interest in women in comics, in women reading comics, in women writing about comics, in women making comics. Our aim at these conferences is to be supportive of creative and academic endeavours in all these fields. The atmosphere we engender is one of mutual interest and encouragement, to benefit the continued growth in this community. There is wonderful array of speakers lined up for today's conference. I am particularly delighted by the range of nationalities present on the panels, and the opportunity to bring together different generations of women creators. Thanks go to those who have travelled extensively to be here, including Maureen Burdock from New Mexico, and The Danish Penneveninder (Penfriends), Monica Hee Eun Jensen, Rikke Hollaender, Karen Hansen and Ina Kjoelby Korneliussen. It is also a great honour to welcome Suzy Varty to 'Women in Comics II'. Her publication 'Heroine', was the first all women's comic to be published in the UK in 1977, and is the front cover of our programme. I want to take this opportunity to thank everyone on the 'Women in Comics' Committee, including Catriona MacLeod and Rikke Platz Cortsen, for expertly managing the call for papers, Nicola Streeten for her technical skills, Dr Laurence Grove for his advice and support, Dr Mel Gibson for her support and suggestions, and our volunteers Harriet Kennedy and Emily Rabone. -
To the Ladies
Seeing the Wind Blow. Organs. Professional Cards- Carriage Factory. INDEPENDENT. “Did you ever see the wind ?” B. 8. N. MY EBB, 8ATU?.!MY, OCTOBER 19,1889. “See the wind 1” D “Yes, that’s what I said. Did you CHICAGO No 4 West Martin Street, near the Lath •ran HOMES OF GREAT WRITERS. a * Church, HEIxLER’S ever see the wind ?” asked yacht- Apr.* 741 yd. Horace E. Scudder lives in Cambridge, man who was standing on the bluff OTTACE Moss. of the Highlands watching the yachts Q. B. The homes of Lowell and Holmes arc at HEDGE8, on the lower DB. PHYSICIAN AND SUKOXON. Cambridge, Mass. sailing bay. ORGAN Carriage Office and Residence on Manufactory* the corner ol In a beautiful I’ve never seen the Albion W. Tourgee lives “No, wind,” attained a standard of excellence Bu which Burke and College streets, formerly occupied house at Mayville, N. Y. his friend. admits of no superior. Dr Hamill. replied It contains every improvement that lnvsntlve by (o1’80-ly. T. B. Aldrich has a house on Mount Ver- “Well, I’ll tell you how you may. genius, skill and money can produce. non street, in Boston, Mass. Take a metalic surface of R. G. P. CoL Hat residence is one of the most ele- polished D MORRISON, gant and imposing at the capital. two feet or with a more, straight PHYSICIAN * The home rf Will Car]• ton is a three story SURGEON, edge; a handsaw will answer brown st .on in Brooklyn. large Okkick:— At the a Residence,No. -
Look and Learn a History of the Classic Children's Magazine By
Look and Learn A History of the Classic Children's Magazine By Steve Holland Text © Look and Learn Magazine Ltd 2006 First published 2006 in PDF form on www.lookandlearn.com by Look and Learn Magazine Ltd 54 Upper Montagu Street, London W1H 1SL 1 Acknowledgments Compiling the history of Look and Learn would have be an impossible task had it not been for the considerable help and assistance of many people, some directly involved in the magazine itself, some lifetime fans of the magazine and its creators. I am extremely grateful to them all for allowing me to draw on their memories to piece together the complex and entertaining story of the various papers covered in this book. First and foremost I must thank the former staff members of Look and Learn and Fleetway Publications (later IPC Magazines) for making themselves available for long and often rambling interviews, including Bob Bartholomew, Keith Chapman, Doug Church, Philip Gorton, Sue Lamb, Stan Macdonald, Leonard Matthews, Roy MacAdorey, Maggie Meade-King, John Melhuish, Mike Moorcock, Gil Page, Colin Parker, Jack Parker, Frank S. Pepper, Noreen Pleavin, John Sanders and Jim Storrie. My thanks also to Oliver Frey, Wilf Hardy, Wendy Meadway, Roger Payne and Clive Uptton, for detailing their artistic exploits on the magazine. Jenny Marlowe, Ronan Morgan, June Vincent and Beryl Vuolo also deserve thanks for their help filling in details that would otherwise have escaped me. David Abbott and Paul Philips, both of IPC Media, Susan Gardner of the Guild of Aviation Artists and Morva White of The Bible Society were all helpful in locating information and contacts. -
Dissertation
THE LIFE AND WORKS OF GEORGE LIPPARD DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Emilio De Grazia, B.A., M.A, The Ohio State University 1969 Approved by n ivU / ■ AaviserAdviser Department of English ACKNOWLEDGEMENTS I wish to express thanks to some of the people who have made this study possible. First, I greatly appreciate the efforts of the staffs of the Interlibrary Loan Service of the Ohio State University Library, the Historical Society of Pennsylvania, and the Library Company of Phila delphia. For her care and efficiency I also want to thank Sharon Fulkerson. A number of friends and teachers are greatly responsible for whatever virtues this study may have. Thai'iks first to Professor Keith Fenimore of Albion (Michigan) College, who suggested the subject, contributed notes, and made me read many American novels; to Professor Charles Held, also of Albion, a teacher and friend who first taught me to value books; to Professor John Muste, of the Ohio State University, for sharing his time and Insights; and, of course, to Professor Julian Markels, for providing careful and Just criticism, for giving often needed encouragement, and for teaching me new ways of seeing things. It goes without saying that this study is dedicated to Mom and Dad, and to Candy, the girl on the ship I brought home to Mom and Dad, ii VITA February 16, 1941.,,, B o m — Dearborn, Michigan 1 9 6 3.............. B.A., Albion College, Albion, Michigan 1 9 6 3 -1 9 6.......... -
Analyzing the Game Narrative
ANALYZING THE GAME NARRATIVE: STRUCTURE AND TECHNIQUE by Huaxin Wei B.Sc., Xi’an Shiyou University, 1996 M.Sc., University of Alberta, 2001 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the School of Interactive Arts and Technology © Huaxin Wei 2011 SIMON FRASER UNIVERSITY Spring 2011 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced without authorization under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL Name: Huaxin Wei Degree: Doctor of Philosophy Title of dissertation: Analyzing the Game Narrative: Structure and Technique Examining Committee: Chair: Dr. Marek Hatala Associate Professor, School of Interactive Arts and Technology Dr. Tom Calvert Senior Supervisor, Professor Emeritus, School of Interactive Arts and Technology Jim Bizzocchi Supervisor, Assistant Professor, School of Interactive Arts and Technology Dr. Magy Seif El-Nasr Supervisor, Assistant Professor, School of Interactive Arts and Technology Dr. Ron Wakkary Internal Examiner, Associate Professor, School of Interactive Arts and Technology Dr. Drew Davidson External Examiner, Professor and Director, Entertainment Technology Center – Pittsburgh, Carnegie Mellon University Date Defended/Approved: ii Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. -
Journey Planet 24 - June 2015 James Bacon ~ Michael Carroll ~ Chris Garcia Great Newseditors Chums! The
I I • • • 1 JOURNEY PLANET 24 - JUNE 2015 JAMES BACON ~ MICHAEL CARROLL ~ CHRIS GARCIA GREAT NEWSEDITORS CHUMS! THE Dan Dare and related characters are (C) the Dan Dare Corporation. All other illustrations and photographs are (C) their original creators. Table of Contents Page 3 - Some Years in the Future - An Editorial by Michael Carroll Dan Dare in Print Page 6 - The Rise and Fall of Frank Hampson: A Personal View by Edward James Page 9 - The Crisis of Multiple Dares by David MacDonald Page 11 - A Whole New Universe to Master! - Michael Carroll looks back at the 2000AD incarnation of Dan Dare Page 15 - Virgin Comics’ Dan Dare by Gary Eskine Page 17 - Bryan Talbot Interviewed by James Bacon Page 19 - Making the Old New Again by Dave Hendrick Page 21 - 65 Years of Dan Dare by Barrie Tomlinson Page 23 - John Higgins on Dan Dare Page 26 - Richard Bruton on Dan Dare Page 28 - Truth or Dare by Peppard Saltine Page 31 - The Bidding War for the 1963 Dan Dare Annual by Steve Winders Page 33 - Dan Dare: My Part in His Revival by Pat Mills Page 36 -Great News Chums! The Eagle Family Tree by Jeremy Briggs Dan Dare is Everywhere! Page 39 - Dan Dare badge from Bill Burns Page 40 - My Brother the Mekon and Other Thrilling Space Stories by Helena Nash Page 45 - Dan Dare on the Wireless by Steve Winders Page 50 - Lego Dan Dare by James Shields Page 51 - The Spacefleet Project by Dr. Raymond D. Wright Page 54 - Through a Glass Darely: Ministry of Space by Helena Nash Page 59 - Dan Dare: The Video Game by James Shields Page 61 - Dan Dare vs. -
British and Indian Influences in the Identities and Literature of Mark Tully and Ruskin Bond
BRITISH AND INDIAN INFLUENCES IN THE IDENTITIES AND LITERATURE OF MARK TULLY AND RUSKIN BOND Brenda Lakhani, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2003 APPROVED: Denis Paz, Major Professor Harold Tanner, Minor Professor and Chair of the Department of History Randolph Campbell, Committee Member C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Lakhani, Brenda. British and Indian Influences in the Identities and Literature of Mark Tully and Ruskin Bond. Master of Arts (History), August 2003, 76 pp., references. With globalization and modernization, increasingly people are influenced by multiple cultures. This paper examines the case of two authors, Mark Tully and Ruskin Bond, who were born in India shortly before India’s Independence (1947). Both had British parents, but one considers himself Indian while the other has retained his British identity. The focus of this paper is how and why this difference has occurred and how it has influenced their writing. Both Tully and Bond write short stories about India and Indians, particularly the small towns and villages. Their reasons for writing, however, are very different. Tully writes to achieve social change, while Bond writes because he loves to write. ACKNOWLEDGEMENTS I would like to thank my major professor, Dr. Denis Paz, for his guidance and patience. He has always been supportive and encouraging and has fostered my academic growth. I extend a special thanks to the members of my committee, Dr. Harold Tanner and Dr. Randolph Campbell, who pushed toward further refinement of my thesis at every step.