Why Preserve the Industrial Heritage?
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Heritage Statement
Heritage Statement Location Chimney at Queen Street Mill Museum, Briercliffe, Burnley. BB10 2HX Queen Street Mill Queen Street Mill is a steam‐powered weaving shed located in the mill village of Harle Syke above the town of Burnley, Lancashire and was built around 1894. Today, with its sister museum at Helmshore, Haslingden it forms part of the Museum of Lancashire Textiles Industry. The Mill is quite unique as it still contains its own working steam engine which powers original looms by intact drive systems. The mill was built and run by a village co‐operative and continued to operate until 1982. Recognised for its historic importance the site was bought by Burnley Borough Council, and when faced with later financial uncertainty taken over by Lancashire County Council in 1997. Set beside its mill lodge on the edge of open countryside the complex typifies the Lancashire Cotton Industry of the late nineteenth and early twentieth centuries. The site contains a Scheduled Ancient Monument, Queen Street Mill Engine, which is currently being rescheduled under English Heritage’s revision of the National Heritage List, List ID 1005085. The scheduled site consists of the engine and its house and boiler house and the flue and chimney. The buildings are listed, Grade 1. The site is within the Harle Syke Conservation Area. Listing Grade 1 List Entry Number: 1416482 Date First Listed: 23 Dec 2013 Chimney The Grade 1 listed chimney at Burnley Queen Street Mill Museum is circular in plan, constructed from red brickwork and is thirty five metres tall, four metres diameter at its base and tapers to just over two metres at the top. -
Historic 1901 Steel Grain Elevator Faces Demolition
Volume 45 Fall 2016 Number 4 Historic 1901 Steel Grain Elevator Faces Demolition he 1901 Electric Steel Elevator (ESE) in in Minneapolis and Buffalo, were working to find a fireproof Minneapolis faces demolition if current preser- material to replace the all-wood terminal elevator. Steel, vation efforts fail to prevent it. tile, and concrete were fireproof, but more expensive than The ESE is nationally significant as one of wood. In Minneapolis, at least, the fireproof issue had more Tthe original all-steel grain elevators with free-standing, to do with insuring the grain in the elevator than with the cylindrical, grain tanks and a steel workhouse or headhouse. elevator itself. Only a city-certified fireproof elevator could It is the only survivor of three “classics of the steel era” avoid costly insurance rates. The ESE was the only new identified by Reyner Banham in his 1986 study, A Concrete elevator certified fireproof in Minneapolis in 1902. Atlantis. The others were the Electric Elevator in Buffalo, Claude Allen Porter (C.A.P.) Turner, an engineer bet- N.Y. (1897, razed 1984), and the Pioneer Steel Elevator ter known for his later innovations in reinforced concrete, in Minneapolis (1900, razed 1995; visited during the 1983 designed the elevator to take advantage of fireproof steel SIA Annual Conference). construction. He approached the design holistically, work- At the turn of 20th century, elevator builders, especially ing not only with a lighter, stronger, steel-tank design, but (continued on page 2) In This Issue: • Call for Nominations—SIA Officers 2017 • 2017 SIA Annual Conference, Houston, May 18–21 ❍ Call for Papers ❍ Tour Previews ❍ Student Scholarships ❍ General Tools Award Nominations • Welcome Steven Walton, SIA’s new Exec. -
2020 Conference Agenda
2020 CCI CONFERENCE ON CORPORATE COMMUNICATION VIRTUAL CONFERENCE – September 17, 2020 BEGINS AT 9AM US EST OPENING REMARKS: DR. MICHAEL GOODMAN, DIRECTOR, CCI ERICA YAKOBZON, EXECUTIVE DIRECTOR, CCI PART 1. EMPLOYEE ENGAGEMENT AND INTERNAL COMMUNICATION Mona Agerholm Andersen, PhD, Aarhus University "Employee ideation in a VUCA context: Communication responsibility and Helle Eskesen Gode, PhD, VIA Business, VIA roles on internal University College social media" Jarim Kim, Yonsei University Yeunjae Lee, Ph. D CEO Leadership Behaviors, Strategic Internal Communication, and Employee University of Miami Outcomes Participatory communication to engage employees in corporate sustainability: Nicola Fredducci, Unicoop Firenze SC the case of Unicoop Firenze Robyn Albers, Albers Business Communication Solutions How to Improve Employee Output With Emails: Framework and Practice Alessandro Lovari, CERC – University of Cagliari (Italy) Giuseppe Segreto, University of Siena (Italy), Maurizio Masini, University of Siena (Italy), Corso Biagioni, Lem Industries Spa (Italy), Omar Antonio Cescut, Lem Industries Spa “A lion for the determination to go on, to grow more and more…” Mapping (Italy) employees’ voices: a qualitative approach Paula Bernardino, Credibility Institute Engaging Employees Through Corporate Social Responsibility Programs Line Schmeltz Vibeke Madsen Six ways to leave a lover: Evasive explanations and rationalizations when DMJX, Danish School of Media and introducing a social Journalism, Denmark intranet (W)Influencer: the Whirlpool Corporation program to promote employee Federica Bartolini, Whirlpool EMEA advocacy SPECIAL MESSAGE FROM STEPHEN DISHART, CCI BOARD MEMBER AND PRESIDENT OF DISHART CCMC PART 2. PERSUASION IN PRACTICE "Employee ambassadorship programmes for corporate reputation and Simona Bargiacchi, Cromology Italia employee engagement: the Cromology Voices case" Johannes Brunzel, Technische Universität “I have a dream” The vividness effect in international business Braunschweig, Germany communication. -
Lancashire Historic Town Survey Programme
LANCASHIRE HISTORIC TOWN SURVEY PROGRAMME BURNLEY HISTORIC TOWN ASSESSMENT REPORT MAY 2005 Lancashire County Council and Egerton Lea Consultancy with the support of English Heritage and Burnley Borough Council Lancashire Historic Town Survey Burnley The Lancashire Historic Town Survey Programme was carried out between 2000 and 2006 by Lancashire County Council and Egerton Lea Consultancy with the support of English Heritage. This document has been prepared by Lesley Mitchell and Suzanne Hartley of the Lancashire County Archaeology Service, and is based on an original report written by Richard Newman and Caron Newman, who undertook the documentary research and field study. The illustrations were prepared and processed by Caron Newman, Lesley Mitchell, Suzanne Hartley, Nik Bruce and Peter Iles. Copyright © Lancashire County Council 2005 Contact: Lancashire County Archaeology Service Environment Directorate Lancashire County Council Guild House Cross Street Preston PR1 8RD Mapping in this volume is based upon the Ordnance Survey mapping with the permission of the Controller of Her Majesty’s Stationery Office. © Crown copyright. Unauthorised reproduction infringes Crown copyright and may lead to prosecution or civil proceedings. Lancashire County Council Licence No. 100023320 ACKNOWLEDGEMENTS Lancashire County Council would like to acknowledge the advice and assistance provided by Graham Fairclough, Jennie Stopford, Andrew Davison, Roger Thomas, Judith Nelson and Darren Ratcliffe at English Heritage, Paul Mason, John Trippier, and all the staff at Lancashire County Council, in particular Nik Bruce, Jenny Hayward, Jo Clark, Peter Iles, Peter McCrone and Lynda Sutton. Egerton Lea Consultancy Ltd wishes to thank the staff of the Lancashire Record Office, particularly Sue Goodwin, for all their assistance during the course of this study. -
Belper Mills Site
Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site February 2017 Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site Contents Page numbers 1 Introduction 1 2 Heritage significance 1 - 4 3 End uses 4 - 5 4 Development strategy 5 - 9 4.1 Phase 1 6 - 7 4.2 Phase 2 7 4.3 Phase 3 8 4.4 The end result 9 5 Costs of realisation 10 - 11 6 Potential financing – capital and revenue 11 - 15 6.1 Capital/realisation 11 - 12 6.2 Revenue sustainability 12 - 15 7 Delivery 15 - 16 Appendices 1 Purcell's Statement of Significance 2 Purcell's Feasibility Study Belper North Mill Trust Outline masterplan for the renewal of the Belper Mills site 1 Introduction As part of this phase of work for the Belper North Mill Trust we have, with Purcell Architects, carried out an outline masterplanning exercise for the whole Belper Mills site. At the outset, it is important to say that at the moment the site is privately owned and that while Amber Valley Borough Council initiated a Compulsory Purchase Order process in 2015, that process is still at a preliminary stage. This is a preliminary overview, based on the best available, but limited, information. In particular, access to the buildings on site has been limited; while a considerable amount of the North Mill is accessible because it is occupied, access to the East Mill, now empty, was not made available to us. Also, while we have undertaken some stakeholder consultation, we have not at this stage carried out wider consultation or public engagement, nor have we undertaken detailed market research, all of which would be essential to any next stage planning for the future of the site. -
6 X 10 Long Title.P65
Cambridge University Press 978-0-521-15382-9 - Heroes of Invention: Technology, Liberalism and British Identity, 1750-1914 Christine MacLeod Index More information Index Acade´mie des Sciences 80, 122, 357 arms manufacturers 236–9 Adam, Robert 346 Armstrong, William, Baron Armstrong of Adams, John Couch 369 Cragside Aikin, John 43, 44, 71 arms manufacturer 220 Airy, Sir George 188, 360 as hero of industry 332 Albert, Prince 24, 216, 217, 231, 232, 260 concepts of invention 268, 269, 270 Alfred, King 24 entrepreneurial abilities of 328 Amalgamated Society of Engineers, knighted 237–8 Machinists, Millwrights, Smiths and monument to 237 Pattern Makers 286–7 opposition to patent system 250, 267–8 ancestor worship, see idolatry portrait of 230 Anderson’s Institution, Glasgow 113, 114, president of BAAS 355 288, 289 Punch’s ‘Lord Bomb’ 224–5 Arago, Franc¸ois 122, 148, 184 Ashton, T. S. 143 Eloge, to James Watt 122–3, 127 Athenaeum, The 99–101, 369 Arkwright, Sir Richard, Atkinson, T. L. 201 and scientific training 359 Atlantic telegraph cables 243, 245, 327 as national benefactor 282 Arthur, King 15 as workers’ hero 286 Askrill, Robert 213 commemorations of, 259 Associated Society of Locomotive Cromford mills, painting of 63 Engineers and Firemen 288 enterprise of 196, 327, 329 era of 144 Babbage, Charles 276, 353, 356–7, factory system 179 375, 383 in Erasmus Darwin’s poetry 67–8 Bacon, Sir Francis in Maria Edgeworth’s book 171 as discoverer 196 in Samuel Smiles’ books 255, 256 as genius 51, 53, 142 invention of textile machinery 174, 176 bust of 349 knighthood 65 n. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Prices and Profits in Cotton Textiles During the Industrial Revolution C
PRICES AND PROFITS IN COTTON TEXTILES DURING THE INDUSTRIAL REVOLUTION C. Knick Harley PRICES AND PROFITS IN COTTON TEXTILES DURING THE 1 INDUSTRIAL REVOLUTION C. Knick Harley Department of Economics and St. Antony’s College University of Oxford Oxford OX2 6JF UK <[email protected]> Abstract Cotton textile firms led the development of machinery-based industrialization in the Industrial Revolution. This paper presents price and profits data extracted from the accounting records of three cotton firms between the 1770s and the 1820s. The course of prices and profits in cotton textiles illumine the nature of the economic processes at work. Some historians have seen the Industrial Revolution as a Schumpeterian process in which discontinuous technological change created large profits for innovators and succeeding decades were characterized by slow diffusion. Technological secrecy and imperfect capital markets limited expansion of use of the new technology and output expanded as profits were reinvested until eventually the new technology dominated. The evidence here supports a more equilibrium view which the industry expanded rapidly and prices fell in response to technological change. Price and profit evidence indicates that expansion of the industry had led to dramatic price declines by the 1780s and there is no evidence of super profits thereafter. Keywords: Industrial Revolution, cotton textiles, prices, profits. JEL Classification Codes: N63, N83 1 I would like to thank Christine Bies provided able research assistance, participants in the session on cotton textiles for the XII Congress of the International Economic Conference in Madrid, seminars at Cambridge and Oxford and Dr Tim Leung for useful comments. -
Burnley's Locally Listed Buildings, Unscheduled Ancient Monuments
LOCALLY LISTED BUILDINGS, UNSCHEDULED ANCIENT MONUMENTS AND GARDENS OF SPECIAL HISTORIC INTEREST CLASSIFICATION BUILDINGS FORMERLY GRADE II ON PROVISIONAL LIST III OTHER LOCALLY LISTED BUILDINGS BY RESOLUTION OF THE COUNCIL L UNSCHEDULED ANCIENT MONUMENTS M GARDENS OF SPECIAL HISTORIC INTEREST WITH THEIR NUMBER ON THE SCHEDULE AND GRAD I, II* OR 88 AS SET OUT ABOVE. G43 (II) UPDATED SEPTEMBER 2001 1 LOCALLY LISTED BUILDINGS, UNSCHEDULED ANCIENT MONUMENTS AND GARDENS OF SPECIAL HISTORIC INTEREST LOCAL LIST LOCATION GRID LISTING REF. BRIERCLIFFE Nos. 2-10 (even) Acre St. L Nos. 2-12 (even) Banks St. Lane Bottom L Nos. 4-12 (even) (also Nos.1-2 Todmorden Rd) Burnley Rd. L Dr. Muir Memorial Drinking Fountain Burnley Rd. SD 869352 L No. 4 Chapel Court L Vicarage, St James’ Church Church St. L Fingerpost (Burnley R.D.C.) Halifax Rd. L Nos. 19-33 (odd) Halifax Rd. L Nos. 45-57 (odd) Halifax Rd., Lane Bottom L Nos. 69-93 (odd) Halifax Rd., Holt Hill L No. 95 Holt Hill Farm Halifax Rd. L No. 8 Former Briercliffe Reading and Recreation Room Halifax Rd. L No. 12 Halifax Rd L Nos. 20-32 (even) Halifax Rd., Hill End L Nos. 52-62 (even) Halifax Rd., L Ebenezer Baptist Chapel & Sunday School Halifax Rd., Lane Bottom L UPDATED SEPTEMBER 2001 2 LOCALLY LISTED BUILDINGS, UNSCHEDULED ANCIENT MONUMENTS AND GARDENS OF SPECIAL HISTORIC INTEREST LOCATION GRID LISTING REF. Hill Farmhouse (Nos. 64 &66) Halifax Rd., Lane Bottom III No. 68 Halifax Rd. L Windle House Halifax Rd. SD 889352 L Widdup Cross Halifax Rd SD 915337 M Arncliffe, Hill End (Off) Halifax Rd. -
Inventions in the Cotton Industry
Inventions in the Cotton Industry Paisley Thread Mill Museum A Family of Threads John Kay: The Flying Shuttle 1733 • For centuries handloom weaving had been carried out by the shuttle with the yarn on being passed slowly and awkwardly from one hand to the other. • In 1733 John Kay patented his flying shuttle which dramatically increased the speed of this process. • Kay placed shuttle boxes at each side of the loom connected by a long board, known as a shuttle race. • With cords, a single weaver, using one hand, could knock the shuttle back and forth across the loom from one shuttle box to the other. • A weaver using Kay's flying shuttle could produce much wider cloth at much faster speeds than before. James Hargreaves: The Spinning Jenny 1764 • In 1764 Hargreaves built what became known as the Spinning- Jenny. • The machine used eight spindles onto which the thread was spun. • By turning a single wheel, the operator could now spin eight threads at once. • Later, improvements were made that enabled the number to be increased to eighty. • However, the thread that the machine produced was coarse and lacked strength. Richard Arkwright: The Water Frame 1771 • Richard Arkwright: The Water Frame 1771 • In 1762 Richard Arkwright met John Kay and Thomas Highs, who were trying to produce a new spinning- machine, to improve on the Spinning-Jenny. • Kay and Highs had run out of money and Arkwright offered to employ John Kay to make the new machine, with other, local craftsman to help. • It was not long before the team produced the Spinning-Frame. -
Matthew Boutlon and Francis Eginton's Mechanical
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository MATTHEW BOULTON AND FRANCIS EGINTON’S MECHANICAL PAINTINGS: PRODUCTION AND CONSUMPTION 1777 TO 1781 by BARBARA FOGARTY A thesis submitted to The University of Birmingham For the degree of MASTER OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham June 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly publications since their invention in the 1770s. Such interest as there has been has focussed on the unknown process, and the lack of scientific material analysis has resulted in several confusing theories of production. This thesis’s use of the Archives of Soho, containing Boulton’s business papers, has cast light on the production and consumption of mechanical paintings, while collaboration with the British Museum, and their new scientific evidence, have both supported and challenged the archival evidence. This thesis seeks to prove various propositions about authenticity, the role of class and taste in the selection of artists and subjects for mechanical painting reproduction, and the role played by the reproductive process’s ingenuity in marketing the finished product. -
Iulm, Learning the Future
IULM, LEARNING THE FUTURE. INTRODUCTORY GUIDE TO UNDERGRADUATE AND POSTGRADUATE PROGRAMMES ACADEMIC YEAR 2019 - 2020 4 TABLE OF CONTENTS 1. IULM, LEARNING THE FUTURE. Our Teaching Model – Contemporary Learning 8 Academics 10 The Future Begins Here – Courses of Study 11 2. THREE-YEAR UNDERGRADUATE DEGREES 12 Interpreting and Communication 14 Communication, Media and Advertising 16 Corporate Communication and Public Relations 18 Arts, Entertainment and Cultural Events 20 Tourism, Management and Territorial Development 22 3. TWO-YEAR MASTERS DEGREES 24 Specialized Translation and Conference Interpreting 26 Television, Cinema and New Media 30 Strategic Communication 34 Marketing and Communications 36 Arts and Cultural Management 40 Hospitality and Tourism Management 42 4. CONTINUING EDUCATION PROGRAMMES 45 Course offering 46 5. RESOURCES AND SERVICES 49 Orientation, Tutoring and Counselling 50 Career Services and Company Relations 51 DiversaMENTE. Disability Services. 52 Office of the Bursar and the Right to Education 52 Opportunities for Enrolled Students 53 IULM International 54 Living at IULM/Experiencing IULM 56 6. ADMISSIONS 58 7. TUITION AND FEES FOR THE 2019/2020 ACADEMIC YEAR 60 8. ALIULM - IULM UNIVERSITY’S ALUMNI ASSOCIATION 62 IULM MAKES YOU A FORWARD THINKER FOR TODAY AND FOR TOMORROW DYNAMIC TEACHING WITH REAL CONNECTIONS TO THE WORLD OF WORK AND AN EYE TOWARDS THE FUTURE. The goal of IULM University is to educate and train the next generation of professionals so that they can make the most of the challenges and opportunities that international markets have to offer. At the same time, IULM seeks to mould the character of men and women so that by the time they graduate, they are more self-aware and have a greater sense of self-worth.