Gelehrte Bräute Christi«
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Ornament As Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100)
Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100) by Anna Bücheler A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Anna Bücheler 2014 Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800—1100) Anna Bücheler Doctor of Philosophy Department of Art University of Toronto 2014 Abstract This dissertation explores notions of ornamentation and issues of materiality in early and high medieval manuscript illumination. Focusing on ornament that evokes the weave patterns of Byzantine and Islamic silk in tenth and eleventh century manuscripts from Echternach, Einsiedeln, Reichenau, and elsewhere, this study argues that—in specific contexts—ornament has meaning and serves functions that go beyond mere decoration. The dissertation contextualizes so-called textile pages in the codicological and iconographic structure of the manuscripts in which they appear and examines them in light of exegetical texts that discuss the function and metaphoric meaning of matter in religious art. After the first chapter clarifies the formal relationship between medieval textiles and textile ornament, the subsequent chapters bring the ornamental images together with various textile metaphors. From such a reading of textile iconography emerge three major strands of meaning: the notion of scripture as a veil of revelation, the Incarnation as a symbolic garment, and textile-ornamented manuscripts as the corporeal book-bodies of scripture. In addition to an investigation of the allegorical meaning of textile ornament, a discussion of the function of physical matter in private meditation and the ii liturgy opens new perspectives on the utility and necessity of physical props for contemplative and liturgical purposes in medieval worship. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century Jasperse, T.G. Publication date 2013 Document Version Final published version Link to publication Citation for published version (APA): Jasperse, T. G. (2013). The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century Jitske Jasperse The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. -
A Thousand Years of the Bible 19
A THOUSAND YEARS OF THE BIBLE 19. Petrus Comestor, Bible Historíale, translated by Guiart des Moulins. Paris, circa 1375. Ms. 1, vol. 2, fol. 86v: Jeremiah Before Jerusalem in Flames. A THOUSAND YEARS OF THE BIBLE AN EXHIBITION OF MANUSCRIPTS FROM THE J. PAUL GETTY MUSEUM MALIBU AND PRINTED BOOKS FROM THE DEPARTMENT OF SPECIAL COLLECTIONS UNIVERSITY RESEARCH LIBRARY, UCLA Malibu Los Angeles The J. Paul Getty Museum University of California 1991 Cover illustration: 12. Gospel Book, Helmarshausen Abbey, Germany, circa 1120-1140. Ms. Ludwig II 3, fol. 51v: Saint Mark Writing his Gospel © January 1991 by The J. Paul Getty Museum and The Regents of the University of California ISBN 0-89236-193-X TABLE OF CONTENTS FOREWORD by John Walsh and Gloria Werner vii BIBLE COLLECTIONS IN LOS ANGELES by John Bidwell 1 THE J. PAUL GETTY MUSEUM: MEDIEVAL AND RENAISSANCE MANUSCRIPTS by Ranee Katzenstein INTRODUCTION TO THE EXHIBITION 15 CHECKLIST 35 ILLUSTRATIONS 41 THE DEPARTMENT OF SPECIAL COLLECTIONS, UNIVERSITY RESEARCH LIBRARY, UCLA: THE PRINTED WORD by David S. Zeidberg and James Davis INTRODUCTION TO THE EXHIBITION 61 CHECKLIST 77 ILLUSTRATIONS 87 This page intentionally left blank FOREWORD In the years since Henry Huntington acquired his Guten berg Bible, southern California has become a center for study ing the arts of the book. Each of the region's libraries, universities, and museums can boast individual treasures, but when these resources are taken together, the results are remarkable. The extent to which the collections of the J. Paul Getty Museum and UCLÄs research libraries complement each other can be judged in^l Thousand Years of the Bible. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century Jasperse, T.G. Publication date 2013 Link to publication Citation for published version (APA): Jasperse, T. G. (2013). The many faces of Duchess Matilda: matronage, motherhood and mediation in the twelfth century. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 The Gospel Book and the verbal and visual construction of Matilda’s identity 159 For many decades historians, art historians and palaeographers could not directly study the famous gospel book that Henry the Lion and Matilda com- missioned and donated to the Church of St Blaise. Somewhere in the 1930s, the manuscript disappeared, only to turn up at a Sotheby’s auction in 1983. -
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Journal of Arts & Humanities Volume 08, Issue 09, 2019: 16-30 Article Received: 02-08-2019 Accepted: 04-09-2019 Available Online: 06-09-2019 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v8i9.1714 Gospel Evangelist Portraits: Exemplars of an Enduring Christian Motif James W. Ellis1 ABSTRACT The Bible’s Gospel books offer accounts of the life of Jesus Christ and consequently they have been considered among the most important texts from antiquity onward. This essay uses iconographic methodology and historical contextualization to analyze a selective group of portraits and depictions of the Bible’s four Gospel Evangelists: Matthew, Mark, Luke, and John. Art historical literature has addressed Evangelist portraits, but has tended to focus on formal characteristics. This essay presents these visual relics in new contexts. The chosen Evangelist portraits come from a variety of sources: thousand-year-old Byzantine lectionaries, medieval illuminated manuscripts produced in the scriptoria of the Abbeys of Cluney and Helmarshausen, and Italian and French missals and books of hours. The essay also examines Northern Renaissance and Symbolist print cycles portraying the martyrdom of the Evangelist John and visions he described in his Apocalypse, or book of Revelation. This brief examination of select exemplars demonstrates the enduring significance of Evangelist portraits in Christian iconography and western art history, and suggests the variety of messages Evangelist portraits can convey. This essay’s findings and conclusions may lead to further, related research concerning the ways theologians and artists have used biblical portraits to comment both on religious and secular issues. -
PORAMBO-THESIS-2017.Pdf (3.907Mb)
Copyright by Allison Michelle Porambo 2017 The Thesis Committee for Allison Michelle Porambo Certifies that this is the approved version of the following thesis: A Personal Treasure: The Baltimore-Helmarshausen Psalter (Walters Art Museum MS W. 10) and its Originally-Intended Owner. APPROVED BY SUPERVISING COMMITTEE: Supervisor: Joan A. Holladay Jeffrey Chipps Smith A Personal Treasure: The Baltimore-Helmarshausen Psalter (Walters Art Museum MS W. 10) and its Originally-Intended Owner by Allison Michelle Porambo, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2017 Dedication For Joan A. Holladay and Robert and Elyse Porambo. Acknowledgements I would like to thank Dr. Lynley Anne Herbert, Robert and Nancy Hall Assistant Curator of Rare Books and Manuscripts at the Walters Art Museum in Baltimore, for allowing me to view and handle the Baltimore-Helmarshausen Psalter itself and look through the psalter’s curatorial files in the wake of a busy Holiday season. I must thank her additionally for photocopying some of these files and answering my questions about manuscript terminology. Next, I must thank my second reader, Dr. Jeffrey Chipps Smith, not only for reading through my thesis but for offering valuable and thought-provoking criticism. I owe my mother and father, Elyse and Robert Porambo, a great debt of gratitude for supporting me in countless ways— material, emotional, and mental— and for believing in me even when I did not believe in myself. -
* Book Singing Bronze ED2 170X230mm
luc rombouts Singing Bronze A History of Carillon Music Singing Bronze luc rombouts Singing Bronze A History of Carillon Music With the support of The Guild of Carillonneurs In North America Lipsius Leuven is an imprint of Leuven University Press Original title Zingend Brons. 500 jaar beiaardmuziek in de Lage Landen en de Nieuwe Wereld Authorized translation from the Dutch language edition published by Davidsfonds / Leuven © 2010 Dutch language edition by Davidsfonds / Leuven (Belgium) © 2014 English language edition by Leuven University Press / Universitaire Pers Leuven / Presses Universitaires de Louvain. Minderbroedersstraat 4, B-3000 Leuven All rights reserved. Except in those cases expressly determined by law, no part of this publication may be multiplied, saved in an automated datafile or made public in any way whatsoever without the express prior written consent of the publishers. isbn 978 90 5867 956 7 d/ 2014 / 1869 / 31 nur 667 Translation Communicationwise Design Korpershoek Ontwerpen Front cover illustration Carillon bells in the St. John’s Tower in Gouda (the Netherlands) Contents 11 Introduction part 1 – bell cultures in antiquity and the middle ages chapter 1 – The magic of old bells 15 A fruit with pith 17 A world of sounds 18 Made in China 21 Jingle Bells 24 Bellmen chapter 2 – The time of God 27 The daily call to prayer 28 Europe of Bells 30 The appearance of the medieval bell 32 Church doctrine and popular belief 35 Tolling for political ends chapter 3 – The time of man 39 A day in the city 40 Tolling for special events -
The Library of Professor Cecil Lee Striker, University of Pennsylvania Late Antique, Early Christian, Byzantine & Medieval A
The Library of Professor Cecil Lee Striker, University of Pennsylvania Late Antique, Early Christian, Byzantine & Medieval Art and Architecture 2697 titles in circa 3635 volumes ARS LIBRI THE LIBRARY OF CECIL L. S TRIKER 1 AACHEN. RATHAUS. Karl der Grosse: Werk und Wirkung. June-Sept. 1965. Preface by Wolfgang Braunfels. (10th Council of Europe Exhibition.) xl, 567, (1)pp., 166 plates (8 color), 4 folding maps. Sm. stout 4to. Wraps. D.j. Aachen, 1965. Arntzen/Rainwater R21 2 AACHEN. RATHAUS. Unsere Liebe Frau. June-Sept. 1958. 155, (1)pp., 88 plates. 4to. Wraps. Aachen, 1958. 3 [AALST, V.D. VAN & CIGGAAR, K.N. (EDITORS).] Byzantium and the Low Countries in the Tenth Century: Aspects of Art and History in the Ottonian Era. xv, (1), 164pp. Prof. illus. Sm. 4to. Wraps. Hernen (A.A. Brediusstichting), 1985. 4 ABADIE-REYNAL, C. & SODINI, J.-P. La céramique paléochrétienne de Thasos (Aliki, Delkos, fouilles anciennes). (École Française d’Athènes: Études Thasiennes. 13.) 100pp., 18 plates. 41 illus. hors texte. Lrg. 4to. Wraps. Athènes/Paris (École Française d’Athènes/ de Boccard), 1992. 5 ÅBERG, NILS. The Anglo-Saxons in England During the Early Centuries After the Invasion. (Arbeten utgivna med Understöd av Vilhelm Ekmans Universitetsfond, Uppsala. 33.) vii, (3), 219pp. 319 illus. Sm. 4to. Wraps. Uppsala (Almqvist & Wiksells Boktr. A.B.), 1926. 6 ÅBERG, NILS. The Occident and the Orient in the Art of the Seventh Century. Part II: Lombard Italy. (Kungl. Vitterhets Historie och Antikvitets Akademiens Handlingar. Del 56:2.) 122pp. 105 illus. Sm. 4to. Orig. wraps. Stockholm (Wahlström & Widstrand), 1945. 7 ÅBERG, NILS. -
Matilda Plantagenet and Her Sisters
i MEDIEVAL WOMEN, MATERIAL CULTURE, AND POWER ii Gender and Power in the Premodern World Gender and Power in the Premodern World showcases cutting‐edge research into issues of gender and power across a broad temporal and geographic spectrum. It fills key lacunae in the field, broadening conversations about gender and power by addressing constructions and performances of masculinity as well as engaging with women’s roles, expanding beyond a European framework of analysis, and breaking down conventional barriers between premodern periods. It examines not only rulers and elites in positions of political or religious authority but also others who exerted power in economic, cultural, and symbolic forms. Editorial Board University of Winchester University of Nebraska Elena Woodacre, Hofstra University Carole Levin, University of Western Australia Simon Doubleday, Susan Broomhall, iii MEDIEVAL WOMEN, MATERIAL CULTURE, AND POWER MATILDA PLANTAGENET AND HER SISTERS by JITSKE JASPERSE iv British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2020, Arc Humanities Press, Leeds Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0. We acknowledge support by the Open Access Publication Fund of Humboldt-Universität zu Berlin. ThePermission author assertsto use brief their excerpts moral right from to this be workidentified in scholarly as the author and educational of this work. works is hereby granted pro- vided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/EC) or would be determined notto be require “fair use” the Publisher’sunder Section permission. -
The Anglo-Saxon Churches of Canterbury Archaeologically Reconsidered
Durham E-Theses The Anglo-Saxon churches of Canterbury archaeologically reconsidered Blockley, Kevin How to cite: Blockley, Kevin (2000) The Anglo-Saxon churches of Canterbury archaeologically reconsidered, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4320/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk THE ANGLO-SAXON CHURCHES OF CANTERBURY ARCHAEOLOGICALLY RECONSIDERED BY KEVIN BLOCKLEY, MIFA MPhil 2000 ABSTRACT The Anglo-Saxon churches of Canterbury have been reconsidered from an archaeological perspective with a view to understanding their layout, fiinction, and development. Canterbury cathedral was excavated in 1993, revealing four Anglo-Saxon phases, commencing with Augustine's first church in 597. In the early 9th century the cathedral was re-built on a larger scale, re-built in the mid 10th century, and finally saw the addition of an apsed western structure with hexagonal stair towers in the early 11th century.