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We Dnesd Ay, F Ebruary 13 , 2
University of California San Diego • Division of Arts and Humanities • Department of Music Wednesday, February 13, 2013 - 7:00 p.m. • CPMC Concert Hall UC San Diego • Division of Arts and Humanities • Department of Music • Department of Theatre and Dance Lear On The 2nd Floor CAST NORA • Susan Narucki DOCTOR • Ru ff Ye a g e r “NORA’S MIND” • B o n n i e L a n d e r LYLA • Sara Perez MORTIMER • P h i l L a r s o n JENNA • Alice Teyssier TARA • T i ff a n y D u M o u c h e l le NURSE / LAWYER • Jorell Williams CREATIVE TEAM ORCHESTRA Anthony Davis • Composer Leah Asher • Viola Allan Havis • Librettist Kimberly Hain • Violin Steven Schick • Music Director Jennifer Bewerse • Cello Mark DeChiazza • Director/Video Designer Mark Dresser • Bass Victoria Petrovich • Scenic Designer Curt Miller • Clarinet Mary Ellen Stebbins • Lighting Designer Leyla Zamora • Bassoon Halei Parker • Costume Designer Leah Bowden • Percussion Alana Ogio • Asst Costume Designer Kjell Nordeson • Percussion Katie Chen • Stage Manager Todd Moellenberg • Piano Susan Narucki • Producer Joe Mariglio • Sythesizer PROGRAM NOTES FROM THE PRODUCER Welcome to this, the fourth kallisti chamber opera production and our first world premiere, Anthony Davis’ Lear on the Second Floor. When I began the group in 2008, I hoped to create a model in which faculty and graduate student performers from the UCSD Department of Music could work side by side, sharing the kind of intense collaborative experience that is part of being a professional musician. And through the remarkable commitment of many people, this dream has become a reality. -
When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull ..................................................................... -
Beyer Blinder Belle Architects & Planners LLP Beyer Blinder Belle
Beyer Blinder Belle Architects & Planners LLP Beyer Blinder Belle Architects & Planners LLP is a highly collaborative practice recognized for excellence in design, planning, and historic structures. The firm maintains offices in New York City, Washington, DC, and Beijing, China, with a 170-member professional staff whose practice encompasses every aspect of architecture. Many of these projects involve the careful integration of new buildings within constricted or sensitive urban sites. While these additions respect the shape and fabric of the environment, their designs belong to the present, incorporating the material, operational, and perceptual influences of the 2lst century. The firm was recently awarded the Red Star Line Emigration project, which will transform the original buildings of the famous Red Star Line into a “Place of Memory” in Antwerp’s port. Among the firm’s notable projects, past and present, in New York City are Ellis Island Museum of Immigration, Grand Central Terminal, The Rubin Museum, and the restoration and upgrade of the Thurgood Marshall United States Courthouse. The firm’s projects in Washington, DC, include two award-winning planning studies for the Anacostia Waterfront Initiative; A Vision for Growing an Inclusive City, Washington, DC; historic preservation work undertaken for the Architect of the Capitol and the Old DC Courthouse expansion; and award-winning security plans for the perimeters of the Smithsonian Institution’s buildings on the National Mall. Beyer Blinder Belle competitions in China include the Cultural Park in Shanghai and the Gonghua City district north of central Beijing. . -
Landmarks Preservation Commission March 22, 2011, Designation List 440 LP-2420
Landmarks Preservation Commission March 22, 2011, Designation List 440 LP-2420 JAPAN SOCIETY HEADQUARTERS, 333 East 47th Street (aka 327-333 East 47th Street), Manhattan. Built 1969-71, Junzō Yoshimura and George G. Shimamoto, of Kelly & Gruzen, architects; expanded 1992, 1995-98, Richard L. Blinder, of Beyer Blinder Belle Architects & Planners. Landmark Site: Borough of Manhattan Tax Map Block 1340, Lot 16. On June 22, 2010, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Japan Society headquarters and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. A letter from the Vice-President of Japan Society was read in support of designation, and two people spoke in favor of designation, including representatives of Docomomo US New York/Tri-State, and the Historic Districts Council. Summary The headquarters of Japan Society, earlier called Japan House, is located in the Turtle Bay section of Manhattan on the north side of East 47th Street, close to First Avenue and the United Nations. Founded in 1907, Japan Society functions as a cultural and educational institution, as well as a forum for dialogue between Japanese and American business leaders. Junzo Yoshimura, a leading Japanese architect during the second half of the 20th century, was responsible for the building’s handsome horizontal design, in partnership with George G. Shimamoto, of the firm Kelly & Gruzen. In addition to being Yoshimura’s only work in New York City, this building is likely to have been the city’s earliest permanent structure designed by a Japanese citizen. -
LOEW's PARADISE THEATER, 2401-2419 Grand Concourse, Aka 2394-2408 Creston Avenue, Borough of the Bronx
Landmarks Preservation Commission April 15, 1997, Designation List 279 LP-1891 LOEW'S PARADISE THEATER, 2401-2419 Grand Concourse, aka 2394-2408 Creston Avenue, Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On June 2, 1992, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew's Paradise Theater, and the proposed designation of the related Landmark Site (Item No. 7). 1 The hearing had been duly advertised in accordance with the provisions of law. Five speakers testified in favor of the proposed designation; there were no speakers opposed to designation. The current owner is not opposed to this designation. Summary Located on the Grand Concourse south of Fordham Road, once a major theater center of the Bronx, the Loew's Paradise Theater is the borough's largest and most famous movie palace. Designed by theater architect John Eberson and opened in 1929, the 4000-seat Paradise was one of five so-called "Wonder Theaters" built for the New York-based Loew's chain of movie theaters to serve the major metropolitan population centers outside midtown Manhattan. John Eberson, who Loew's Paradise Theater c. 1997 created the "atmospheric theater" type, was one of America's most prolific and influential theater designers, and the Paradise was among his most important commissions. With its Italian Baroque-inspired facade, typical of the romantic fantasies of the great movie palaces of the period, the Paradise delighted and served the people of the Bronx for over sixty years. -
Loew's Paradise Theater Interior (LP-2193), 2405 Grand Concourse (AKA: 2401-2419 Grand Concourse, 2394-2408 Creston Avenue), the Bronx
Landmarks Preservation Commission May 16, 2006, Designation List 374 LP-2193 LOEW’S PARADISE THEATER INTERIOR, first floor interior, consisting of the lobby, the foyer, the grand lobby, the main staircase leading from the grand lobby to the promenade level and the area under the staircase, the orchestra seating level of the auditorium, the proscenium area and arch, and the alcoves flanking the proscenium area; the promenade level and upper foyer interior, the men’s lounge, the women’s lounge, the hallways leading to the mezzanine seating level of auditorium, and the mezzanine seating level of the auditorium; the balcony level interior, consisting of the balcony seating level of the auditorium; all stairways, landings, intermediate lobbies, and elevator lobbies leading to and from the above spaces; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, ticket booths, display cases, framed display boards, columns, pilasters, doors, railings, balustrades, metalwork, mirrors, chandeliers, lighting fixtures, exit signs, attached decorative and sculptural elements; 2405-2419 Grand Concourse (aka 2394-2408 Creston Avenue), Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On April 18, 2006 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew’s Paradise Theater Interior (Item 4). The hearing had been duly advertised in accordance with provisions of law. Two witnesses, including representatives of the Historic Districts Council and the Art Deco Society, spoke in support of designation. The Commission previously held public hearings on Loew’s Paradise Theater Interior (LP-1922) on July 19, 1994 (Item 1) and October 19, 1995 (Item 1). -
Poe Park, Coming of Age by Carol Aaron, [email protected] When I Was Growing up in Popular Songs of the Sixties
SUMMER 2021 - VOL. XXX Issue CXIII Poe Park, Coming of Age By Carol Aaron, [email protected] When I was growing up in popular songs of the sixties. The Bronx, the go-to place to Sometimes, a group of us socialize in the summer was would visit Poe’s house, and Poe Park. Located a short bus then eagerly make our way ride, or long walk, away from towards the bandstand. my apartment, it was a mecca Circling the grassy area for teens, who congregated containing the bandstand was there to listen to music and a concrete path, filled with park meet and greet. benches. Elderly neighborhood Edgar Allan Poe spent ladies, wearing coats despite the last years of his life, from the warmth and clutching vinyl 1846 to 1849, in The Bronx handbags, and sometimes older living in what became Poe men, would perch on these Cottage, a museum of sorts. A benches, regularly commenting small wooden farmhouse, built on the youth parading in front about 1812, the cottage once of them. Many of these folks commanded an unobstructed Poe Park Gazebo were hard of hearing and their view over the rolling Bronx comments could be overheard. hills. It was a bucolic setting, in which the author “Isn’t she sweet? Hope that cute guy in the red penned his most enduring works, including Annabel shirt goes for her.” Lee, The Bells, and Eureka. “That one over there looks just like Elizabeth In April, 1844, Poe and his wife Virginia moved Taylor.” to The Bronx. Virginia was ill, and Poe hoped that A lady replied with a sniff and toss of her head, the country air would rescue her failing health. -
Act One by James Lapine Teacher Resource Guide by Nicole Kempskie
TEACHER RESOURCE GUIDE ACT ONE BY JAMES LAPINE TEACHER RESOURCE GUIDE BY NICOLE KEMPSKIE MJODPMO!DFOUFS!UIFBUFSCover art by James McMullan BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning presents From the autobiography by Moss Hart with (in alphabetical order) Bob Ari Bill Army Will Brill Laurel Casillo Chuck Cooper Santino Fontana Steven Kaplan Will LeBow Mimi Lieber Charlotte Maier Noah Marlowe Andrea Martin Greg McFadden Deborah Offner Lance Roberts Matthew Saldivar Matthew Schechter Tony Shalhoub Jonathan Spivey Wendy Rich Stetson Bob Stillman Amy Warren Beowulf Boritt Jane Greenwood Ken Billington Dan Moses Schreier Sets Costumes Lighting Sound Louis Rosen Rick Steiger Daniel Swee Original Music Production Stage Manger Casting Jessica Niebanck Jeff Hamlin Linda Mason Ross Philip Rinaldi General Manager Production Manager Director of Marketing General Press Agent A Play Written and Directed by James Lapine With special appreciation to Christopher Hart Lead sponsor: Jerome L. Greene Foundation Sponsored by American Express LCT also gratefully acknowledges these generous contributors to ACT ONE: The Blanche and Irving Laurie Foundation The New York Community Trust - Mary P. Oenslager Foundation Fund Florence and Robert Kaufman Laura Pels International Foundation for Theater Judi and Douglas Krupp The Frederick Loewe· Foundation National Endowment for the Arts · · This play was commissioned by LCT with a gift from Ellen and Howard Katz. · Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting new American plays at LCT. American Airlines is the official airline of Lincoln Center Theater. ACT ONE was developed in part at Vineyard Arts Project, Edgartown, MA. -
JOHN BELLE TRAVEL FELLOWSHIP the John Belle Travel Fellowship Is a $10,000 Annual Award by the Beyer Blinder Belle Foundation in Honor of John Belle, FAIA, RIBA, Hon
JO H N B ELLE TRAVEL FELLOWSHIP John Belle traveling in England between studies at the Architectural Association in London. 2021 2021 JOHN BELLE TRAVEL FELLOWSHIP The John Belle Travel Fellowship is a $10,000 annual award by the Beyer Blinder Belle Foundation in honor of John Belle, FAIA, RIBA, Hon. PhD, a founding partner of Beyer Blinder Belle Architects & Planners. John devoted his career to the public realm — the planning, design, restoration and adaptive reuse of public buildings and urban centers. The purpose of the Fellowship is to expand students' understanding of the public realm in existing cities through travel and research, and how the knowledge gained might be applied to contemporary urban needs and design challenges. ELIGIBILITY Application is open to students of any nationality in their penultimate year of a three or more year Master's degree program (or second year for a two year Master's program) in Architecture, Historic Preservation and/or Urban Design at the following schools in the USA, UK and Canada: USA Carnegie Mellon University • Catholic University of America • Columbia University • Cornell University • Georgia Institute of Technology • Harvard University • Howard University • Massachusetts Institute of Technology • Pratt Institute • Princeton University • Rice University • Rhode Island School of Design • State University of New York at Buffalo • Syracuse University • The City College of New York • University of California, Berkeley • University of California, Los Angeles • University of Maryland • University -
3. the Hudson Highlands in Inwood and the West Bronx Manhattan And
3. The Hudson Highlands in Inwood and the West Bronx Manhattan and the Bronx (west of the Bronx River) are the southern limits of a mountain range called the Hudson Highlands. The relief is most pronounced from upper Manhattan into Riverdale. Going against the grain, we traverse valleys at or nearly at sea level and ridges, often quite steep, rising more than a hundred feet. Transportation corridors are in the valleys or on flat ridge tops. As in the song, the Bronx is “up” (and the Battery’s “down”). Dense residential areas are built on ridges which also guide the flow of drinking water to lower places. Begin at 207th St and Tenth Ave, (207th St 1,9). Note the commercial signs in the area (Who do you think lives here?) On the west side of the elevated structure, see how 207th St. angles to the northwest with Inwood Hill Park in the background. (Check your atlas; why is there such a departure from the geometry of the Manhattan grid?) Also note the apartment houses on 207th St and Post Ave (Who were they built for and when?). Walk east on 207th St past the auto-oriented commercial buildings at Ninth Ave and over the University Heights drawbridge to the Bronx. Pause on the bridge to observe Bronx Community College (formerly NYU uptown) to the southeast on “University Heights”. To the south view the Harlem River, the drawbridge support structure, the Metro North Hudson line (and University Heights station), the Major Deegan Expressway (connecting to the NYS Thruway), the Washington Bridge (181 St) and the Alexander Hamilton Bridge (a continuation of the Cross Bronx Expressway). -
Morgan Library & Museum Opens Major Expansion And
MORGAN LIBRARY & MUSEUM OPENS MAJOR EXPANSION AND RENOVATION ON APRIL 29, 2006 PROJECT IS RENZO PIANO’S FIRST COMPLETED NEW YORK CITY COMMISSION INAUGURAL EXHIBITION “MASTERWORKS FROM THE MORGAN” SHOWCASES MORE THAN THREE HUNDRED OBJECTS FROM ALL AREAS OF THE MORGAN’S RENOWNED COLLECTIONS ** Press Preview on Tuesday, April 25, 8:30 a.m.–12:30 p.m. ** New York, NY, April 25, 2006—The Morgan Library & Museum—closed for almost three years while undergoing a major expansion—reopens to the public on April 29, 2006. The $106-million building project, designed by Pritzker Prize–winning architect Renzo Piano of the Renzo Piano Building Workshop, provides the museum and center for scholarly research with double the exhibition space for its world-renowned collections. Undertaken in collaboration with Beyer Blinder Belle Architects & Planners LLP, it is the most dramatic expansion and renovation in the Morgan’s history and Mr. Piano's first completed commission in the city. The Morgan marks the occasion with a weeklong series of special activities, capped by the public opening. The celebration includes a press preview on April 25 and a civic dedication on April 26 with New York City mayor Michael R. Bloomberg. A performance series is also planned, with scheduled appearances by baritone Thomas Hampson, playwright Edward Albee, author Pete Hamill, and poet Seamus Heaney. In addition to expanded exhibition space, the project includes a dramatic new entrance on Madison Avenue, a spacious central four-story court that serves as a gathering place in the spirit of an Italian piazza, a new performance hall, a naturally lit reading room, much-needed storage space for collections, and a number of visitor amenities, such as two new dining facilities and a larger shop. -
Historic Preservation BBB Is Well Known for Our Expertise in Restoring, Revitalizing, and Reusing Historic Buildings and Sites
Historic Preservation BBB is well known for our expertise in restoring, revitalizing, and reusing historic buildings and sites. Our project-specific approach is based on research and analysis, a thorough understanding of the cultural context, and the development of appropriate preservation methodologies and new design interventions. We give new life to historic projects through the sensitive and creative integration of contemporary program accommodations, life safety, and infrastructure systems. Cultural Mid-Century Alice Austen House and Grounds Staten Island, NY Marine Air Terminal, LaGuardia Airport Queens, NY Apollo Theater New York, NY Newark Airport, Administration Building Newark, NJ Beacon Theatre New York, NY TWA Flight Center at JFK International Airport Queens, NY Cooper Hewitt, Smithsonian Design Museum New York, NY Preservation Planning Enid A. Haupt Conservatory, New York Botanical Garden, Bronx, NY Ellis Island New York Harbor General Theological Seminary New York, NY General Theological Seminary New York, NY John Jay Heritage Homestead Rye, NY Governors Island Land Use Study New York, NY Lincoln Center for the Performing Arts New York, NY Governors Island NPS General Management Plan New York, NY Longwood Gardens Kennett Square, PA New York State Canal Recreationway New York State Morgan Library & Museum New York, NY Rockefeller Center New York, NY New-York Historical Society New York, NY Stone Street Master Plan New York, NY New York University, Multiple Projects New York, NY Rubin Museum of Art New York, NY South Street