Poe Park, Coming of Age by Carol Aaron, [email protected] When I Was Growing up in Popular Songs of the Sixties

Total Page:16

File Type:pdf, Size:1020Kb

Poe Park, Coming of Age by Carol Aaron, Morris3h@Aol.Com When I Was Growing up in Popular Songs of the Sixties SUMMER 2021 - VOL. XXX Issue CXIII Poe Park, Coming of Age By Carol Aaron, [email protected] When I was growing up in popular songs of the sixties. The Bronx, the go-to place to Sometimes, a group of us socialize in the summer was would visit Poe’s house, and Poe Park. Located a short bus then eagerly make our way ride, or long walk, away from towards the bandstand. my apartment, it was a mecca Circling the grassy area for teens, who congregated containing the bandstand was there to listen to music and a concrete path, filled with park meet and greet. benches. Elderly neighborhood Edgar Allan Poe spent ladies, wearing coats despite the last years of his life, from the warmth and clutching vinyl 1846 to 1849, in The Bronx handbags, and sometimes older living in what became Poe men, would perch on these Cottage, a museum of sorts. A benches, regularly commenting small wooden farmhouse, built on the youth parading in front about 1812, the cottage once of them. Many of these folks commanded an unobstructed Poe Park Gazebo were hard of hearing and their view over the rolling Bronx comments could be overheard. hills. It was a bucolic setting, in which the author “Isn’t she sweet? Hope that cute guy in the red penned his most enduring works, including Annabel shirt goes for her.” Lee, The Bells, and Eureka. “That one over there looks just like Elizabeth In April, 1844, Poe and his wife Virginia moved Taylor.” to The Bronx. Virginia was ill, and Poe hoped that A lady replied with a sniff and toss of her head, the country air would rescue her failing health. “That one, that Elizabeth Taylor. She stole Eddie Unfortunately, she died of tuberculosis in January Fisher right out from under the nose of Debby of 1847. Poe himself died two years later under Reynolds,” she stated, commenting on the headlines mysterious circumstances in Baltimore, Maryland. of those days. Those types of remarks made me smile. The cottage, no longer Hollywood divorces were in the country, was set a good topic for gossip in on the outskirts of the the early sixties. park, an oasis of greenery Looking at a passing in a very urban location, girl, another lady would surrounded by stores and comment loudly. (She apartment buildings. A too was hard of hearing.) bandstand was set up in the “Her skirt is too tight. middle of Poe Park, where How could her mother let on Wednesday nights in her out of the house like summer, a band played the that?” These voyeurs were Poe Cottage continued on page 25 From The Editors . Clinton ‘61 Taft ‘62 To give the children of The Bronx a fun portal to playful learning, the Bronx Children Museum will open its doors in late 2021. The Museum is one of few cultural institutions in The Bronx geared toward young children, especially those children and families who cannot afford (or would not normally visit) a museum. The Bronx has 1.3 million residents. It is larger than Boston, has 250,000 children under the age of nine years, and is the only borough in New York City without a children’s museum facility. Currently a “museum without walls”, BxCM serves almost 18,000 Bronx residents annually. Through innovative mobile programming, Bronx Children’s Museum, exterior BxCM engages children and adults in the arts and sciences, using its bus as a roving learning environment. The Museum also has temporary exhibits and ongoing after-school and summer programming throughout the borough at community-based organizations, schools, shelters, libraries, local festivals, and parks. The Musuem will serve nearly 75,000 children each year and will feature bright, open exhibit spaces; age-appropriate permanent and temporary interactive exhibits exploring the richness of The Bronx in the arts, culture, community, natural resources, greening, and energy; flexible studio space for community gatherings and Bronx Children’s Museum, interior meetings; and offices for Bronx Children Museum staff. A major renovation project at a New York City landmark which was halted due to the coronavirus pandemic is back on. The plan includes restoring history while investing in the future of the beach at Pelham Bay Park. The sun has been shining over Orchard Beach, The Bronx’s only public beach, which environmental leaders who studied the water quality in 204 beaches along the Long Island Sound have listed in the top 10. But opposite the view of the Long Island Sound is a bit of an eyesore. The deteriorating pavilion has been mostly closed to the public for years. A restoration has been the mission of Bronx Borough President Ruben Diaz Jr., who grew up going to the beach, the so-called “Bronx Riviera”. He has been trying to restore this piece of area history, which was built in the 1930s, but it took years to raise the $75 million needed. Orchard Beach Pavilion Diaz has allocated nearly $25 million of capital funding into this project, for which the city’s Parks Publishers & Editors Steven M. Samtur Clinton ‘61 Susan J. Samtur Taft ‘62 Department and Economic Development Corporation are Contributing Editors Adam Samtur partnering. After a pause due to COVID-19, and Barbara Fasciani Roosevelt ‘65 P.O. Box 141H Martin Jackson Science ‘58 time spent getting approval from the New York Scarsdale, NY 10583 Sandra Zuckerman Jefferson ‘57 City Landmarks Preservation Commission (the site Tel: 914-592-1647 Paula DeMarta Mastroianni was designated a city landmark in 2006), the designers, Fax: 914-725-2620 Anton Evangelista www.backinthebronx.com John Galasso Marvel Architects, can now move forward. Changes Ed Bauccio A number of the photographs in Anne Bauccio include ramps for easy access to the beach, and also the Back In THE BRONX are courtesy of and available Art & Production: Case Aiken return of concessions. Diaz said he pictures stores, an from the Bronx Historical Society. event space, and restaurants to bring people to the beach Printing Inland Printing Woodbury, NY year-round. Construction is set to start next spring and Any submissions of stories, letters, photos, and/or videos will be accepted only with Back In THE BRONX magazine having the non-exclusive rights to publish in its magazine take about two years, so expect to see the entire vision and/or in reprints and anthologies and/or in future books containing the compilation of previous magazine issues, and/or in any current or future DVD, and in any Back In THE come to life in 2024. BRONX publications. continued on page 31 2 Reminiscing Weatherproof Halloween By Ann S. Epstein, [email protected] The brick apartment building where I grew up man with reverence as a “pharmacist”, although she in the 1950s was typical of the Norwood section of complained about his prices. The candy stores that The Bronx. We lived at 3405 Putnam Place. Our anchored the other three corners all sold more than neighborhood was populated by immigrants and their candy, and we frequented each for different reasons. descendants, primarily Eastern European and Russian I didn’t visit the one on the northeast corner until I Jews, and Irish and Italian Catholics. The emphasis bought my first pack of cigarettes, Newport Menthol, was on assimilation; despite being well that is, slipping into below the then-legal the mainstream of age of 17. American life. For The store on the Jewish kids like me, that northwest corner was included celebrating good for emergency Halloween and going school supplies like trick-or-treating. We Eberhard Faber were ignorant of its Erasers. But our Christian origins. go-to store, on the To us, Halloween southwest corner, was was as American as Lapin’s, the source of Thanksgiving, the other mint chocolate chip American fall holiday ice cream cones with that didn’t entail chocolate sprinkles, foreign rituals, spicy thick and salt-coated foods, or a language Rold Gold pretzels that the adults spoke which our grimy hands when they didn’t want 3405 Putnam Place pulled from a jar, and their children and grandchildren to understand what pastel-colored sugar dots on a paper strip whose they were saying. residual backing stuck to our tongues. Lapin’s also Decades later, when I watched the movie E.T., sold the new Spalding pink rubber balls, whose high listened to forecasts, or worried about my daughter bounce our motor reflexes had to adjust to after weeks (and now my grandsons) traversing our Midwestern of using our half-dead old ones. neighborhood on Halloween, I marveled that On the other side of Gun Hill Road was Sam’s concerns about safety and the weather played no part Appetizing, which reeked of lox, herring, and whole in my Bronx childhood. With six floors, and eleven smoked white fish with bulging eyes, and where we apartments per floor, there were plenty of doors for us fished in a barrel for five-cent pickles.Harry’s Shoes to knock on without stepping outside. Moreover, we was where our mothers took us for sturdy footwear traveled in secure packs. Fourteen elementary-aged before we became style-conscious and upgraded to children lived in the building. So, just as there was the children’s shoe department at Alexander’s on always at least one kid around to play with, there was Fordham Road. always a group to trick-or-treat with. This situation Our side of the main drag was home to the green was especially fortunate because our short street, grocer, whose produce we supplemented with goods Putnam Place, had few other options for importuning from Charlie’s wooden cart, whose bedraggled horse people to give us a treat.
Recommended publications
  • We Dnesd Ay, F Ebruary 13 , 2
    University of California San Diego • Division of Arts and Humanities • Department of Music Wednesday, February 13, 2013 - 7:00 p.m. • CPMC Concert Hall UC San Diego • Division of Arts and Humanities • Department of Music • Department of Theatre and Dance Lear On The 2nd Floor CAST NORA • Susan Narucki DOCTOR • Ru ff Ye a g e r “NORA’S MIND” • B o n n i e L a n d e r LYLA • Sara Perez MORTIMER • P h i l L a r s o n JENNA • Alice Teyssier TARA • T i ff a n y D u M o u c h e l le NURSE / LAWYER • Jorell Williams CREATIVE TEAM ORCHESTRA Anthony Davis • Composer Leah Asher • Viola Allan Havis • Librettist Kimberly Hain • Violin Steven Schick • Music Director Jennifer Bewerse • Cello Mark DeChiazza • Director/Video Designer Mark Dresser • Bass Victoria Petrovich • Scenic Designer Curt Miller • Clarinet Mary Ellen Stebbins • Lighting Designer Leyla Zamora • Bassoon Halei Parker • Costume Designer Leah Bowden • Percussion Alana Ogio • Asst Costume Designer Kjell Nordeson • Percussion Katie Chen • Stage Manager Todd Moellenberg • Piano Susan Narucki • Producer Joe Mariglio • Sythesizer PROGRAM NOTES FROM THE PRODUCER Welcome to this, the fourth kallisti chamber opera production and our first world premiere, Anthony Davis’ Lear on the Second Floor. When I began the group in 2008, I hoped to create a model in which faculty and graduate student performers from the UCSD Department of Music could work side by side, sharing the kind of intense collaborative experience that is part of being a professional musician. And through the remarkable commitment of many people, this dream has become a reality.
    [Show full text]
  • When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
    LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull .....................................................................
    [Show full text]
  • LOEW's PARADISE THEATER, 2401-2419 Grand Concourse, Aka 2394-2408 Creston Avenue, Borough of the Bronx
    Landmarks Preservation Commission April 15, 1997, Designation List 279 LP-1891 LOEW'S PARADISE THEATER, 2401-2419 Grand Concourse, aka 2394-2408 Creston Avenue, Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On June 2, 1992, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew's Paradise Theater, and the proposed designation of the related Landmark Site (Item No. 7). 1 The hearing had been duly advertised in accordance with the provisions of law. Five speakers testified in favor of the proposed designation; there were no speakers opposed to designation. The current owner is not opposed to this designation. Summary Located on the Grand Concourse south of Fordham Road, once a major theater center of the Bronx, the Loew's Paradise Theater is the borough's largest and most famous movie palace. Designed by theater architect John Eberson and opened in 1929, the 4000-seat Paradise was one of five so-called "Wonder Theaters" built for the New York-based Loew's chain of movie theaters to serve the major metropolitan population centers outside midtown Manhattan. John Eberson, who Loew's Paradise Theater c. 1997 created the "atmospheric theater" type, was one of America's most prolific and influential theater designers, and the Paradise was among his most important commissions. With its Italian Baroque-inspired facade, typical of the romantic fantasies of the great movie palaces of the period, the Paradise delighted and served the people of the Bronx for over sixty years.
    [Show full text]
  • Performing Arts
    Performing Arts Designing and renovating performance venues for cultural institutions have been a significant and meaningful part of BBB’s portfolio since its inception. We have had many opportunities to work with clients dedicated to dynamic performance culture. Many of these clients and their projects are featured in this portfolio. We have combined our design of performance spaces with our expertise in serving institutional clients, creating spaces that inspire and excite the next great generation of performers and audiences alike. Shanghai Cultural Plaza Shanghai, China New World Stages New York, NY Lincoln Center Promenade New York, NY Cultural & Performance Venues 42nd Street Redevelopment, Site 5, New York, NY Apollo Theater, New York, NY Lincoln Center Capital Needs Survey and Master Plan Beacon Theatre, New York, NY New York, NY Biltmore Theatre, New York, NY Caramoor Center for Music and the Arts, Master Plan, Katonah, NY The Century Theater, New York, NY Denver Center for the Performing Arts, Denver, CO Kennedy Center for the Performing Arts, Washington, DC Beacon Theatre New York, NY La MaMa, New York, NY Loew’s Paradise Theater, Bronx, NY Lincoln Center for the Performing Arts, Capital Needs Survey and Master Plan, New York, NY Lincoln Center for the Performing Arts, Promenade, New York, NY Mark Morris Dance Center Lyric Theatre, New York, NY Brooklyn, NY Mark Morris Dance Center, Brooklyn, NY Manhattan School of Music, Performance Spaces, New York, NY Metropolitan Opera House, Feasibility Study, New York, NY Minskoff Theater,
    [Show full text]
  • Loew's Paradise Theater Interior (LP-2193), 2405 Grand Concourse (AKA: 2401-2419 Grand Concourse, 2394-2408 Creston Avenue), the Bronx
    Landmarks Preservation Commission May 16, 2006, Designation List 374 LP-2193 LOEW’S PARADISE THEATER INTERIOR, first floor interior, consisting of the lobby, the foyer, the grand lobby, the main staircase leading from the grand lobby to the promenade level and the area under the staircase, the orchestra seating level of the auditorium, the proscenium area and arch, and the alcoves flanking the proscenium area; the promenade level and upper foyer interior, the men’s lounge, the women’s lounge, the hallways leading to the mezzanine seating level of auditorium, and the mezzanine seating level of the auditorium; the balcony level interior, consisting of the balcony seating level of the auditorium; all stairways, landings, intermediate lobbies, and elevator lobbies leading to and from the above spaces; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, ticket booths, display cases, framed display boards, columns, pilasters, doors, railings, balustrades, metalwork, mirrors, chandeliers, lighting fixtures, exit signs, attached decorative and sculptural elements; 2405-2419 Grand Concourse (aka 2394-2408 Creston Avenue), Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On April 18, 2006 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew’s Paradise Theater Interior (Item 4). The hearing had been duly advertised in accordance with provisions of law. Two witnesses, including representatives of the Historic Districts Council and the Art Deco Society, spoke in support of designation. The Commission previously held public hearings on Loew’s Paradise Theater Interior (LP-1922) on July 19, 1994 (Item 1) and October 19, 1995 (Item 1).
    [Show full text]
  • Act One by James Lapine Teacher Resource Guide by Nicole Kempskie
    TEACHER RESOURCE GUIDE ACT ONE BY JAMES LAPINE TEACHER RESOURCE GUIDE BY NICOLE KEMPSKIE MJODPMO!DFOUFS!UIFBUFSCover art by James McMullan BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning presents From the autobiography by Moss Hart with (in alphabetical order) Bob Ari Bill Army Will Brill Laurel Casillo Chuck Cooper Santino Fontana Steven Kaplan Will LeBow Mimi Lieber Charlotte Maier Noah Marlowe Andrea Martin Greg McFadden Deborah Offner Lance Roberts Matthew Saldivar Matthew Schechter Tony Shalhoub Jonathan Spivey Wendy Rich Stetson Bob Stillman Amy Warren Beowulf Boritt Jane Greenwood Ken Billington Dan Moses Schreier Sets Costumes Lighting Sound Louis Rosen Rick Steiger Daniel Swee Original Music Production Stage Manger Casting Jessica Niebanck Jeff Hamlin Linda Mason Ross Philip Rinaldi General Manager Production Manager Director of Marketing General Press Agent A Play Written and Directed by James Lapine With special appreciation to Christopher Hart Lead sponsor: Jerome L. Greene Foundation Sponsored by American Express LCT also gratefully acknowledges these generous contributors to ACT ONE: The Blanche and Irving Laurie Foundation The New York Community Trust - Mary P. Oenslager Foundation Fund Florence and Robert Kaufman Laura Pels International Foundation for Theater Judi and Douglas Krupp The Frederick Loewe· Foundation National Endowment for the Arts · · This play was commissioned by LCT with a gift from Ellen and Howard Katz. · Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting new American plays at LCT. American Airlines is the official airline of Lincoln Center Theater. ACT ONE was developed in part at Vineyard Arts Project, Edgartown, MA.
    [Show full text]
  • 3. the Hudson Highlands in Inwood and the West Bronx Manhattan And
    3. The Hudson Highlands in Inwood and the West Bronx Manhattan and the Bronx (west of the Bronx River) are the southern limits of a mountain range called the Hudson Highlands. The relief is most pronounced from upper Manhattan into Riverdale. Going against the grain, we traverse valleys at or nearly at sea level and ridges, often quite steep, rising more than a hundred feet. Transportation corridors are in the valleys or on flat ridge tops. As in the song, the Bronx is “up” (and the Battery’s “down”). Dense residential areas are built on ridges which also guide the flow of drinking water to lower places. Begin at 207th St and Tenth Ave, (207th St 1,9). Note the commercial signs in the area (Who do you think lives here?) On the west side of the elevated structure, see how 207th St. angles to the northwest with Inwood Hill Park in the background. (Check your atlas; why is there such a departure from the geometry of the Manhattan grid?) Also note the apartment houses on 207th St and Post Ave (Who were they built for and when?). Walk east on 207th St past the auto-oriented commercial buildings at Ninth Ave and over the University Heights drawbridge to the Bronx. Pause on the bridge to observe Bronx Community College (formerly NYU uptown) to the southeast on “University Heights”. To the south view the Harlem River, the drawbridge support structure, the Metro North Hudson line (and University Heights station), the Major Deegan Expressway (connecting to the NYS Thruway), the Washington Bridge (181 St) and the Alexander Hamilton Bridge (a continuation of the Cross Bronx Expressway).
    [Show full text]
  • LOEW's VALENCIA THEATER (Now Tabernacle of Prayer for All People), 165-11 Jamaica Avenue, Borough of Queens
    Landmarks Preservation Commission May 25, 1999, Designation List 305 LP-2036 (Former) LOEW'S VALENCIA THEATER (now Tabernacle of Prayer for All People), 165-11 Jamaica Avenue, Borough of Queens. Built 1928; John Eberson, architect. Landmark Site: Borough of Queens Tax Map Block 9795, Lot 3. On February 23, 1999, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) Loew' s Valencia Theater (now Tabernacle of Prayer for All People), and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law . Two speakers, representing the Queens Historical Society and the Historic Districts Council, testified in favor of the proposed designation; there were no speakers opposed to designation. Letters in favor of designation have been received from the building's owner, and from the Queens Borough President and the Friends of Terra Cotta. Summary Located on Jamaica Avenue at Merrick Boulevard in Jamaica, the major commercial center of the borough of Queens and once a major theater center for Queens and Long Island, the Loew' s Valencia is the borough's largest and most famous remaining movie palace. Designed by theater architect John Eberson and opened in 1929, the 3554-seat Valencia was the first of five so-called "Wonder Theaters" built for the New York-based Loew' s chain of movie theaters to serve the major metropolitan population centers outside midtown Manhattan. Eberson, who created the "atmospheric theater" type, was one of America's most prolific and influential theater designers, and the Valencia was among his most important commissions.
    [Show full text]
  • Carrot Or Stick: Protecting Historic Interiors Through
    CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS by CAROLINE GABREY RAINEY (Under the Direction of James Reap) ABSTRACT Historic interiors are often overlooked by preservationists in the study of historic preservation policies. The two common ways interiors are protected are through city preservation ordinances and the use of easements. This thesis examines the use of interior landmarking through the process of the New York City historic landmark ordinance. This study will include an analysis of landmarking issues and a comparison of properties landmarked with easement requirements in order to conclude whether the current ordinance or the use of preservation easements is the best method for interior preservation. INDEX WORDS: Historic Preservation, Historic Interiors, Easements, Ordinance, New York City, New York, Private Property Rights, Financial Incentives, Landmarks Preservation Commission, National Register of Historic Places, Charitable Deduction CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS By CAROLINE GABREY RAINEY B.A., Sweet Briar College, 2010 M.A., University of Buckingham, 2012 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2019 © 2019 Caroline Gabrey Rainey All Rights Reserved CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS by CAROLINE GABREY RAINEY Major Professor: James Reap Committee: Cari Goetcheus Jack Crowley Vincent Michael Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2019 iv DEDICATION I would like to dedicate my thesis to Emma, Caity, and Audrey, my fellow graduate students who frequently listened to my complaints, concerns, and supported me throughout this process.
    [Show full text]
  • 65Th Infantry Honored with Street Naming
    1 BRONX TIMES Dec. 6-12, 2012 wwwbxtimes.com 1 BRONX Dec. 6-12, 2012 To Advertise Call: 718-615-2520 Online: www.yournabe.com Free inside today nity classifieds s 26,29,31 Business Opps Pg 31 Instruction Pgs 27-29,31 Merchandise Pg 31 p Wanted • Financing / Loans • Career Training • Garage / Yard Sales The Bronx’s The Bronx’s elp Wanted • Business For Sale • Education Services • Merchandise Wanted elp Wanted • Misc. Business Opps • Tutoring • Merchandise For Sale • And More • And More • And More d Pg 30 Real Estate Pg 32 Services Pg 32 Automotive Pg 32 l, Commercial • Rentals • Beauty Care • Autos For Sale ntial Services • Properties For Sale • Handymen • Autos Wanted • Open Houses • Home Improvement • And More ovement • Commercial RE • And More torage • And More To Place Your Ad Call 718-615-2520 DICAL ➤ MEDICAL ➤ MEDICAL ➤ MEDICAL ➤ SALES 16 pages of Number One P WANTED HELP WANTED HELP WANTED HELP WANTED HELP WANTED Number One SALES OPPORTUNITIES Dental Assistant RN's, LPN's, BEAUTY Dist. for PAUL Dialysis Nurses/ Techs & MITCHELL, seeks exp'd, Orthodontist Office aggressive, self-motivated Psych Techs (With Exp) sales rep to service salons Work experience and references required, in Bronx. Est. territory. tification a plus. Must be highly energized, For Lincoln, Metropolitan & Kings Sal/Comm. PT, 3 days m player with positive attitude and excellent County Hospitals, Woodhull 914-921-1555 x 106 ustomer service and communication skills. Medical Center & multiple full Salary based on experience. Health, service clinics in Manhattan.
    [Show full text]
  • Geography of New York City Metro Area (Hunter College CUNY)
    Geography of New York City Metro Area (Hunter College CUNY) Geography 357 (Undergraduate) / Geography 709.57 (Graduate) Scheduled for Fall, 2007 Mondays 5:35-8:15PM Jack Eichenbaum, Ph.D. instructor, advises This class first meets on Monday, August 27. There is NO class on Labor Day, September 3. The second class meets Monday September 10 in the field. The CUNY schedule calls for NO class on Columbus Day, Monday, October 8. Two days: Saturday, November 3 and Sunday, November 11, 9-5PM will be reserved for student led field trips, constituting class time, which all are expected to attend as well as help organize. (To compensate for this time, other classes are shortened or cancelled.) Leadership and oral/written presentation of field exploration will make up half the grade, the other half by final exam. The final exam will be given at the scheduled time, 5:30PM, Monday, December 17. I will arrange to be available for discussion of student projects and other matters. Where possible, information pertaining to this class will be disseminated via email. My email address is [email protected] Informed immersion in NYC is a main objective of this class. The city is your laboratory to complement readings, lectures and discussion. You should emerge from this class with enhanced appreciation of how the whole city is interrelated. Study assignments include keeping a journal of walking assignments as well as readings. Field work focuses on the five boroughs of New York City. Students will be assigned seven walks to do on their own, in addition to the walks on Sept 10, Nov 3, and Nov 11.
    [Show full text]
  • Celebrating New York's Religious
    COMMON BONDVol. 29, No. 1, Summer 2019 Medieval to Modern: Celebrating New York’s Religious Art and Architecture In this issue: “A Modern Church on Madison Square” “From Popcorn to Prayers: The Transformation of New York City Movie Palaces and Theaters to Churches” “Sanctuary Interior Decoration: Balancing Beauty, Liturgy, Public Programming, and Historic Architecture” Notes on this year’s Sacred Sites Open House and more! Common Bond is the technical On the cover (from left to right): Sacred journal of the Sacred Sites Heart Ukrainian Catholic Church, Johnson Program. City (photo by Jean Siegrist). St. Agnes Roman Catholic Church, Brooklyn. From the President The New York Landmarks Nevelson Chapel at St. Peter’s Church, Conservancy’s Sacred Sites Program New York City (photo by Thomas Magno). offers congregations throughout New Dear Friends, York State financial and technical assistance to maintain, repair, and restore their buildings. In addition to We are delighted to present our providing hundreds of thousands of latest edition of Common Bond. In dollars in matching grants each year, keeping with our 2019 Sacred Sites the Conservancy offers technical help, Open House theme, “Medieval to workshops for building caretakers, Modern: Celebrating New York’s and publications. Religious Art and Architecture,” this issue highlights the broad spectrum Editor: Ann-Isabel Friedman Contributors: Glen Umberger, Mari S. of historical periods, faith traditions, Gold, Emily Sottile. Table of and styles of religious architecture Design: Maria de los
    [Show full text]