Poe Park, Coming of Age by Carol Aaron, [email protected] When I Was Growing up in Popular Songs of the Sixties
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We Dnesd Ay, F Ebruary 13 , 2
University of California San Diego • Division of Arts and Humanities • Department of Music Wednesday, February 13, 2013 - 7:00 p.m. • CPMC Concert Hall UC San Diego • Division of Arts and Humanities • Department of Music • Department of Theatre and Dance Lear On The 2nd Floor CAST NORA • Susan Narucki DOCTOR • Ru ff Ye a g e r “NORA’S MIND” • B o n n i e L a n d e r LYLA • Sara Perez MORTIMER • P h i l L a r s o n JENNA • Alice Teyssier TARA • T i ff a n y D u M o u c h e l le NURSE / LAWYER • Jorell Williams CREATIVE TEAM ORCHESTRA Anthony Davis • Composer Leah Asher • Viola Allan Havis • Librettist Kimberly Hain • Violin Steven Schick • Music Director Jennifer Bewerse • Cello Mark DeChiazza • Director/Video Designer Mark Dresser • Bass Victoria Petrovich • Scenic Designer Curt Miller • Clarinet Mary Ellen Stebbins • Lighting Designer Leyla Zamora • Bassoon Halei Parker • Costume Designer Leah Bowden • Percussion Alana Ogio • Asst Costume Designer Kjell Nordeson • Percussion Katie Chen • Stage Manager Todd Moellenberg • Piano Susan Narucki • Producer Joe Mariglio • Sythesizer PROGRAM NOTES FROM THE PRODUCER Welcome to this, the fourth kallisti chamber opera production and our first world premiere, Anthony Davis’ Lear on the Second Floor. When I began the group in 2008, I hoped to create a model in which faculty and graduate student performers from the UCSD Department of Music could work side by side, sharing the kind of intense collaborative experience that is part of being a professional musician. And through the remarkable commitment of many people, this dream has become a reality. -
When Pipsy, a Pedigree Cocker Spaniel, Lands at Bitchfield Animal Shelter, She Becomes the Center of a Turf War Between Dogs & Cats
LOCKED UP BITCHES by catya mcmullen featuring original music by scott allen klopfenstein directed + choreographed by michael raine performed by the bats FEBRUARY 21 – APRIL 28 wednesdays @ 7PM, thursdays @ 9PM fridays and saturdays @ 11PM TICKETS S15 THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF LOCKED UP BITCHES BOOK AND LYRICS BY CATYA MCMULLEN FEATURING ORIGINAL MUSIC BY SCOTT ALLEN KLOPFENSTEIN DIRECTED AND CHOREOGRAPHED BY MICHAEL RAINE FEATURING THE BATS LACY ALLEN, LEILA BEN-ABDALLAH, XANDRA CLARK, CHARLY DANNIS, JANUCHI URE EGBUHO, PHILIP FELDMAN, KATHERINE GEORGE, ARIELLE GONZALEZ, ALICE GORELICK, ALEX HAYNES, CRISTINA HENRIQUEZ, TIFFANY IRIS, ADAMA B. JACKSON, JENNY JARNAGIN, MARCUS JONES, BRE NORTHRUP, EMMA ORME, JUAN “SKITTLEZ” ORTIZ, JEN PARKHILL, ALEXANDRA SLATER, RYAN WESLEY STINNETT, TANYAMARIA, XAVIER VELASQUEZ, KEITH WEISS, TAMARA WILLIAMS SCOTT ALLEN KLOPFENSTEIN MUSIC DIRECTOR AND ARRANGER KERRY BLU CO-MUSIC DIRECTOR YU-HSUAN CHEN SCENIC AND PROPERTIES DESIGNER EVA JAUNZEMIS COSTUME DESIGNER JONATHAN COTTLE LIGHTING DESIGNER MEGAN DEETS CULLEY SOUND DESIGNER KIMILLE HOWARD AssISTANT DIRECTOR CODY HOM STAGE MANAGER CAST Pipsy ..................................................................................Emma Orme All-Licks ..........................................................................Charly Dannis Crazy Tongue ............................................................ Adama B. Jackson Bull ..................................................................... -
LOEW's PARADISE THEATER, 2401-2419 Grand Concourse, Aka 2394-2408 Creston Avenue, Borough of the Bronx
Landmarks Preservation Commission April 15, 1997, Designation List 279 LP-1891 LOEW'S PARADISE THEATER, 2401-2419 Grand Concourse, aka 2394-2408 Creston Avenue, Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On June 2, 1992, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew's Paradise Theater, and the proposed designation of the related Landmark Site (Item No. 7). 1 The hearing had been duly advertised in accordance with the provisions of law. Five speakers testified in favor of the proposed designation; there were no speakers opposed to designation. The current owner is not opposed to this designation. Summary Located on the Grand Concourse south of Fordham Road, once a major theater center of the Bronx, the Loew's Paradise Theater is the borough's largest and most famous movie palace. Designed by theater architect John Eberson and opened in 1929, the 4000-seat Paradise was one of five so-called "Wonder Theaters" built for the New York-based Loew's chain of movie theaters to serve the major metropolitan population centers outside midtown Manhattan. John Eberson, who Loew's Paradise Theater c. 1997 created the "atmospheric theater" type, was one of America's most prolific and influential theater designers, and the Paradise was among his most important commissions. With its Italian Baroque-inspired facade, typical of the romantic fantasies of the great movie palaces of the period, the Paradise delighted and served the people of the Bronx for over sixty years. -
Performing Arts
Performing Arts Designing and renovating performance venues for cultural institutions have been a significant and meaningful part of BBB’s portfolio since its inception. We have had many opportunities to work with clients dedicated to dynamic performance culture. Many of these clients and their projects are featured in this portfolio. We have combined our design of performance spaces with our expertise in serving institutional clients, creating spaces that inspire and excite the next great generation of performers and audiences alike. Shanghai Cultural Plaza Shanghai, China New World Stages New York, NY Lincoln Center Promenade New York, NY Cultural & Performance Venues 42nd Street Redevelopment, Site 5, New York, NY Apollo Theater, New York, NY Lincoln Center Capital Needs Survey and Master Plan Beacon Theatre, New York, NY New York, NY Biltmore Theatre, New York, NY Caramoor Center for Music and the Arts, Master Plan, Katonah, NY The Century Theater, New York, NY Denver Center for the Performing Arts, Denver, CO Kennedy Center for the Performing Arts, Washington, DC Beacon Theatre New York, NY La MaMa, New York, NY Loew’s Paradise Theater, Bronx, NY Lincoln Center for the Performing Arts, Capital Needs Survey and Master Plan, New York, NY Lincoln Center for the Performing Arts, Promenade, New York, NY Mark Morris Dance Center Lyric Theatre, New York, NY Brooklyn, NY Mark Morris Dance Center, Brooklyn, NY Manhattan School of Music, Performance Spaces, New York, NY Metropolitan Opera House, Feasibility Study, New York, NY Minskoff Theater, -
Loew's Paradise Theater Interior (LP-2193), 2405 Grand Concourse (AKA: 2401-2419 Grand Concourse, 2394-2408 Creston Avenue), the Bronx
Landmarks Preservation Commission May 16, 2006, Designation List 374 LP-2193 LOEW’S PARADISE THEATER INTERIOR, first floor interior, consisting of the lobby, the foyer, the grand lobby, the main staircase leading from the grand lobby to the promenade level and the area under the staircase, the orchestra seating level of the auditorium, the proscenium area and arch, and the alcoves flanking the proscenium area; the promenade level and upper foyer interior, the men’s lounge, the women’s lounge, the hallways leading to the mezzanine seating level of auditorium, and the mezzanine seating level of the auditorium; the balcony level interior, consisting of the balcony seating level of the auditorium; all stairways, landings, intermediate lobbies, and elevator lobbies leading to and from the above spaces; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, ticket booths, display cases, framed display boards, columns, pilasters, doors, railings, balustrades, metalwork, mirrors, chandeliers, lighting fixtures, exit signs, attached decorative and sculptural elements; 2405-2419 Grand Concourse (aka 2394-2408 Creston Avenue), Borough of the Bronx. Built 1928-29; John Eberson, architect. Landmark Site: Borough of the Bronx Tax Map Block 3165, Lot 44. On April 18, 2006 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Loew’s Paradise Theater Interior (Item 4). The hearing had been duly advertised in accordance with provisions of law. Two witnesses, including representatives of the Historic Districts Council and the Art Deco Society, spoke in support of designation. The Commission previously held public hearings on Loew’s Paradise Theater Interior (LP-1922) on July 19, 1994 (Item 1) and October 19, 1995 (Item 1). -
Act One by James Lapine Teacher Resource Guide by Nicole Kempskie
TEACHER RESOURCE GUIDE ACT ONE BY JAMES LAPINE TEACHER RESOURCE GUIDE BY NICOLE KEMPSKIE MJODPMO!DFOUFS!UIFBUFSCover art by James McMullan BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning presents From the autobiography by Moss Hart with (in alphabetical order) Bob Ari Bill Army Will Brill Laurel Casillo Chuck Cooper Santino Fontana Steven Kaplan Will LeBow Mimi Lieber Charlotte Maier Noah Marlowe Andrea Martin Greg McFadden Deborah Offner Lance Roberts Matthew Saldivar Matthew Schechter Tony Shalhoub Jonathan Spivey Wendy Rich Stetson Bob Stillman Amy Warren Beowulf Boritt Jane Greenwood Ken Billington Dan Moses Schreier Sets Costumes Lighting Sound Louis Rosen Rick Steiger Daniel Swee Original Music Production Stage Manger Casting Jessica Niebanck Jeff Hamlin Linda Mason Ross Philip Rinaldi General Manager Production Manager Director of Marketing General Press Agent A Play Written and Directed by James Lapine With special appreciation to Christopher Hart Lead sponsor: Jerome L. Greene Foundation Sponsored by American Express LCT also gratefully acknowledges these generous contributors to ACT ONE: The Blanche and Irving Laurie Foundation The New York Community Trust - Mary P. Oenslager Foundation Fund Florence and Robert Kaufman Laura Pels International Foundation for Theater Judi and Douglas Krupp The Frederick Loewe· Foundation National Endowment for the Arts · · This play was commissioned by LCT with a gift from Ellen and Howard Katz. · Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting new American plays at LCT. American Airlines is the official airline of Lincoln Center Theater. ACT ONE was developed in part at Vineyard Arts Project, Edgartown, MA. -
3. the Hudson Highlands in Inwood and the West Bronx Manhattan And
3. The Hudson Highlands in Inwood and the West Bronx Manhattan and the Bronx (west of the Bronx River) are the southern limits of a mountain range called the Hudson Highlands. The relief is most pronounced from upper Manhattan into Riverdale. Going against the grain, we traverse valleys at or nearly at sea level and ridges, often quite steep, rising more than a hundred feet. Transportation corridors are in the valleys or on flat ridge tops. As in the song, the Bronx is “up” (and the Battery’s “down”). Dense residential areas are built on ridges which also guide the flow of drinking water to lower places. Begin at 207th St and Tenth Ave, (207th St 1,9). Note the commercial signs in the area (Who do you think lives here?) On the west side of the elevated structure, see how 207th St. angles to the northwest with Inwood Hill Park in the background. (Check your atlas; why is there such a departure from the geometry of the Manhattan grid?) Also note the apartment houses on 207th St and Post Ave (Who were they built for and when?). Walk east on 207th St past the auto-oriented commercial buildings at Ninth Ave and over the University Heights drawbridge to the Bronx. Pause on the bridge to observe Bronx Community College (formerly NYU uptown) to the southeast on “University Heights”. To the south view the Harlem River, the drawbridge support structure, the Metro North Hudson line (and University Heights station), the Major Deegan Expressway (connecting to the NYS Thruway), the Washington Bridge (181 St) and the Alexander Hamilton Bridge (a continuation of the Cross Bronx Expressway). -
LOEW's VALENCIA THEATER (Now Tabernacle of Prayer for All People), 165-11 Jamaica Avenue, Borough of Queens
Landmarks Preservation Commission May 25, 1999, Designation List 305 LP-2036 (Former) LOEW'S VALENCIA THEATER (now Tabernacle of Prayer for All People), 165-11 Jamaica Avenue, Borough of Queens. Built 1928; John Eberson, architect. Landmark Site: Borough of Queens Tax Map Block 9795, Lot 3. On February 23, 1999, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the (former) Loew' s Valencia Theater (now Tabernacle of Prayer for All People), and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law . Two speakers, representing the Queens Historical Society and the Historic Districts Council, testified in favor of the proposed designation; there were no speakers opposed to designation. Letters in favor of designation have been received from the building's owner, and from the Queens Borough President and the Friends of Terra Cotta. Summary Located on Jamaica Avenue at Merrick Boulevard in Jamaica, the major commercial center of the borough of Queens and once a major theater center for Queens and Long Island, the Loew' s Valencia is the borough's largest and most famous remaining movie palace. Designed by theater architect John Eberson and opened in 1929, the 3554-seat Valencia was the first of five so-called "Wonder Theaters" built for the New York-based Loew' s chain of movie theaters to serve the major metropolitan population centers outside midtown Manhattan. Eberson, who created the "atmospheric theater" type, was one of America's most prolific and influential theater designers, and the Valencia was among his most important commissions. -
Carrot Or Stick: Protecting Historic Interiors Through
CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS by CAROLINE GABREY RAINEY (Under the Direction of James Reap) ABSTRACT Historic interiors are often overlooked by preservationists in the study of historic preservation policies. The two common ways interiors are protected are through city preservation ordinances and the use of easements. This thesis examines the use of interior landmarking through the process of the New York City historic landmark ordinance. This study will include an analysis of landmarking issues and a comparison of properties landmarked with easement requirements in order to conclude whether the current ordinance or the use of preservation easements is the best method for interior preservation. INDEX WORDS: Historic Preservation, Historic Interiors, Easements, Ordinance, New York City, New York, Private Property Rights, Financial Incentives, Landmarks Preservation Commission, National Register of Historic Places, Charitable Deduction CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS By CAROLINE GABREY RAINEY B.A., Sweet Briar College, 2010 M.A., University of Buckingham, 2012 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2019 © 2019 Caroline Gabrey Rainey All Rights Reserved CARROT OR STICK: PROTECTING HISTORIC INTERIORS THROUGH ORDINANCES OR EASEMENTS by CAROLINE GABREY RAINEY Major Professor: James Reap Committee: Cari Goetcheus Jack Crowley Vincent Michael Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2019 iv DEDICATION I would like to dedicate my thesis to Emma, Caity, and Audrey, my fellow graduate students who frequently listened to my complaints, concerns, and supported me throughout this process. -
65Th Infantry Honored with Street Naming
1 BRONX TIMES Dec. 6-12, 2012 wwwbxtimes.com 1 BRONX Dec. 6-12, 2012 To Advertise Call: 718-615-2520 Online: www.yournabe.com Free inside today nity classifieds s 26,29,31 Business Opps Pg 31 Instruction Pgs 27-29,31 Merchandise Pg 31 p Wanted • Financing / Loans • Career Training • Garage / Yard Sales The Bronx’s The Bronx’s elp Wanted • Business For Sale • Education Services • Merchandise Wanted elp Wanted • Misc. Business Opps • Tutoring • Merchandise For Sale • And More • And More • And More d Pg 30 Real Estate Pg 32 Services Pg 32 Automotive Pg 32 l, Commercial • Rentals • Beauty Care • Autos For Sale ntial Services • Properties For Sale • Handymen • Autos Wanted • Open Houses • Home Improvement • And More ovement • Commercial RE • And More torage • And More To Place Your Ad Call 718-615-2520 DICAL ➤ MEDICAL ➤ MEDICAL ➤ MEDICAL ➤ SALES 16 pages of Number One P WANTED HELP WANTED HELP WANTED HELP WANTED HELP WANTED Number One SALES OPPORTUNITIES Dental Assistant RN's, LPN's, BEAUTY Dist. for PAUL Dialysis Nurses/ Techs & MITCHELL, seeks exp'd, Orthodontist Office aggressive, self-motivated Psych Techs (With Exp) sales rep to service salons Work experience and references required, in Bronx. Est. territory. tification a plus. Must be highly energized, For Lincoln, Metropolitan & Kings Sal/Comm. PT, 3 days m player with positive attitude and excellent County Hospitals, Woodhull 914-921-1555 x 106 ustomer service and communication skills. Medical Center & multiple full Salary based on experience. Health, service clinics in Manhattan. -
Geography of New York City Metro Area (Hunter College CUNY)
Geography of New York City Metro Area (Hunter College CUNY) Geography 357 (Undergraduate) / Geography 709.57 (Graduate) Scheduled for Fall, 2007 Mondays 5:35-8:15PM Jack Eichenbaum, Ph.D. instructor, advises This class first meets on Monday, August 27. There is NO class on Labor Day, September 3. The second class meets Monday September 10 in the field. The CUNY schedule calls for NO class on Columbus Day, Monday, October 8. Two days: Saturday, November 3 and Sunday, November 11, 9-5PM will be reserved for student led field trips, constituting class time, which all are expected to attend as well as help organize. (To compensate for this time, other classes are shortened or cancelled.) Leadership and oral/written presentation of field exploration will make up half the grade, the other half by final exam. The final exam will be given at the scheduled time, 5:30PM, Monday, December 17. I will arrange to be available for discussion of student projects and other matters. Where possible, information pertaining to this class will be disseminated via email. My email address is [email protected] Informed immersion in NYC is a main objective of this class. The city is your laboratory to complement readings, lectures and discussion. You should emerge from this class with enhanced appreciation of how the whole city is interrelated. Study assignments include keeping a journal of walking assignments as well as readings. Field work focuses on the five boroughs of New York City. Students will be assigned seven walks to do on their own, in addition to the walks on Sept 10, Nov 3, and Nov 11. -
Celebrating New York's Religious
COMMON BONDVol. 29, No. 1, Summer 2019 Medieval to Modern: Celebrating New York’s Religious Art and Architecture In this issue: “A Modern Church on Madison Square” “From Popcorn to Prayers: The Transformation of New York City Movie Palaces and Theaters to Churches” “Sanctuary Interior Decoration: Balancing Beauty, Liturgy, Public Programming, and Historic Architecture” Notes on this year’s Sacred Sites Open House and more! Common Bond is the technical On the cover (from left to right): Sacred journal of the Sacred Sites Heart Ukrainian Catholic Church, Johnson Program. City (photo by Jean Siegrist). St. Agnes Roman Catholic Church, Brooklyn. From the President The New York Landmarks Nevelson Chapel at St. Peter’s Church, Conservancy’s Sacred Sites Program New York City (photo by Thomas Magno). offers congregations throughout New Dear Friends, York State financial and technical assistance to maintain, repair, and restore their buildings. In addition to We are delighted to present our providing hundreds of thousands of latest edition of Common Bond. In dollars in matching grants each year, keeping with our 2019 Sacred Sites the Conservancy offers technical help, Open House theme, “Medieval to workshops for building caretakers, Modern: Celebrating New York’s and publications. Religious Art and Architecture,” this issue highlights the broad spectrum Editor: Ann-Isabel Friedman Contributors: Glen Umberger, Mari S. of historical periods, faith traditions, Gold, Emily Sottile. Table of and styles of religious architecture Design: Maria de los