RU Newsletter: October 2016

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Like Tweet Pin +1 in Last chance for New York City based artists to apply to the Atelier Mondial residency in Basel (CH) - we are extending the open call till Monday Oct 3 at midnight. We are very proud to announce the creation of RES, a joint initiative led by Residency Unlimited (RU), China Residencies and Rate My Residency to build an expanded web-based artist residency information platform. RES was selected as part of NEW INC's 2016-2017 Cohort. This will allow RU to evolve its current listing service Opportunities. In October we welcome the curators in residence Amanda Roderick & Bella Kerr (Wales) and Zuzanna Fogtt (Poland). Our incoming residents include three award winning artists from Brazil, Serbia and France with Bruno Baptistelli, (2016 ICCo/SP-Arte Award); Nina Simonovic (2016 Dimitrije Bašičević Mangelos Award/Young Visual Artists Awards); Thibault Brunet (2016 Photo London John Kobal Residency Award). Other exciting RU programs this month include: -Oct 4: RU artists review their residency experience in New Rochelle -Oct 8: "Cyborg couture" by Neil Harbisson & Moon Ribas at The Queens Museum -Oct 22: Bruno Baptistelli presents his practice at Ace Hotel/Artists Brunch Chat -Oct 27: Sean Wang and Kai Chun Chiang exhibit at El Museo de Los Sures RU PUBLIC PROGRAMS RU Talk: RU / New Rochelle BID residency Oct 4, 6:30pm Residency Unlimited (RU) RU artists Brandy Bajalia, Victoria Estok, Thiago Goncalves, Wade Schaming, and Stephanie Spitz discuss how their creative responses were shaped by the context of New Rochelle. A discussion moderated by RU project director / curator Livia Alexander with New Rochelle BID Executive Director Ralph DiBart. MORE INFO Geladeirinha folder by Thiago Gonçalves RU Exhibition: CYBORG COUTURE Oct 8, 1pm The Queens Museum Flushing Meadows Corona Park This show will include presentations by Neil Harbisson & Moon Ribas about cyborg art as well as musical performances by Josh Craig, and Txe. The clothes are designed by Cardona. Retroception - modeled by Julia Hernandez, Photographed by Agata Ferrando The show is produced by Matt Starr. MORE INFO RU Talk: Artist Brunch Chats: Bruno Baptistelli Oct 22, 12pm Ace Hotel Lobby 20 W 29th Street RU artist Bruno Baptistelli engages the audience in an intimate, low key discussion at the Ace Hotel New York's Lobby Bar. MORE INFO Aquitáfoda II RU Exhibition: Interpreting Brooklyn Oct 27, 6-8pm El Museo de Los Sures 120 South 1st Street, Brooklyn New works by two RU Taiwanese artists in residency, Kai chun Chiang and Sean Wang. Inspired by the diverse neighborhood of South Williamsburg, both artists will create works that integrate cultural elements stemming from their Kaichun Chiang, Williamsburg buildings, photomontage, 2016 native Taiwan. MORE INFO RU ALUMNI NEWS RU Alum/ArteEast grantee Özgür Demirci was awarded the 2016 O'Art prize established by Odeabank in Turkey for his video installation "From the Silver Screen to Soccer Field". About / Residencies / Programs / RU Opportunities Support RU / Contact Us © 2009 - 2016 Residency Unlimited | 360 Court Street unit #4, Brooklyn NY 11231 Web Version Forward Unsubscribe .

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Leisure Opportunities 6Th September 2016 Issue
Find great staffTM leisure opportunities 6 - 19 SEPTEMBER 2016 ISSUE 692 Daily news & jobs: www.leisureopportunities.co.uk DW Sports moves for Fitness First clubs The long-running saga of the south – particularly London – a sale of Fitness First’s UK clubs successful deal would see the UK’s looks to be in its final act, as up second largest health club chain to five operators are understood boast an enviable spread of sites. to have completed separate The former Wigan Athletic deals to buy out the nearly chair also said he “wasn’t 70-strong portfolio – with DW expecting any trouble from the Sports leading the way. competition people” in terms of The deals, expected to be the deal, with the geographical confirmed by Fitness First differences between DW Sports owner Oaktree Capital later and Fitness First reducing the this month, will see Fitness likelihood of intense scrutiny First carved up by DW Sports, from the Competition and The Gym Group and GLL Markets Authority (CMA), (Greenwich Leisure Ltd) – which previously proved the while other firms are circling. downfall of a proposed merger DW Sports, owned by between Pure Gym and The multimillionaire Dave Whelan, Gym Group. is expected to pick up a total of Whelan is optimistic the move would not be scuppered by competition authorities If the deal goes through, it 63 clubs, nearly doubling its will immediately make DW existing number of clubs operated under the have so much of a presence” in an interview Sports – which has around 80 sites – one DW Fitness banner. with the Wigan Evening Post.
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Human Enhancement Technologies and Our Merger with Machines
Human Enhancement and Technologies Our Merger with Machines Human • Woodrow Barfield and Blodgett-Ford Sayoko Enhancement Technologies and Our Merger with Machines Edited by Woodrow Barfield and Sayoko Blodgett-Ford Printed Edition of the Special Issue Published in Philosophies www.mdpi.com/journal/philosophies Human Enhancement Technologies and Our Merger with Machines Human Enhancement Technologies and Our Merger with Machines Editors Woodrow Barfield Sayoko Blodgett-Ford MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Woodrow Barfield Sayoko Blodgett-Ford Visiting Professor, University of Turin Boston College Law School Affiliate, Whitaker Institute, NUI, Galway USA Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Philosophies (ISSN 2409-9287) (available at: https://www.mdpi.com/journal/philosophies/special issues/human enhancement technologies). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Volume Number, Page Range. ISBN 978-3-0365-0904-4 (Hbk) ISBN 978-3-0365-0905-1 (PDF) Cover image courtesy of N. M. Ford. © 2021 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
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Where's My Jet Pack?
Where's My Jet Pack? Online Communication Practices and Media Frames of the Emergent Voluntary Cyborg Subculture By Tamara Banbury A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Legal Studies Faculty of Public Affairs Carleton University Ottawa, Ontario ©2019 Tamara Banbury Abstract Voluntary cyborgs embed technology into their bodies for purposes of enhancement or augmentation. These voluntary cyborgs gather in online forums and are negotiating the elements of subculture formation with varying degrees of success. The voluntary cyborg community is unusual in subculture studies due to the desire for mainstream acceptance and widespread adoption of their practices. How voluntary cyborg practices are framed in media articles can affect how cyborgian practices are viewed and ultimately, accepted or denied by those outside the voluntary cyborg subculture. Key Words: cyborg, subculture, implants, community, technology, subdermal, chips, media frames, online forums, voluntary ii Acknowledgements The process of researching and writing a thesis is not a solo endeavour, no matter how much it may feel that way at times. This thesis is no exception and if it weren’t for the advice, feedback, and support from a number of people, this thesis would still just be a dream and not a reality. I want to acknowledge the institutions and the people at those institutions who have helped fund my research over the last year — I was honoured to receive one of the coveted Joseph-Armand Bombardier Canada Graduate Scholarships for master’s students from the Social Sciences and Humanities Research Council of Canada.
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The Human Machine
EXPLORING THE INCREASINGLY BLURRED LINES BETWEEN HUMANS AND TECHNOLOGY COMPILED BY HOWIE BAUM Almost everyone in the OUR TECHNOLOGY IS AN EXTENSION OF OUR world has a life, dependent HUMANITY on technology. More than a billion people right now are already dependent on assistive technologies like: ❖ Hearing aids ❖ Pacemakers ❖ Prosthetic limbs ❖ Wheelchairs. 1/3 of the world’s population will be wearing glasses or contact lenses by the end of this decade. TYPES OF HUMAN AUGMENTATION The types of Human Augmentation in order of importance can be divided into 2 categories: MOST IMPORTANT: PHYSICAL AND COGNITIVE (THINKING) LEAST IMPORTANT: PERSONALITY AND COSMETIC SIMILAR WORDS ABOUT THE HUMAN MACHINE BIONIC HUMAN TRANSHUMAN AUGMENTED HUMAN CYBORG EYEBORG CYBERNETICS ENHANCED HUMANS HUMAN AUGMENTICS Transhumanism’ is an ‘intellectual and cultural movement’ that promotes the use of technology in order to advance the human condition. What this essentially means, is that a transhumanist is someone who believes we should use technology in order to give ourselves: ▪ Enhanced abilities ▪ Higher IQ’s ▪ Greater strength ▪ Longer lifespans ▪ Sharper senses, etc. Bionic leg components: (a) the artificial hip, (b) artificial knee, and (c) “blade runner” prostheses made with carbon fiber “blades”. A MAJORITY OF PEOPLE IN THE WORLD ARE DEPENDENT ON TECHNOLOGY ❖ Hearing aids ❖ Glasses ❖ Medications ❖ Prosthetics ❖ Smartphones ❖ Contraceptives ❖ Wheelchairs Human existence is a cycle of inventing things to shape life, and in turn, be shaped. There is no “natural” state for humans, not since we mastered fire. https://www.youtube.com/watch?v=xBiOQKonkWs 4.5 minutes The term “Cyborg” was coined in 1960 by scientists Manfred Clynes and Nathan Kline as part of discussions during the Space Race.
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Cyborg Art: an Explorative and Critical Inquiry Into Corporeal Human-Technology Convergence
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Cyborg Art: An Explorative and Critical Inquiry into Corporeal Human-Technology Convergence A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Waikato, by Elizabeth Margaretha Borst Faculty of Arts and Social Sciences © Elizabeth M. Borst, 2009 All rights reserved. This work may not be reproduced without permission of the author. University of Waikato, 2009 i ii Abstract This thesis introduces and examines the undervalued concept of corporeal human- technology interface art, or ‘cyborg art’, which describes literal, figural and metaphorical representations of increasing body and technology integration. The transforming (post)human being is therefore the focus; who we are today, and who or what we may become as humanity increasingly interfaces with technology. Theoretical analysis of cyborg imagery centres on the science fiction domain, in particular film and television, as opposed to art.
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Hotel-Restaurante, La Fusión Estrella La Revolución De Los Bocadillos
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DISSERTATION O Attribution
COPYRIGHT AND CITATION CONSIDERATIONS FOR THIS THESIS/ DISSERTATION o Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. o NonCommercial — You may not use the material for commercial purposes. o ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. How to cite this thesis Surname, Initial(s). (2012) Title of the thesis or dissertation. PhD. (Chemistry)/ M.Sc. (Physics)/ M.A. (Philosophy)/M.Com. (Finance) etc. [Unpublished]: University of Johannesburg. Retrieved from: https://ujcontent.uj.ac.za/vital/access/manager/Index?site_name=Research%20Output (Accessed: Date). THE SYNAESTHETIC ARTIST: MANIFESTATIONS OF SYNAESTHESIA IN SELECTED ARTWORKS by ILKA VAN SCHALKWYK Submitted in partial fulfilment of the requirements for the degree of Magister Technologiae: Fine Art in the DEPARTMENT OF VISUAL ART FACULTY OF ART, DESIGN AND ARCHITECTURE UNIVERSITY OF JOHANNESBURG Supervisor: David Paton Co-supervisor: Gordon Froud December 2017 0 DECLARATION I hereby declare that this dissertation, which I submit in partial fulfilment of the requirements for the degree Magister Technologiae (Fine Art) in the Department of Visual Art, Faculty of Art, Design and Architecture, University of Johannesburg, is, apart from the acknowledged assistance, and unless otherwise indicated, my own work, and has not been submitted by me to another institution to obtain a research diploma or degree. Ilka van Schalkwyk 216042675 ACKNOWLEDGEMENTS I would like to thank my supervisor David Paton for his constant support and enthusiasm, throughout this process.
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Magazine 2018 0 Contents Intro
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Cyborgs and Enhancement Technology
philosophies Article Cyborgs and Enhancement Technology Woodrow Barfield 1 and Alexander Williams 2,* 1 Professor Emeritus, University of Washington, Seattle, Washington, DC 98105, USA; [email protected] 2 140 BPW Club Rd., Apt E16, Carrboro, NC 27510, USA * Correspondence: [email protected]; Tel.: +1-919-548-1393 Academic Editor: Jordi Vallverdú Received: 12 October 2016; Accepted: 2 January 2017; Published: 16 January 2017 Abstract: As we move deeper into the twenty-first century there is a major trend to enhance the body with “cyborg technology”. In fact, due to medical necessity, there are currently millions of people worldwide equipped with prosthetic devices to restore lost functions, and there is a growing DIY movement to self-enhance the body to create new senses or to enhance current senses to “beyond normal” levels of performance. From prosthetic limbs, artificial heart pacers and defibrillators, implants creating brain–computer interfaces, cochlear implants, retinal prosthesis, magnets as implants, exoskeletons, and a host of other enhancement technologies, the human body is becoming more mechanical and computational and thus less biological. This trend will continue to accelerate as the body becomes transformed into an information processing technology, which ultimately will challenge one’s sense of identity and what it means to be human. This paper reviews “cyborg enhancement technologies”, with an emphasis placed on technological enhancements to the brain and the creation of new senses—the benefits of which may allow information to be directly implanted into the brain, memories to be edited, wireless brain-to-brain (i.e., thought-to-thought) communication, and a broad range of sensory information to be explored and experienced.
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Redalyc.El Sueño De Frankenstein
Hallazgos ISSN: 1794-3841 [email protected] Universidad Santo Tomás Colombia Oliveros Aya, César El sueño de Frankenstein Hallazgos, vol. 12, núm. 23, 2015, pp. 117-144 Universidad Santo Tomás Bogotá, Colombia Disponible en: http://www.redalyc.org/articulo.oa?id=413838649006 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto El sueño de Frankenstein* César Oliveros Aya** Resumen Recibido: 19 de agosto de 2014 El presente artículo aborda una revisión general de la intenciona- Evaluado: 1 de octubre de 2014 lidad que el ser humano ha tenido en torno a la utopía de crear Aceptado: 22 de octubre de 2014 vida artificial, pretensión demiúrgica que le ha acompañado en su devenir, en la búsqueda de trascendencia. Desde esta pers- pectiva, a través de un bosquejo histórico, el estudio toma como punto de referencia la elaboración de estructuras antropomorfas, tales como autómatas y robots, baza fundamental de lo que sería luego la sinergia entre cuerpo y máquina (cyborgs), para eviden- ciar la perspectiva científica del tema. Por otro lado, también re- fiere algunas formas de tratamiento mediático empleado por la cultura popular, en especial desde los relatos de ciencia ficción que cuestionan los límites de la tecnología frente a la corporei- dad humana y su mixtura con la máquina, hasta las narraciones planteadas por el cine y la televisión, entre las que destacan Ro bocop, tanto la versión de 1987 como el remake de 2013 y la serie de televisión Intelligence de 2013.
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Ai for the Common Good
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Artistic Assemblage”
xCoAx 2019 Conference on Computation, Milan, Italy Communication, Aesthetics & X Antonio Daniele [email protected] Artistic Queen Mary University of London Yi-Zhe Song Assemblage [email protected] Queen Mary University of London Keywords This paper refers to the theories of Extended Mind (EM) and Cognition Computational Arts enactivism as cognitive frameworks to understand contemporary Extended Mind approaches to art practice. The essay is structured in four Enactivism Assemblage sections and offers examples from existing works of artists across a range of media, with a focus on the computational arts. Initially, we compare the two models of cognition by highlighting differences and similarities, arguing that the epistemic value of each approach is observer-dependent. Following, we explain why art can be considered as a form of language. Then, we echo from the concept of “assemblage” as a mode of thinking (Dewsbury, 2011) expressed in Deleuze and Guattari (1987) and more recently in Hayles (2017) by proposing the idea of the “artistic assemblage”. In the end, we underline the validity of both cognitive models for understanding the system of relations, which allows the emergence of the “artistic assemblage”. 241 1 INTRODUCTION The last thirty years have witnessed a radical transformation in cognitive sciences that initiated new interpretations of human mind as the subject of cognition. The relevance of language as a cognitive device has been dis- cussed by authors such as Lakoff and Johnson (1980) already in the ear- ly eighties. The intuition that metaphors actively influence our cognition through the structures of language by gathering information from the surrounding environment was one of the earlier gateways towards a new perspective in cognitive sciences.
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