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Mediasprawl: Springfield U.S.A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them. -
Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die
H O S n o t p U e c n e d u r P Saturday, October 7, 201 7, 8pm Zellerbach Hall Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Matt Groening , creator and executive producer Simpsons , Futurama, and Life in Hell . Groening of the Emmy Award-winning series The Simp - has launched The Simpsons Store app and the sons , made television history by bringing Futuramaworld app; both feature online comics animation back to prime time and creating an and books. immortal nuclear family. The Simpsons is now The multitude of awards bestowed on Matt the longest-running scripted series in television Groening’s creations include Emmys, Annies, history and was voted “Best Show of the 20th the prestigious Peabody Award, and the Rueben Century” by Time Magazine. Award for Outstanding Cartoonist of the Year, Groening also served as producer and writer the highest honor presented by the National during the four-year creation process of the hit Cartoonists Society. feature film The Simpsons Movie , released in Netflix has announced Groening’s new series, 2007. In 2009 a series of Simpsons US postage Disenchantment . stamps personally designed by Groening was released nationwide. Currently, the television se - Lynda Barry has worked as a painter, cartoon - ries is celebrating its 30th anniversary and is in ist, writer, illustrator, playwright, editor, com - production on the 30th season, where Groening mentator, and teacher, and found they are very continues to serve as executive producer. -
Homer Economicus: Using the Simpsons to Teach Economics
Homer Economicus: Using The Simpsons to Teach Economics Joshua Hall* West Virginia University Getting students to understand the economic way of thinking might be the most difficult aspect of a teaching economist=s job. The counterintuitive nature of economics often makes it difficult to get the average student to think Alike an economist.@ To this end, the need to keep students engaged and interested is essential when teaching economic principles and interdisciplinary approaches to engaging students are becoming increasingly common. For example, Leet and Houser (2003) build an entire principles class around classic films and documentaries while Watts (1999) discusses how literary passages can be used to teach a typical undergraduate course more effectively. I further extend this interdisciplinary approach to economic education by providing examples from the long-running animated television show The Simpsons that can be used to stimulate student discussion and engagement in an introductory course in microeconomics. Using The Simpsons in the classroom The bulk of this paper describes scenes from The Simpsons that illustrate basic economic concepts. While the examples are pretty straightforward, the difficulty in using The Simpsons lies in deciding: where to place the examples into the lecture and the best way to present the scene to the students. _____________________________ * The author gratefully acknowledges the financial support of The Buckeye Institute. One difficult feature of using any popular culture in the classroom, even a show that has been on the air for fifteen seasons and 300-plus episodes, is that students do not all have the same frame of reference, even in the most homogenous of classrooms. -
BAULKHAM HILLS SCRABBLE CLUB MONTHLY Newsletter
BAULKHAM HILLS SCRABBLE CLUB MONTHLY NEWsLETTER No 19 July/August 2017 PRESIDENT’S REPORT CELEBRATION ISSUE Lots of good things happening in the Club at the moment. July is a month notable for two significant National Days. First of all, four of our ladies have come up with the idea of The 4th, of course, is American Independence Day while a Book Swapping activity. Everyone is welcome to bring the 14th recalls the storming of the Bastille in France. books along that are of interest as several of our members (not surprisingly) are into reading. Thanks to new member Barbara as well as Genelle, Judy and Marion who came up with this great idea. Already there have been books rolling in and I would encourage everyone to be involved. Trivia question: what is the symbol of the connection between these two nations? Answer: the Statue of Liberty was given to the USA by France as a gift. So, because it’s the “birthdays” of two nations, it’s only a small jump to focus on the birthdays of some of the members of our club and link those birthdays to famous people or events. Coming up on Sunday 20th August is our annual tournament, held at the usual venue of the Baulkham Hills So, on with our birthdays! What do they reveal? Community Centre. If anyone could help out with providing food, taking entry fees, preparing nibblies during 17th March A Birthday Portrait by Robin the day or helping sell raffle tickets please see me in the next couple of weeks. -
A Dpics-Ii Analysis of Parent-Child Interactions
WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _______________________ Lori Jean Klinger Certificate of Approval: ________________________ ________________________ Steven K. Shapiro Elizabeth V. Brestan, Chair Associate Professor Associate Professor Psychology Psychology ________________________ ________________________ James F. McCoy Elaina M. Frieda Associate Professor Assistant Professor Psychology Experimental Psychology _________________________ Joe F. Pittman Interim Dean Graduate School WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 15, 2006 WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ________________________ Signature of Author ________________________ Date of Graduation iii VITA Lori Jean Klinger, daughter of Chester Klinger and JoAnn (Fetterolf) Bachrach, was born October 24, 1965, in Ashland, Pennsylvania. She graduated from Owen J. Roberts High School as Valedictorian in 1984. She graduated from the United States Military Academy in 1988 and served as a Military Police Officer in the United States Army until 1992. -
Product Review and Prospects
Product Review and Prospects The Group focuses on three broad toy product categories: action figures; dolls and novelty toys with unique play features. Each product is designed with specific aspirations of kids and collectors in mind. In 2002, the Group will introduce new products featuring Disney Princesses and other classic characters to build upon its line of Disney products launched last year to immediate popularity. Following the successful debut in 2001 of My Interactive Princess Cinderella, My Interactive Princess Belle (inspired by Disney’s Beauty and the Beast) will be telling her own interactive story. The new Before Once Upon A Time doll collection features the first ever assortment of large companion dolls in the likeness of the Disney Princesses as toddlers. This first series features the ever-popular Cinderella, Ariel and Belle. A new line of Disney Magic Talk Princess playsets feature the Disney Princesses as small dolls who come to life for the first time in their own character voices in highly detailed, interactive playsets. More Disney Waterbabies will join the highly popular collection that combines the unique, warm and wiggly feel of Waterbabies with the lovable personalities of the classic Disney characters. The series of World of Springfield figures and their interactive environments featuring The Simpsons characters, under license from 20th Century Fox, continues to be eagerly sought after by collectors and fans alike. All new series of figures and environments will be released at various times during the year. The many celebrity talents who had played cameo parts in the shows over the years will be featured in a new All Star Voices Celebrity series. -
Look Inside for All the Gory Details!
PRSRT STD US POSTAGE PAID ORLANDO, FL PERMIT NO. 1 2013 FALL FALL UNIVERSAL ORLANDO® RESORT 1000 Universal Studios Plaza B-1 Attn: Annual Pass Department Orlando, Florida 32819 IT’S GOING TO BE A GREAT AUTUMN PASSHOLDERS ANNUAL FOR FOR ANNUAL PASSHOLDER: EXCITING NEWS! • NEW Springfield Comes to Universal Studios® • Fall On-Site Hotel Rates • Details on A Celebration of Harry PotterTM at The Wizarding World of Harry PotterTM • PLUS LOOK INSIDE FOR ALL THE GORY DETAILS! Enter the world of The Simpsons™ like never before at Universal Studios Florida®! Now you 1 NEW! FAST FOOD BOULEVARD Springfield Comes To can visit downtown Springfield, hometown of America’s favorite animated family. Stroll Choose from an array of familiar eateries down Fast Food Boulevard and enjoy a “Genuine Clown-Endorsed Meal” at Krusty Burger, offering some of the most famous edible – Universal Orlando® Resort! grab a Homer-sized helping of donuts at Lard Lad, and imbibe at Moe’s Tavern. Crash and maybe not so edible – dishes featured through Krustyland on The Simpsons Ride™, then take an intergalactic spin on the brand on The Simpsons™ show, including: new Kang & Kodos’ Twirl ‘n’ Hurl. Visit the places that helped Springfield stake its claim as H 5 “Shelbyville by the Sea,” only at Universal Orlando® Resort. Krusty Burger H Moe’s Tavern 6 1 H Cletus’ Chicken Shack 7 H The Frying Dutchman H Luigi’s Pizza H 4 Lisa’s Teahouse of Horror H Flaming Moe’s 2 NEW! LARD LAD DONUTS 3 NEW! BUMBLEBEE MAN’S TACO TRUCK 4 NEW! DUFF BREWERY 5 KWIK-E-MART 6 THE SIMPSONS RIDE™ 2 7 NEW! KANG & KODOS’ TWIRL ‘N’ HURL Foolish humans! Aliens Kang and Kodos from The Simpsons™ take you on an intergalactic spin designed to send your lunch into orbit. -
The Walt Disney Company Analyst Report
THE WALT DISNEY COMPANY ANALYST REPORT Student Managed Fund 2017-2018 Maeve Manley and Marissa Esposito Table of Contents Report Highlights……………………………………………………... 1 Basis for Recommendation……………………………………………….. 1 Business Description………………………………………………………. 1 Acquisitions………………………………………………………………... 3 Industry Overview and Trends……………………………………..... 4 Investment Thesis……………………………………………………... 5 Thesis………………………………………………………………………. 5 Catalysts…………………………………………………………………… 5 Financials……………………………………………………………… 6 Valuation………………………………………………………………. 7 Discounted Cash Flow Model…………………………………………...... 7 Comparable Companies Model…………………………………………... 7 Composite Price Target…………………………………………………… 7 Risks to Investment Thesis…………………………………………… 8 Conclusion……………………………………………………………... 9 Appendix……………………………………………………………….10 Report Highlights The Walt Disney Company (NYSE: DIS) Sector: Consumer Discretionary Purchase Current Target 52-Week Market Dividend P/E Beta Price Price Price Range Cap Yield $98.19 and $96.20- $100.36 $120.97 $150.79 B 14.37 1.68% 1.18 $109.77 $116.10 Figure 1: DIS vs. SPY Return BASIS FOR RECOMMENDATION We recommend a Buy rating for Disney (DIS) based on a price target of $120.97, resulting in a margin of safety of 20.53% given April 13, 2018’s share price of $100.36. In addition to some key catalysts, our recommendation is driven by three long-term factors: 1. High brand loyalty – Disney commands exceptional brand loyalty. Consumers regularly enjoy the parks, movies, and products throughout their lifetime. Additionally, this loyalty is passed down through generations, making decade old content be demanded. Creating a brand emotion like this is difficult, but has proven successful and allowed Disney to grow and dominate the industry. Figure 2: Revenue by Segment 2. Valuable product portfolio – Disney’s intellectual property is supreme. Its content is unmatched from competitors and continuously meets market demands and preferences. -
The Simpsons and Futurama
Chapter 24 Popular Culture in Teaching, Scholarship, and Outreach: The Simpsons and Futurama Sarah J. Greenwald Abstract Subject to thoughtful analysis of the benefits and challenges, popular culture can be an ideal source of fun ways to connect students and the general public to mathematics. My colleague Andrew Nestler and I created, class-tested, and widely shared activities related to the Twentieth Century Fox television show The Simpsons. The Scholarship of Teaching and Learning (SoTL) provides us with an analytic framework to develop, improve, and share our activities. We designed the activities to introduce or review important mathematical concepts and engage students. Later I expanded my interest into Futurama, another Twentieth Century Fox television show. I will describe informal outreach activities connected to both programs, including our educational website Simpsonsmath.com and my interactive lecture that audiences have accessed worldwide from a Futurama DVD. I will summarize the reception of my work by departmental colleagues, the institution, and the mathematical community. I will reflect on how this work has affected students and general audiences. I will also consider the direct and indirect impacts on my career and the unique challenges and rewards of working with popular culture in teaching, scholarship, and outreach. Key Words Popular culture, Outreach, SoTL, The Simpsons, Futurama MSC codes 00A09, 00A66, 97A40, 97A80, 97D40 24.1 Introduction Educators have a variety of methods available to them to deliver mathematical content and facilitate student engagement and learning. Mathematical cartoons can be a fun way to introduce or review concepts and reduce student anxiety (Schacht and Stewart 1990). -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
Game Rules Object Contents Getting Started Options
If the rolling player loses the challenge, they move to the outer Final Cut ring (marked 3) and must await their next turn for another chance to win—this time by undertaking an on-screen Final Cut challenge. But for now, the dice pass to the next player. If any other player wins the all play to win challenge, they have the option of forcing an opponent to draw a Buzz Card or of moving their own Mover forward three spaces (unless they are already on a Final Cut ring). After following the instructions on the Buzz Card, the next player in sequence (the one following the roller) gets their turn. Game Tip: Buzz Cards cannot be played against players on a Final Cut ring. 13 – Adult 2. Final Cut 2 to 4 players or teams For any player who has landed on a Final Cut ring, the DVD Master chooses Final Cut from the Game Menu and follows the on-screen instructions. In Final Cut, the GAME RULES player must correctly answer up to three questions to win the game. The number of questions that must be answered in a turn corresponds to the ring number upon Scene It? The Simpsons can be played with 2 to 4 players or teams. which the player’s Mover stands. If the player misses a question, they move in one ring and must await their next turn. Again, the on-screen instructions will walk you OBJECT through Final Cut, so don’t worry! Travel around the game board and be the first to enter the winner’s circle. -
Come Faceto Face with Evil
MARK YOUR CALENDAR PRSRT STD U.S. POSTAGE PAID HOLIDAY FESTIVITIES ORLANDO, FL EXCLUSIVE SAVINGS AT WET ‘N WILD® DEC 6 – JAN. 3 PERMIT NO. 1 PASSHOLDERS CAN ENJOY WET ‘N WILD® ON Get ready for the family fun WEEKDAYS BEGINNING WEDNESDAY, SEPT 3 of Grinchmas™ at Universal’s ® THROUGH FRIDAY, SEPT 26 FOR JUST $19.99** UNIVERSAL ORLANDO RESORT Attn: Annual Pass Department (regularly $56** per adult, $51** per child). Islands of Adventure® and the spectacular Macy’s 1000 Universal Studios Plaza B-1 Orlando, Florida 32819 Holiday Parade™ at Universal Must show valid Universal Orlando® Annual Pass and photo ID with matching names at Wet ‘n Wild Front Gate or Guest Services to purchase ticket. One ticket per ID. Offer may be redeemed multiple times throughout the promotional timeframe. **Prices do not include 6.5% sales Studios®. Special Annual Pass tax. Offer only for valid Universal Orlando Annual Passholders. Must present valid Universal Orlando Annual Pass and valid Photo ID that benefits will be announced in SEPTEMBER PASSHOLDER corresponds with Annual Pass at Wet ‘n Wild Front Gate or Guest Services to purchase discounted ticket. May purchase one (1) ticket per EXCITING NEWS AND SPECIAL OFFERS Annual Pass. Ticket is only valid for pick up and redemption on day of visit and may not be purchased in advance. Offer valid on weekdays the next Passport newsletter. APPRECIATION MONTH only starting Wednesday, September 3 through Friday, September 26, 2014 and Sunday, September 14, 2014. Offer valid for ticket purchases OFFERS: FOR ANNUAL PASSHOLDER: made only at Wet ‘n Wild Front Gate or Guest Services.