Issue No. 3/2005
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Networks in the Fashion Business: from a Production and Distribution Organizational Form to a Successful Innovation Driven Brand Strategy
Master’s Degree program – Second Cycle (D.M. 270/2004)# in Marketing & Innovation! Final Thesis ! Networks in the fashion business: From a production and distribution organizational form to a successful innovation driven brand strategy. Supervisor ! Ch. Prof. Giovanni Favero ! Assistant Supervisor Ch. Prof. Anna Moretti! Graduand ! Filippo Vego Scocco! Matriculation Number 837984 ! Academic Year 2017 / 2018! "1 "2 Summary 1. Introduction 5 2. Networks: historical development of organizational forms 7 2.1. Historical perspective of business organization 7! 2.2. Three organizational form 13! 2.2.1. Hierarchy organizational form 14! 2.2.2. Market organizational form 17! 2.2.3. Network organizational form 20! 2.2.3.1. Di$erent definitions in the literature 21! 2.2.3.2. Conditions and explanations of the arise of networks 27! 2.3. Networks’ diversity 44! 2.3.1. Collaboration concept 44! 2.3.2. Elements of collaboration 49! 2.3.3. Collaborative organizational forms 56! 3. Networks and collaborative strategies: relations and effects on the fashion system 66 3.1. Fashion system: the perfect environment for networks 66! 3.1.1. Characteristics and dynamics 71! 3.1.2. Networks’ development in the fashion system 80! 3.1.2.1.Networked supply chain’ solutions 82! 3.1.2.2. Fashion in the digital era and the new collaborative solutions 84! "3 3.2. Networks and collaborative approaches for branding purposes 88! 3.2.1. The growing importance of the brand management in fashion firms 90! 3.2.2. Collaborative branding approaches 97! 4. Case study: adidas’ “Creating the New” business strategy and the collaboration-based innovation model 105 4.1. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Warren Buffett's Wild Ride at Salomon (Fortune, 1997)
Warren Buffett's Wild Ride at Salomon (Fortune, 1997) Warren Buffett, interim chairman of Solomon Brothers, Inc., gestures during testimony before a House Commerce subcommittee on Capitol Hill in Washington, D.C., Sept. 5, 1991. Photograph by Marcy Nighswander — AP Photos By CAROL J. LOOMIS October 27, 1997 As Sanford I. Weill, 64, the dealmaking CEO of Travelers Group, steps up to his biggest acquisition ever—the purchase of Salomon Inc. for $9 billion—a famous Wall Street figure, Warren E.Buffett, 67, steps out of Salomon. His days there began almost precisely a decade ago, in the early fall of 1987, when his company, Berkshire Hathaway, became Salomon‘s largest shareholder and he moved in as a director. But that was training-wheels stuff, nothing to the high- wire unicycle act that came later: Buffett was physically, emotionally, and really at Salomon for nine months in 1991 and 1992, when the firm’s trading illegalities created a giant sucking sound that brought him in to run the place. Though much has been written about Buffett and Salomon, a lot of what you will read here will be new. I have been a friend of Buffett‘s for about 30 years and have long been a shareholder of Berkshire (though never a shareholder of Salomon). As a friend, I do some editing every year on Buffett‘s well-known annual report, and we have for eons talked about collaborating on a book about his business life. All this has given me many opportunities to learn Buffett‘s thinking. Some of what I’ve gleaned has ended up in FORTUNE stories that I wrote, most especially in an April 11, 1988, article, “The Inside Story of Warren Buffett,” and in an accompanying box, “The Wisdom of Salomon?” But much of what I learned about Buffett‘s experiences at Salomon in 1991 was confidential, embargoed by him because Salomon was both struggling to regain its footing and dealing with big legal problems. -
Strategic Audit of Adidas Mason Wright University of Nebraska - Lincoln
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program Spring 4-11-2019 Strategic Audit of Adidas Mason Wright University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/honorstheses Part of the Strategic Management Policy Commons Wright, Mason, "Strategic Audit of Adidas" (2019). Honors Theses, University of Nebraska-Lincoln. 135. https://digitalcommons.unl.edu/honorstheses/135 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Strategic Audit of Adidas An Undergraduate Honors Thesis Submitted in Partial Fulfillment of University Honors Program Requirements University of Nebraska-Lincoln by Mason Wright, BS Computer Science College of Arts and Sciences April 11, 2019 Faculty Mentor: Sam Nelson, Ph.D., Management Abstract Adidas is a well-established brand in the world of sportswear and lifestyle clothing. In recent years, the company has been regaining success after a period of stagnation. Spurring this success is the renewed popularity of old classic shoe models and a surge in the lifestyle clothing trend. While adidas is doing well, it is not the top sportswear company in the world and is far behind in North America. In an attempt to boost the recent success even further, this thesis analyzes the current situation that adidas faces including its strengths, weaknesses, opportunities, and threats. With this information as a background, this paper then discusses potential new strategies for adidas, ultimately deciding that obtaining a larger number of star athlete endorsements is a strategy that could quickly make a large impact for the company. -
Een Film Van / Un Film De Daniel Burman
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent : een film van / un film de Daniel Burman FAMILY LAW – synopsis Buenos Aires, tegenwoordige tijd. Ariel Perelman is advocaat, net zoals z'n vader, maar hij weet nog niet goed wat hij van zijn toekomst moet verwachten. Hij kent de gewoontes, smaken en de dagelijkse bezigheden van zijn gerespecteerde vader door en door. Ariel doet alsof hij niet op zijn vader wil lijken, noch zijn levensweg, op voorhand uitgestippeld, wil volgen, maar hoe meer hij zich daartegen verzet, hoe meer hij op hem lijkt. Hoe ontkomt hij aan de familiegewoontes? Hoeveel tijd is daarvoor nodig? Hoe begint men daaraan? Is er een gebruiksaanwijzing? Naarmate hij zijn eigen identiteit tracht te schetsen, begint zoon Perelman, met enige vrees, de erfenis van zijn afkomst, het onveranderlijke gegeven, kortom datgene wat hij niet kan veranderen, te accepteren. Wat hem problemen schept is zijn identiteit op te bouwen aan de hand van datgene wat hem van zijn vader onderscheidt, van alles wat hij nog moet ontdekken. Family Law is het aangrijpende en intieme verhaal van een vader en een zoon, op weg om hun rol te ontdekken. Family Law (Derecho de Familia) 122 min. / 35 mm / Kleur/ Dolby SRD / Spaans gesproken, Nederlands ondertiteld / Argentinië 2006 Nederlandse theatrale distributie: Cinemien Belgische theatrale distributie: ABC Distribution DVD uitbreng : Homescreen FAMILY LAW – synopsis Le jeune Ariel Perelman est avocat pro-deo et professeur d’université. -
Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits -
TITLE Sportswear Marketing 2.0 – the Use of the Social Network in The
Faculty: Economy Subject: Marketing Management TITLE Sportswear Marketing 2.0 – The Use of the Social Network in the Sportswear Industry Supervisor Prof. Alberto Marcati Co-Supervisor Prof. Luca Pirolo CANDIDATE Alessandro Monda Matr. 624541 ACCADEMIC YEAR 2010/2011 Index Introduction Chapter I- The Social Networks 1. History of the Social Networks and main websites 2. Users – Who interact on SNs and why 3. Social Network as a marketing tool 4. The use of Older and Newer Media Chapter II – The Sportswear Industry 1- The Sportswear Industry a. Analysis of The Industry b. Sportswear and Sport Equipment c. Footwear d. Global Diffusion 1. United States 2. Europe 3. China e. Conclusions on Sportswear Industry 2- Main Competitors a. Nike Inc. 1. SWOT Analysis b. Adidas AG 1. SWOT Analysis c. Puma AG 1. SWOT Analysis Chapter III - Analysis of the strategies of the main companies a. Nike b. Adidas c. Puma Chapter IV – People’s evaluation on the three strategies 1- Shelley‟s Nine Steps 2- The Questionnaire 3- Results obtained a. Analysis of the Answers b. Analysis of the Relationship c. Summary Conclusions References Introduction This work has the purpose to analyze the possible ways that companies could follow in the use of the rising media system, the Social networks. The field in which we will work is the sportswear industry, the reasons in the choice of this industry are easy to understand and quite immediately: The sportswear industry is for young and active people. The target of the brands is above all people dynamic and active. The age range is people between the 14 and the 40 years. -
For Investment Promotion in the West Bank and Gaza
PROMOTING INDUSTRIAL ZONES AND INVESTMENT MOBILIZATION USAID WB/G SO1: EXPANDING ECONOMIC OPPORTUNITIES CONTRACT NO. 294-C-00-00-00071-00 Target Investor Profiles (TIP) for Investment Promotion in the West Bank and Gaza SUBMITTED ON AUGUST 2002 TO THE USAID MISSION TO THE WEST BANK AND GAZA MARGOT ELLIS, CTO BY THE SERVICES GROUP (TSG) SULEIMAN AREF, MASSAR ASSOCIATES AARON BRICKMAN, CONSULTANT PETER CARR, VICE PRESIDENT HUGH DOYLE, CEO TRINA RAND, STAFF CONSULTANT BETH WALSH, SENIOR RESEARCHER 2300 CLARENDON BOULEVARD 1110 ARLINGTON, VIRGINIA 22201 USA WWW.TSGINC.COM USAID PRIZIM Project Target Investor Profiles Table of Contents Summary of TIP Activity 2 Annex A: Final list of 150 (Excel sheets) A1 Annex B: Company profiles for final 150 B1 Annex C: First cut companies from initial research (Excel sheets) C1 Annex D: Initial long list of companies (Excel sheets) D1 The Services Group Page A - 1 USAID PRIZIM Project Target Investor Profiles Summary of TIP Activity: Introduction and Background The development of target investor profiles under the PRIZIM project is a key element in training and building promotional capacity in Palestinian economic development agencies, including both PIPA and PIEFZA. This represents the beginning of an ongoing database compilation of target firms both in the Middle East region and around the world that have demonstrated a foreign investment interest and whose sectoral activities fit the comparative advantages of the West Bank and Gaza. This activity was carried out from April to June 2002, during an especially unstable political time in the West Bank and Gaza. Because of this exceedingly difficult situation two elements of the initial scope of work could not be accomplished; training of Palestinians at TSG headquarters and a comprehensive telephone survey of prospective investors. -
Cultural Diversity in the German Motion Picture Industry – the Case Study of the World Cinema Fund
Faculty of History and Arts MA Cultural Economics and Cultural Entrepreneurship 2009/2010 Cultural Diversity in the German Motion Picture Industry – the Case Study of the World Cinema Fund Master’s Thesis Eva Joanna Kocula Student No. 338156 Thesis’ Supervisor: Erwin DEKKER Second Reader: Dr. Christian HANDKE Rotterdam, 31 July 2010 Eva Joanna Kocula LIST OF CONTENTS LIST OF TABLES .................................................................................................................... iv LIST OF FIGURES.................................................................................................................... v LIST OF APPENDICES ............................................................................................................ v ABSTRACT.............................................................................................................................. vi INTRODUCTION...................................................................................................................... 1 CHAPTER 1: THE DEBATE ON CULTURAL DIVERSITY................................................. 6 The Concept of Diversity.................................................................................................. 7 Economic Perspective on the Issue of Diversity .............................................................. 8 Government Intervention and the Protection of Cultural Diversity ............................... 11 Cultural Diversity as a Subject to Legal Regulation...................................................... -
From Wikipedia, the Free Encyclopedia Audi Type Private Company
Audi From Wikipedia, the free encyclopedia Audi Private company Type (FWB Xetra: NSU) Industry Automotive industry Zwickau, Germany (16 July Founded 1909)[1] Founder(s) August Horch Headquarters Ingolstadt, Germany Production locations: Germany: Ingolstadt & Neckarsulm Number of Hungary: Győr locations Belgium: Brussels China: Changchun India: Aurangabad Brazil: Curitiba Area served Worldwide Rupert Stadler Key people Chairman of the Board of Management, Wolfgang Egger Head of Design Products Automobiles, Engines Production 1,143,902 units (2010) output (only Audi brand) €35.441 billion (2010) Revenue (US$52.57 billion USD) (including subsidiaries) €1.850 billion (2009) Profit (US$2.74 billion USD) €16.832 billion (2009) Total assets (US$25 billion USD) €3.451 billion (2009) Total equity (US$5.12 billion USD) Employees 46,372 (2009)[2] Parent Volkswagen Group Audi do Brasil e Cia (Curitiba, Brazil) Audi Hungaria Motor Kft. (Györ, Hungary) Audi Senna Ltda. (Brazil) Automobili Lamborghini Subsidiaries Holding S.p.A (Sant'Agata Bolognese, Italy) Autogerma S.p.A. (Verona, Italy) quattro GmbH (Neckarsulm, Germany) Website audi.com Audi AG (Xetra: NSU) is a German automobile manufacturer, from supermini to crossover SUVs in various body styles and price ranges that are marketed under the Audi brand (German pronunciation: [ˈaʊdi]), positioned as the premium brand within the Volkswagen Group.[3] The company is headquartered in Ingolstadt, Germany, and has been a wholly owned (99.55%)[4] subsidiary of Volkswagen AG since 1966, following a phased purchase of its predecessor, Auto Union, from its former owner, Daimler-Benz. Volkswagen relaunched the Audi brand with the 1965 introduction of the Audi F103 series. -
Sydney Film Festival Returns to Hayden Orpheum Picture Palace Cremorne
MEDIA RELEASE EMBARGOED UNTIL 10:00 WEDNESDAY 7 MAY 2014 SYDNEY FILM FESTIVAL RETURNS TO HAYDEN ORPHEUM PICTURE PALACE CREMORNE The 61 st Sydney Film Festival expands its presence at the Hayden Orpheum Picture Palace Cremorne this 4-15 June. After the successful return to the Hayden Orpheum Picture Palace Cremorne in 2013, this year Sydney Film Festival brings an even larger curated program of films from the 2014 program to this beautifully restored art deco cinema on the North Shore. “We were thrilled to discover such a voracious appetite for Sydney Film Festival at the Hayden Orpheum Cremorne last year,” said SFF Festival Director Nashen Moodley . “It is a beautiful cinema with a smart, savvy film audience and a natural fit for the Festival. We look forward to presenting even more films across every night of the Festival this June.” “Speaking on behalf of all movie buffs, I am thrilled with the opportunity to see so many movies in this year’s Sydney Film Festival in the lush, beautiful and historic Picture Palace settings of the Hayden Orpheum and the State Theatre. Welcome back!” said Managing Director, Hayden Orpheum Picture Palace Cremorne , Paul Dravet. SFF 2014 Hayden Orpheum Picture Palace Cremorne films: Babylon UK | 2014 | 74 mins | In English | Australian Premiere Directors: Danny Boyle, Jon S. Baird | Screenwriters: Jesse Armstrong, Sam Bain | Producers: Robert Jones, Derrin Schlesinger | Cast: Brit Marling, James Nesbitt | Distributor: Entertainment One Australia Directed by Danny Boyle ( Slumdog Millionaire , Trainspotting ) and scripted by Sam Bain and Jesse Armstrong (Four Lions , SFF 2010; Peep Show ), Babylon is a witty, fast-paced feature-length TV pilot for a new UK comedy- drama. -
Sharethe Offilm!
powerSHAREthe ofFILM! December 2–12.2010 | wjff.org An exhibition of internAtionAl cinemA Presented by the washington dc jewish community center's morris cafritz center for the arts co-sPonsored by the embassy of israel and washington jewish week powerSHAREthe ofFILM! December 2–12.2010 | wjff.org An exhibition of internAtionAl cinemA sunday monday tuesday inA AnD Jack Kay AFI Silver theAtre AAron & cecile AAron & cecile community Hall jews and baseball: golDmAn theAter golDmAn theAter “Shalom Sesame” family chanukah An American love Story Das kind 2 or 3 things i know About him Party E 4:30 pm E 6:15 pm E 6:15 pm E 10:00 am After the cup: Arab labor Sixty in the city with gefilte fish Sons of Sakhnin united E 8:30 pm E 8:30 pm AAron & cecile E 7:30 pm golDmAn theAter AFI Silver theAtre AFI Silver theAtre grace Paley: collected Shorts uniteD StAteS holocAuSt the loners with take note gei oni E 11:00 am memoriAl muSeum E 7:00 pm E 6:45 pm children of the bible “the future of history: jaffa jews in Space st with transparent black holocaust films in the 21 century” E 9:15 pm E 9:15 pm E 1:30 pm E 2:00 pm world class kids Free Public Program goethe-inStitut Washington goethe-inStitut Washington with home Sweet israel “in conversation with filmmaker “in conversation with filmmaker E 3:30 pm NationAl Gallery of Art yonathan levy” rex bloomstein” kZ force of evil E noon E noon E 5:00 pm E 6:00 pm Free Public Program embassy of the Anita russiAn feDerAtion E 8:30 pm Stalin thought of you 5 E 7:00 pm 6 7 sunday AAron & cecile CLOSing night golDmAn theAter the klezmatics: on holy ground coffee–between reality and E 7:30 pm film and Party imagination E 10:30 am coffee reception AvAlon theAtre E 11:30 am film bar mitzvah E noon the bagel: An immigrant’s Story E 2:00 pm next year in…Argentina with voyage Work-In-Progress, Free Program E 2:30 pm calendar of events voices unbound: the Story mrs.