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Shuka Glotman, Abirim, D.N. Merom Hagalil, Israel 13806 Tel.: +972-4
Shuka Glotman, Abirim, D.N. Merom Hagalil, Israel 13806 Tel.: +972-4-9870330, +972-54-5749014, fax.+972-775522101 E-mail: [email protected] Website: www.zilumhai.com Birth: Oct. 19th, 1953, Kfar Saba, Israel. Status: Married, 2 children Education 2003 An intensive course of spoken Arabic, Ulpan Akiva, Netanya, Israel 2001-2003 A course in group facilitating at The Magid Institute, Paul Baerwald School of Social Work, The Hebrew University of Jerusalem. 2000-2001 Fellowship in Heschel Center for Environmental Learning & Leadership, TLV. 1993 A two months course in digital imaging and computer graphics in Ryerson Polytechnical University, Toronto, Canada. 1986 One year course in book production, TLV. 1978-1981 A three year B.A. course (Hons.) in Photographic Arts at the Polytechnic of Central London, England (now University of Westminster). 1975-1977 A two year course in technical photography at Hadassah College, Jerusalem. One Person Exhibitions Nov. 2010 "A German Melody", The Art Gallery, Kiryat Tivon's Memorial Center, Israel Mar. 2009 "Whisper of Tears", D.S.Danon Gallery,TLV. May 2008 "In the Pate of Oranges' Peels", The New Art Worksop, Rishon Lezion, Israel Nov. 2007 "A Song for Dad" in the series of "Photography Locus/5", The New Gallery, Bet Gabriel on the Sea of Galilee, Israel Sep. 2006 "Silence Lost", film-installation, Herzliya Museum of Contemporary Art, Israel Sep. 2006 "Photography Alive",a book; photo& sound installation; film, Museum of Art, Ein Harod, Israel. Oct. 2004 "Money& Blood", The Baron Art Gallery, Ben-Gurion University, Beer-Sheva. Mar. 2000 This World, the Other World and In-between", The Kibbutz Gallery, TLV. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Advancedaudioblogs1#1 Top10israelitouristdestinations
LESSON NOTES Advanced Audio Blog S1 #1 Top 10 Israeli Tourist Destinations: The Dead Sea CONTENTS 2 Hebrew 2 English 3 Vocabulary 4 Sample Sentences 4 Cultural Insight # 1 COPYRIGHT © 2013 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. HEBREW .1 . .2 4 0 0 - , . , . . . , .3 . . , 21 . . , . , , .4 . ; . 32-39 . . 20-32 , . ," .5 . , ENGLISH 1. The Dead Sea CONT'D OVER HEBR EW POD1 0 1 . C OM ADVANCED AUDIO BLOG S 1 #1 - TOP 10 IS RAELI TOURIS T DESTINATIONS: THE DEAD S EA 2 2. The miracle known as the Dead Sea has attracted thousands of people over the years. It is located near the southern area of the Jordan valley. The salt-rich Dead Sea is the lowest point on the earth's surface, being 400 meters below sea level. The air around the Dead Sea is unpolluted, dry, and pollen-free with low humidity, providing a naturally relaxing environment. The air in the region has a high mineral content due to the constant evaporation of the mineral rich water. 3. The Dead Sea comes in the list of the world's greatest landmarks, and is sometimes considered one of the Seven Wonders of the World. People usually miss out on this as they do not realize the importance of its unique contents. The Dead Sea has twenty-one minerals which have been found to give nourishment to the skin, stimulate the circulatory system, give a relaxed feeling, and treat disorders of the metabolism and rheumatism and associate pains. The Dead Sea mud has been used by people all over the world for beauty purposes. -
Nuevo Cine Argentino De Rapado a Historias Extraordinarias Veinticinco Años, Veinticinco Libros
Nuevo Cine Argentino De Rapado a Historias extraordinarias Veinticinco años, veinticinco libros El ciclo político inaugurado en Argentina a fines de 1983 se abrió bajo el auspicio de generosas promesas de justicia, renovación de la vida pública y ampliación de la ciudadanía, y conoció logros y retrocesos, fortalezas y desmayos, sobresaltos, obstáculos y reveses, en los más diversos planos, a lo largo de todos estos años. Que fue- ron años de fuertes transformaciones de los esquemas productivos y de la estructura social, de importantes cambios en la vida pública y privada, de desarrollo de nuevas formas de la vida colectiva, de actividad cultural y de consumo y también de expansión, hasta ni- veles nunca antes conocidos en nuestra historia, de la pobreza y la miseria. Hoy, veinticinco años después, nos ha parecido interesante el ejercicio de tratar de revisar estos resultados a través de la publica- ción de esta colección de veinticinco libros, escritos por académicos dedicados al estudio de diversos planos de la vida social argentina para un público amplio y no necesariamente experto. La misma tiene la pretensión de contribuir al conocimiento general de estos procesos y a la necesaria discusión colectiva sobre estos problemas. De este modo, dos instituciones públicas argentinas, la Biblioteca Nacional y la Universidad Nacional de General Sarmiento, a través de su Instituto del Desarrollo Humano, cumplen, nos parece, con su deber de contribuir con el fortalecimiento de los resortes cognos- citivos y conceptuales, argumentativos y polémicos, de la democra- cia conquistada hace un cuarto de siglo, y de la que los infortunios y los problemas de cada día nos revelan los déficits y los desafíos. -
El Abrazo Partido
LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 1 INCAA LAS ESCUELAS CUADERNILLO VAN AL CINE PRESIDENTE AUTORES Ralph Haiek COORDINADORA Lucía Cedrón GENERAL Ernesto López Jové GERENTE GENERAL Virginia Petrozzino Virginia Roffo Juan García Aramburu CAPACITACIONES DISEÑO Y CONTENIDOS Equipo de diseño INCAA Lucía Cedrón LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 2017 LAS ESCUELAS VAN AL CINE . INCAA 1 LA PELÍCULA ¿DE QUÉ TRATA LA PELÍCULA? Nos los representantes del pueblo de la Nación Argentina, reunidos […] con el objeto de constituir la unión nacional […], proveer a la de- fensa común, promover el bienestar general, y asegurar los benefi- cios de la libertad, […] para todos los hombres y mujeres del mundo que quieran habitar en el suelo argentino […]ordenamos, decretamos y establecemos esta Constitución, para la Nación Argentina. Fragmentos del Preámbulo de la Constitución Nacional Ariel Makarof se pasa todos los días, muy a su pesar, en pleno barrio del Once, en Buenos Aires trabajando en una lencería dentro de una galería comercial donde conviven personas y familias de orígenes y costumbres muy distintas: hay criollos, hijos de italianos, bolivianos, judíos polacos, coreanos que apenas hablan castellano, peruanos, FICHA DE LA PELÍCULA FICHA TÉCNICA DE LA PELÍCULA TÍTULO: El abrazo partido DIRECTOR: Daniel Burman GUIÓN: Marcelo Birmajer, Daniel Burman FECHA DE ESTRENO: 25 de marzo de 2004 GÉNERO: Comedia DURACIÓN: 100 minutos PRODUCCIÓN: Diego Dubcovsky COMPAÑÍAS PRODUCTORAS: BD Cine, Wanda Visión, Nirvana Films DISTRIBUCIÓN: BD Cine ACTORES PRINCIPALES: Daniel Hendler, Sergio Boris, Adriana Aizemberg, Jorge D’Elía y Rosita Londner DIRECCIÓN DE FOTO- GRAFÍA: Ramiro Civita DIRECCIÓN DE ARTE: María Eugenia Sueiro MONTAJE: Alejandro Brodersohn MÚSICA: César Lerner DIRECCIÓN DE SONIDO: Martín Grignaschi DIRECCIÓN DE VESTUARIO: Roberta Pesci, Natalia Zubeldía PAÍSES DE PRODUCCIÓN: Coproducción entre Argentina, Francia, Italia y España 4 paraguayos, lituanos… todo un encuentro de culturas lleno de graciosos desencuentros y ma- los entendidos. -
Meeting a Moral Imperative: a Rationale for Teaching the Holocaust
The Clearing House, 84: 26–30, 2011 Copyright C Taylor & Francis Group, LLC ISSN: 0009-8655 print; 1939-912x online DOI: 10.1080/00098655.2010.496813 Meeting a Moral Imperative: A Rationale for Teaching the Holocaust DAVID H. LINDQUIST Abstract: A primary rationale for studying the Holo- caust provides unique opportunities to study complex caust (Shoah) involves the opportunity to consider the moral and ethical problems that play a fundamental role moral implications that can be drawn from examin- in understanding the world in which we live. Therefore, ing the event. Studying the Shoah forces students to planning a Holocaust unit must involve a sophisticated consider what it means to be human and humane understanding of the complexities involved in teaching by examining the full continuum of individual behav- about the event, not the least of which is an examina- ior, from ultimate evil to ultimate good. This article dis- tion of the moral and ethical realities that are confronted cusses several implications involved in studying the when studying the Shoah.1 event, while proposing that a moral imperative exists for the presence of Holocaust education in contemporary Approaching the Study of the Holocaust classrooms. The importance of studying the Shoah cannot be over- stated. Survivor and Nobel Prize laureate Elie Wiesel Keywords: Holocaust education, Holocaust ratio- holds that “Auschwitz [used as a metaphor for the Holo- nales, Holocaust impact on society, Holocaust caust in general] is a watershed event, a before and an af- curriculum ter; after Auschwitz, nothing can ever be the same again” (Ward 1993). Totten, Feinberg, and Fernekes (2001) Dear Teacher: propose that ignoring the Holocaust distorts history, leaving critical gaps in experience and knowledge that I am a survivor of a concentration camp. -
Beth Tzedec Congregation Tenth Annual Jewish Film Festival
BETH TZEDEC CONGREGATION TENTH ANNUAL JEWISH FILM FESTIVAL NOVEMBER 6 - 28, 2010 • CALGARY • ALBERTA BETH TZEDEC CONGREGATION TENTH ANNUAL JEWISH FILM FESTIVAL Proud to be a Sponsor of the SHALOM Welcome to the 10th Annual Beth Tzedec Jewish Film Festival – our 10th year of bringing the community together to explore and celebrate the richness and diversity of TENTH ANNUAL our Jewish world through the magical lens of cinema. This year’s exciting selection of films will take us on an eye-opening journey around the globe – from far-away places BETH TZEDEC CONGREGATION like Kazakhstan and South Africa to Argentina, Germany, the Czech Republic and Israel – and even into the heights of outer space. JEWISH FILM FESTIVAL Among our special guests this year, we are delighted to welcome six-time Emmy Award winning filmmaker Dan Cohen, director of An Article of Hope; Amir R. Gissin, Consul I. KARL GUREVITCH z”l General of Israel; Shlomi Eldar, director of the critically acclaimed Precious Life; and Dr. Izzeldin Abuelaish, a 2010 Nobel Peace Prize nominee and author of the book I Shall Not BENJAMIN L. GUREVITCH (retired) Hate: A Gaza Doctor’s Journey. LOUIS FABER z”l We are proud, this year, to introduce a new element to our festival: the Student Film Showcase, which will offer a forum for showcasing the talent, creativity and filmmaking skills of Grade 9 students of the Calgary Jewish Academy. And we are delighted to DAVID M. BICKMAN have worked with a newly-formed group called The Russian Speaking Jews of Calgary, who will be co-sponsoring a special evening dedicated to Russian-themed films. -
Heritage Vol.1 No.2 Newsletter of the American Jewish Historical Society Fall/Winter 2003
HERITAGE VOL.1 NO.2 NEWSLETTER OF THE AMERICAN JEWISH HISTORICAL SOCIETY FALL/WINTER 2003 “As Seen By…” Great Jewish- American Photographers TIME LIFE PICTURES © ALL RIGHTS RESERVED INC. Baseball’s First Jewish Superstar Archival Treasure Trove Yiddish Theater in America American Jewish Historical Society 2002 -2003 Gift Roster This list reflects donations through April 2003. We extend our thanks to the many hundreds of other wonderful donors whose names do not appear here. Over $200,000 Genevieve & Justin L. Wyner $100,000 + Ann E. & Kenneth J. Bialkin Marion & George Blumenthal Ruth & Sidney Lapidus Barbara & Ira A. Lipman $25,000 + Citigroup Foundation Mr. David S. Gottesman Yvonne S. & Leslie M. Pollack Dianne B. and David J. Stern The Horace W. Goldsmith Linda & Michael Jesselson Nancy F. & David P. Solomon Mr. and Mrs. Sanford I. Weill Foundation Sandra C. & Kenneth D. Malamed Diane & Joseph S. Steinberg $10,000 + Mr. S. Daniel Abraham Edith & Henry J. Everett Mr. Jean-Marie Messier Muriel K. and David R Pokross Mr. Donald L. SaundersDr. and Elsie & M. Bernard Aidinoff Stephen and Myrna Greenberg Mr. Thomas Moran Mrs. Nancy T. Polevoy Mrs. Herbert Schilder Mr. Ted Benard-Cutler Mrs. Erica Jesselson Ruth G. & Edgar J. Nathan, III Mr. Joel Press Francesca & Bruce Slovin Mr. Len Blavatnik Renee & Daniel R. Kaplan National Basketball Association Mr. and Mrs. James Ratner Mr. Stanley Snider Mr. Edgar Bronfman Mr. and Mrs. Norman B. Leventhal National Hockey League Foundation Patrick and Chris Riley aMrs. Louise B. Stern Mr. Stanley Cohen Mr. Leonard Litwin Mr. George Noble Ambassador and Mrs. Felix Rohatyn Mr. -
Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460 -
Een Film Van / Un Film De Daniel Burman
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent : een film van / un film de Daniel Burman FAMILY LAW – synopsis Buenos Aires, tegenwoordige tijd. Ariel Perelman is advocaat, net zoals z'n vader, maar hij weet nog niet goed wat hij van zijn toekomst moet verwachten. Hij kent de gewoontes, smaken en de dagelijkse bezigheden van zijn gerespecteerde vader door en door. Ariel doet alsof hij niet op zijn vader wil lijken, noch zijn levensweg, op voorhand uitgestippeld, wil volgen, maar hoe meer hij zich daartegen verzet, hoe meer hij op hem lijkt. Hoe ontkomt hij aan de familiegewoontes? Hoeveel tijd is daarvoor nodig? Hoe begint men daaraan? Is er een gebruiksaanwijzing? Naarmate hij zijn eigen identiteit tracht te schetsen, begint zoon Perelman, met enige vrees, de erfenis van zijn afkomst, het onveranderlijke gegeven, kortom datgene wat hij niet kan veranderen, te accepteren. Wat hem problemen schept is zijn identiteit op te bouwen aan de hand van datgene wat hem van zijn vader onderscheidt, van alles wat hij nog moet ontdekken. Family Law is het aangrijpende en intieme verhaal van een vader en een zoon, op weg om hun rol te ontdekken. Family Law (Derecho de Familia) 122 min. / 35 mm / Kleur/ Dolby SRD / Spaans gesproken, Nederlands ondertiteld / Argentinië 2006 Nederlandse theatrale distributie: Cinemien Belgische theatrale distributie: ABC Distribution DVD uitbreng : Homescreen FAMILY LAW – synopsis Le jeune Ariel Perelman est avocat pro-deo et professeur d’université. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits