Een Film Van / Un Film De Daniel Burman
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Nuevo Cine Argentino De Rapado a Historias Extraordinarias Veinticinco Años, Veinticinco Libros
Nuevo Cine Argentino De Rapado a Historias extraordinarias Veinticinco años, veinticinco libros El ciclo político inaugurado en Argentina a fines de 1983 se abrió bajo el auspicio de generosas promesas de justicia, renovación de la vida pública y ampliación de la ciudadanía, y conoció logros y retrocesos, fortalezas y desmayos, sobresaltos, obstáculos y reveses, en los más diversos planos, a lo largo de todos estos años. Que fue- ron años de fuertes transformaciones de los esquemas productivos y de la estructura social, de importantes cambios en la vida pública y privada, de desarrollo de nuevas formas de la vida colectiva, de actividad cultural y de consumo y también de expansión, hasta ni- veles nunca antes conocidos en nuestra historia, de la pobreza y la miseria. Hoy, veinticinco años después, nos ha parecido interesante el ejercicio de tratar de revisar estos resultados a través de la publica- ción de esta colección de veinticinco libros, escritos por académicos dedicados al estudio de diversos planos de la vida social argentina para un público amplio y no necesariamente experto. La misma tiene la pretensión de contribuir al conocimiento general de estos procesos y a la necesaria discusión colectiva sobre estos problemas. De este modo, dos instituciones públicas argentinas, la Biblioteca Nacional y la Universidad Nacional de General Sarmiento, a través de su Instituto del Desarrollo Humano, cumplen, nos parece, con su deber de contribuir con el fortalecimiento de los resortes cognos- citivos y conceptuales, argumentativos y polémicos, de la democra- cia conquistada hace un cuarto de siglo, y de la que los infortunios y los problemas de cada día nos revelan los déficits y los desafíos. -
El Abrazo Partido
LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 1 INCAA LAS ESCUELAS CUADERNILLO VAN AL CINE PRESIDENTE AUTORES Ralph Haiek COORDINADORA Lucía Cedrón GENERAL Ernesto López Jové GERENTE GENERAL Virginia Petrozzino Virginia Roffo Juan García Aramburu CAPACITACIONES DISEÑO Y CONTENIDOS Equipo de diseño INCAA Lucía Cedrón LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 2017 LAS ESCUELAS VAN AL CINE . INCAA 1 LA PELÍCULA ¿DE QUÉ TRATA LA PELÍCULA? Nos los representantes del pueblo de la Nación Argentina, reunidos […] con el objeto de constituir la unión nacional […], proveer a la de- fensa común, promover el bienestar general, y asegurar los benefi- cios de la libertad, […] para todos los hombres y mujeres del mundo que quieran habitar en el suelo argentino […]ordenamos, decretamos y establecemos esta Constitución, para la Nación Argentina. Fragmentos del Preámbulo de la Constitución Nacional Ariel Makarof se pasa todos los días, muy a su pesar, en pleno barrio del Once, en Buenos Aires trabajando en una lencería dentro de una galería comercial donde conviven personas y familias de orígenes y costumbres muy distintas: hay criollos, hijos de italianos, bolivianos, judíos polacos, coreanos que apenas hablan castellano, peruanos, FICHA DE LA PELÍCULA FICHA TÉCNICA DE LA PELÍCULA TÍTULO: El abrazo partido DIRECTOR: Daniel Burman GUIÓN: Marcelo Birmajer, Daniel Burman FECHA DE ESTRENO: 25 de marzo de 2004 GÉNERO: Comedia DURACIÓN: 100 minutos PRODUCCIÓN: Diego Dubcovsky COMPAÑÍAS PRODUCTORAS: BD Cine, Wanda Visión, Nirvana Films DISTRIBUCIÓN: BD Cine ACTORES PRINCIPALES: Daniel Hendler, Sergio Boris, Adriana Aizemberg, Jorge D’Elía y Rosita Londner DIRECCIÓN DE FOTO- GRAFÍA: Ramiro Civita DIRECCIÓN DE ARTE: María Eugenia Sueiro MONTAJE: Alejandro Brodersohn MÚSICA: César Lerner DIRECCIÓN DE SONIDO: Martín Grignaschi DIRECCIÓN DE VESTUARIO: Roberta Pesci, Natalia Zubeldía PAÍSES DE PRODUCCIÓN: Coproducción entre Argentina, Francia, Italia y España 4 paraguayos, lituanos… todo un encuentro de culturas lleno de graciosos desencuentros y ma- los entendidos. -
Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing -
Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits -
DP El Nido Vacío
Dossier de presse trigon-film EL NIDO VACÍO de Daniel Burman (Argentine, 2008) DISTRIBUTION trigon-film Limmatauweg 9 5408 Ennetbaden Tél: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org CONTACT MÉDIAS Régis Nyffeler 077 410 76 08 [email protected] MATÉRIEL PHOTOGRAPHIQUE www.trigon-film.org FICHE TECHNIQUE Réalisation: Daniel Burman Scénario: Daniel Burman, Daniel Hendler Montage: Alejandro Brodersohn Image: Hugo Colace Décors: Aili Chen Musique: Nicolás Cota Production: Diego Dubcovsky, Daniel Burman, Sebastián Ponce, Jose María Morales Langue: Espagnol f/a Durée: 92 minutes FICHE ARTISTIQUE Oscar Martinez Leonardo Cecilia Roth Martha Arturo Goetz Dr. Spivack Inés Efron Julia Jean Pierre Noher Fernando Ron Richter Ianib Carlos Bermejo Marchetti Eugenia Capizzano Violeta PRIX & FESTIVALS Festival de San Sebastián: - Prix du meilleur acteur - Prix du Jury de la meilleure photographie Festival de Venise: - Robert Bresson Award 2 SYNOPSIS Auteur et dramaturge à succès de Buenos Aires, Leonardo est marié à Martha. Parents de trois enfants, ils forment un couple comblé et apprécié. Mais lorsque Julia, leur fille cadette, commence à dévoiler un besoin d’indépendance croissant, Leonardo et Martha se retrouvent soudain dans la perspective de vivre à nouveau tous les deux, seuls. Martha ne se démonte pas, bien prête à profiter de cette nouvelle liberté pour reprendre ses études abandonnées dans sa jeunesse et mener une vie sociale intense. De son côté, Leonardo se réfugie dans ses fantasmes, un livre en gestation. A tel point qu'il ne parvient bientôt plus à distinguer son monde imaginaire de la réalité. -
Appendix 1 the World of Cinema in Argentina
Appendix 1 The World of Cinema in Argentina A revelation on January 17, 2002. I am headed to the Citibank on Cabildo Street, where I have a savings account. I try to enter the bank but cannot because of the number of people waiting. So I give up on my errand. I cross the street to return home, and from the sidewalk facing the bank I see, for the first time, the building in which it is housed. The familiar is made strange; shortly after, it becomes familiar again, but in a slightly disturbing way. I recognize the building’s arches and moldings, its fanciful rococo façade. I recognize the Cabildo movie theater, in which I saw so many movies as an adolescent. Although I have been coming to this bank for years, I have never before made this connection. I know movie theaters that have been transformed into video arcades, into evangelical churches,1 into parking garages, even into bookstores. Yet I knew of none that had become a bank. All my savings were housed in a space that had been shadows, lights, images, sounds, seats, a screen, film. I remember that around the age of sixteen, I saw Robert Redford’s Ordinary People (1980) on the same day as Alain Resnais’ Last Year at Marienbad (1961) in the Hebraica theater. Two or three movies a day (video didn’t exist then) in which almost everything was film, film, and only film. These are the adolescent years in which cinephilia is born: a messy love, passionate, without much judgment. -
1- Introducción
CINE Y MEMORIA CONSTRUCCIONES DE MEMORIA COLECTIVA DEL ATENTADO A LA AMIA Autora: María Victoria Bourdieu e-mail: [email protected] Palabras clave: memoria colectiva, identidad cultural, representación 1- Introducción El atentado de 1994 a la sede de la AMIA (Asociación Mutual Israelita Argentina) en Buenos Aires produjo, además de la trágica pérdida de vidas, la constitución de un reclamo de justicia que pretendía esclarecer los hechos que terminaron en la voladura del edificio. Más allá de los hechos y de las implicancias judiciales posteriores que han sido analizadas en otros trabajos1, resulta interesante indagar respecto de cómo se construye memoria sobre este acontecimiento en particular y qué actores asumen esa tarea. Se acreditó en el juicio oral que el 18 de julio de 1994, aproximadamente a las 9:53 A.M., un vehículo Renault Traffic, conducido por una o más personas cuyas identidades se desconocen, se aproximó hasta la puerta del edificio de la calle Pasteur 633 y, tras subir a la acera, detonó la carga explosiva que llevaba en su interior, equivalente a entre 300 y 400 kgs. de TNT , provocando un estallido que colapsó la parte delantera del edificio, daños de diversa índole en un radio aproximado de 200 metros, el fallecimiento de 85 personas, y lesiones al menos a 151 individuos2. Como todos los episodios de violencia inusitada, representó un ataque a toda la ciudadanía argentina, sin embargo, creemos que no existe a la fecha una construcción de memoria colectiva de este hecho que involucre claramente a toda la sociedad. A partir de dos discursos fílmicos, 18-J y El abrazo partido, nos proponemos verificar cómo se pretende construir la memoria del hecho. -
Cultural Diversity in the German Motion Picture Industry – the Case Study of the World Cinema Fund
Faculty of History and Arts MA Cultural Economics and Cultural Entrepreneurship 2009/2010 Cultural Diversity in the German Motion Picture Industry – the Case Study of the World Cinema Fund Master’s Thesis Eva Joanna Kocula Student No. 338156 Thesis’ Supervisor: Erwin DEKKER Second Reader: Dr. Christian HANDKE Rotterdam, 31 July 2010 Eva Joanna Kocula LIST OF CONTENTS LIST OF TABLES .................................................................................................................... iv LIST OF FIGURES.................................................................................................................... v LIST OF APPENDICES ............................................................................................................ v ABSTRACT.............................................................................................................................. vi INTRODUCTION...................................................................................................................... 1 CHAPTER 1: THE DEBATE ON CULTURAL DIVERSITY................................................. 6 The Concept of Diversity.................................................................................................. 7 Economic Perspective on the Issue of Diversity .............................................................. 8 Government Intervention and the Protection of Cultural Diversity ............................... 11 Cultural Diversity as a Subject to Legal Regulation...................................................... -
Sydney Film Festival Returns to Hayden Orpheum Picture Palace Cremorne
MEDIA RELEASE EMBARGOED UNTIL 10:00 WEDNESDAY 7 MAY 2014 SYDNEY FILM FESTIVAL RETURNS TO HAYDEN ORPHEUM PICTURE PALACE CREMORNE The 61 st Sydney Film Festival expands its presence at the Hayden Orpheum Picture Palace Cremorne this 4-15 June. After the successful return to the Hayden Orpheum Picture Palace Cremorne in 2013, this year Sydney Film Festival brings an even larger curated program of films from the 2014 program to this beautifully restored art deco cinema on the North Shore. “We were thrilled to discover such a voracious appetite for Sydney Film Festival at the Hayden Orpheum Cremorne last year,” said SFF Festival Director Nashen Moodley . “It is a beautiful cinema with a smart, savvy film audience and a natural fit for the Festival. We look forward to presenting even more films across every night of the Festival this June.” “Speaking on behalf of all movie buffs, I am thrilled with the opportunity to see so many movies in this year’s Sydney Film Festival in the lush, beautiful and historic Picture Palace settings of the Hayden Orpheum and the State Theatre. Welcome back!” said Managing Director, Hayden Orpheum Picture Palace Cremorne , Paul Dravet. SFF 2014 Hayden Orpheum Picture Palace Cremorne films: Babylon UK | 2014 | 74 mins | In English | Australian Premiere Directors: Danny Boyle, Jon S. Baird | Screenwriters: Jesse Armstrong, Sam Bain | Producers: Robert Jones, Derrin Schlesinger | Cast: Brit Marling, James Nesbitt | Distributor: Entertainment One Australia Directed by Danny Boyle ( Slumdog Millionaire , Trainspotting ) and scripted by Sam Bain and Jesse Armstrong (Four Lions , SFF 2010; Peep Show ), Babylon is a witty, fast-paced feature-length TV pilot for a new UK comedy- drama. -
Sharethe Offilm!
powerSHAREthe ofFILM! December 2–12.2010 | wjff.org An exhibition of internAtionAl cinemA Presented by the washington dc jewish community center's morris cafritz center for the arts co-sPonsored by the embassy of israel and washington jewish week powerSHAREthe ofFILM! December 2–12.2010 | wjff.org An exhibition of internAtionAl cinemA sunday monday tuesday inA AnD Jack Kay AFI Silver theAtre AAron & cecile AAron & cecile community Hall jews and baseball: golDmAn theAter golDmAn theAter “Shalom Sesame” family chanukah An American love Story Das kind 2 or 3 things i know About him Party E 4:30 pm E 6:15 pm E 6:15 pm E 10:00 am After the cup: Arab labor Sixty in the city with gefilte fish Sons of Sakhnin united E 8:30 pm E 8:30 pm AAron & cecile E 7:30 pm golDmAn theAter AFI Silver theAtre AFI Silver theAtre grace Paley: collected Shorts uniteD StAteS holocAuSt the loners with take note gei oni E 11:00 am memoriAl muSeum E 7:00 pm E 6:45 pm children of the bible “the future of history: jaffa jews in Space st with transparent black holocaust films in the 21 century” E 9:15 pm E 9:15 pm E 1:30 pm E 2:00 pm world class kids Free Public Program goethe-inStitut Washington goethe-inStitut Washington with home Sweet israel “in conversation with filmmaker “in conversation with filmmaker E 3:30 pm NationAl Gallery of Art yonathan levy” rex bloomstein” kZ force of evil E noon E noon E 5:00 pm E 6:00 pm Free Public Program embassy of the Anita russiAn feDerAtion E 8:30 pm Stalin thought of you 5 E 7:00 pm 6 7 sunday AAron & cecile CLOSing night golDmAn theAter the klezmatics: on holy ground coffee–between reality and E 7:30 pm film and Party imagination E 10:30 am coffee reception AvAlon theAtre E 11:30 am film bar mitzvah E noon the bagel: An immigrant’s Story E 2:00 pm next year in…Argentina with voyage Work-In-Progress, Free Program E 2:30 pm calendar of events voices unbound: the Story mrs. -
Best Performance by a Web Site
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