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227-Newsletter.Pdf
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 2011 #227 LETTERS POEM NATHANIEL MACKEY INTERVIEW CARLA HARRYMAN & LYN HEJINIAN TALK WITH CORINA COPP CALENDAR PATRICK JAMES DUNAGAN REVIEWS CHAPBOOKS BY ARIEL GOLDBERG, JESSICA FIORINI, JIM CARROLL, ALLI WARREN & NICHOLAS JAMES WHITTINGTON CATHERINE WAGNER REVIEWS ANDREA BRADY CACONRAD REVIEWS SUSIE TIMMONS FARRAH FIELD REVIEWS PAUL LEGAULT CARLEY MOORE REVIEWS EILEEN MYLES ERIK ANDERSON REVIEWS RENEE GLADMAN DAVID BRAZIL REVIEWS MINA PAM DICK STEPHANIE DICKINSON REVIEWS LEWIS WARSH MATT LONGABUCCO REVIEWS MIŁOSZ BIEDRZYCKI JAMIE TOWNSEND REVIEWS PAUL FOSTER JOHNSON ABRAHAM AVNISAN REVIEWS CAROLINE BERGVALL NICOLE TRIGG REVIEWS JULIANA LESLIE ERICA KAUFMAN REVIEWS KARINNE KEITHLEY $5? 02 APR/MAY 11 #227 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Arlo Quint PROGRAM ASSISTANT: Nicole Wallace MONDAY NIGHT COORDINATOR: Macgregor Card MONDAY NIGHT TALK SERIES COORDINATOR: Michael Scharf WEDNESDAY NIGHT COORDINATOR: Joanna Fuhrman FRIDAY NIGHT COORDINATORS: Brett Price SOUND TECHNICIAN: David Vogen VIDEOGRAPHER: Alex Abelson BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Vanessa Garver INTERNS: Nina Freeman, Stephanie Jo Elstro, Rebecca Melnyk VOLUNTEERS: Jim Behrle, Rachel Chatham, Corinne Dekkers, Ivy Johnson, Erica Kaufman, Christine Kelly, Ace McNamara, Annie Paradis, Christa Quint, Judah Rubin, Lauren Russell, Thomas Seely, Erica Wessmann, Alice Whitwham, Dustin Williamson The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. -
Book of Abstracts
Fourth Biennial EAAS Women’s Network Symposium Feminisms in American Studies in/and Crisis: Where Do We Go from Here? April 28 and 29, 2021 BOOK OF ABSTRACTS EAAS Women’s Network [email protected] http://women.eaas.eu IN COLLABORATION WITH 2 INTERSECTIONAL FEMINISM AND LITERATURE: THINKING THROUGH “UGLY FEELINGS”? Gabrielle Adjerad In light of what has been institutionalized in the nineties as “intersectionality” (Crenshaw, 1989), but emanated from a long tradition of feminism fostered by women of color (Hill-Collins, Bilge, 2016), feminist theory has increasingly shed light on the plurality of women’s experiences, the inseparable, overlapping and simultaneous differences constituting their identities, and the materiality of the various dominations engendered. At the turn of the twenty-first century, this paradigm seems compelling to address fictional diasporic narratives addressing the diverse discriminations encountered by migrant women and their descendants in the United States. However, adopting an intersectional feminist approach of literature, for research or in the classroom, raises methodological issues that this paper contends with. Some thinkers have considered the double pitfall of considering, on the one hand, the text as a mimetic document of plural lives and, on the other, of essentializing a symbolical “écriture feminine” (Felski, 1989). Some have highlighted the necessary critical movement between the archetypal dimension of gender and the social and historical individuals diversely affected by this ideology (De Lauretis, 1987). Yet, beyond this tension between an attention paid to abstraction on the one hand and experience on the other, we can consider that hegemony is made of different ideologies that may contradict one another (Balibar, Wallerstein, 1991). -
The Newsletter of the Creative Writing Program at the University of Houston
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Maria Martinez Program Coordinator Glenn Blake Alumni Coordinator Undergraduate Advisor 713.743.3015 [email protected] 2004-2005 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. From the Director... The academic year 2004/2005 was a particularly full one. We welcomed Claudia Rankine to the faculty; we participated in the inaugural course for the new Cynthia Woods Mitchell Center for Col- laboration among the Arts; and on April 16, 2005, we hosted a celebration of the UH Creative Writ- ing Program’s 25th anniversary. This year we will welcome Kimiko Hahn to the poetry faculty and welcome Patricia Powell in the Fall and Peter Turchi in the Spring as visiting professors of fiction. And 19 new students will join the program: 10 in poetry; 8 in fiction, and 1 in non-fiction. In 2005/2006 we will address the undergraduate concentration in Creative Writing; we will work with the Graduate Studies Program to reform our graduate programs; and we will continue our ef- forts to build a strong and effective alumni association. It was especially gratifying in April to visit with alumni and former faculty. It allowed us the op- portunity to recognize the special contributions of some of our former faculty, to acknowledge people in the community who have generously supported the program over the years, and to ac- claim the achievements of our alumni. -
Rexilluslt Spreads1.Pdf
BRAIDED RIVER interviews curated by ANDREA REXILIUS #38 ESSAY PRESS LISTENING TOUR As the Essay Press website re-launches, we have commissioned some of our favorite conveners of public discussions to curate conversation-based CONTENTS chapbooks. Overhearing such dialogues among poets, prose writers, critics and artists, we hope to re-envision how Essay can emulate and expand upon recent developments in trans-disciplinary small-press culture. Introduction v by Anne Waldman Series Editors Maria Anderson Interview with Rachel Levitsky 1 Andy Fitch Interview with Fred Moten 20 Ellen Fogelman Aimee Harrison Interview with Omar Berrada 24 Courtney Mandryk Afterword 46 Victoria A. Sanz by Andrea Rexilius Travis Sharp Acknowledgments 50 Ryan Spooner Randall Tyrone About Naropa 2016 51 Author Bios 52 Series Assistants Cristiana Baik Ryan Ikeda Christopher Liek Cover Image Courtesy of Jane Dalrymple-Hollo Cover Design Courtney Mandryk Layout Aimee Harrison INTRODUCTION — Anne Waldman SWP Artistic Directior hese are three interviews, the same questions Tfor three eminent, wildly progressive poets who have been guest faculty during Naropa’s Jack Kerouac School of Disembodied Poetics Summer Writing Program—all visiting/teaching/performing at Naropa before these conversations took place, but queried here specifically in the context of our 2015 pedagogy, which carried the themic rubric of Braided River, the Activist Rhizome. Symbiosis (= “together living”) teaches that life is more like a braided river, horizontal waterflow with tributaries falling apart and coming together again (as algae, as fungi do), rather than the Abrahamic tree of life with its vertical, hierarchical branch system. We are the riparians alongside, inside, riding this river of inter- connectivity. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection Wcurrent and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Transcultural Intertextuality: Reading Asian North American Poetry
TRANSCULTURAL INTERTEXTUALITY: READING ASIAN NORTH AMERICAN POETRY by Xiwen Mai A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2010 Doctoral Committee: Associate Professor Susan Y. Najita, Chair Professor Laurence Goldstein Professor Shuen-Fu Lin Associate Professor Sarita See © Xiwen Mai 2010 To My Parents ii Acknowledgements This project would not have been possible without the unwavering support, encouragement, and advice of my dissertation committee. My greatest intellectual debt is to Professor Susan Najita, the chair of my committee. She has not only ushered me through every step of graduate school—from the coursework of the very first semester to the completion of this dissertation—but also challenged me to think deeply about my position as a critic. Her incisive questions and invaluable comments on every draft of my chapters have sharpened my thinking and made this project a better one. Professor Laurence Goldstein has been a thoughtful and thorough reader whose passion for both studying and writing poetry inspires me. For his generous investment in this project‘s development, I owe him more than I can say. I am also fortunate to have Professor Sarita See as a committee member. It was during her seminar on Asian American literary criticism that the thought of studying Asian North American poetry first occurred to me. Our numerous conversations ever since have always brought me a renewed sense of purpose. For her wonderful humor and energy, I will always be grateful. Professor Shuen-Fu Lin has been a great source of inspiration for me as well with his vast and profound knowledge of poetry in both English and Chinese. -
The Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER $5.00 #212 OCTOBER/NOVEMBER 2007 How to Be Perfect POEMS BY RON PADGETT ISBN: 978-1-56689-203-2 “Ron Padgett’s How to Be Perfect is. New Perfect.” —lyn hejinian Poetry Ripple Effect: from New and Selected Poems BY ELAINE EQUI ISBN: 978-1-56689-197-4 Coffee “[Equi’s] poems encourage readers House to see anew.” —New York Times The Marvelous Press Bones of Time: Excavations and Explanations POEMS BY BRENDA COULTAS ISBN: 978-1-56689-204-9 “This is a revelatory book.” —edward sanders COMING SOON Vertigo Poetry from POEMS BY MARTHA RONK Anne Boyer, ISBN: 978-1-56689-205-6 Linda Hogan, “Short, stunning lyrics.” —Publishers Weekly Eugen Jebeleanu, (starred review) Raymond McDaniel, A.B. Spellman, and Broken World Marjorie Welish. POEMS BY JOSEPH LEASE ISBN: 978-1-56689-198-1 “An exquisite collection!” —marjorie perloff Skirt Full of Black POEMS BY SUN YUNG SHIN ISBN: 978-1-56689-199-8 “A spirited and restless imagination at work.” Good books are brewing at —marilyn chin www.coffeehousepress.org THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #212 OCTOBER/NOVEMBER 2007 NEWSLETTER EDITOR John Coletti WELCOME BACK... DISTRIBUTION Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 4 ANNOUNCEMENTS THE POETRY PROJECT LTD. STAFF ARTISTIC DIRECTOR Stacy Szymaszek PROGRAM COORDINATOR Corrine Fitzpatrick PROGRAM ASSISTANT Arlo Quint 6 WRITING WORKSHOPS MONDAY NIGHT COORDINATOR Akilah Oliver WEDNESDAY NIGHT COORDINATOR Stacy Szymaszek FRIDAY NIGHT COORDINATOR Corrine Fitzpatrick 7 REMEMBERING SEKOU SUNDIATA SOUND TECHNICIAN David Vogen BOOKKEEPER Stephen Rosenthal DEVELOpmENT CONSULTANT Stephanie Gray BOX OFFICE Courtney Frederick, Erika Recordon, Nicole Wallace 8 IN CONVERSATION INTERNS Diana Hamilton, Owen Hutchinson, Austin LaGrone, Nicole Wallace A CHAT BETWEEN BRENDA COULTAS AND AKILAH OLIVER VOLUNTEERS Jim Behrle, David Cameron, Christine Gans, HR Hegnauer, Sarah Kolbasowski, Dgls. -
Susan Howe Papers
http://oac.cdlib.org/findaid/ark:/13030/tf5q2nb4cj No online items Susan Howe Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Susan Howe Papers MSS 0201 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Susan Howe Papers Creator: Howe, Susan, 1937- Identifier/Call Number: MSS 0201 Physical Description: 29 Linear feet(69 archives boxes, 4 card file boxes, 6 oversize folders) Date (inclusive): 1942-2002 Abstract: Papers of Susan Howe, American poet. The collection consists of Howe's literary correspondence, poetry manuscripts, notes and typescripts for readings and talks, personal and working journals, recordings, research files, and art/poetry installations dating from the 1950s to 2002. Scope and Content of Collection The collection consists of Susan Howe's literary correspondence, poetry manuscripts, notes and typescripts for readings and talks, personal and working journals, recordings, research files, and art/poetry installations dating from the 1950s to 2002. The collection is arranged in three accessions: an accession processed in 1991, an accession processed in 2003, and a small additional accession of manuscripts for Coracle Press Publications acquired in 2009. Accession Processed in 1991: Correspondence, poetry manuscripts, typescripts and notes for readings and talks, personal and working journals, art/poetry installations and over 100 tape recordings from Howe's WBAI Radio program, "Poetry." Most of the material dates from the early 1970s to the mid-1980s. -
Graduate Courses in English 2021-22
GGraduateraduate CCoursesourses iinn EEnglishnglish 22021-22021-22 Course Title FFallall WWinterinter SSpringpring Eng 403 Writers' Studies in Literature GGibbons,ibbons, Reginald TTretheweyrethewey, Natasha Fall: How to Work MMondayonday 110:00-1:000:00-1:00 WWednesdayednesday 22:00-5:00:00-5:00 Winter: Poetry & Creative Nonfi ction Eng 410 Introduction to Graduate Study FFeinsod,einsod, Harris Historicism Uses and Abuses MMondayonday 22:00-5:00:00-5:00 Eng 411 Studies in Poetry WWilson,ilson, Ivy Poetics of Dissolution (6) WWednesdayednesday 22:00-5:00:00-5:00 Eng 422 Studies in Medieval Literature PPhillipshillips, Susie Chaucer (1) TThursdayhursday 22:00-5:00:00-5:00 Eng 434 Studies in Shakespeare & Early Drama MMastenasten, Jeffrey Early Modern Sexualities (2) WWednesdayednesday 22:00-5:00:00-5:00 Eng 441 Studies in 18th-Century Literature TThompson,hompson, Helen WWolffolff, Tristram Fall: Realism/Antirealism (3) TTuesdayuesday 22:00-5:00:00-5:00 TTuesdayuesday 22:00-5:00:00-5:00 Winter: Green Materialisms (7) Eng 455 Studies in Victorian Literature JJohnsonohnson, Rebecca Literatures of the Global 19th Century: The Nahda (4 or 5) TTuesdayuesday 22:00-5:00:00-5:00 Eng 461 Studies in Contemporary Literature MMannann, Justin sec 20 Black Speculative Fiction and the Black Radical Imagination (7) MMondayonday 22:00-5:00:00-5:00 Eng 461 Studies in Contemporary Literature GGottliebottlieb, Susannah sec 21 Hannah Arendt: Poetry, Politics & Thought (5 or 7) TThursdayhursday 22:00-5:00:00-5:00 Eng 465 Studies in Colonial and Postcolonial -
5.00 #216 October/November 2008
$5.00 #216 OCTOBER/NOVEMBER 2008 New Books from Hanging Loose Press Tony Towle Sharon Mesmer Michael Cirelli William Corbett Winter Journey The Virgin Formica Lobster with Ol’ Opening Day Raves from his last “At turns intimate or Dirty Bastard A large new collection collection: Tony Towle boisterously satiric, “Vital and eye- of poems. Of past is “one of the New York The Virgin Formica catching and new.” – books: “Taut, School’s best-kept can gently detonate or David Lehman. precise...lucid and secrets.” – John erupt, carrying “Shows how hip-hop unflinching...” – Siri Ashbery. “Tony Towle’s readers along on is the evolution of Hustvedt. “One of the is one of the clear, ripples or classic poetry.” – few poets of our time authentic voices of shockwaves.” – Paul Kanye West. “Tender, who attends so well to American poetry.” – Violi. tough, revelatory...a the ear.” – Library Kenneth Koch. “Smart Praise for previous voice that doesn’t Journal. “Corbett is and sly, sure to disarm work: “. beautifully seem to have occurred interested in the and delight.” – Billy bold and vivaciously before.” – Patricia moment of clarity – Collins. His twelfth modern.” – Allen Smith. First revelation – and lets collection. Ginsberg. collection, by the the force and nature Paper, $16. Hardcover, Paper, $16. director of Urban of ‘seeing’...generate $26. Hardcover, $26. Word NYC. shapes in language.” – August Kleinzahler. Indran Marie Carter Paper, $16. Hardcover, $26. Paper, $16. Amirthanayagam The Trapeze Hardcover, $26. The Splintered Diaries R. Zamora Face: Tsunami Linmark Poems First book from the And keep in mind – editor of Word Jig: New The Evolution of a “These poems both Fiction from Scotland. -
248-Newsletter.Pdf
The Poetry Project October / november 2016 Issue #248 The Poetry Project October / November 2016 Issue #248 Director: Stacy Szymaszek Managing Director: Nicole Wallace Archivist: Will Edmiston Program Director: Simone White Archival Assistant: Marlan Sigelman Communications & Membership Coordinator: Laura Henriksen Bookkeeper: Carlos Estrada Newsletter Editor: Betsy Fagin Workshop/Master Class Leaders (Fall 2016): Krystal Reviews Editor: Sara Jane Stoner Languell, Trace Peterson, Brenda Coultas, Miyung Mi Kim Monday Night Readings Coordinator: Judah Rubin Box Office Staff: Micaela Foley, Cori Hutchinson, and Wednesday Night Readings Coordinator: Simone White Catherine Vail Friday Night Readings Coordinator: Ariel Goldberg Interns: Shelby Cook, Iris Dumaual, and Cori Hutchinson Friday Night Readings Assistant: Yanyi Luo Newsletter Consultant: Krystal Languell Volunteers Damla Bek, Reynaldo Carrasco, Mel Elberg, Micaela Foley, Hadley Gitto, Cori Hutchinson, Anna Kreienberg, Phoebe Lifton, Dave Morse, Batya Rosenblum, Erkinaz Shuminov, Viktorsha Uliyanova, Shanxing Wang, and Emma Wippermann. Board of Directors Camille Rankine (Chair), Katy Lederer (Vice-Chair), Carol Overby (Treasurer), and Kristine Hsu (Secretary), Todd Colby, Adam Fitzgerald, Boo Froebel, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Laura Nicoll, Purvi Shah, Jo Ann Wasserman, and David Wilk. Friends Committee Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Gillian McCain, Eileen Myles, Patricia Spears Jones, Michel de Konkoly Thege, Greg Masters, Ron Padgett, Bob Holman, Paul Slovak, John Yau, Anne Waldman and Hal Willner. Funders The Poetry Project is very grateful for the continued support of our funders Axe-Houghton Foundation; Committee on Poetry; Dr. Gerald J. & Dorothy R. Friedman Foundation, Inc.; Jerome Foundation; Leaves of Grass Fund; Leslie Scalapino – O Books Fund; LitTAP; New York Council for the Humanities; Poets & Writers, Inc.; Poets for the Planet Fund; The Robert D.