From Social Media to Art Making: Synthesizing Filipino Diaspora Discourse on Typhoon Yolanda
FROM SOCIAL MEDIA TO ART MAKING: SYNTHESIZING FILIPINO DIASPORA DISCOURSE ON TYPHOON YOLANDA A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Amanda L. Tira Andrei, B.A. Washington, DC April 19, 2016 Copyright 2016 by Amanda L. Tira Andrei All Rights Reserved ii FROM SOCIAL MEDIA TO ART MAKING: SYNTHESIZING FILIPINO DIASPORA DISCOURSE ON TYPHOON YOLANDA Amanda L. Tira Andrei, B.A. Thesis Advisor: Wayne Osborn, Ph.D. ABSTRACT When Typhoon Haiyan (Yolanda), the deadliest typhoon in recorded history, struck in 2013 it affected not only the people of the Philippines, but the Filipino diaspora around the world. Yet there was a greater need for understanding the disaster as not merely a singular physical event, but a process with deep cultural, socioeconomic, political, emotional, and spiritual implications. In addition to reviewing and examining the studies of social media conversations that occurred in the Philippines directly after the physical event, this research also involved conducting an arts- based research (ABR) experiment of stenciling and mural-making in order to understand the typhoon-as-process more fully. Depending on the context and audience, these areas of research can be useful for understanding a disaster, though they reveal vastly different experiences. Rapid, vast, and immediate, social media can be useful for situational awareness and first responders, though it can be difficult to sift through, noisy, and overlook affected peoples without access to digital goods and services.
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