St. Christopher Catholic Parish

Total Page:16

File Type:pdf, Size:1020Kb

St. Christopher Catholic Parish St. Christopher, Marysville Page 1 ST. CHRISTOPHER CATHOLIC PARISH 1000 MICHIGAN AVE. 810-364-4100 WWW.STCHRISMI.ORG SUNDAY, JULY 26, 2020 17TH SUNDAY IN ORDINARY TIME “The kingdom of heaven is like treasure hidden in a field, which a man found and covered up; then in his joy he goes and sells all that he has and buys that field.” ~Mt 13:44 Page 2 St. Christopher, Marysville Pope Francis’ Mission Statement: To Become a Band of Joyful Missionary Disciples. Archdiocese of Detroit’s Mission Statement: To Unleash the Gospel. Saint Christopher’s Parish Mission Statement: Transform Lives in Jesus Christ Through the Power and Freedom of the Gospel. Parish Vision Statement: Foster a Personal Encounter with Jesus. Pastor’s Point of Perspective. Hello my dear brothers and sisters of Saint Christopher’s Parish Family. Next Saturday, July 25 at 11:00 AM, we will celebrate a Solemnity Mass in honor of Saint Christopher, our parish patronal saint. We were planning to have a parish picnic afterwards, but due to our present circumstances regarding the response to the coronavirus, we cannot. We will have, however, a Mass and gather for it as we pray for God’s Will to be done throughout our Church, state, country and world. On a Musical Note. Every now and then, over the past approximately eighteen months or so, I will receive the occasional inquiry regarding the apparent perceived change in music that is being played or sung or selected at Saint Christopher’s. I hear from several people that we do not play “traditional” hymns anymore, or the music is sad, lacking energy, not uplifting, or no longer joyful, or et cetera. Our Music Director has been touching on this understanding of church music in several of her articles, and perhaps most notable was her last weekend’s article in which Deidre quoted Bishop Thomas Olmsted’s essay, Singing the Mass, that brought about a very edifying distinction between what is known as religious music and liturgical or sacred music. I would like to address these aforementioned inquiries on music in several ways. (1) First of all, at this time, our orders from the Archdiocese of Detroit and their Academy of Sacred Music requested all parishes to limit congregational singing and actually have the choir lead with antiphons. For those of you who are unfamiliar with this term antiphon, they are the things you’re hearing at the beginning of the Mass and at communion; they are actually called “Entrance Antiphon” and “Communion Antiphon” in the Missal (the Missal is the book we follow to say the Mass). These antiphons are an integral part of the liturgy, which means they are supposed to be sung. Plus, the antiphons are universally directed throughout the Church, meaning, they are the same throughout the world. (2) Secondly, most parishes in this Archdiocese have adopted a culturally familiar category of song known as “religious music,” which is a popular expression of a particular culture’s faith, considered to be common, having its origin in human hearts yearning for God, is artistic or expressionistic from an individual singer, not directly suitable for the worship of God, and focused or centered on community emphasizing fellowship. Due to the Archdiocese’s missionary focus on evangelization these past decades, this religious music is very useful because it speaks to the culture by relating to it lyrically and emotively (that means it makes you feel good, and then by feeling good, you would then be open to hearing about Jesus – this is the very simplified version of what we as the Church of Detroit have been doing the last almost thirty years). In addition, there are vast resources that cater to religious music, which is why this musical category is so popular and so familiar to you. Most of the Archdiocese of Detroit’s parish churches have been using it for a very long time, I know because I grew up with it too. (3) It was not until I began my formal training in seminary where I began to encounter “liturgical music,” which is also referred to as “sacred music,” the music of the Church. Liturgical music is the music that accompanies liturgy, which is defined as the form or formulary according to which public religious worship, especially Christian/Catholic, is conducted. Often, liturgy is referred to as “the Sacred Liturgy,” and therefore, (Continued on page 3) St. Christopher, Marysville Page 3 (Continued from page 2) liturgical music is called “Sacred Music.” The definition of the term, “sacred,” means connected with God or dedicated to a religious purpose and so deserving of veneration; embodying the laws or doctrines of a religion; regarded with respect and reverence by a particular religion. Hence, this other musical category is “liturgical music” or “sacred music.” Liturgical or Sacred Music is the sacramental expression of Jesus Christ and the true nature of the Church. The purpose of liturgical or sacred music is to draw people into the sacred liturgy, who learn to sing in one voice through the often unfamiliar melody and rhythm of the Church’s sacred music, a oneness exemplified primarily in Gregorian Chant and polyphony, music that reflects the texts of the sacred liturgy. Liturgical or sacred music is universal, communal or collective, eternal, coming directly from the very heart of Jesus Christ, the heart of the Church, which longs and yearns for us (the thirst of Jesus Christ from the cross … I thirst). Liturgical or sacred music is meditative, prayerful, reflective, thought-provoking – especially in terms of our lives as reflected in the life of Jesus Christ. Liturgical or sacred music is meant to assist us to engage God, reveal our hearts and minds to ourselves, and allow God to reveal Himself to us. Liturgical or sacred, not religious, music is proper to Mass (a liturgy) – the right choice – since we are not in any worldly culture applying religious music focused on one another, but rather we are in Church culture at the Mass: we are in Christ Our King’s Heavenly Court at the Wedding Feast of the Lamb where all focus is on Him. Hopefully, this fine distinction between religious music and liturgical (sacred) music solves these musical inquiries and confusion. It is only recently that I myself learned the distinctive categories and how they applied. Clearly, liturgical (sacred) music is the right choice for the Holy Mass since it parallels the intended purpose and focus of the Mass – they match. Plus, the liturgical (sacred) music is what has been handed down to us in the Church. Music at Mass or Church music is not about what I like, or what you like, what entertains or bores, but rather about what is proper and right for the worship of God. The liturgy and her music belong to the Church – we do not own it, we do not control it, we serve it as Christ came to serve and not to be served. Catechism of the Catholic Church Preface for this Weekend’s Readings to Ponder. “We can therefore hope in the glory of heaven promised by God to those who love him and do his will. In every circumstance, each one of us should hope, with the grace of God, to persevere "to the end" and to obtain the joy of heaven, as God's eternal reward for the good works accomplished with the grace of Christ. In hope, the Church prays for "all men to be saved." She longs to be united with Christ, her Bridegroom, in the glory of heaven ” (Catechism of the Catholic Church, paragraph 1821). Peace, Fr. James The members of St. Christopher’s Parish 10th Anniversary Celebration for Fr. James! extend their prayers and sympathy to the family Friday, August 21, 2020 and friends of Please join us for Hor d’oeuvres and beverages during the Theodore Wessel open house between 6:00 p.m ~ 8:00p.m. Although you are welcome to stay the entire duration, in order to help us plan Holy Cross-Cardinal Mooney Alumni appropriately, please RSVP by calling the parish office or Association Breakfast Cancelled visiting www.stchrismi.org, for the 6:00pm ~ 7:00pm, or The Holy Cross-Cardinal Mooney Alumni Association 7:00pm ~ 8:00 time frame. Reservations are limited to the has cancelled the annual Alumni Breakfast scheduled for first 225 guests. September 13, 2020. Expect your annual Newsletter sometime in August. Marilynn Pavlov, President Page 4 St. Christopher, Marysville Don’t let anyone think less of you because you are young. Be an example to all believers in what you say, in the way you live, in your love, your faith, and your purity.” ~1 Timothy 4:12 Kristi—Director of Religious Education Suzy—Youth Ministry Shelley—Faith Formation Secretary [email protected] [email protected] [email protected] connect my suffering to Jesus as a means for another’s sal- Suffering vation, then it has purpose. Knowing this, I don’t want to “waste” my suffering, but instead offer it to God to use for Have you ever used the term “offer it up” when someone good. Doing this can be easier said than done. It requires an tells you they are in pain or suffering? Whereas I won’t outward focus away from my own desire for comfort. My attempt to delve into the question of why there is suffering natural tendency when I’m suffering is to focus on myself in the world, I will pose a follow up question for us to pon- and complain about it. But, when I see my suffering as an der.
Recommended publications
  • St. Thomas the Apostle Catholic Church
    St. Thomas the Apostle Catholic Church Archdiocese of Galveston-Houston Office: 1603 Avenue N * Huntsville, TX 77340 Church: 1323 16th St. * Huntsville, TX 77340 Ph. 936.295.8159 * Fax 936.295.3543 www.sainhomashuntsville.org "...there is no inequality of significance amongst us except holiness..." “No hay desigualdad de importancia entre nosotros excepto la santidad…” The Most Holy Trinity Sunday June 16, 2019 STAFF Rev. Fred Valone…..Pastor Felix Ramos………..Permanent Deacon Kathy Boscarino…….DRE / Y M Maria Delgado……… Elem. CCE Marisol Urbina…...Administrative Asst. Rick Reed…………...Music Coordinator Jill Baker………..Nursery Coordinator Pat Norfleet…………..Bookkeeper Sylvia Vitela…………..Secretary Laura Puente………...Custodian Mass Schedules Saturday/ Sabado 5:30 pm English Sunday/ Domingo 7:45 am English 10:45 am English 12:30 pm Spanish Monday/ Lunes No Mass Tuesday-Martes 7:15 am Wed. – Friday/ 7:15 am Miercoles-Viernes Reconciliation / Reconciliación The flowers besides the Tues/Martes 4:30-5:30 pm Blessed Sacrament are offered Sat/Sabado 4:00-5:00 pm in loving memory of Adoration/Adoración Donna Hebert Tuesday / After 7:15 am By Martes Mass until 5:30pm Gayle Hebert Mass Intentions Of The Week Our gratefulness to God weekly offering Sat. 06/15 5:30 pm Tim Burkett June 9th, 2019 Fr. Fred and all Regular Sunday Donations: $5,585.00 Sun. 06/16 7:45 am fathers Catholic Communications: $1,259.75 Thank you for 10:45 am Ariel Dunster (Birthday) your continued support! 12:30 pm Parishioners Judy Adib, Veronica Antwi, James Aubey, Mon. 06/17 NO Mass Irma Avalos, Gene Barrett, Jordan Bergeron, Marie Blanchard, Chelsea Brown, Linda Tues.
    [Show full text]
  • The Community of Saint Christopher Catholic Parish Saint Andrew and Saint William Churches 301 N
    Welcome to the Community of Saint Christopher Catholic Parish Saint Andrew and Saint William Churches 301 N. Main Street, Verona WI 53593 www.saintchristopherparish.com The Most Rev. Robert C. Morlino, Sunday Masses Saturday: Bishop of Madison 5:00 p.m. Saint Andrew Church, Verona Fr. William F. Vernon, Pastor Email: [email protected] Parish Office: 845-6613 Davonna Runde, Parish Secretary Daily Masses Office: 845-6613, Ext. 0 Email: [email protected] Tuesday through Saturday: 8:00 a.m. Saint Andrew Church, Verona Laurie Sabbarese, Religious Education Coordinator, Grades K-8 Office: 845-6613, Ext. 7 Email: [email protected] Confessions (Reconciliation) Saturdays, 8:45-10 a.m.; Daily, before Mass; & by appointment Doug Ulaszek, Youth Ministry/Confirmation & Baptism Adult Faith Coordinator Office: 845-6613, Ext. 5 Email: [email protected] After the 5:00 p.m. or 11:00 a.m. Masses. Contact the Parish Office at least three months before the desired baptism date. Patty Howe, Finance/HR Manager Baptism Class: July 27, September 12 Office: 845-6613, Ext. 4 Email: [email protected] Marriage Bob Shunk, Jr., Parish Custodian Office: 845-6613, Ext. 6 Email: [email protected] Contact the Pastor no later than six months before the desired wedding date. Catherine Schneider, Volunteer Coordinator for New Parishioner Registration Home Visits, Holy Communion to the Home- bound, Hospice Care & Grief Ministry All Catholics 18 years or older are invited to register as Phone: 845-9240 Email: [email protected] members of our Catholic Community. Call or stop by the Parish Office or see the parish website for a registration form.
    [Show full text]
  • The Community of Saint Christopher Catholic Parish Saint Andrew and Saint William Churches 301 N
    Welcome to the Community of Saint Christopher Catholic Parish Saint Andrew and Saint William Churches 301 N. Main Street, Verona WI 53593 www.saintchristopherparish.com The Most Rev. Robert C. Morlino, Sunday Masses Saturday: Bishop of Madison 5:00 p.m. Saint Andrew Church, Verona Fr. William F. Vernon, Pastor Email: [email protected] Parish Office: 845-6613 Davonna Runde, Parish Secretary 845-6613, Ext. 0 Daily Masses Email: [email protected] Tuesday through Saturday: Laurie Sabbarese, Religious Education 8:00 a.m. Saint Andrew Church, Verona Coordinator, Grades K-8 845-6613, Ext. 7 Email: [email protected] Confessions (Reconciliation) Saturdays, 8:45-10 a.m.; Daily, before Mass; & by appointment Doug Ulaszek, Youth Ministry/Confirmation & Adult Faith Coordinator 845-6613, Ext. 5 Baptism Email: [email protected] After the 5:00 p.m. or 11:00 a.m. Masses. Contact the Parish Laura Zakrzewski, Faith Formation Office Office at least three months before the desired baptism date. Assistant 845-6613, Ext. 3 Baptism Class: November 17, January 11, March 16 Email: [email protected] Marriage Patty Howe, Finance/HR Manager 845-6613, Ext. 4 Contact the Pastor no later than six months before the desired Email: [email protected] wedding date. Bob Shunk, Jr., Parish Custodian 845-6613, Ext. 6 New Parishioner Registration Email: [email protected] All Catholics 18 years or older are invited to register as Catherine Schneider, Volunteer Coordinator for members of our Catholic Community. Call or stop by the Home Visits, Holy Communion to the Home- Parish Office or see the parish website for a registration form.
    [Show full text]
  • 2022 Liturgical Calendar
    LITURGICAL CALENDAR FOR THE DIOCESES OF THE UNITED STATES OF AMERICA 2022 Committee on Divine Worship LITURGICAL CALENDAR FOR THE DIOCESES OF THE UNITED STATES OF AMERICA 2022 United States Conference of Catholic Bishops Committee on Divine Worship Cover Photo: Getty Images Copyright © 2020, United States Conference of Catholic Bishops, Washington, DC. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright holder. 2 INTRODUCTION Each year the Secretariat of Divine Worship of the United States Conference of Catholic Bishops publishes the Liturgical Calendar for the Dioceses of the United States of America. This Calendar is used by authors of ordines and other liturgical aids published to foster the celebration of the liturgy in our country. The Calendar is based upon the General Roman Calendar, promulgated by Pope Saint Paul VI on February 14, 1969, subsequently amended by the Holy See, and the Proper Calendar for the Dioceses of the United States of America, approved by the United States Conference of Catholic Bishops.1 This Calendar has been updated to reflect the names and titles of the various liturgical days in conformity with the Roman Missal, Third Edition. The General Instruction of the Roman Missal reminds us that in the cycles of readings and prayers proclaimed throughout the year in the sacred liturgy “the mysteries of redemption are celebrated so as to be in some way made present.” Thus may each celebration of the Holy Eucharist which is served by this Calendar be for the Church in the United States of America “the high point both of the action by which God sanctifies the world in Christ and of the worship that the human race offers to the Father, adoring him through Christ, the Son of God, in the Holy Spirit.”2 Sincerely in Christ, Rev.
    [Show full text]
  • The Practice of Piety and Virtual Pilgimage
    THE PRACTICE OF PIETY AND VIRTUAL PILGIMAGE AT ST. KATHERINE’S CONVENT IN AUGSBURG _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by MISTY MULLIN Dr. Anne Rudloff Stanton, Thesis Supervisor MAY 2012 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled THE PRACTICE OF PIETY AND VIRTUAL PILGRIMAGE AT ST. KATHERINE’S CONVENT IN AUGSBURG presented by Misty Mullin, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Anne Rudloff Stanton Professor Norman Land Professor Rabia Gregory Mary L. Pixley, PhD ACKNOWLEDGEMENTS I would like to thank Dr. Anne Rudloff Stanton, my advisor, for suggesting that I read Pia Cuneo’s article “The Basilica Cycle of Saint Katherine’s Convent: Art and Female Community in Early-Renaissance Augsburg,” which led to the discovery of my thesis topic. I greatly appreciate all the encouragement and support she provided me throughout the thesis process and valued all her comments, which helped organize and clarify my writing. I could not have produced my thesis without her! I would also like to thank Dr. Norman Land for his dedication to good writing because it made me focus on the use of language and clarity in my own writing. I appreciate that he takes the time to actually look at art and I enjoyed hearing all of his humorous anecdotal stories. I would also like to thank Dr.
    [Show full text]
  • Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging Nicole Fares University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2018 Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging Nicole Fares University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Near and Middle Eastern Studies Commons Recommended Citation Fares, Nicole, "Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging" (2018). Theses and Dissertations. 2635. http://scholarworks.uark.edu/etd/2635 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Queer Arab Writing Across Borders: Sexual Citizenship and Acts of Belonging A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Nicole Fares American University of Science and Technology Bachelor of Arts in Translation, 2012 University of Arkansas Master of Fine Arts in Creative Writing, 2014 May 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ____________________________________ Mohja Kahf, Ph.D. Dissertation Director ____________________________________ ____________________________________ Yajaira M. Padilla, Ph.D. Lisa Ann Hinrichsen, Ph.D. Committee Member Committee Member ABSTRACT This study provides a comparative analysis of various representations of sexuality in seven transnational Arab cultural productions: Salim Haddad’s Guapa (2016), Rabih Alameddine’s The Angel of History (2016), Ahmed Dany Ramadan’s The Clothesline Swing (2017), Hasan Namir’s God in Pink (2015), Fadia Abboud’s I Luv U But (2016), Alissar Gazal’s Lesbanese (2008), and Ayse Toprak’s Mr.
    [Show full text]
  • Akutagawa and the Kirishitanmono: the Exoticization of A
    AKUTAGAWA AND THE KIRISHITANMONO: THE EXOTICIZATION OF A BARBARIAN RELIGION AND THE ACCLAMATION OF MARTYRDOM by PEDRO T. BASSOE A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Pedro T. Bassoe Title: Akutagawa and the Kirishitanmono: The Exoticization of a Barbarian Religion and the Acclamation of Martyrdom This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Dr. Jason P. Webb Chair Dr. Thomas Glynne Walley Member Dr. Mark Unno Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2009 Pedro T. Bassoe iii THESIS ABSTRACT Pedro Thiago Ramos Bassoe Master of Arts Department of East Asian Languages and Literatures June 2012 Title: Akutagawa and the Kirishitanmono: The Exoticization of a Barbarian Religion and the Acclamation of Martyrdom Akutagawa Ryūnosuke, one of the most widely read and translated authors of the Taishō period, wrote some two dozen short stories centered on the theme of Christianity during his brief career. In this paper, I examine these works, known as kirishitanmono, both in the context of the author’s oeuvre and the intellectual environment of his day. The kirishitanmono are examined for a pervasive use of obscure language and textual density which serves to exoticize Christianity and frame it as an essentially foreign religion.
    [Show full text]
  • Memorandum of Liturgical Notes for the Diocese
    Office of Worship Diocese of Honolulu Memorandum TO: All Clergy, Religious Communities, and Parishes FROM: Deacon Modesto Cordero, Director Office of Worship DATE: November 19, 2019 RE: 2020 LITURGICAL NOTES FOR THE DIOCESE OF HONOLULU - (Year A-II) – CORRECTED 11/26/2019 Miscellaneous Notes 1. As a reminder in our diocese the Holydays of Obligation are two: the Solemnity of the Immaculate Conception (December 8, the Patroness of the USA); and Christmas (December 25). The faithful are encouraged to attend Mass on the other holydays of obligation celebrated in the United States of America. Pastors are therefore asked to provide practical opportunities for more people to attend Mass on these days by celebrating a Vigil Mass (when permitted) or an extra Mass or two at hours convenient for the faithful. 2. The 2020 liturgical year begins on the First Sunday of Advent, December 1, 2019. 3. Anniversary of the Dedication of the Parish Church – This date should be celebrated as a Solemnity by the parish, unless impeded by a day of higher rank. (The Order of the Dedication of a Church and an Altar, Chapter II, para #27 and General Norms for the Liturgical Year and the Calendar, para # [R10]). 4. Memorial of the Patron(s) of the Parish – This date should be celebrated as a Solemnity by the parish, unless impeded by a day of higher rank. (Universal Norms on the Liturgical Year and the General Roman Calendar (by Pope Paul VI in 1969) para # 59 (Table of Liturgical Days) I, #4a.) 5. The celebration of the Solemnity of the Ascension of the Lord in our diocese is transferred to Sunday, May 24, 2020.
    [Show full text]
  • The Narrative Structure and Cultural Implications of the Contemplation Of
    Demis Defors: the Narrative Structure and Cultural Implications of the Contemplation of Death in Medieval French Courtly Literature Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University. Lisa Shugert Bevevino, BA, MA Graduate Program in French and Italian The Ohio State University 2012 Dissertation Committee: Professor Sarah-Grace Heller Professor Jennifer Willging Professor Christopher A. Jones Copyright by Lisa Shugert Bevevino 2012 Abstract This dissertation traces the literary and cultural implications of the representation of suicide and despair in courtly literature from medieval France. The study begins with an introduction to the scholarly work already done on literary texts and is followed by a historical introduction to the problem of suicide and despair in medieval society. Scenes of suicide and despair fall into five main categories: the martyr trope, the desire for union outside the constraints of mortal life, the erotic, the way to truly express the value of life, and the apprehension of death, and they function together to show pieces of the individual personality of each character as well as to highlight societal and cultural problems that would lead a character to despair. Despair and suicide were both grave sins according to the Church in the Middle Ages, yet authors make no obvious commentary or explicit judgment against their despairing or suicidal characters. They do judge them for other sins and transgressions, so this dissertation seeks to examine how the authors do view their characters and what that implies about societal reactions to their problems.
    [Show full text]
  • 26 January 2020 the General Roman Calendar Special Indulgences, Days of Devotion, and Other Information That May Be Convenient for the Clergy to Know
    26 January 2020 The General Roman Calendar special indulgences, days of devotion, and other information that may be convenient for the clergy to know. The Ordo is “Throughout the course of the year the Church unfolds the issued with the authority of the bishop or bishops concerned, entire mystery of Christ and observes the birthdays of the and is binding on the clergy in their jurisdiction. Saints.” Universal Norms on the Liturgical Year and the Calendar The calendar of the Roman Missal and Roman Breviary, apart from special privilege, always forms the basis of The Church Year, which begins each year on the First the Ordo recitandi. To this the feasts celebrated in the Sunday of Advent and ends the week following the Feast diocese are added, and, as the higher grade of these special of Christ the King, combines two cycles of liturgical celebrations often causes them to take precedence of those in celebrations. One is called the Proper of Time or the ordinary calendar, a certain amount of shifting and Temporale, associated with the moveable date of Easter and transposition is inevitable, even apart from the complications the fixed date of Christmas. The other is associated with caused by the movable feasts. All this must be calculated and fixed calendar dates and has been called the Proper of arranged beforehand in accordance with the rules of the Saints or Sanctorale. general rubrics of the Missal and Breviary. Even so, the In the Temporale, the most important moveable feast on clergy of particular churches must further provide for the the calendar is Easter.
    [Show full text]
  • The Cult of Saint Dorothy in Medieval Hungary
    Dorottya Uhrin THE CULT OF SAINT DOROTHY IN MEDIEVAL HUNGARY MA Thesis in Medieval Studies Central European University Budapest May 2018 CEU eTD Collection THE CULT OF SAINT DOROTHY IN MEDIEVAL HUNGARY by Dorottya Uhrin (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ Examiner CEU eTD Collection Budapest May 2018 THE CULT OF SAINT DOROTHY IN MEDIEVAL HUNGARY by Dorottya Uhrin (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2018 THE CULT OF SAINT DOROTHY IN MEDIEVAL HUNGARY by Dorottya Uhrin (Hungary) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor Budapest CEU eTD Collection May 2018 I, the undersigned, Dorottya Uhrin, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person’s or institution’s copyright.
    [Show full text]
  • Sunday, July 11, 2021
    Liturgical Guide – July 11, 2021 Ecumenical Patriarchate of Constantinople: www.patriarchate.org Greek Orthodox Archdiocese of America Website: www.goarch.org Greek Orthodox Metropolis of Atlanta Website: www.atlanta.goarch.org St. Christopher Hellenic Orthodox Church Website: www.saintchristopherhoc.org St. Christopher Hellenic Orthodox Church 313 Dividend Drive, Suite 210 Peachtree City, Georgia 30269 Very Rev. Fr. George J. Tsahakis, Chancellor Liturgical Guide for Sunday, July 11, 2021 ON THIS DAY, THE THIRD SUNDAY OF ST. MATTHEW, WE COMMEMORATE Euphemia the Great Martyr; The All-Praised Olga, Equal-to-the- Apostles, Princess of Kiev; Nektarios the New Martyr; Sophrony the Athonite of Essex; and Nicodemos the New Martyr of Mt. Athos. Through their holy intercessions, O God, have mercy on us and save us. Amen. Thank You for Your Understanding We welcome our parishioners who are attending services in person today and we also welcome those who are viewing our online video streaming at home. Let us comply with the guidelines we have provided everyone. We appreciate your kind understanding in following them. Fr. George is deeply appreciative to you and all who are assisting during worship services. Please consider that only baptized and chrismated Orthodox Christians in canonical good standing may approach for Holy Communion. All are invited to partake of the Antidoron ("instead of the gifts") distributed at the conclusion of today’s Divine Liturgy. SPECIAL HYMNS SUNG BEFORE/AFTER SMALL ENTRANCE 1./2. Resurrectional Hymn (Second Tone) – (Hymnal-pp.102-105): It is sung before and after the Small Entrance: When You descended into death, Life immortal, You vanquished the power of hell by your resplendent divinity, and when You raised the dead from the depths of darkness, all the heavenly powers cried out triumphantly: O giver of life, Christ our God, glory to You.
    [Show full text]