Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992
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Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre
W&M ScholarWorks Arts & Sciences Articles Arts and Sciences Spring 2014 Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre Emily E. Wilcox William & Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/aspubs Part of the Chinese Studies Commons, and the Dance Commons Recommended Citation Wilcox, Emily E., Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre (2014). TDR: The Drama Review, 58(1), 42-63. https://doi.org/10.1162/DRAM_a_00327 This Article is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Articles by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Meaning in Movement Adaptation and the Xiqu Body in Intercultural Chinese Theatre Emily E. Wilcox Strindberg Rewritten “You don’t know what to do? Let me tell you. Let me show you!”1 Jean yells this at Julie as he gives a villainous laugh and tosses his ankle-length silk sleeves into the air. Jean rushes toward Julie, grabs what we now know is an imaginary bird from Julie’s hand and, facing the audience, violently wrings the bird’s neck, killing it. The bird still in his hand, Jean bends both legs into a deep squat, spins his arms like a jet propeller in a fanshen2 turn, and then bashes the bird’s body into the stage floor. Julie screams. Jean lets out a violent shout, whips his sleeves toward the floor and struts away offstage in a wide-legged swagger.3 1. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
ARSC Journal
LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC. -
Violin Concerto Miss Julie Suite • Fanfare for a Joyful Occasion Lorraine Mcaslan, Violin Royal Liverpool Philharmonic Orchestra David Lloyd-Jones
570705 bk Alwyn 26/1/11 12:18 Page 8 Also available: ALWYN Violin Concerto Miss Julie Suite • Fanfare for a Joyful Occasion Lorraine McAslan, Violin Royal Liverpool Philharmonic Orchestra David Lloyd-Jones 8.570704 8.557645 8.570705 8 570705 bk Alwyn 26/1/11 12:18 Page 2 William Royal Liverpool Philharmonic Orchestra The Royal Liverpool Philharmonic Orchestra is Britain’s oldest surviving professional symphony orchestra, dating ALWYN from 1840. Vasily Petrenko was appointed Principal Conductor of the orchestra in September 2006 and in (1905-1985) September 2009 became Chief Conductor until 2015. The orchestra gives over sixty concerts each season in Liverpool Philharmonic Hall and in recent seasons world première performances have included major works by Sir Violin Concerto 36:57 John Tavener, Karl Jenkins, Michael Nyman and Jennifer Higdon, alongside works by Liverpool-born composers John McCabe, Emily Howard, Mark Simpson and Kenneth Hesketh. The orchestra also tours widely throughout the 1 Allegro ma non troppo 18:27 United Kingdom and has given concerts in the United States, the Far East and throughout Europe. In 2009 the 2 Allegretto e semplice 9:30 orchestra won the Ensemble of the Year award in the 20th Royal Philharmonic Society Music Awards, the most 3 Allegro moderato alla marcia – Allegro e pesante – prestigious accolade for live classical music-making in the United Kingdom. Recent additions to the orchestra’s extensive discography include Tchaikovsky’s Manfred Symphony [Naxos 8.570568] (2009 Classic Allegro molto 9:00 FM/Gramophone Orchestral Recording of the Year), Sir John Tavener’s Requiem, Volumes 1–4 of the Shostakovich symphony cycle and Rachmaninov’s Symphonic Dances and Piano Concertos Nos. -
Chorales American Spiritual Fall 2013
The Salisbury Chorale and University Chorale with guest artists from the American Spiritual Ensemble present Conceived by John Wesley Wright Sunday, November 17, 2013 • 5 p.m. Holloway Hall Auditorium ASE Soloists: Karen Slack, soprano Cherry Duke, mezzo-soprano John Wesley Wright, tenor Michael Preacely, baritone Dr. William Folger, Musical Director Susan Zimmer, Pianist Sponsored by The Peter and Judy Jackson Music Performance Fund and the Fulton School of Liberal Arts PROGRAM I (Prophecy, Birth, Life of Christ) Over My Head . .arr. Osby Hodges, Rev. Todd O’Neal and John Wesley Wright; Intro transcribed by Jitsuko Tanaka John Wesley Wright, tenor and Ensemble De Virgin Mary Had a Baby Boy . .arr. Vaughan Meakins Michael Preacely, baritone and Ensemble** Rockin’ Jerusalem . .arr. John W. Work Karen Slack, soprano and Ensemble Sister Mary . .arr. Roland Hayes Cherry Duke, mezzo-soprano Lil’ Boy . .arr. Roland Hayes Michael Preacely, baritone Mary Had a Baby . .arr. Roland Carter John Wesley Wright, tenor and Ensemble Sweet Little Jesus Boy . .Robert MacGimsey Cherry Duke, mezzo-soprano Ride On, Jesus . .arr. R.Nathaniel Dett Karen Slack, soprano Glory Hallelujah to Duh Newbo’n King . .adapted by Rosephanye Powell ASE Soloists and Ensemble II (Christ’s Passion, Teachings, the Judgment, Ultimate Victory) Spirituals Medley . .arr. Rev. Todd O’Neal and transcribed by Steve Milloy ASE Soloists and Ensemble Were You There? . .arr. Harry T. Burleigh Michael Preacely, baritone Calvary . .arr. Steven Sametz John Wesley Wright, tenor and Small Ensemble † Take My Mother Home . .arr. Hall Johnson Cherry Duke, mezzo-soprano 1 Wade in the Water (Spiritual Quodlibet) . .arr. Ysaye M. -
TONI PASSMORE ANDERSON 209 Lincoln Lane Lagrange, GA 30240 (706) 880-8264 [email protected]
TONI PASSMORE ANDERSON 209 Lincoln Lane LaGrange, GA 30240 (706) 880-8264 [email protected] EDUCATION: Georgia State University, Atlanta, Georgia Ph.D. in Higher Education, 1997 Dissertation Title: “The Fisk Jubilee Singers: Performing Ambassadors for the Survival of an American Treasure, 1871-1878" Courses in Music: Aesthetics of Music, Music Technology, Multicultural Music Education, Reference Materials and Research Methodology in Music New England Conservatory of Music, Boston, Massachusetts M.M. in Vocal Performance, May 1982 Voice with Susan Fisher Clickner; Opera with John Moriarty Lamar University, Beaumont, Texas B.M. in Music Education, May 1979 K-12 Certificate in State of Texas Other: Voice study with Susan Fisher Clickner, Irene Harrower, and Herald Stark; Coaching with Terry Decima, Maestro Rudolf Fellner, John Moriarty, James Gardner, Boris Goldovsky, Douglas Hines, John Douglas, Walter Huff. Vocal Master Classes with Eleanor Steber, Janice Harsanyi, Beverly Wolff. Four years of dance training (ballet, folk, movement for singers, jazz); eight years of private piano study. TEACHING AND ADMINISTRATIVE EXPERIENCE: LaGrange College, LaGrange, Georgia Fall 1999 - Present, Tenured Professor Chair, Music Program Co-Chair, Musical Theatre Program Musical Director/Conductor Courses Taught: Applied Voice; Diction for Singers; Opera Experience; Opera Survey; Music Survey; Interim Term travel experiences Morris Brown College, Atlanta, Georgia 1985-1999, Assistant Professor of Music Program Coordinator/Chair 1991; 1993-96 Tenured -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 5-20-1966 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1966). The George-Anne. 471. https://digitalcommons.georgiasouthern.edu/george-anne/471 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ^^H pg^g^gg^fl^HHI See SOUTHERN THE BELLE CONTEST George -Anne Page 9 PUBLISHED BY STUDENTS OF GEORGIA SOUTHERN COLLEGE VOLUME 43 STATESBORO, GEORGIA, FRIDAY' MAY 20, 1966 NUMBER 9 One-Act Plays Set for Tuesday olff To Appear in Concert In Auditorium Campus Enrichment Committee A series of four one-act plays will be presented Tuesday night at 8:15 in McCroan Auditorium To Sponsor Monday Attraction by Robert Overstreet's direct- Miss Beverly Wolff, the final 1965-66 attraction of the Campus ing class. Masquers will spons- Life Enrichment Committee, will appear in concert Monday at or the series. 8:15 p.m. in McCroan Auditorium. The four directors are Lib- Her career as a New York church singing, sales clerking by Brannon, Ralph Jones, City Opera vocalist began in and baby sitting. Pam Theus and Parker Cook. 1963 when she sang the role The one-act play is presented of Cherubino in Mozart's Following her 1952 first place in partial fulfillment for the "Marriage of Figaro." This in the Youth Auditions of the completion of the directing debut was the result of a Philadelphia Orchestra she course. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Miss Julie by August Strindberg
MTC Education Teachers’ Notes 2016 Miss Julie by August Strindberg – PART A – 16 April – 21 May Southbank Theatre, The Sumner Notes prepared by Meg Upton 1 Teachers’ Notes for Miss Julie PART A – CONTEXTS AND CONVERSATIONS Theatre can be defined as a performative art form, culturally situated, ephemeral and temporary in nature, presented to an audience in a particular time, particular cultural context and in a particular location – Anthony Jackson (2007). Because theatre is an ephemeral art form – here in one moment, gone in the next – and contemporary theatre making has become more complex, Part A of the Miss Julie Teachers’ Notes offers teachers and students a rich and detailed introduction to the play in order to prepare for seeing the MTC production – possibly only once. Welcome to our new two-part Teachers’ Notes. In this first part of the resource we offer you ways to think about the world of the play, playwright, structure, theatrical styles, stagecraft, contexts – historical, cultural, social, philosophical, and political, characters, and previous productions. These are prompts only. We encourage you to read the play – the original translation in the first instance and then the new adaptation when it is available on the first day of rehearsal. Just before the production opens in April, Part B of the education resource will be available, providing images, interviews, and detailed analysis questions that relate to the Unit 3 performance analysis task. Why are you studying Miss Julie? The extract below from the Theatre Studies Study Design is a reminder of the Key Knowledge required and the Key Skills you need to demonstrate in your analysis of the play. -
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT for an INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner
WARNER MUSIC GROUP FILES REGISTRATION STATEMENT FOR AN INITIAL PUBLIC OFFERING NEW YORK, New York, February 6, 2020—Warner Music Group Corp. (“Warner Music Group”) today announced that it has filed a registration statement on Form S-1 with the U.S. Securities and Exchange Commission (“SEC”) for a proposed initial public offering (“IPO”) of its common stock. The shares of common stock to be sold in this offering are proposed to be sold by certain of Warner Music Group’s stockholders. The number of shares of common stock to be offered and the price range for the proposed offering have not yet been determined. Morgan Stanley, Credit Suisse and Goldman Sachs & Co. LLC are acting as joint bookrunning managers for the offering. When available, copies of the preliminary prospectus relating to the offering may be obtained from: Morgan Stanley & Co. LLC, Attention: Prospectus Department, 180 Varick Street, 2nd Floor, New York, NY 10014; Credit Suisse Securities (USA) LLC, Attention: Prospectus Department, Eleven Madison Avenue, 3rd floor, New York, NY 10010, by telephone at (800) 221-1037, or by email at [email protected]; or Goldman Sachs & Co. LLC, Attention: Prospectus Department, 200 West Street, New York, NY 10282, by telephone at (866) 471-2526, or by email at [email protected]. A registration statement relating to these securities has been filed with the SEC but has not yet become effective. These securities may not be sold nor may offers to buy be accepted prior to the time the registration statement becomes effective. This press release does not constitute an offer to sell or the solicitation of an offer to buy securities, and shall not constitute an offer, solicitation or sale in any jurisdiction in which such offer, solicitation or sale would be unlawful prior to registration or qualification under the securities laws of that jurisdiction. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.