DOCSLIB.ORG

French Sculpture Census / Répertoire De Sculpture Française

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
French Sculpture Census / Répertoire De Sculpture Française FRENCH SCULPTURE CENSUS / RÉPERTOIRE DE SCULPTURE FRANÇAISE BINON, Jean-Baptiste born in Lyon, Rhône John Adams (1735-1826), second président des Etats- Unis, de 1797 à 1801 John Adams (1735-1826), Second President of the United States, 1797-1801 1819 plaster bust 3 1 7 25 ?16 x 20 ?16 x 10 ?8 in. inscribed on base: J.B. BINON / BOSTON Acc. No.: UH176 Credit Line: Gift of the artist, 1819 (UH176) Photo credit: photograph by Jerry L. Thompson © Artist : Boston, Massachusetts, Boston Athenaeum www.bostonathenaeum.org Provenance 1819, Gift of the artist Bibliography Boston Athenaeum's website, August 20, 2015 2006 Dearinger David B. Dearinger, in Stanley Ellis Cushing and David B. Dearinger, eds., Acquired Tastes: 200 Years of Collecting for the Boston Athenæum (2006), p. 265-268 (see text below) Exhibitions 1839 Boston Annual exhibition, Boston, Boston Athenæum, 1839, no. 26 1980 Boston A Climate for Art: The History of the Boston Athenæum Gallery, 1827-1873, Boston, Boston Athenæum, October 3 - October 29, 1980, no. 118 2007 Boston Acquired Tastes: 200 Years of Collecting for the Boston Athenaeum, Boston, Boston Athenæum, February 12 - July 13, 2007, no. 81 Comment Boston Athenaeum website, August 20, 2015: David B. Dearinger, from Stanley Ellis Cushing and David B. Dearinger, eds., Acquired Tastes: 200 Years of Collecting for the Boston Athenæum (2006): 265-268. Copyright © The Boston Athenæum: In February 1818 the Massachusetts state legislature passed a resolution to commission a marble bust of former president John Adams for Faneuil Hall in Boston. Typical of members of such bodies, the legislators had second thoughts, however, and one week later voted to delay the project indefinitely. Not to be deterred, William Tudor, Jr., who had proposed the original resolution for the bust, took his appeal to the private sector. Prominent Bostonians lent their support and a public subscription, limited to donations of no more than two dollars per donor, was quickly fulfilled with the help of 215 persons. In March 1818, a committee representing the subscribers wrote to the eighty-two-year-old Adams to ask for his cooperation, expressing their “desire of transmitting to our Children the Features of the Man, whose patriotic energies were so strenuously exerted for the Independence of our common Country.”[1] Adams agreed to sit for the portrait. For the project, General Andrew Welles nominated the little-known French sculptor John B. Binon, who was in the United States in search of portrait commissions at the time. Since there were as yet no artists in America with the skill to complete such a commission, Binon was certainly in the right place at the right time. Binon presented himself as a former student of the respected French sculptor Joseph Chinard. He had spent about eight years working in Italy before coming to America and had attracted Welles’s attention with his bust of Revolutionary War hero General Henry Dearborn.[2] Binon’s nomination was uncontested, and Tudor sent Adams a letter introducing the sculptor to his sitter. Adams approved the choice and later wrote that he found Binon “to be a Gentleman of Sense and Letters, as well as Taste and skill in All the fine Arts.”[3] The bust was modeled in March 1818, at Adams’s home in Quincy, Massachusetts, and translated into marble for Faneuil Hall, where it remains.[4] Binon next turned his attention to a bust of George Washington (based on Jean-Antoine Houdon’s sculptures, Stuart’s paintings, or both), and he also produced a bust of General Humphreys for Yale University. He hoped his bust of Washington would lead to a commission from the United States Congress and, possibly as a marketing ploy, he decided to make plaster replicas of his bust of Adams. In January and February 1819, Binon wrote to Adams of these plans and, more specifically, told him that he intended to send the first of the plaster replicas of the old man’s bust to Adams himself, the second to his son John Quincy, and the third to the Boston Athenæum.[5] Adams replied, but not with words of encouragement. “I am afraid that you are engaged in speculations that will never be profitable to you,” he warned Binon. “The age of sculpture & painting [has] not yet arrived in this country and I hope it will not arrive very soon. I am confident that you will not find purchases for your bust & therefore I am sorry that you are engaged in so hopeless a speculation because I believe you to be a great artist and an amiable man.”[6] If Adams’s purpose was to discourage Binon completely, he succeeded. The sculptor returned to France within a year of receiving Adams’s advice. The gift of the bust to the Athenæum, which officially occurred on March 18, 1819,[7] was a precedent for later gifts by artists, such as those made by sculptors John Frazee and Shobal Clevenger in the following decades (see entries 82 and 84). But Binon’s bust played an important, broader role in the history of American art. In fact, the bust is best remembered today as having inspired Horatio (1801-1855), who was destined to become this country’s first internationally recognized professional sculptor. Greenough’s connection to Binon was remembered by Greenough’s brother Henry in a letter written in the 1830s to historian and artist William Dunlap. The young Horatio evidently visited Binon’s Boston studio and may have studied with the Frenchman on an informal basis. It was there that he saw Binon’s bust of Adams and, as his brother would later relate, attempted to make a copy of it: “A gentleman who saw him copying, in chalk, the bust of John Adams by Binon,” Henry Greenough continued the story, was so pleased with his success, that he carried him to the Athenæum and presented him to Mr. [William Smith] Shaw. My brother was then about twelve years old, and of course was much edified by Mr. Shaw’s conversation, who assured him, as he held the chalk in his hand, that there were the germs of a great and noble art. He then showed him the casts there, and promising him he should always find a bit of carpet, to cut his chalk upon, whenever he wished to copy any thing, gave him a carte blanche to the fine arts room, with its valuable collection of engravings, &c. He may be considered from this time as studying with something like a definite purpose and with some system.[8] Shaw was the Athenæum’s first Librarian and therefore in a position to assist and encourage the young Horatio Greenough. Indeed, within a decade of Greenough’s encounter with Binon and Shaw, he had been graduated from Harvard College and had departed for Europe. There he achieved success as America’s first professional sculptor.[9] Footnotes: [1]The history of the commission is given in Andrew Oliver, Portraits of John and Abigail Adams (Cambridge, Massachusetts: The Belknap Press, Harvard University Press, 1967), 179-187. The quotation is from Arnold Welles, et al., to John Adams, March 16, 1818 (quoted in Oliver, 180). [2]According to the Inventory of American Painting and Sculpture at the Smithsonian Institution, Washington, D. C., the clay model of Binon’s clay bust of Dearborn is in the collection of Forest Hills Cemetery, Roxbury, Massachusetts, where Dearborn is buried. (Also see Jonathan L. Fairbanks, “The Art of Forest Hills Cemetery—Roxbury, Massachusetts,” The Magazine Antiques 158 [November 1998]: 697-703). A marble version of that bust, dated 1818, is in the Chicago Historical Society; and a fired clay version, inscribed Binon de Lyons / Eleve de Chinard / Boston 1818 was at Hirschl & Adler Galleries, New York, in 1993. [3]John Adams to Henry Dearborn, March 25, 1818, quoted in Oliver, 181. [4]Besides the plaster version at the Athenæum, Harvard University, Cambridge, Massachusetts, also owns a plaster replica and there is one at Monticello, Charlottesville, Virginia. See the Inventory of American Painting and Sculpture, Smithsonian Institution, Washington, D. C., available online at http://www.siris.si.edu/ [5]J. B. Binon to John Adams, February 3, 1819, quoted in Oliver, 184-185. Oliver lists other replicas of the bust, one of which was sent to Thomas Jefferson (unlocated, probably destroyed). [6]John Adams to John B. Binon, February 7, 1819, quoted in Oliver, 185. [7]BA Trustees Records, B.A.14 (1807-1815), 1:189. [8]Quoted in William Dunlap, A History of the Rise and Progress of the Arts of Design in the United States (1834), 2: 414. A plaster bust of Adams with the inscriptions Horatio Greenough / Harvard / Anno 1822 and John Adams / V 1824 was sold by Sotheby’s, London, in 2000. However, its date and the fact that its physical resemblance to Binon’s bust is slight, suggests that it is not directly related to the early copy that Greenough made of Binon’s work. That is true, too, of Greenough’s better known, half-sized marble bust of Adams, dated 1828 and now in the collection of the Museum of Fine Arts, Boston. [9]The standard work on Greenough remains Nathalia Wright’s groundbreaking Horatio Greenough, The First American Sculptor (Philadelphia: University of Pennsylvania Press, 1963)..
Load more

Recommended publications
  • John-Adams-3-Contents.Pdf
    Contents TREATY COMMISSIONER AND MINISTER TO THE NETHERLANDS AND TO GREAT BRITAIN, 1784–1788 To Joseph Reed, February 11, 1784 Washington’s Character ....................... 3 To Charles Spener, March 24, 1784 “Three grand Objects” ........................ 4 To the Marquis de Lafayette, March 28, 1784 Chivalric Orders ............................ 5 To Samuel Adams, May 4, 1784 “Justice may not be done me” ................... 6 To John Quincy Adams, June 1784 “The Art of writing Letters”................... 8 From the Diary: June 22–July 10, 1784 ............. 9 To Abigail Adams, July 26, 1784 “The happiest Man upon Earth”................ 10 To Abigail Adams 2nd, July 27, 1784 Keeping a Journal .......................... 12 To James Warren, August 27, 1784 Diplomatic Salaries ......................... 13 To Benjamin Waterhouse, April 23, 1785 John Quincy’s Education ..................... 15 To Elbridge Gerry, May 2, 1785 “Kinds of Vanity” .......................... 16 From the Diary: May 3, 1785 ..................... 23 To John Jay, June 2, 1785 Meeting George III ......................... 24 To Samuel Adams, August 15, 1785 “The contagion of luxury” .................... 28 xi 9781598534665_Adams_Writings_791165.indb 11 12/10/15 8:38 AM xii CONteNtS To John Jebb, August 21, 1785 Salaries for Public Officers .................... 29 To John Jebb, September 10, 1785 “The first Step of Corruption”.................. 33 To Thomas Jefferson, February 17, 1786 The Ambassador from Tripoli .................. 38 To William White, February 28, 1786 Religious Liberty ........................... 41 To Matthew Robinson-Morris, March 4–20, 1786 Liberty and Commerce....................... 42 To Granville Sharp, March 8, 1786 The Slave Trade............................ 45 To Matthew Robinson-Morris, March 23, 1786 American Debt ............................ 46 From the Diary: March 30, 1786 .................. 49 Notes on a Tour of England with Thomas Jefferson, April 1786 ...............................
    [Show full text]
  • Boston Elites and Urban Political Insurgents During the Early Nineteenth Century
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1997 "The am gic of the many that sets the world on fire" : Boston elites and urban political insurgents during the early nineteenth century. Matthew H. rC ocker University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Crocker, Matthew H., ""The am gic of the many that sets the world on fire" : Boston elites and urban political insurgents during the early nineteenth century." (1997). Doctoral Dissertations 1896 - February 2014. 1248. https://scholarworks.umass.edu/dissertations_1/1248 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. 312Dbb 2 b M D7fl7 "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE" BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY A Dissertation Presented by MATTHEW H. CROCKER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 1997 Department of History © Copyright by Matthew H. Crocker 1997 All Rights Reserved • "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE" BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY A Dissertation Presented by MATTHEW H. CROCKER Approved as to style and content by C It. Ja Jack fpager, Chair Bruce Laurie , Member Ronald Story, Member Leonard Richards , Member 6^ Bruce Laurie, Department Head History ABSTRACT "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE": BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY SEPTEMBER 1997 MATTHEW H.
    [Show full text]
  • The Winslows of Boston
    Winslow Family Memorial, Volume IV FAMILY MEMORIAL The Winslows of Boston Isaac Winslow Margaret Catherine Winslow IN FIVE VOLUMES VOLUME IV Boston, Massachusetts 1837?-1873? TRANSCRIBED AND EDITED BY ROBERT NEWSOM UNIVERSITY OF CALIFORNIA, IRVINE 2009-10 Not to be reproduced without permission of the Massachusetts Historical Society, Boston, Massachusetts Winslow Family Memorial, Volume IV Editorial material Copyright © 2010 Robert Walker Newsom ___________________________________ All rights reserved. Except for brief quotations in a review, this work, or parts thereof, may not be reproduced without permission from the Massachusetts Historical Society, Boston, Massachusetts. Not to be reproduced without permission of the Massachusetts Historical Society, Boston, Massachusetts Winslow Family Memorial, Volume IV A NOTE ON MARGARET’S PORTION OF THE MANUSCRIPT AND ITS TRANSCRIPTION AS PREVIOUSLY NOTED (ABOVE, III, 72 n.) MARGARET began her own journal prior to her father’s death and her decision to continue his Memorial. So there is some overlap between their portions. And her first entries in her journal are sparse, interrupted by a period of four years’ invalidism, and somewhat uncertain in their purpose or direction. There is also in these opening pages a great deal of material already treated by her father. But after her father’s death, and presumably after she had not only completed the twenty-four blank leaves that were left in it at his death, she also wrote an additional twenty pages before moving over to the present bound volumes, which I shall refer to as volumes four and five.* She does not paginate her own pages. I have supplied page numbers on the manuscript itself and entered these in outlined text boxes at the tops of the transcribed pages.
    [Show full text]
  • C. 1820 Plaster;Marble;Plaster;Plaster;Painted Plaster, Hollow Bust;Bust;Bust;Bust;Bust
    FRENCH SCULPTURE CENSUS / RÉPERTOIRE DE SCULPTURE FRANÇAISE cast made in 1819-1820 from 1818 marble;1818;1819;1818;c. 1820 plaster;marble;plaster;plaster;painted plaster, hollow bust;bust;bust;bust;bust 3 1 7 3 7 1 25 x 20 x 14 in.;25 ?16 x 20 ?16 x 10 ?8 in.;26 ?16 x 19 ?8 x 9 ?16 in.;24 x 17 x 10; 1 base: 5 x 9 ?2 x 8 in. inscribed on base: J.B. BINON / BOSTON;signed front of base: JB BINON;on left end of base: J.B.Binon / Boston Acc. No.: 2002-20;UH176;P50;1935.006 Credit Line: Gift of the artist, 1819 (UH176);Harvard University Portrait Collection, Gift of the Hon. John Davis to the University, 1819;Gift of the New Hampshire Society of Cincinnati Photo credit: © Thomas Jefferson Foundation at Monticello ;ph. Wikimedia/Daderot;photograph by Jerry L. Thompson;ph. courtesy New Hampshire Historical Society © Artist : Provenance 1818-1820, cast made from marble bust at Faneuil Hall, Boston 1825, given to Jefferson by Benjamin Gould;bust acquired by 215 subscribers to be exhibited at Faneuil Hall, Boston;1819, Gift of the artist;c. 1902, Placed in Cincinnati Memorial Hall by Col. Daniel Gilman (1851-1923), the grandson of Nathaniel Gilman (1759-1847), a younger brother of John Taylor Gilman 1935, Given to the New Hampshire Historical Society by the New Hampshire Society of Cincinnati with the approval of Daniel Gilman's son, Daniel E. Gilman (1889-1978) Art historian William B. Miller, Colby College, suggested this bust was done posthumously in Portland, Maine, in 1850-1852.
    [Show full text]
  • Free Trade & Family Values: Kinship Networks and the Culture of Early
    Free Trade & Family Values: Kinship Networks and the Culture of Early American Capitalism Rachel Tamar Van Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Rachel Tamar Van All Rights Reserved. ABSTRACT Free Trade & Family Values: Kinship Networks and the Culture of Early American Capitalism Rachel Tamar Van This study examines the international flow of ideas and goods in eighteenth and nineteenth century New England port towns through the experience of a Boston-based commercial network. It traces the evolution of the commercial network established by the intertwined Perkins, Forbes, and Sturgis families of Boston from its foundations in the Atlantic fur trade in the 1740s to the crises of succession in the early 1840s. The allied Perkins firms and families established one of the most successful American trading networks of the late eighteenth and early nineteenth centuries and as such it provides fertile ground for investigating mercantile strategies in early America. An analysis of the Perkins family’s commercial network yields three core insights. First, the Perkinses illuminate the ways in which American mercantile strategies shaped global capitalism. The strategies and practices of American merchants and mariners contributed to a growing international critique of mercantilist principles and chartered trading monopolies. While the Perkinses did not consider themselves “free traders,” British observers did. Their penchant for smuggling and seeking out niches of trade created by competing mercantilist trading companies meant that to critics of British mercantilist policies, American merchants had an unfair advantage that only the liberalization of trade policy could rectify.
    [Show full text]
  • James Otis and Writs of Assistance
    University of New Hampshire University of New Hampshire Scholars' Repository Communication Scholarship Communication 2014 The Child Independence is Born: James Otis and Writs of Assistance James M. Farrell University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/comm_facpub Part of the Admiralty Commons, Business Law, Public Responsibility, and Ethics Commons, Constitutional Law Commons, Fourth Amendment Commons, Legal Commons, Legal History Commons, Political History Commons, Privacy Law Commons, Rhetoric Commons, Rule of Law Commons, Taxation Commons, and the United States History Commons Recommended Citation James M. Farrell, “The Child Independence is Born: James Otis and Writs of Assistance,” in Rhetoric, Independence and Nationhood, ed. Stephen E. Lucas, Volume 2 of A Rhetorical History of the United States: Significant Moments in American Public Discourse, ed. Martin J. Medhurst (Michigan State University Press, forthcoming). This Book Chapter is brought to you for free and open access by the Communication at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Communication Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE CHILD INDEPDENCENCE IS BORN: JAMES OTIS AND WRITS OF ASSISTANCE James M. Farrell University of New Hampshire Expired without a groan On May 26, 1783, the Boston Gazette reported "that last Friday Evening, the House of Mr. Isaac Osgood was set on Fire and much shattered by Lightning, by which the Hon. JAMES OTIS, Esq., of this Town, leaning upon his Cane at the front Door, was instantly killed.
    [Show full text]
  • Facing the Reality of Our Past
    Trinity Church Boston: Facing the Reality of Our Past Allan Rohan Crite—Mother’s Liturgy The Anti-Racism Team of Trinity Church Boston Presented October 26, 2014 at the Forum History Committee Helen Soussou, Chair Alexander Bok Marty Cowden Judith Lockhart Radtke Trinity Church Boston: Facing the Reality of Our Past The Anti-Racism Team of Trinity Church Boston Presented October 26, 2014 at the Forum History Committee Helen Soussou, Chair Alexander Bok Marty Cowden Judith Lockhart Radtke Trinity Church Boston: Facing the Reality of Our Past Table of Contents Section Page number Preface 1 Executive Summary 4 I 1730-1776 Colonial Trinity 7 II 1740-1830 156 People of Color Baptized at Trinity Church 11 III 1820-1860 Boston’s Role in The Struggle to End Slavery 14 IV 1869-1891 Phillips Brooks is made the Rector of Trinity Church 17 after his anti-slavery leadership in Philadelphia. V 1871-1879 Copley Pewholders and the Building of Trinity Copley Square 20 VI 1733-1952 The Story of Pew Ownership and Governance 22 VII 1880-1925 Trinity’s Role in Establishment of Black Episcopal Churches in Boston 24 VIII 1861-1954 Vida Dutton Scudder, Trinity and establishment of settlement houses 26 in Boston IX 1923-1958 Henry Knox Sherrill (Trinity Curate; Trinity Rector; Bishop, 27 Diocese of Massachusetts; Presiding Bishop of the Episcopal Church) X 1954-1980 The Integration Struggles in Boston and Trinity’s Role 29 XI 1970-2014 Persons of Color on Trinity’s Staff, Clergy, and on the Vestry 34 XII 1990-2014 Development of the Trinity Anti-Racism Team/ 36 Commissioned by The Rev.
    [Show full text]
  • Schakenbach Regele EHA Graduate Dissertation Fellowship Application January 15, 2014
    Schakenbach Regele EHA Graduate Dissertation Fellowship Application January 15, 2014 Manufacturing Advantage: The Federal Government, Diplomacy and the Origins of American Industrialization, 1790-1840 My dissertation seeks to explain the early republican transition from merchant to industrial capitalism by analyzing the development of the New England arms and textile industries in the context of federal patronage and expanding geopolitical dominance in the Americas. Historians and present day commentators alike often emphasize individual initiative, technological innovation, and freedom from government regulation in the march from eighteenth-century mercantilism to nineteenth-century liberal capitalism; yet, a strong federal government was essential for generating economic growth in the decades following the nation’s founding. 1 And while much work on industrialization has focused on the social implications wrought by economic transformations, changing labor systems, individual entrepreneurship, and the rise of the modern business firm, this project will reveal how businessmen and policymakers used the state’s nation-building capacities to create markets both at home and abroad that directly facilitated the industrialization of the North.2 The dissertation draws on the records of Congress and the War and State Departments, manufacturing companies and armories, and individual businessmen to argue that the early republican federal government shaped the development of the arms and textiles industries in New England as it pursued an agenda of military preparedness, territorial expansion, and economic growth. As it counters what historian William Novak calls “the myth of the weak state”, this project intervenes in four areas of study: business, foreign relations, political economy, and the early national 1 See for example, Joyce Oldham Appleby, The Relentless Revolution: A History of Capitalism (New York: W.W.
    [Show full text]
  • The JOURNAL of the RUTGERS UNIVERSITY LIBRARIES
    The JOURNAL OF THE RUTGERS UNIVERSITY LIBRARIES VOLUME XLII JUNE 1980 NUMBER I JOHN ADAMS' CRISIS OF CONSCIENCE BY PETER SHAW Mr. Shaw teaches English at SUNY, Stonybrook HEN John Adams complained in old age that the history of the Revolution would never be written, his words applied Wwith particular aptness to the period between 1761 and 1776. Once Independence was declared, participants began to keep records of all kinds with an eye to history, but in the uncertain years before 1776 much that later became of interest was either not recorded or not pre- served. Ironically enough, though Adams worried about being over- looked in accounts of the early part of the Revolutionary story, and though his own records were among the most circumstantial and com- plete, they, too, left unanswered questions about the period before 1776. It is not clear, for example, exactly when and how Adams attached himself to the patriot movement. He protested the Stamp Act in 1765, to be sure, but then appears to have either subsided into inactivity or actually to have grown disenchanted with the patriot party. Between 1766, when the Stamp Act was repealed, and 1768, when the Town- shend duties renewed widespread opposition to England, Adams stopped keeping his normally thorough diary \ and, where ordinarily his letter book would have been filled with his regular correspondence, he wrote virtually no personal or business letters. The mystery of his state of mind during this period—something he never cleared up in all his voluminous reminiscences—throws light on the vicissitudes of patriot- ism in the years before Independence.
    [Show full text]
  • Nuestro Cónsul En Lima
    Nuestro cónsul en Lima : diplomacia estadounidense durante el Congreso anfictiónico Titulo de Panamá y Tacubaya (1824-1828) Reza Guardia, German Adolfo de la - Autor/a; Autor(es) México Lugar Universidad Autónoma Metropolitana, Unidad Xochimilco, DCSH/UAM-X Editorial/Editor Bonilla Artigas Editores 2020 Fecha Pública histórica no. 17 Colección Política exterior; Historia; Diplomacia; América Latina; Estados Unidos; Temas Libro Tipo de documento "http://biblioteca.clacso.org/Mexico/dcsh-uam-x/20201029105106/Nuestro-consul.pdf" URL Reconocimiento-No Comercial-Sin Derivadas CC BY-NC-ND Licencia http://creativecommons.org/licenses/by-nc-nd/2.0/deed.es Segui buscando en la Red de Bibliotecas Virtuales de CLACSO http://biblioteca.clacso.org Consejo Latinoamericano de Ciencias Sociales (CLACSO) Conselho Latino-americano de Ciências Sociais (CLACSO) Latin American Council of Social Sciences (CLACSO) www.clacso.org Política exterior / Historia de la diplomacia 17 Germán A. de la Reza Nuestro cónsul en Lima Diplomacia estadounidense durante el Congreso anfictiónico de Panamá y Tacubaya (1824-1828) Otras colaboraciones William Tudor Jr. fue cónsul, agente político y encargado de negocios de de la Reza A. Germán Germán A. de la Reza Estados Unidos en Lima entre 1824 y 1828, un periodo clave para ese país y la naciente América Latina. Cuando llegó al Callao aún no tenían Académico de la Universidad lugar las batallas definitivas de Junín y Ayacucho y meses después sería Autónoma Metropolitana e Inves- Sociedad, desarrollo testigo de la invitación de Simón Bolívar a la reunión del Congreso An- tigador Nacional del Sistema Na- y políticas públicas I y II cional, nivel III de Investigadores.
    [Show full text]
  • The Framers' Intent: John Adams, His Era, and the Fourth Amendment†
    The Framers’ Intent: † John Adams, His Era, and the Fourth Amendment * THOMAS K. CLANCY INTRODUCTION ...................................................................................................... 979 I. THE STRUCTURE OF THE FOURTH AMENDMENT AND ITS DISPUTED HISTORICAL MEANING ............................................................................................................... 982 II. JOHN ADAMS AND THE HISTORICAL CONTEXT: 1761 TO 1780 .......................... 989 A. HISTORICAL CONTEXT ............................................................................. 989 B. JOHN ADAMS AND THE WRITS OF ASSISTANCE CASE ................................. 992 C. THE ENGLISH GENERAL WARRANT CASES .............................................. 979 D. JOHN ADAMS’S LIBRARY ....................................................................... 1012 E. ADAMS AS LITIGATOR AND OBSERVER .................................................. 1018 F. ADAMS AS DELEGATE TO THE CONTINENTAL CONGRESS ....................... 1026 III. 1776 TO 1791: THE EVOLUTION OF SEARCH AND SEIZURE PROVISIONS ........ 1027 A. ARTICLE 14 AND OTHER EARLY SEARCH AND SEIZURE PROVISIONS ..... 1027 B. THE CONSTITUTIONAL CONVENTION OF 1787 ....................................... 1029 C. THE CONFEDERATION CONGRESS .......................................................... 1030 D. THE RATIFICATION OF THE CONSTITUTION BY THE STATES ................... 1031 E. THE DRAFTING OF THE FOURTH AMENDMENT ....................................... 1044 IV. ADAMS’S VIEWS AND INFLUENCE
    [Show full text]
  • The Education of John Adams R
    The Education of John Adams R. B. Bernstein "Drawn & Engraved by H. Houston / His Excellency John Adams President of the United States / Respectfully Dedicated to the Lovers of their Country and Firm Supporters of its Constitution / Published by D. Kennedy 228 Market St. Philad". (ca. 1797) Please do not cite or quote without permission of author. Book scheduled to be published on 4 July 2020 by Oxford University Press Prof. R. B. Bernstein Department of Political Science North Academic Center, Room 4/138A 160 Convent Avenue New York, New York 10031 TEL: 212.650.7385 15 August 2019 EMAIL: rbernstein@ccny cuny edu To the Colloquium: I am honored to start off our semester – honored and apprehensive. The Education of John Adams has made more than one appearance before this group, as part of its gestation, which has taken fourteen (yes, 14) years. In the past year, I have had to edit the manuscript severely when its 126,000 words exceeded the contracted-for length by 26,000 words.. Repeated reviews of the text have cut it by approximately 26,500 words. In addition, I have severely edited it to make it as clear and concise as possible. Thus, there is no longer any need for further editorial advice. What I do need and ask of you, please, is that you assess the book’s argument in general and as to particular subjects. The particular subjects have to do with John Adams, slavery, and race. The appearance in 2018 of Arthur Scherr’s combative monograph John Adams, Slavery, and Race (Peraeger/Greenwood) has spotlighted issues that previous students of Adams’s life and work have overlooked or neglected.
    [Show full text]