DOCSLIB.ORG

Transforming a National Museum Celebrating a Year of Achievement As We Look to the Future

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Transforming a National Museum Celebrating a Year of Achievement As We Look to the Future ANNUAL REVIEW 2014/15 INSIDE / 02 / 04 / 06 / 10 / 14 / ON POINT ON PLAN ON TOUR ON TRACK ON SHOW Success across Making Our teams in New building New galleries the board in positive action across takes shape transform 2014/15 change the UK in Chelsea Museum offer TRANSFORMinG A natiOnal MuseuM Celebrating a year of achievement as we look to the future BRIEFING STATE CHAIRMAN’S Joining the Museum, a year into the rebuilding project, has perhaps been the most opportune time to do so. Our outreach projects are reaching new audiences and giving us new ways of working. Meanwhile, the construction work is beginning to reveal the shape of the new building. M I am looking forward to working with the Council ENT driving forward the final development stages. These include seeing the gallery spaces – designed by Event Communications – come to life and The National Army Museum reaching final approval of the RIBA Stage E designs with the appointment of specialist showcase is not only about the history of design contracts. It is also the final push on the fundraising campaign. the Army. It plays a vital role We have seen extraordinary generosity here already. Furthermore, the fundraising process has in helping to define, explain generated more than money, giving us many new friends and partners. and preserve our nation’s I look forward to supporting the Museum, to shaping its future and ensuring that the stories it has to tell social, political and cultural continue to resonate clearly. General Sir Richard Shirreff KCB CBE history and the ways in which Chairman of Council the Army interacts with them. Which is why the ‘Building for the Future’ project is so PROFile General Sir Richard Shirreff KCB CBE, was most recently NATO’s Deputy Supreme Allied important in making the Commander Europe In a varied Army career General Sir Richard has Museum a dynamic and relevant commanded on operations at every level from platoon to division, including combat in the Gulf War of 1991 as a tank squadron leader, counter-insurgency operations in Northern Ireland resource for everyone who (three tours), together with Bosnia, Kosovo and Iraq. He then went on to command the Allied Rapid Reaction Corps before his final tour as Deputy wants to understand more Supreme Allied Commander Europe. General Sir Richard is now a partner in Strategia Worldwide, a consultancy advising on the about their society and the role management of strategic risk. This is his first year as Chairman of the National the Army has in it. Army Museum Council. NATIONAL ARMY museum ANNUAL REVIEW 2014/15 01 PLANNING O CARRYIN “We planned it in 2011 and we’ve UT done what we said we’d do” states Director General Janice Murray. The closure and planned THE PLAN transformation has this year helped to create a new business model, an outreach programme, fresh audiences and a new way JAniCE MURRAY, of working. And that’s with another DIRECtoR GenERAL G OF THE NAtionAL year to run before the new building ARmy Museum opens. Transformation indeed. reflects on the past 12 months Designed by Event Communications, the new thematic and talks candidly A national footprint galleries reflect the latest thinking in museum design. about the future. Many questioned the Museum closing during the First “We’ve become more outgoing But it’s not just about a series of new galleries. The new World War commemoration period, but “we couldn’t and placed more emphasis on Museum will offer accommodation that provides go on as we were, we’d outgrown the building.” In fact, working with people.” new opportunities for people to engage in our archives Janice believes that the inevitable increase in visitor and deliver a transformed learning service – from numbers during that time would have exacerbated the early years to adult education. It’s the quality of building’s limitations. visitor experience people have come to expect from Rather than simply shut the doors, we designed events Inspiring new support world-class museums. and activities for each year of the closure. Closer to home we’ve developed new partnerships to help us deliver our services during closure and Old friends and new friends The Museum has always had a pretty well defined later after re-opening. The London Metropolitan Perhaps because we’ve had to be, we’ve become more audience in London and the South East but we wanted Archives have helped us continue to run our archive outgoing and more interested in working with people. to take this opportunity to reach out further. Which enquiry service. One of the partnerships has been We’ve worked with old friends in the Army and we’ve is why our commitment to maintaining services while with Ancestry, who have digitised our collection made great new partners too. “The Ming Ai Institute have invigorating our outreach programme saw us engage of UK Army Registers of Soldiers’ Effects, from helped us better understand the Chinese contribution with a more geographically diverse audience than 1901–1929. Listing the name, rank, regiment, date, to World War One. Most people probably had no idea ever before. place of death and next-of-kin of casualties, what that was – so some of the things we’ve found out Working with Regimental and Corps museum partners they provide a fascinating and touching insight. have added immeasurably to our knowledge.” across the country, we created Outbreak 1914, With the Museum closed, we have also had the an exhibition commemorating the outbreak of the Looking forward: a new service opportunity to foster new friendships and extend First World War and the role the regiments played in Delivering such massive change – on site and out on our network of supporters. its first year. the road – has been a huge undertaking and immense The Army has also been very supportive – from achievement. Every member of staff, every volunteer Over 150,000 people saw Outbreak 1914. It enabled us, helping us collect contemporary objects that record the and every supporter are to be hugely thanked. We are while closed, to have some of our most significant most recent conflicts, to gathering oral histories from nearly there. First World War collection items on display across serving and recently serving soldiers. This will enable the UK, from Aberdeen to Exeter. Most especially in Best of all, the changes that the closure have inspired us to create a modern, relevant 21st-century museum. Folkestone, where we worked with the Town Council are all positive. Janice Murray sums it up very clearly: and Step Short to tell the story of the town’s role as the “It’s allowed us to change how we work. We will have Listening to the voices of experience main embarkation point for troops heading off to war. a new core building – but now we have a new service.” And why is this important you ask? In our audience We also took our learning service on the road, engaging research we found that the two most frequently We’re all looking forward to the year ahead. thousands of young people in better understanding the asked questions were: role the men and women of their local area played in What does it feel like to be a soldier? the Great War. What does it feel like to fight? ABOVE Graphic from Outbreak 1914! exhibition. Wherever the Museum has gone, the reaction has The only people who can answer these questions RIGHT Right Honourable Damian Collins, MP for Folkestone been extraordinary. People have been genuinely happy are soldiers. Hearing their living voices and voices “ People are happy to see and Hythe at the opening of Your Country Calls exhibition that we’ve taken the Collection to them. As Janice puts at Folkestone Town Hall. from history through the Museum’s archives and things brought to their it: “We are a national museum and now we have a FAR RIGHT Collection. Janice adds “I really hope that’s what the A serving soldier at one of NAM’s First World War national footprint.” So, while there was never a good neck of the woods.” learning programmes as part of the Army’s Op Reflect new galleries can explore.” centenary commemorations. time to close, there has been a good outcome. NATIONAL ARMY museum NATIONAL ARMY museum 02 ANNUAL REVIEW 2014/15 ANNUAL REVIEW 2014/15 03 PEOPLE “ We wouldn’t get everything done without them.” HELPING MAKE A DIFFERENCE While much of the focus falls on the Like all volunteering communities, we have physical transformation of the Museum, a wide range in ages, backgrounds and behind the scenes an equally important cultures – but we’re actively and happily change is unfolding: of our staff and their encouraging greater diversity. Some ways of working. volunteers are retired; some are young, coming for six months work experience. Integral to the Building for the Future project is its Activity Plan. This sets out Without doubt, no one knows better A huge year over 50 projects to be delivered within the than those who’ve been there and done it. building development period to help This insight and experience informs the transform the Museum. Some projects are recent partnership with Help for Heroes. of transformation aimed at maintaining our services during Getting ex-servicemen to explain the closure. Some relate to changing and exhibits from a personal and professional and active change developing the way we work with many of point of view is invaluable. Which is why the staff involved in its delivery. such volunteering rewards all sides and will continue and deepen once the new War and Sikhs and development.
Load more

Recommended publications
  • London Explorer Pass List of Attractions
    London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide .
    [Show full text]
  • Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
    Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1.
    [Show full text]
  • Imperial War Museumannual Report and Account2005/06
    MUSEUMS AND GALLERIES ACT 1992 Presented pursuant to Museums and Galleries Act 1992, c. 44 para 9(8) IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005/06 ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 24 JULY 2006 LONDON: THE STATIONERY OFFICE HC (1513) IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005 - 2006 IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005/06 MUSEUMS AND GALLERIES ACT 1992 Presented pursuant to Museums and Galleries Act 1992, c. 44 para 9(8) Ordered by the House of Commons to be printed on 24 July 2006 LONDON: The Stationery Office HC 1513 £16.25 Contents Annual Report 1. Objectives and Activities 1 2. Achievements and Performance 7 3. Plans for Future Periods 21 4. Financial Review 25 5. Structure, Governance and Management 27 6. Reference and Administrative Details of the Charity, 31 the Trustees and Advisors Statement of Internal Control 37 Remuneration Report 40 The Certificate and Report of the Comptroller and 41 Auditor General to the Houses of Parliament Consolidated Summary Income and Expenditure Account 43 Consolidated Statement of Financial Activities 44 Consolidated Balance Sheet 45 Cash Flow Statement 46 Notes to the Financial Statements 47 1. Objectives and Activities 1 IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005 - 2006 1.1 Our vision, our goal, our mission Our vision is to be the world’s premier museum of modern conflict. Our goal is to enrich people’s understanding of the causes, course and consequences of modern war. Our mission is to enable people to have an informed understanding of modern war and its impact on individuals and society by: Creating stimulating learning opportunities and inspiring visitor experiences that are relevant to twenty-first century audiences and draw on unique collections and historical expertise.
    [Show full text]
  • S T O R E H O U
    13 OPULENT APARTMENTS LOCATED IN THE HEART OF LONDON’S MOST AFFLUENT AND DESIRABLE AREA AN AND STORE HOUSE DEVELOPMENT 13 exquisite one and two-bedroom riverside apartments Located on Cheyne Walk: London’s most prestigious address Part of the Royal Borough of Kensington and Chelsea Striking distance to King’s Road, Sloane Square and Chelsea Embankment Excellent domestic and international transport links AN ULTRA-PRIME LOCATION LONDON LIVING IN A THRIVING SUBURB AVERAGE WALKING TIMES: What you’ll find on Cheyne Walk’s doorstep St Thomas More Gardens: The Ivy Chelsea Gardens: Saatchi Art Gallery: 1 min 9 mins 19 mins IN WALKING The Royal Borough of Kensington and Chelsea is best 9 Chelsea Embankment Gardens: Restaurant Gordon Ramsey: Natural History Museum: DISTANCE 5 min mins 23 mins known for its array of extraordinarily lavish and upmarket establishments. And the area closely surrounding Cheyne Chelsea Psychic Gardens: National Army Museum: Stamford Bridge Stadium: 9 mins 11 mins 23 mins Walk is the epitome of these impressive characteristics. GOING FURTHER AFIELD UTILISING THE AREA’S TRANSPORT LINKS Being interconnected to other areas of the UK, and therefore the rest of the globe, is one of the most desirable traits a location can have as it provides locals with fast- paced and more simplified options when it comes to travel. Chelsea’s nearby ferry terminal, train station, surrounding main roads and proximity to London underground tube stations enable residents to travel with ease to destinations around the UK. KINGS CROSS POINTS OF
    [Show full text]
  • 1 the Anatomy of Memory Politics: a Formalist Analysis of Tate Britain's
    The Anatomy of Memory Politics: A Formalist Analysis of Tate Britain’s ‘Artist and Empire’ and the Struggle over Britain’s Imperial Past Eric Taylor Woods, 2019 Abstract In this paper, I propose a new approach for understanding the meaning of memory politics, which draws upon the archetypal literary criticism of Northrop Frye. I suggest that the four archetypes elaborated by Frye – comedy, romance, tragedy, and satire – can be used as a heuristic device for interpreting the contested historical narratives that are associated with the politics of memory. I illustrate this approach through a case-study of ‘Artists and Empire: Facing Britain’s Imperial Past’, an exhibition held at Tate Britain in 2016, amidst increasing contestation over the meaning of the British Empire. In sum, I find that the exhibit narrated Britain’s imperial past as a comedy, in which a key theme was the progressive cultural mixing of the British and the people they colonized. To conclude, I discuss the implications of such a narrative for constructing an inclusive, postcolonial British identity. As an alternative, I draw on Aristotle to suggest that a tragic narrative would have been more propitious. Key Words: collective memory; formalism; Northrop Frye; British Empire; national identity; Tate Britain Introduction The past is very much in the present. From slavery in the United States to the "Nanjing Massacre" in China, around the world, struggles over the meaning of the past – the politics of memory – have become increasingly salient. I propose a new approach for understanding this phenomenon, which draws upon the archetypal literary criticism of Northrop Frye (1957).
    [Show full text]
  • Curating Soldier Art Holly Furneaux*, Sue Prichard**
    Museum & Society, 13 (4) 447 Contested Objects: Curating Soldier Art Holly Furneaux*, Sue Prichard** ‘all of six years on and off to make the quilt from different uniforms, more than a few pieces from poor fellows that fought hard for their country and fell in the struggle.’ Joseph Rawdon, British soldier in India, 1872 Letter to Mr Bootland of Bradford, quoted by Rae and Tucker 1995: 177. Abstract Joseph Rawdon’s account of his making of a military quilt incorporates an emotional object biography of a kind typically attached to this kind of material. He recalls the long period of production, an investment of physical and emotional labour of a different, but related, order to the effort of his dead colleagues, those ‘poor fellows that fought hard for their country and fell in the struggle’, and whose then surplus uniforms contribute to the fabric of the patchwork. In this co-authored article we draw upon objects like that produced by Rawdon, and the narratives that accompany them, to explore the value and challenges of curating objects produced by soldiers in wartime. Focusing on patchwork produced by Victorian military men, we seek to extend the understanding of trench art, in terms of chronology and form. Existing work on trench art has been almost exclusively directed to the First World War, with a particular emphasis on objects made from weaponry and ammunition, such as shell casing vases. Nicholas Saunders, the leading scholar in this field, gives the following definition: ‘Any object made by soldiers, prisoners of war and civilians, from war material or any other material as long as object and maker are associated in time and space with armed conflict or its consequences’ (2002: 4).
    [Show full text]
  • Iwm Research Report 2011
    IWM RESEARCH REPORT 2011 Contents 1. Introduction and overview 2 2 1.1 Introduction 2 1.2 Overview 3 2. Collaborative Doctoral Awards and PhDs 4 3. Publications 5 3.1 Publications by IWM staff 5 3.2 Media involvement by IWM staff 7 3.3 Expert assistance by IWM staff 9 4. Conferences, lectures, talks and other significant representation 10 2 1. Introduction and overview 1.1. Introduction The Department of Research in 2011 has continued to develop IWM’s longer-term strategies for Research under the guidance of the Research Board. These are still early days, but it is gratifying to note success across a number of fronts. The Department encourages the development of subject expertise across IWM, and fosters the expansion of collections-based research both by IWM staff and by external investigators. A new Research Associates scheme has been successfully launched, and all four of the Collaborative Doctorate Awards applications to the AHRC with which IWM was associated were successful. Eleven IWM staff members have reported 21 publications during the year, with several also making media appearances. 17 staff have given talks and papers, and the Department was represented at various conferences, including the Australian War Memorial’s conference Korea: In from the Cold, a colloquium at the Mémorial de Caen on representations of D Day and a further Federation of International Human Rights Museums (FIHRM) conference at the Museum of Slavery in Liverpool. A very successful ‘Voices of the First World War’ podcast series and an IWM Research Blog have been launched. The Department maintains partnerships and links with universities and other key external relationships, with outcomes including the successful seminar series, Reappraising the First World War, organised in partnership with King’s College London and Queen Mary University of London.
    [Show full text]
  • Annual Review 2013/14
    Historic Royal Places – Descriptors Small Use Width 74mm Wide and less Minimum width to be used 50mm Depth 16.5mm (TOL ) Others Various Icon 7mm Wide Historic Royal Places – Descriptors SmallDotted line Use for scaling Rules 0.25ptWidth 74mm Wide and less and minimum size establishment only. Minimum width to be used 50mmDoes not print. Depth 16.5mm (TOL ) Others Various Icon 7mm Wide Dotted line for scaling Rules 0.25pt and minimum size establishment only. Historic Royal Places – Descriptors Small UseDoes not print. Historic RoyalWidth Places 74mm – DescriptorsWide and less Small Use Width 74mm WideMinimum and less width to be used 50mm MinimumDepth 16.5mmwidth to (TOL be used ) 50mm Depth 16.5mmOthers (TOLVarious ) Icon 7mm Wide Others Various Dotted line for scaling Rules 0.25pt Icon 7mmHistoric Wide Royal Places – Descriptors Small Use and minimum size Width 74mm Wide and less Dotted lineestablishment for scaling only. Does not print. Rules 0.25pt Minimum width to be used 50mm and minimum size Depth 16.5mm (TOL ) establishment only. Others Various Does not print. Icon 7mm Wide Dotted line for scaling Rules 0.25pt and minimum size Historic Royal Places – Descriptors Small Use Width 74mm Wide and less establishment only. Minimum width to be used 50mm Depth 16.5mm (TOL ) Others Various Does not print. Icon 7mm Wide Dotted line for scaling Rules 0.25pt and minimum size establishment only. Does not print. Annual Review 2013/14 Contents 06 Welcome to another chapter in our story 07 Our work is guided by four principles 08 Chairman – reflecting on 2013/14 09 Chief Executive – looking ahead 10 Hillsborough Castle 12 Showmanship 18 Guardianship 24 Discovery 30 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees 43 Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House.
    [Show full text]
  • National Army Museum Royal Hospital Road, Chelsea, London
    National Army Museum Royal Hospital Road, Chelsea, London Contact details: 020 7730 0717 [email protected] Website: https://www.nam.ac.uk Baggage and Belonging Catalogue 2020 Museum National Army Museum Accession Number NAM.1960.06.35.1 Categories Vessels Object name Teapot Description Teapot of Russian origin, said to have been acquired by Major General Sir Frederick Roberts during the Second Anglo-Afghan War, 1878-80, Afghanistan Physical description Teapot with curved handle, thin spout and circular lid. The body of the tea pot is painted blue, glazed and features floral motifs. Made by Gardner of Moscow. Names associated Roberts, Major General Frederick Other associations Afghanistan Second Anglo-Afghan War © National Army Museum Baggage and Belonging Catalogue 2020 Museum National Army Museum Accession Number NAM.1960.06.35.3 Categories Vessels Object name Cup Description Cup of Russian origin, said to have been acquired by Major General Sir Frederick Roberts during the Second Anglo-Afghan War, 1878-80, Afghanistan Physical description Cup with curved handle. The body of the cup is painted blue, glazed and features floral motifs, with gilt on the rim. Made by Gardner of Moscow. Names associated Roberts, Major General Frederick Other associations Afghanistan Second Anglo-Afghan War © National Army Museum Baggage and Belonging Catalogue 2020 Museum National Army Museum Accession Number NAM.1959.12.199.1 Categories Vessels Object name Vase Description Silver vase, damaged, described as being ‘taken’ from the British Residency at Kabul, which had been stormed and looted by enemy forces during the Second Anglo-Afghan War, 1878-80, Afghanistan Physical description Fluted vase set on a circular base.
    [Show full text]
  • Does War Belong in Museums?
    Wolfgang Muchitsch (ed.) Does War Belong in Museums? Volume 4 Editorial Das Museum, eine vor über zweihundert Jahren entstandene Institution, ist gegenwärtig ein weltweit expandierendes Erfolgsmodell. Gleichzeitig hat sich ein differenziertes Wissen vom Museum als Schlüsselphänomen der Moderne entwickelt, das sich aus unterschiedlichen Wissenschaftsdisziplinen und aus den Erfahrungen der Museumspraxis speist. Diesem Wissen ist die Edition gewidmet, die die Museumsakademie Joanneum – als Einrichtung eines der ältesten und größten Museen Europas, des Universalmuseum Joanneum in Graz – herausgibt. Die Reihe wird herausgegeben von Peter Pakesch, Wolfgang Muchitsch und Bettina Habsburg-Lothringen. Wolfgang Muchitsch (ed.) Does War Belong in Museums? The Representation of Violence in Exhibitions An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative ini- tiative designed to make high quality books Open Access for the public good. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 (BY-NC-ND). which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher.
    [Show full text]
  • TIL Master2007 + COLOURS
    www.til.com @thisislondonmag THIS IS LONDON CULTURAL CALENDAR 2021 has a comprehensive selection of exhibitions, theatre, music, sport and events taking place over the next few months as restrictions are eased and we are able to enjoy the Capital again. The list will be updated as reopenings, rescheduled events and performance dates are announced. ROYAL OPERA HOUSE TO REOPEN ITS DOORS The Royal Opera House is to reopen its doors to audiences on 17 May, with a full schedule of in-person performances from both The Royal Ballet and The Royal Opera, brand new work available to stream online, and the world’s first opera in hyper-reality. This suite of activity will take place on the Royal Opera House's historic Main Stage, in the state-of-the-art Linbury Theatre, or streamed online as part of their #OurHouseToYourHouse programme. VAN GOGH ALIVE BLOOMS IN LONDON The new Van Gogh Alive multi-sensory experience completely immerses you in the life and work of Vincent van Gogh as you travel through periods of his life that defined him as an artist. State-of-the-art immersive gallery technology immaculately displays Van Gogh’s work in a kaleidoscope of colour. Set to an evocative classical score that is delivered via a high-fidelity 3D sound system, this combination of sound, visuals and aromas of Provence will give visitors the sensation of walking right into his paintings as if they are living and breathing. ROYAL ACADEMY OF ARTS REVISED EXHIBITION PROGRAMME The Royal Academy intends to reopen on Tuesday 18 May 2021.
    [Show full text]
  • Download Collection Development Policy 2018-22.PDF PDF, 773.19 KB
    COLLECTION DEVELOPMENT POLICY 2018–22 OF THE NATIONAL MARITIME MUSEUM Including Acquisition and Disposal Policy National Maritime Museum Park Row Greenwich London SE10 9NF Approved by the Board of Trustees on 26 April 2018 Date of next review: November 2022 COLLECTION DEVELOPMENT POLICY 2018–22 CONTENTS: SUMMARY p.4 COLLECTING FOR A SHARED FUTURE p.6 COLLECTING CRITERIA AND PLANS p.8 THE COLLECTIONS p.11 ARTS p.11 • Fine Art p.11 • Decorative Arts p.21 • Textiles p.26 • Ship and Architectural Decoration p.30 • Metalwork p.32 LIBRARY AND ARCHIVE p.36 • Manuscripts p.36 • Rare Books p.37 • Printed Ephemera p.39 • Oral History p.40 SHIPS AND MARITIME LIFE p.41 • Ship Plans and Technical Records p.41 • Ship Models p.43 • Weapons p.44 • Orders, Service Medals and Decorations p.48 • Photography and Albums p.49 • Relics and Personal Effects p.51 • World Cultures p.52 SCIENCE AND TECHNOLOGY p.54 • Cartography p.54 • Astronomical Instruments p.57 • Navigational Instruments and Oceanography p.58 • Horology p.60 CUTTY SARK p.61 APPROACH FOR POST-1945 COLLECTING p.63 COLLECTIONS UNDER REVIEW p.63 • Film Archive p.63 • Miscellaneous Antiquities p.64 • Polar Relics and Equipment p.65 • Ship Fixtures and Fittings p.66 • Ship-related Equipment p.66 • Ship Tools p.66 2 CLOSED COLLECTIONS p.67 • Archaeology p.67 • Seal Casts p.67 • Small Craft p.68 ACQUISITION AND DISPOSAL POLICIES p.69 • Legal and Ethical Framework p.69 • Principles of Collecting and Disposal p.69 • Acquisition Policy p.69 • Disposal Policy p.73 • Collections Development Committee p.77 • References p.77 3 SUMMARY Scope and Objective The Collections Development Policy 2018–22 (CDP) is an integral part of the Museum’s overall collection management strategy and activity.
    [Show full text]