Simpsons Heartbreak Hotel Movie Reference
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Homer Economicus: Using the Simpsons to Teach Economics
Homer Economicus: Using The Simpsons to Teach Economics Joshua Hall* West Virginia University Getting students to understand the economic way of thinking might be the most difficult aspect of a teaching economist=s job. The counterintuitive nature of economics often makes it difficult to get the average student to think Alike an economist.@ To this end, the need to keep students engaged and interested is essential when teaching economic principles and interdisciplinary approaches to engaging students are becoming increasingly common. For example, Leet and Houser (2003) build an entire principles class around classic films and documentaries while Watts (1999) discusses how literary passages can be used to teach a typical undergraduate course more effectively. I further extend this interdisciplinary approach to economic education by providing examples from the long-running animated television show The Simpsons that can be used to stimulate student discussion and engagement in an introductory course in microeconomics. Using The Simpsons in the classroom The bulk of this paper describes scenes from The Simpsons that illustrate basic economic concepts. While the examples are pretty straightforward, the difficulty in using The Simpsons lies in deciding: where to place the examples into the lecture and the best way to present the scene to the students. _____________________________ * The author gratefully acknowledges the financial support of The Buckeye Institute. One difficult feature of using any popular culture in the classroom, even a show that has been on the air for fifteen seasons and 300-plus episodes, is that students do not all have the same frame of reference, even in the most homogenous of classrooms. -
ELVIS Blue Suede Shoes Activity
JANUARY 1956 30 Elvis Presley recorded his version of “Blue Suede Shoes.” • The song was written by Carl Perkins. He was hospitalised after crashing his car on his way to promote the song on a TV show. Elvis recorded the song instead. • Elvis had 51 gold records and 149 hit singles between 1958 and 1986. of the day • Other performers to record the song include the Beatles, John Lennon, Jimi Hendrix. suede Leather with a napped (soft- ly brushed) surface; from the French gants de Suéde (Swedish gloves). Elvis Presley: They arrived today. The shoes. The ones you bid Recording cover versions of songs was a common practice for on that Internet auction site. They were during the 1940s and 1950s, and "Blue Suede Shoes" was claimed to be Elvis Presley’s original blue suede shoes. Of course, who’d believe that? Still, for one of the first songs RCA Victor wanted its newly $10, they’re pretty cool. Go on, put them on. contracted artist, Elvis Presley, to record. "Heartbreak Hotel" Hmm, nice fit. Although, . all of a sudden you and "Shoes" rose on the chartsof atthe roughly day the same time. feel like, well, as though you want to . “Good mashed potato is one of the great luxu- ries of life and I don’t blame Elvis for eating it every night for the last year of his life.” Lyndsey Bareham Elvis song word search Find all the hidden Elvis songs. The letters left of the day over spell out another great Elvis hit! HOUNDDOGAR EYOUN Blue Moon BLUESUEDESHOESO Blue Suede Shoes LREDNETEMEVOLONO Don’t Be Cruel DONT B E C RUE L YAWYM Heartbreak Hotel Hound Dog SUSP I C IOUSMINDSE In the Ghetto EOTTEHGEHTN I SOMU Jailhouse Rock PROMI SEDLANDETOL Kentucky Rain LETOHKAERBTRAEHB Love Me Tender NIGNIARYKCUTNEK My Way JAI LHOUSEROCKHT Promised Land Are You Lonesome Tonight? Lonesome You Are Suspicious Minds Answer: . -
Inf3580 Spring 2014 Exercises Week 4
INF3580 SPRING 2014 EXERCISES WEEK 4 Martin G. Skjæveland 10 mars 2014 4 SPARQL Read • Semantic Web Programming: chapter 6. • Foundations of Semantic Web Technologies: chapter 7. 4.1 Query engine In this exercise you are asked to make a SPARQL query engine. 4.1.1 Exercise Write a java program which reads an RDF graph and a SPARQL query from file, queries the graph and outputs the query results as a table. Your program should accept SELECT queries, CONSTRUCT queries and ASK queries. A messages should be given if the query is of a different type. Tip If I query the Simpsons RDF graph (simpsons.ttl) we wrote in a previous exercise with my SPARQL query engine and the SELECT query 1: PREFIX sim: <http://www.ifi.uio.no/INF3580/v13/simpsons#> 2: PREFIX fam: <http://www.ifi.uio.no/INF3580/v13/family#> 3: PREFIX xsd: <http://www.w3.org/2001/XMLSchema#> 4: PREFIX foaf: <http://xmlns.com/foaf/0.1/> 5: SELECT ?s ?o 6: WHERE{ ?s foaf:age ?o } 7: LIMIT 1 I get1 the following: (To get the nicely formatted output I use the class ResultSetFormatter.) ------------------------------------------------------------------ | s | o | ================================================================== | <http://www.ifi.uio.no/INF3580/simpsons#Maggie> | "1"^^xsd:int | ------------------------------------------------------------------ Executing with the ASK query 1: ASK{ ?s ?p ?o } 1Note that your results may be different according to how your Simpsons RDF file looks like. 1 gives me true Executing with the CONSTRUCT query 1: PREFIX rdfs: <http://www.w3.org/2000/01/rdf-schema#> 2: PREFIX fam: <http://www.ifi.uio.no/INF3580/v13/family#> 3: PREFIX sim: <http://www.ifi.uio.no/INF3580/v13/simpsons#> 4: PREFIX foaf: <http://xmlns.com/foaf/0.1/> 5: CONSTRUCT{ sim:Bart rdfs:label ?name } 6: WHERE{ sim:Bart foaf:name ?name } gives me @prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> . -
C E7 Verse: All of Me Why Not Take All of Me, A7 Dm Can't You See I'm No
All of Me by Frank Sinatra C E7 Verse: All of me why not take all of me, A7 Dm Can’t you see I’m no good without you? E7 Am Take my lips, I want to lose them D7 Dm G7 Take my arms I’ll never use them. C E7 Chorus: Your goodbye left me with eyes that cry A7 Dm How can I get along without you. F Fm Em7 A7 You took the part that once was my heart D7 G7 C So why not, why not take all of me? C E7 Verse: All of me come on get all of me A7 Dm Can’t you see I’m just a mess without you? E7 Am Take my lips, I want to lose them D7 Dm G7 Get a piece of these arms, I’ll never use them C E7 Chorus: Your goodbye left me with eyes that cry A7 Dm How can I ever make it without you F Fm You know you got the part Em7 A7 That used to be my heart D7 G7 C So why not, why not take all of me January 31st, 2020 1 It Had to Be You by Frank Sinatra Cmaj7 A7 It had to be you, it had to be you D7 I wandered a-round and finally found somebody who G7 Am Could make me be true___. Could make me feel blue D7 G7 And even be glad, just to be sad, thinking of you. C A7 Some others I’ve seen might never be mean D7 Might never be cross or try to be boss, but they wouldn’t do Dm Fm C E7 Am For nobody else gave me a thrill, with all your faults I love you still Gdim G7 Gdim G7 C It had to be you, wonderful you, it had to be you. -
Heartbreak Hotel
American University Washington College of Law Digital Commons @ American University Washington College of Law Articles in Law Reviews & Other Academic Journals Scholarship & Research 1990 Heartbreak Hotel: The Disharmonious Convergence of Welfare, Housing and Homelessness Susan Bennett American University Washington College of Law, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/facsch_lawrev Part of the Law Commons Recommended Citation Bennett, Susan. "Heartbreak Hotel: The Disharmonious Convergence of Welfare, Housing and Homelessness." Maryland Journal of Contemporary Legal Issues 1 (1990): 27-96. This Article is brought to you for free and open access by the Scholarship & Research at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Articles in Law Reviews & Other Academic Journals by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. HEARTBREAK HOTEL: THE DISHARMONIOUS CONVERGENCE OF WELFARE, HOUSING AND HOMELESSNESS SUSAN BENNETT* You can check in any time you like, but you can never leave.1 To say that Americans value themselves as they value their monuments is probably not to make too sweeping a sociological statement. We cele- brate our great public edifices- the Brooklyn Bridge, Fenway Park- for their happy joining of form and function, or their nostalgic associations.2 Archae- ologists studying the 1980's will undoubtedly analyze that era as the one which measured itself in malls. We gasp, we thrill, we buy- we am. We have other monuments. If our true measure lies in how we treat our most vulnerable, then the real gauges of the 1980's are a hotel and a gymna- sium floor. -
Die Welt Der Simpsons
Der ultimative Episoden-Führer Staffel 1 bis 20 AHOY-HOY, SIMPSONS-FANATIKER! Willkommen zu Die Welt der Simpsons, dem ultimativen Episodenführer (Staffel 1 bis 20), dem bis jetzt größten, dicksten und – so man ihn auf euren Kopf fallen ließe – auch tödlichsten Begleitband zur Serie. In diesem tödlichen Klotz von einem Buch findet ihr Insider-Gags, aufdringliche Wortspiele, subtile Anspielungen, uralte Sprüche, prägnante Handlungszusammenfassungen, obskure Derbheiten und subversive Propaganda, die Die Simpsons in den vergangenen mehr als 20 Jahren so beliebt und nervig gemacht haben. Und regt euch gar nicht erst auf, weil diese mächtige Schwarte etwa aus älteren Simpsons-Büchern zusammengebastelt sein könnte. Jede Folge wurde noch einmal gründlich auf neue versteckte Gags abgesucht, und verflixt noch mal, wir haben noch so einige gefunden! Außerdem haben wir jede Menge zusätzliche Witze einbauen können, für die vorher kein Platz war, dazu unzählige neue Zeichnungen, interessante Statistiken und überaus triviale Details. Blättert ruhig ein wenig in diesem Kompendium während der Werbepausen, wenn ihr die 30. Wiederholung der Simpsons seht, aber denkt ja nicht an eure vergängliche Jugend. Glaubt uns, das würde euch nur deprimieren. Obwohl dieses Buch vor allem für die treuesten Simpsons-Fans gestaltet wurde, wird es auch als Referenz für alle Zeichner, Autoren, Produzenten, Designer und Produktionsassistenten der Serie dienen. Ehrlich gesagt arbeiten die meisten von uns schon so lange an den Simpsons, dass wir ein wenig vergesslich werden, und die Informationen in diesem Buch werden uns helfen, unsere erratischen Erinnerungen anzustacheln. Heben wir also das Glas auf 20 Staffeln, die Vergänglichkeit der Jugend, nie enden wollende Abgabetermine, chronische Müdigkeit und ein paar echt gute Lacher. -
Kidd Galahad Elvis Tribute Artist Set List Kidd Galahad Is an Elvis
Kidd Galahad Elvis Tribute Artist Set List Kidd Galahad is an Elvis Tribute Artist with a vast set list, covering all eras of Elvis' music. Listed here is a small list we have compiled of the songs he performs. Please feel to choose your own set list for your event. All Shook Up Guitar Man (Let Me Be Your) Teddy Bear Always On My Mind Heartbreak Hotel Little Less Conversation An American Trilogy Heart Of Rome Little Sister And The Grass Won't Pay No Mind Hey Jude Life Are You Lonesome Tonight Hound Dog Love Letters Big Boots Hurt Love Me Big Boss Man If I Get Home On Christmas Day Love Me Tender Big Hunk O' Love I Can't Stop Loving You Mama Liked The Roses Blue Christmas I Got A Woman (Marie's The Name) His Latest Flame Bossa Nova Baby I Just Can't Help Believin' Mary In The Morning Bridge Over Troubled Water I Want You, I Need You, I Love You Maybellene Burning Love I'll Remember You Memories Can't Help Falling In Love Impossible Dream Moody Blue Don't I'm Leavin' Mr Songman Don't Be Cruel I'm So Lonely I Could Cry My Babe Don't Cry Daddy In The Ghetto My Baby Left Me Fever It's Impossible My Boy Fool It's Now Or Never My Way For The Good Times It's Easy For You Mystery Train For The Heart I've Lost You Next Step Is Love For Ol' Times Sake It's Your Baby, You Rock It! (Now & Then There's) A Fool Such As I GI Blues Jailhouse Rock Old MacDonald Girl Of My Best Friend Johnny B. -
WDAM Radio's History of Elvis Presley
Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley. -
Pastel Classics Repertoire
Pastel Classics Repertoire Always on my mind. Willie Nelson A song for you. Don Hathaway At last. Etta James Bennie and the jets. Elton John Bridge over troubled water. Simon and Garfunkel Can’t help falling in love. Elvis Presley Cryin. Roy Orbison Don’t let the sun go down on me. Elton John Georgia on my mind. Ray Charles Hallelujah. Leonard Cohen Have I told you lately. Rod Stewart Heartbreak hotel. Elvis Presley Heart of the matter. Don Henley Heaven. Bryan Adams Hopelessly devoted. Grease Hotel California. Eagles I can’t make you love me. Bonnie Raitt I walk the line. Johnny Cash I’ll stand by you. The Pretenders Just give me one reason. Traci Chapman Let’s get it on. Marvin Gaye Love me tender. Elvis Presley Pastel Classics Repertoire continued Moon river. Glenn Miller My way. Frank Sinatra Natural woman. Aretha Franklin Oh darling. Beatles Piano man. Billy Joel See you again. Wiz Khalifah Smile. Frank Sinatra Somewhere over the rainbow. Judy Garland Sorry seems to be the hardest word. Elton John Stand by me. Otis Redding Stop in the name of love. The Supremes Take me to church. Hosier Thinking out loud. Ed Sheeran Time after time. Cyndi Lauper True colours. Cyndi Lauper Unchained melody. Everly Brothers Unforgettable. Nat King Cole We’ve got tonight. K.Rogers+Dolly Parton What a wonderful world. Louis Armstrong When a man loves a woman. Percy Sledge Wild horses. Rolling Stones Your song. Elton John You’re the want that I want. Grease . -
Title Artist 3 Preludes__Piano Gershwin After the Gold Rush Neil
Title Artist 3_Preludes__piano_ Gershwin After The Gold Rush Neil Young Ain't No Sunshine Bill Withers Ain't Too Proud to Beg Temptations All of me John Legend Jazz Standard / Frank All Of Me Sinatra Jazz Standard / Frank All The Things You Are Sinatra Angel Of Harlem U2 Angry Young Man Billy Joel Any major dude Steely Dan Apologize One Republic April Showers Artist Name At Last Jazz Standard Autumn Leaves Kosma-mercer Baby i love your way Peter Frampton Bad bad leroy brown Jim Croce Creedence Clearwater Bad moon rising Revival Bein Green Bennie And The Jets Elton John Billie Jean Michael Jackson Birthday Beatles Black Magic Woman Santana Brick House The Commodores Bridge Over Troubled Water Simon And Garfunkle Brown Eyed Girl Van Morrison Cake By The Ocean Dnce Calling All Angels Train Can’t Stop The Feeling JUSTIN TIMBERLAKE Carry on my wayward son Kansas Cats In The Cradle Cecilia Paul Simon Change The World Eric Clapton Clocks Coldplay Come Fly With Me Frank Sinatra Come Together Beatles Couldn't Stand The Weather Stevie Ray Vaughn Crazy Gnarls Barkley Crazy Little Thing Called Love Queen Dancing In The Dark Bruce Springsteen Dear prudence Beatles December, 1963 (Oh What A Night) Frankie Vallie Demons Imagine Dragons Desperado Eagles Dirtywork Steely Dan DOCK OF THE BAY Otis Redding Dont Ask Me Why Billy Joel Dont let the sun go down on me Elton John Don't Stop Fleetwood Mac Dont Stop Believin Journey Dont Stop Till You Get Enough Michael Jackson Down Under Men At Work Drive My Car Beatles Drops Of Jupiter Train Dynomite Every Little -
All Shook Up
FOR IMMEDIATE RELEASE Contact: Center REP Press Department 925.295.1413 [email protected] Center REPertory Company Presents All Shook Up Book by Joe DiPietro Inspired by and Featuring the Songs of Elvis Presley Musical Director Dolores Duran-Cefalu Directed and Choreographed by Robert Barry Fleming Press Night is September 8th at 7:30 pm Walnut Creek, CA, August 18, 2009––Center REPertory Company presents All Shook Up, from September 3 through October 10, 2009. Directed and Choreographed by Robert Barry Fleming and with Musical Direction by Dolores Duran-Cefalu, All Shook Up is the first production of Center REP’s 43rd subscription season. Press night is Tuesday, September 8th at 7:30 pm. All Shook Up is made possible by the generous support from Chevron, The Contra Costa Times and Diablo Regional Arts Association. ELVIS MEETS SHAKESPEARE. That is the unlikely premise of the 2005 Broadway hit All Shook Up, a musical based on the plot of William Shakespeare’s comedy Twelfth Night and told through the songs of Elvis Presley. All Shook Up comes to Walnut Creek’s Center REPertory Company in September. Artistic Director Michael Butler is certainly opening the 2009-10 season with a bang. Twenty-five of the King’s hits, including “Devil in Disguise,” “Heartbreak Hotel,” and, of course, “All Shook Up,” help tell a tale, set in the 1950s, of love, tolerance, and laugh-out-loud gender-bending disguises. “I think people will be surprised and completely delighted at how well these songs work as theatre music. They’re great story-telling songs,” says Butler, who is an Elvis fan himself.