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Lesson Plans and Resources for There There by Tommy Orange
Lesson Plans and Resources for There There by Tommy Orange Table of Contents 1. Overview and Essential Questions 2. In-Class Introduction 3. Common Core Standards Alignment 4. Reader Response Questions 5. Literary Log Prompts + Worksheets 6. Suggested Analytical Assessments 7. Suggested Creative Assessments 8. Online Resources 9. Print Resources - “How to Talk to Each Other When There’s So Little Common Ground” by Tommy Orange - Book Review from The New York Times - Book Review from Tribes.org - Interview with Tommy Orange from Powell’s Book Blog These resources are all available, both separately and together, at www.freelibrary.org/onebook Please send any comments or feedback about these resources to [email protected]. OVERVIEW AND ESSENTIAL QUESTIONS The materials in this unit plan are meant to be flexible and easy to adapt to your own classroom. Each chapter has discussion questions provided in a later section. Through reading the book and completing any of the suggested activities, students can achieve any number of the following understandings: - A person’s identity does not form automatically – it must be cultivated. - Trauma is intergenerational -- hardship is often passed down through families. - A physical place can both define and destroy an individual. Students should be introduced to the following key questions as they begin reading. They can be discussed both in universal terms and in relation to specific characters in the book: Universal - How has your family cultivated your identity? How have you cultivated it yourself? -
Short Stories]
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1999 Riparia| [Short stories] Danis Banks The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Banks, Danis, "Riparia| [Short stories]" (1999). Graduate Student Theses, Dissertations, & Professional Papers. 3447. https://scholarworks.umt.edu/etd/3447 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. M I llMliw Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission /<? ^ Author's Signature. Date (7, Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. RIPARIA by Danis Banks B.A. Brown University, 1993 presented in partial fulfillment of the requirements for the degree of Master of Fine Arts The University of Montana 1999 Approved by: Chairperson Dean, Graduate School S-l 7-<7? Date UMI Number: EP34091 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. -
ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
A Guide to the Gaps
A Guide to the Gaps By Taylor B. Ulm A thesis submitted in partial fulfillment of the requirements of the University Honors Program University of South Florida, St. Petersburg May 5, 2016 Thesis Director: Heather Jones, M.F.A. Professor, College of Arts and Sciences University Honors Program University of South Florida St. Petersburg, Florida CERTIFICATE OF APPROVAL ___________________________ Honors Thesis ___________________________ This is to certify that the Honors Thesis of Taylor B. Ulm has been approved by the Examining Committee on May 3, 2016 as satisfying the thesis requirement of the University Honors Program Examining Committee: Thesis Director: Heather Jones, M.F.A. Professor, College of Arts and Sciences Thesis Committee Member: Anda Peterson, M.F.A. Professor, College of Arts and Sciences Thesis Committee Member: Thomas Smith, Ph.D. Professor, College of Arts and Sciences A Guide to the Gaps – This book is dedicated to somebody who will probably never read it. – The Gaps Imagine this. You stand on the edge of a riverbank, And everything you’re familiar with surrounds you, The people you know, The things you hold dear. But everything is gray, Black and white is all. Your world is a colorless landscape. Now imagine you look across that river. On the other side is everything that you feel familiar with, The people you know, The things you hold dear. But is it really so familiar, If it’s all in color? That’s the only difference between this world and that. It matters not which colors you imagine, Simply imagine the colors that appeal to you. -
CHARLIE BERENS Q GALLERY HOLIDAY FARE to Mix up Old and Manitowoc Minute Holiday Show Opens 10 Feasting Favorite PUBLISHER’S Note P
TO THE HOLIDAYS 10 WI FOODS TO FEAST UPON Get Out & Do What You Like to do NOVEMBER 2018 Christmas with the NELSONS Everyone is invited to this family CHARLIE celebration BERENS Tours WI with Manitowoc minute and More BLUES TRAVELER 30+ years and in their comfort zone UPCOMING EVENts: PLUS! Fox Cities | Green Bay TORNADO CLUB Marshfield | Oshkosh STEAK HOUSE Stevens Point | Waupaca A Madison classic Wausau | Wisconsin Rapids Marketing is essential for every business. But let’s face it, some days are a struggle to keep up with everything you are currently doing. Beyond that, in the digital age it can be downright confusing and intimidating to sort through your options. How can you keep up with the chaotic pace of doing business in an increasingly digital world? Let us help... Specializing in Contracted Digital Marketing Services Websites | eMail Marketing | Social Media | Google Business | Reputation Management www.foxxinteractiveservices.com Contact: (715) 412-1284 | [email protected] Get Out & Do What You Like to Do NOVEMBER 2018 p.22 THE NELSONS MAtthEW AND GUNNAR SHARE THEIR FAMILY CHRISTMAS WITH WIscoNSIN P. 4 P. 18 P. 28 P. 30 DEPARTMENTS BLUES TRAVELER CHARLIE BERENS Q GALLERY HOLIDAY FARE To mix up old and Manitowoc Minute Holiday Show opens 10 feasting favorite PUBLISHER’S NOTE p. 2 new in Milwaukee and beyond on in Stevens Point Wisconsin foods SUPPER CLUB p. 12 new tour Tornado Club Steak House Of Madison EVENTS CALENDAR p. 34 PUBLISHER’S NOTE NOVEMBER – A TIME FOR Family Fun Edition THANKS AND TOGETHERNESS November 2018, Vol. -
Official Guide
CODE: SPE-11-1 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - Guide Cover TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 01A-002278-01D-SPE-11-1.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” AMERICAN EXPRESS THE PROUDLY PRESENTS 2011 OFFICIAL TRIBECA FILM FESTIVAL GUIDE TRIBECAFILM.COM APR 20 - MAY 1 REALIZE THE POTENTIALSM FEATURING FILM SUMMARIES | COMPLETE SCHEDULE | GUIDE TO MAKING THE MOST OF TRIBECA SPECIAL OFFERS FOR AMERICAN EXPRESS CARDMEMBERS CODE: SPE-11-2 PUB/POST: Tribeca - TONY, materials due: PRODUCTION: M. Piscatelli LIVE: 4.875” x 7.25” DESCRIPTION: Tribeca - EOS TRIM: 5.375” x 7.75” Delivery Support: 212.237.7000 FILE: 02D-002278-03C-SPE-11-2.indd SAP #: AP.APSPE.11009.K.011 BLEED: 5.875” x 8.25” 1 4/20 – 5/01 TRIBECAFILM.COM NEW York’s DOWNTOWN GET TICKETS GLOBAL CINEMA WHILE THE POPCORN IS STILL HOT. CARDMEMBERS CAN GET ADVANCE TICKETS TO THE TRIBECA FILM FESTIVAL FROM 4/12 TO 4/16. VISIT TRIBECAFILM.COM/FESTIVAL OR CALL 1-866-941-FEST. ENTERING ITS 10TH SEASON THIS YEAR, the Tribeca Film Festival has become a signature New York experience with a built-in global reach. With the support of founding sponsor American Express, the Festival has developed into a unique platform for showcasing some of the best new voices, ideas and narratives in cinema today. The Festival’s range, depth and diversity reflect not only the fabric of New York but also the larger world community beyond. -
Drömmen I Dåliga Bilder
Örebro Universitet Institutionen för humaniora, utbildning och samhällsvetenskap Drömmen i dåliga bilder En studie om estetiken i Beyond the Black Rainbow och Inland Empire Självständigt arbete 2019-01-17 Medie- och kommunikation, inriktning film Handledare: Jakob Nilsson Författare: Daniel Sandberg & Kim Jakobsson Abstract This thesis examines visionary directors David Lynch and Panos Cosmatos aesthetics in the films Inland Empire and Beyond the Black Rainbow. Two films with surrealistic aspects that are using a form of degraded aesthetics to achieve a certain kind of cinematography that is rarely seen in the industry. We examine what tools are being used to achieve the effect with theories concerning defamiliarization, the uncanny and uncanny valley. Aspects of cinematography in these films are working together to create effects that are both defamiliarized and uncanny. Keywords: Shlovsky, Freud, defamiliarization, ostranenie, the uncanny, uncanny valley, aesthetics, cinematography, image, grain, ugliness, surrealism, Beyond the Black Rainbow, Inland Empire, David Lynch, Panos Cosmatos Innehåll 1. Inledning 1 1.1 Forskningsproblem och syfte 5 1.2 Bakgrund 6 1.3 Surrealism 8 1.4 Disposition 9 2. Tidigare forskning 9 3. Metod 11 3.1 Metodproblem 13 4. Material 13 4.1 Beskrivning av filmernas narrativ 15 4.2 Materialproblem 16 5. Teoretiska utgångspunkter 16 5.1 Det kusliga enligt Freud 17 5.2 Uncanny Valley 20 5.3 Främmandegöring 22 5.4 Degradering 24 6. Analys 24 6.1 Beyond the Black Rainbow 24 6.2 Inland Empire 29 7. Diskussion 35 8. Avslutande sammanfattning 39 Källor 41 Litteratur 41 Internetlänkar Fel! Bokmärket är inte definierat. Omnämnda filmer 44 1. -
Sam Shepard's Master Class in Playwriting
Sam Shepard’s Master Class in Playwriting Brian Bartels 7 2 THE MISSOURI REVIEW / SPRING 2007 ( i n t e r v i e w ) Cherry Lane eater, in Manhattan’s West Village, is not located on Cherry Lane at all, but on Commerce Lane (nowhere near the Financial District of Lower Manhattan). It’s a venerable the- ater company that has been around for years, not very big, nowhere near Broadway, tucked in a corner on one of the most beautiful neighborhoods in New York: an urban paradise. It would seem wrong if anything other than a theater company were in this location. After everything is gone, this place feels like it will still be here, waiting for an audience. Monday, November 6, 2006, 7:46 .. Excitement hovers. e crowd is your standard theater audience: median age, late forties, and I am, as always, one of the Photograph by Joan Marcus SPRING 2007 / THE MISSOURI REVIEW 7 3 youngest people in the room. Women dominate the group: sweet, good-natured ladies who all seem to know one another. People meander inside Cherry Lane’s second-stage space, which seats about fi fty or sixty; every seat is taken. Some people are dressed like characters in one of Sam Shepard’s plays. e event is being videotaped: a surprise, given Shepard’s record of determined privacy. He doesn’t do press junkets or interviews for the fi lms he acts in. is is written into his contracts. Nor does he really like fl ying all that much. He has, however, in recent years, opened up somewhat, off ering glimpses into his artistic and personal life such as he’s generally shied away from. -
Especial Nuevo Ho Ywood
PLOT 24 CUADROS NÚMERO 34 - AGO 2020 ALGO NUEVO BAJO EL SOL Especial Nuevo Hoywood ESCRiBEN CASTAÑO / VALLARELLi / ACEVEDO / ELESGARAY / REAL / LEMA HUERGO / MiNEViTZ / MUJiCA / BiANCHi / DUARTE/ MAiDANA / SANABRiA / OSORiO / LiTTA PLOT REVISTA 24 CUADROS - AÑO 13 Nº 34 Revista 24 Cuadros - N° 34 - Fundada el 17 de Agosto de 2007 PLOT por Fabio Va l l a r e l l i arece mentira que mientras una haciendo esto. Al nal creo que gané la pandemia azota al mundo y discusión por un capricho o por el gran Pamenaza en convertirse en una serie afecto que profesa Castaño hacia mi distópica muy mala de Netix en La 24 persona. Es probable que sean las dos volvemos a sacar un número después de cosas. una muy larga ausencia. Esta revista es así, inexplicable. Nunca se va, nunca En todos estos años que llevo editando llega del todo. Pero sin embargo, siempre la revista solo logramos publicar dos estamos ahí. números. Hubiese sido paradójico que gracias a mí se terminaran los Varias son las razones de la demora en la especiales. No soy buen perdedor. publicación de este número. La principal es nuestra ambición desmedida. Nos Al nal del camino que estamos propusimos generar este especial hace intentando reconstruir se vislumbra un varios años sin prever la dicultad que nuevo horizonte. Quizá una mejor implicaba abordar el fenómeno de la organización haga posible que estemos manera en la que queríamos hacerlo. Al acá más seguido. Y quién dice, a lo mismo tiempo, la página web es una mejor mi delirio de trasnochado de que tentación. -
{Replace with the Title of Your Dissertation}
Research Study of the Lived Experience of Alopecia Areata for Women During Early Adulthood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Heather Bemmels IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor – Pat McCarthy Veach, Ph.D. June 2017 © Heather Bemmels 2017 i Acknowledgements This author is grateful to the National Alopecia Areata Foundation, the Minnesota Alopecia Support Group, and the University of Minnesota Department of Dermatology for their assistance with recruitment. ii Abstract Objectives: Alopecia areata (AA) is an autoimmune condition that causes baldness in men and women; however, it may be especially distressing for women given social standards and expectations for beauty. This sporadic condition can present with various extents of hair loss that unexpectedly relapse or remit across time. The present phenomenological study aimed to describe the lived experiences of early adult women with AA who developed it in pre-adolescence or adolescence, to provide greater understanding of the experience of having AA over time. Method: The present study is guided by phenomenological methods, including interpretive phenomenological analysis. Following in-depth, semi-structured interviews with six female participants ages 27-36 with current, active AA, who developed their AA between ages 10-16, data were transcribed and analyzed at an individual and general (i.e., cross case) level for themes. Results: Responses to initial awareness of AA or increasing hair loss were not uniform, with participants’ psychological experiences ranging from not being bothered to life- altering and devastating. Physical sensations and visual reminders of increased hair loss can pull participants out of their everyday experiences, with possible helplessness regarding inability to stop the loss. -
Film Guide September 2018
FILM GUIDE SEPTEMBER 2018 www.loftcinema.org THE FILMS OF EDGAR WRIGHT, ALL THROUGH SEPTEMBER! THE ALL-NITE SCREAM-O-RAMA, SATURDAY, SEPTEMBER 29TH! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. SEPTEMBER 2018 SPECIAL ENGAGEMENTS 4-32 SOLAR CINEMA 4, 16, 20 BEER OF THE MONTH: LOFT MEMBERSHIPS 5-6 ALL DAY IPA NT LIVE 7 FOUNDERS BREWING COMPANY LOFT JR. 9 ONLY $3.50 ALL THROUGH SEPTEMBER! LOFT STAFF SELECTS 14 ESSENTIAL CINEMA 15 NEW AT THE LOFT CINEMA! SCIENCE ON SCREEN 25 The Loft Cinema now offers Closed Captions and Audio SCREAM-O-RAMA 27-28 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 32-33 website to see which films offer this technology. NEW FILMS 35-44 REEL READS SELECTION 40 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 45 • aLoft Hotel • First American Title • Rogue Theatre • Antigone Books • Fresco Pizza • Santa Barbara Ice Cream CULT CLASSICS 46 • Aqua Vita • Fronimos • Shot in the Dark Café • AZ Title Security • Heroes & Villains • Southern AZ AIDS THE LOFT CINEMA • Bentley’s • Hotel Congress Foundation • SW U of Visual Arts 3233 E. Speedway Blvd. • Black Crown Coffee • How Sweet It Was • Ted’s Country Store Tucson, AZ 85716 • Bookmans • Humanities Seminars • Bookstop • Imagine Barber Shop • Time Market SHOWTIMES: 520-795-7777 • Brooklyn Pizza -
Rockland Gazette
^taxrfe anil |o ft g tin H a j. £lje lurklanfo fettle, PUBLISHED EVERY FRIDAY MORNING, BY Haring every facility, in PresseB, Type and other material, and the experience oi many years in the WORTMAN & PORTER, business, we are prepared to execute, in superior style, and with despatch, every description oi Job Office, No. 5 Custom-House Block. Work, such as Catalogues, By-Laws, Town Reports, TERMS: I f paid strictly in advance—per annum, $2,00 Ciroulars, Bill-Heads, Blanks, If payment is delayed 6 months 11 not paid till the close of the year, *.,50 CARDS, PROGRAMMES, LABELS CF No paper will be discontinued until ALL ar rearages are paid, unless at the option of the pub Hand Bill., Shoe Bill*, Paster*, h e . lishers. , , _ Particular attention paid to XT- Single copies five oents—for sale at the office and at the bookstores. sEJ All letters and communications must be ad VOL. 23. ROCKLAND, MAINE, FRIDAY, JANUARY 24, 1868. NO- 6. PRINTING IN COLORS. dressed to the Publishers. BRONZING, h e . E. E. WORTMAN, JOHN B. PORTER. Passengers in a runaway train, on a always holding on to the brass rod, and of that dear old critter, that I couldn’t prisoners were leaving for the North, devolved the reasons, which seemed to ately returned. Paul was indeed the fa ‘At last I have it! Oh, Paul, your tatal black and moonless nigbt, and with in another moment, was moving the I j^lp taking on and crying about it right on transports, it was announced that him unanswerable, in favor of such a vorite of the Fates.