A CUT ABOVE Anabel Ruiz Has Crafted a Beautiful Life
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PUBLIC DRAFT MAY 2019 Was Created By
PUBLIC DRAFT MAY 2019 was created by: MISSOULA DOWNTOWN ASSOCIATION BUSINESS IMPROVEMENT DISTRICT MISSOULA DOWNTOWN FOUNDATION The Downtown Missoula Partnership Dover, Kohl & Partners a collaboration of: planning team lead | town planning & urban design The Downtown Business Improvement District of Missoula Six Pony Hitch branding and outreach Missoula Downtown Association Territorial Landworks Missoula Downtown Foundation infrastructure Other major partners on this project include: Kimley Horn parking Missoula Redevelopment Agency Charlier Associates, Inc. Missoula Parking Commission transportation City of Missoula Cascadia Partners scenario planning Gibbs Planning Group retail market analysis Daedalus Advisory Services economics Urban Advantage photo simulations ... and thousands of participants from the Missoula community! Missoula’s Downtown Master Plan | Draft Steering Committee Our thanks to the following leaders who guided this process through the Master Plan Steering Committee and Technical Advisory Committee: Ellen Buchanan, Chair, Missoula Redevelopment Mike Haynes, Development Services Director Agency Donna Gaukler, Missoula Parks & Recreation Director Matt Ellis, Co-Chair, MDA & MPC Board Member Jim McLeod, Farran Realty Partners Owner Dale Bickell, City Chief Administrative Officer Eran Pehan, Housing & Community Development Dan Cederberg, Property Owner; BID Board, MDF Director Board Dave Strohmaier, Missoula County Commissioner Nick Checota, Property/Business Owner; Arts & Bryan Von Lossberg, Missoula City Council Entertainment -
Youth Theater
15_144398 bindex.qxp 7/25/07 7:39 PM Page 390 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX African Paradise, 314 Anthropologie, 325 A Hospitality Company, 112 Antiques and collectibles, AIDSinfo, 29 318–319 AARP, 52 AirAmbulanceCard.com, 51 Triple Pier Antiques Show, ABC Carpet & Home, 309–310, Airfares, 38–39 31, 36 313–314 Airlines, 37–38 Apartment rentals, 112–113 Above and Beyond Tours, 52 Airports, 37 Apollo Theater, 355–356 Abyssinian Baptist Church, getting into town from, 39 Apple Core Hotels, 111 265–266 security measures, 41 The Apple Store, 330 Academy Records & CDs, 338 Air-Ride, 39 Architecture, 15–26 Access-Able Travel Source, 51 Air Tickets Direct, 38 Art Deco, 24–25 Access America, 48 Air tours, 280 Art Moderne, 25 Accessible Journeys, 51 AirTrain, 42–43 Beaux Arts, 23 Accommodations, 109–154. AirTran, 37 best structures, 7 See also Accommodations Alexander and Bonin, 255 early skyscraper, 21–22 Index Alice in Wonderland (Central Federal, 16, 18 bedbugs, 116 Park), 270 Georgian, 15–16 best, 9–11 Allan & Suzi, 327 Gothic Revival, 19–20 chains, 111 Allen Room, 358 Greek Revival, 18 Chelsea, 122–123 All State Cafe, 384 highlights, 260–265 family-friendly, 139 Allstate limousines, 41 International Style, 23–24 Greenwich Village and the Alphabet City, 82 Italianate, 20–21 Meat-Packing District, Alphaville, 318 late 19th century, 20 119–122 Amato Opera Theatre, 352 Postmodern, 26 Midtown East and Murray American Airlines, 37 Second Renaissance Revival, Hill, 140–148 American Airlines Vacations, 57 -
Voices of Feminism Oral History Project Amber Hollibaugh, Interviewed by Kelly Anderson Tape 1 of 10 Page 2 of 166
Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA AMBER HOLLIBAUGH Interviewed by KELLY ANDERSON December 15 and 16, 2003, January 20, 2004 New York, New York This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2004 Narrator Amber Lynne Hollibaugh (b.1946), a “lesbian sex radical, ex-hooker, incest survivor, Gypsy child, poor-white-trash, high femme dyke,” grew up in a mixed-race, working-class family near Bakersfield, California. Hollibaugh’s movement politics date back to Freedom Summer in 1964 and she’s been a fulltime movement activist—whether New Left, feminist, or queer—ever since. For the past two decades, Hollibaugh has been at the center of feminist debate over sexuality and a leader in the fight against AIDS. She was the founding director of the Lesbian AIDS Project at the Gay Men’s Health Crisis, the first project of its kind in the nation, and produced an award- winning documentary on women living with AIDS, Heart of the Matter (1994). She is the author of My Dangerous Desires: A Queer Girl Dreaming Her Way Home (2000) and is currently the senior strategist with the National Gay and Lesbian Task Force. Interviewer Kelly Anderson is an educator, historian, and community activist. She has an M.A. in women’s history from Sarah Lawrence College and is a Ph.D. candidate in U.S. History at the CUNY Graduate Center. Abstract In this interview Hollibaugh details growing up in a mixed-race (Romany and Irish), working- poor family in rural California. -
Climate Changing: on Artists, Institutions, and the Social Environment
i CLIMATE CHANGING CLIMATE WHY CAN’T YOU TELL ME SCORE WHAT YOU NEED Somewhere our body needs party favors attending sick and resting temperatures times hot unevens twice I ask myself all the time too ward draw pop left under right Just try and squeeze me. Pause. What would you do? Fall down off my feet and try waking tired ex muses Like, you either know I can and work on it with me Or know I can’t and wouldn’t want your baby to go through what I have to go through Over prepared for three nights. Over it all scared for three nights. Tell me the unwell of never been better. Are we still good? Are we still good? TABLE OF CONTENTS Director’s Foreword 4 Johanna Burton A Climate for Changing 6 Lucy I. Zimmerman On Chris Burden’s Wexner Castle 10 Lucy I. Zimmerman Notes on Chris Burden’s Through the Night Softly 15 Pope.L WE LEFT THEM NOTHING 17 Demian DinéYazhi´ Untitled 21 Jibade-Khalil Huffman Scores 1, 3, 13, 23, 27, 50 Park McArthur and Constantina Zavitsanos Questioning Access 25 Advisory Committee Roundtable Discussion Artists in the Exhibition 29 Acknowledgments 47 3 BLANKET (STATEMENT) SCORE Why can’t you just tell me what you need DIRECTOR’S FOREWORD 4 Johanna Burton, Executive Director Opening in the first month of 2021 (or at least set to committee’s roundtable discussion further explores, open then at the time of this writing), Climate Changing: the exhibition intends not to inventory nor propose On Artists, Institutions, and the Social Environment solutions for these considerable challenges, but rather comes at a time of great uncertainty for cultural or- to provide artists a forum for bringing the issues into ganizations. -
Oral History Interview with Howardena Pindell, 2012 Dec. 1-4
Oral history interview with Howardena Pindell, 2012 Dec. 1-4 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Howardena Pindell on December 1, 2012. The interview took place at the home of Howardena Pindell in New York City, and was conducted by Judith O. Richards for the Archives of American Art, Smithsonian Institution. Howardena Pindell has reviewed the transcript. Her corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview JUDITH RICHARDS: This is Judith Richards, interviewing Howardena Pindell on December 1, 2012, at her home in New York City on Riverside Drive, for the Archives of American Art, Smithsonian Institution, disk one. Howardena, as we've discussed, we're going to begin where a previous interview for the archives left off. That interview was on July 10, 1972. [Laughs.] So casting way back to 1972, I wanted to, first of all, ask some basic questions. HOWARDENA PINDELL: Mm-hmm [Affirmative.] JUDITH RICHARDS: Where were you living in 1972? Had you moved into Westbeth by then? HOWARDENA PINDELL: All right— JUDITH RICHARDS: Or were you living in— HOWARDENA PINDELL: —I was in Westbeth. JUDITH RICHARDS: And when did you move in there? Were you one of the first tenants? HOWARDENA PINDELL: One of the first tenants, yes. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
Gay Americans March on Washington, D.C
lH Sports In SectioH 2 An Associated Collegiate Press Five-Star All-American Newspaper Loyola hounds and a National Pacemaker Greeks lip men's lacrosse synch their way despite DiMarzo to fame page 86 page 81 FREE TUESDAY Gay Americans March on Washington, D.C. University employee goes public with his military dismissal, finds self acceptance By Archie Tse Contributing Editor ichard McGuire has spent the last two decades trying to forget about the two-and R a-half years he served in the U.S. Air Force. McGuire's service was marked with distinction, as well as with an exceptional aptitude for electronics. He was an honor graduate of the military encryption school and made the rank of sergeant as fast as can be done. But in 1970, he was caught with copies of After Dark, a theater magazine geared toward gay men, prompting an investigation into his sexuality. During the inquiry, agents of the Office of THE REVIEW I Maximillian Gretsch Special Investigations (OSI) threatened him with More than 300,000 demonstrators participated in the 1993 March on Washington for Lesbian, Bay and Bisexual rights and liberation life imprisonment and a fine of $20,000. He Sunday to stand up against discrimination toward all minorities. signed a confession and was given an see UD EMPLOYEE page AB Marchers demand equal civil rights Gays, lesbians, bisexuals converge on nation's capital for day-long protest to justice and equality." _ ~Jm~~~,r~v!~~:~iror The air stood still with• anticipation 9 a.m. Lesbians, gays, bisexuals, ·heterosexuals, WASHINGTON, D.C. -
GLBT Historical Society Archives
GLBT Historical Society Archives - Periodicals List- Updated 01/2019 Title Alternate Title Subtitle Organization Holdings 1/10/2009 1*10 #1 (1991) - #13 (1993); Dec 1, Dec 29 (1993) 55407 Vol. 1, Series #2 (1995) incl. letter from publisher @ditup #6-8 (n.d.) vol. 1 issue 1 (Win 1992) - issue 8 (June 1994 [2 issues, diff covers]) - vol. 3 issue 15 10 Percent (July/Aug 1995) #2 (Feb 1965) - #4 (Jun 1965); #7 (Dec 1965); #3 (Winter 1966) - #4 (Summer); #10 (June 1966); #5 (Summer 1967) - #6 (Fall 1967); #13 (July 1967); Spring, 1968 some issues incl. 101 Boys Art Quarterly Guild Book Service and 101 Book Sales bulletins A Literary Magazine Publishing Women Whoever We Choose 13th Moon Thirteenth Moon To Be Vol. 3 #2 (1977) 17 P.H. fetish 'zine about male legs and feet #1 (Summer 1998) 2 Cents #4 2% Homogenized The Journal of Sex, Politics, and Dairy Products One issue (n.d.) 24-7: Notes From the Inside Commemorating Stonewall 1969-1994 issue #5 (1994) 3 in a Bed A Night in the Life 1 3 Keller Three Keller Le mensuel de Centre gai&lesbien #35 (Feb 1998), #37 (Apr 1998), #38 (May 1998), #48 (May 1999), #49 (Jun 1999) 3,000 Eyes Are Watching Me #1 (1992) 50/50 #1-#4 (June-1995-June 1996) 6010 Magazine Gay Association of Southern Africa (GASA) #2 (Jul 1987) - #3 (Aug 1987) 88 Chins #1 (Oct 1992) - #2 (Nov 1992) A Different Beat An Idea Whose Time Has Come... #1 (June 3, 1976) - #14 (Aug 1977) A Gay Dragonoid Sex Manual and Sketchbook|Gay Dragonoind Sex A Gallery of Bisexual and Hermaphrodite Love Starring the A Dragonoid Sex Manual Manual|Aqwatru' & Kaninor Dragonoid Aliens of the Polymarinus Star System vol 1 (Dec 1991); vol. -
Testing a Cultural Evolutionary Hypothesis,” Pg
ASEBL Journal – Volume 12 Issue 1, February 2016 February 2016 Volume 12, Issue 1 ASEBL Journal Association for the Study of (Ethical Behavior)•(Evolutionary Biology) in Literature EDITOR St. Francis College, Brooklyn Heights, N.Y. Gregory F. Tague, Ph.D. ~ ▬ EDITORIAL BOARD [click on last name of lead/author to navigate to text] Divya Bhatnagar, Ph.D. ▬ Kristy Biolsi, Ph.D. † Lesley Newson and Peter Richerson, “Moral Beliefs about Homosexuality: Kevin Brown, Ph.D. Testing a Cultural Evolutionary Hypothesis,” pg. 2 Alison Dell, Ph.D. Comments By: Robert A. Paul, pg. 21; Nicole A. Wedberg and Glenn Geher, pg. 23; Austin John Tom Dolack, Ph.D Jeffery and Todd Shackelford, pg. 24; Andreas De Block and Olivier Lemeire, pg. 27; James Waddington, pg. 29; Jennifer M. Lancaster, pg. 30 Wendy Galgan, Ph.D. Cheryl L. Jaworski, M.A. Newson’s and Richerson’s Reply to Comments, pg. 32 Joe Keener, Ph.D. ▬ † Craig T. Palmer and Amber L. Palmer, Eric Luttrell, Ph.D. “Why Traditional Ethical Codes Prescribing Self-Sacrifice Are a Puzzle to Evolutionary Theory: The Example of Besa,” pg. 40 Riza Öztürk, Ph.D. Comments By: Eric Platt, Ph.D. David Sloan Wilson, pg. 50; Guilherme S. Lopes and Todd K. Shackelford, pg. 52; Anja Müller-Wood, Ph.D. Bernard Crespi, pg. 55; Christopher X J. Jensen, pg. 57; SungHun Kim, pg. 60 SCIENCE CONSULTANT Palmer’s And Palmer’s Reply to Comments, pg. 61 Kathleen A. Nolan, Ph.D. ▬ EDITORIAL INTERN Lina Kasem † Aiman Reyaz and Priyanka Tripathi, “Fight with/for the Right: An Analysis of Power-politics in Arundhati Roy’s Walking with the Comrades,” pg. -
Guide to the Dennis Mcbride Collection on LGBTQ Las Vegas, Nevada
Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada This finding aid was created by Tammi Kim. This copy was published on March 25, 2021. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1vp61 © 2021 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 4 Administrative Information ............................................................................................................................. 5 Related Materials ............................................................................................................................................. 5 Names and Subjects ....................................................................................................................................... -
Cops That Hear Are Cheaper by George Capsis an Article on This Subject, “The N.Y.P.D
The Voice of the West Village WestView News VOLUME 16, NUMBER 7 JULY 2020 $1.00 Cops That Hear Are Cheaper By George Capsis an article on this subject, “The N.Y.P.D. Spends $6 Billion a Year. Proposals to De- I read with a flick of surprise that Cory fund It Want to Cut $1 Billion,” and of- Johnson—now city council speaker and a fered that 90 percent of funding was for pretty good bet as our next mayor—had salaries, including overtime and benefits, joined with seven other council members so at least part of the $1 billion cut would in support of a bill to cut $1 billion from come out of salaries. the police budget. A day or two later I If you Google me you will discover that got an email from somebody who wanted I have slapped state senators and cops. Let to write an article about it for the paper. me tell you about the cop. Hmm, I thought, who is this guy—does he have a side in all this? And what is the total I was biking down Bleecker Street on police budget, so we can judge what kind my brand new bike and just after crossing of impact a $1 billion cut might produce? Sixth Avenue a shabby police van cut me Sure, people are mad at the police, par- off and parked—bang—right in the bike ticularly that cop who sat on the neck of lane, forcing me out into the traffic just as George Floyd. -
Nostalgia, Utopia, and Desire in the New York Lesbian Bar
Vassar College Digital Window @ Vassar Senior Capstone Projects 2019 “It’s your future, don’t miss it”: nostalgia, utopia, and desire in the New York lesbian bar Zoe Wennerholm Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Wennerholm, Zoe, "“It’s your future, don’t miss it”: nostalgia, utopia, and desire in the New York lesbian bar" (2019). Senior Capstone Projects. 897. https://digitalwindow.vassar.edu/senior_capstone/897 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. “It’s Your Future, Don’t Miss It”: Nostalgia, Utopia, and Desire in the New York Lesbian Bar Zoe Wennerholm April 26, 2019 Senior Thesis Submitted in partial fulfillment of the requirements for the Bachelor of Arts in Urban Studies ________________________ Advisor, Lisa Brawley Table of Contents Acknowledgements………………………………………………………………………….3 Introduction………………………………………………………………………………….4 Chapter 1: History: A Brief Review of Lesbian Bars in the 20th and 21st Century American Urban Landscape……………………………………………………………………………9 Chapter 2: Loss: Lesbian Bar Closings and Their Affective Reverberations………………29 Chapter 3: Desire: The Lesbian Bar in the Queer Imaginary……………………………….47 Conclusion………………………………………………………………………………….52 References Cited……………………………………………………………………………55 Appendix 1: Interview with Gwen Shockey…………………………………………………60 Appendix 2: Timeline of New York Lesbian Bars…………………………………………73 2 Acknowledgements I would like to express my deepest gratitude to Professor Lisa Brawley, whose guidance and encouragement always came at exactly the right time. My heartfelt thanks also goes to Gwen Shockey, whose enthusiasm and willingness to speak with a naïve young dyke made me feel understood and inspired.