A Fresh Perspective on the Astronomy of the Mahabharata
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Mahabharata Twenty-Five Years Later
THE MAHABHARATA TWENTy-Five YEARS LATER Peter Brook in conversation with Jonathan Kalb t age eighty-five, Peter Brook does all he can to avoid interviews. He has no interest in his own legend, and as for his theatrical ideas, he has said it all before, in his autobiography (Threads of Time), in his other books (The AEmpty Space, The Shifting Point), and in the body of influential productions that established him as one of the giants of twentieth-century theatre. At the request of a common friend, he nevertheless kindly agreed to speak to me on the subject of his magnum opus, The Mahabharata—a focus of the book I was writing at the time (Great Lengths: Seven Marathon Plays from Three Decades, forthcoming). Brook was in New York rehearsing his adaptation of Mozart’s The Magic Flute at Lincoln Center and accompanying the Theatre for a New Audience presentation of Love is My Sin, his staging of Shakespeare sonnets. Although he announced in 2008 that he was giving up day-to-day operation of his theatre in Paris, Bouffes du Nord, he has been notably active. Among his other recent projects have been: Fragments, a program of five short pieces by Samuel Beckett; Athol Fugard’sSizwe Banzi is Dead; The Grand Inquisitor, adapted from Dostoyevsky; and Tierno Bokar, a parable about tolerance and fundamentalism rooted in a spiritual dispute among Sufis. The Mahabharata was Brook’s eleven-hour stage adaptation of the massive, epic cor- nerstone of Hindu literature, religion and culture, originally produced in French in 1985 and performed in English for a 1987 world tour that included the Brooklyn Academy of Music’s Majestic Theatre (now The Harvey). -
FLORA of the INDIAN EPIC PERIOD: ONCE LOST, the DIVERSITY of GENE POOLS CANNOT BE RESTORED - OUR EVOLUTIONARY RESPONSIBILITY Ashish Dubey1, Manju Lata Zingare *, Md
Available Online through www.ijpbs.com (or) www.ijpbsonline.com IJPBS |Volume 3| Issue 1 |JAN-MAR |2013|305-321 Review Article Biological Sciences FLORA OF THE INDIAN EPIC PERIOD: ONCE LOST, THE DIVERSITY OF GENE POOLS CANNOT BE RESTORED - OUR EVOLUTIONARY RESPONSIBILITY Ashish Dubey1, Manju Lata Zingare *, Md. Aslam Ansari, Prasanna Lata Zingare2 1Department of Botany, Govt. Shaheed Bhagat Singh P.G. College, Jaora, Ratlam, M.P., 457226, India 2Department of Biotechnology, Govt. Digvijay Autonomous P.G. College, Rajnandgaon, C.G., 491441, India *Corresponding Author Email: [email protected] ABSTRACT The Indian epic flora are a fundamental part of the Indian culture and apart from having medicinal importance they also have religious value. Their present diversity of species is the result of a very long and slow process of genetic change and adaptation. The time necessary for the emergence of new species, and even for the accumulation of genetic variants at individual gene loci within species, greatly exceeds the time since the emergence of Homo sapiens. New techniques of molecular biology combined with recent theories in population genetics allow us to assess the time dimension of genetic change; these suggest that some genetic polymorphisms may have originated over a million generations ago. In other words, once lost, any particular genetic adaptation cannot be regained in any realistic time interval. These plants provide many services that we take for granted. However due to growing population, increasing anthropogenic activities, rapidly eroding natural ecosystem, etc. the natural habitat for a great number of herbs and trees are dwindling. Biotechnological approaches can prove beneficial for the conservation of these important plants. -
Panchanga Shravanam for USA/Canada 2020-2021 Shravari
ॐ गणेशाय नमः 2020-2021 Panchang Sravanam (USA) Shaarvari Nama Samvatsara Shaka Year 1942 Pramaadi Nama Savatsara Vikrami Year 2077 mypanchang.com Prepared by Pundit Mahesh Shastriji Panchang siddhanti & Panchang Ganita Seattle, WA USA mypanchang.com mypanchang.com Significance of Panchanga Sravana Panchanga includes five It is customary to take part in elements of time, namely: Tithi tell us about wealth. Panchanga Sravanam. Tithi, Vaara, Nakshatra, Yoga and Karana (half-tithi). Nakshatra gives us deliverance Yoga helps us in eradicating Vaara tells us about life. from sins. disease, Panchanga Sravanam gives benefits equal to that of donating land, gold, cattle, Karana tells us about good grain, daughter (Kanya omens. daanam) and bestows peace and prosperity for the upcoming year. mypanchang.com Graha Mantri Parishad USA Shaka: Sharvari Samvatsara, Vikrami: Pramaadi Samvatsara Portfolio Ruling Planet Raja (King) Mangal/Kuja Pradhan Mantri (Prime Minister) Chandra Senadhipati (Lord of Armed Forces) Surya Sasyadhipati (Lord of Paddy Crops) Budha Meghadhipati (Lord of Clouds) Ravi Rasadhipati (Fruits & Vegetation) Shukra Argyaadhipati (Lord of Fluids) Ravi Dhanyadhipati (Winter Crops) Mars Koshadhipati (Treasurer) Guru Nirasadhipati (Lord of minerals) Budha Vyaparesh (Lord of Business) Venus mypanchang.com Makara Sankranti Phalam Agamana (Coming from) West Gamana (Going to) East Mukh (Facing) North Dristhi (Looking at) South East Sankranti Name Mahodari Whom it will bestow happiness Thieves Vahana (Vehicle riding on) Lion Upavahana (Secondary -
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF]
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF] Personality Development (English) Details Book Name : Personality Development (English) Edition : 2015 Pages : 224 Size : Demmy 1/8 Published by : Initiative for Moral and Cultural Training Foundation (IMCTF) Head Office : 4th Floor, Ganesh Towers, 152, Luz Church Road, Mylapore, Chennai - 600 004. Admin Office : 2nd Floor, “Gargi”, New No.6, (Old No.20) Balaiah Avenue, Luz, Mylapore, Chennai - 600 004. Email : [email protected], Website : www.imct.org.in This book is available on Website : www.imct.org.in Printed by : Enthrall Communications Pvt. Ltd., Chennai - 30 © Copy Rights to IMCTF Personality Development - English Index Class 1 1. Oratorical ................................................................................................12 2. Great sayings by Thiruvalluvar .........................................................12 3. Stories .......................................................................................................12 4. Skit ........................................................................................................15 Class 2 1. Oratorical .................................................................................................16 2. Poems .......................................................................................................16 3. Stories .......................................................................................................18 4. -
Buddhism and Responses to Disability, Mental Disorders and Deafness in Asia
Buddhism and Responses to Disability, Mental Disorders and Deafness in Asia. A bibliography of historical and modern texts with introduction and partial annotation, and some echoes in Western countries. [This annotated bibliography of 220 items suggests the range and major themes of how Buddhism and people influenced by Buddhism have responded to disability in Asia through two millennia, with cultural background. Titles of the materials may be skimmed through in an hour, or the titles and annotations read in a day. The works listed might take half a year to find and read.] M. Miles (compiler and annotator) West Midlands, UK. November 2013 Available at: http://www.independentliving.org/miles2014a and http://cirrie.buffalo.edu/bibliography/buddhism/index.php Some terms used in this bibliography Buddhist terms and people. Buddhism, Bouddhisme, Buddhismus, suffering, compassion, caring response, loving kindness, dharma, dukkha, evil, heaven, hell, ignorance, impermanence, kamma, karma, karuna, metta, noble truths, eightfold path, rebirth, reincarnation, soul, spirit, spirituality, transcendent, self, attachment, clinging, delusion, grasping, buddha, bodhisatta, nirvana; bhikkhu, bhikksu, bhikkhuni, samgha, sangha, monastery, refuge, sutra, sutta, bonze, friar, biwa hoshi, priest, monk, nun, alms, begging; healing, therapy, mindfulness, meditation, Gautama, Gotama, Maitreya, Shakyamuni, Siddhartha, Tathagata, Amida, Amita, Amitabha, Atisha, Avalokiteshvara, Guanyin, Kannon, Kuan-yin, Kukai, Samantabhadra, Santideva, Asoka, Bhaddiya, Khujjuttara, -
Mars) and in Navamsha Though It Is Occupying Another Kendra in Rāshi of His Friend Shukra (Venus), He Is Afflicted by Rahu Conjunct There
Budha (Mercury) Budha means the intelligent, clever or a wise man in Sanskrit. It is also the name of one of the nine grahas whose movement affects human beings as well as nations and weather conditions that are the subject matter of the divine science known as Vedic Astrology. Hindu mythology (Puranas) tells that Budha (Mercury) is the illegitimate son of Chandra (Moon) out of Tara who was Guru’s (Jupiter) wife. The Puranas tell us that Chandra was enamored of Tara the wife of Guru and seduced her when she was taking a walk in a garden. Tara is then said to have eloped with Chandra. On being asked by Guru to return his wife, Chandra refused to do so. Thereupon Guru sought help of other Gods who waged war against Chandra but Chandra who was helped by Shukra (Venus) defeated them. Then Guru sought help of Lord Shiva who set out to fight Chandra. Lord Brahma, who treats Chandra as his son, knew that this war would end in annihilation of Chandra and therefore went to Chandra and prevailed upon him to return Tara to Guru, thus avoiding war. Chandra relented and returned Tara who started living with Guru. However Tara was pregnant by that time and gave birth to Budha at Guru’s place. On being confronted, she accepted that Budha was son of Chandra. However Budha was so handsome, sharp, capable of grasping thing fast, and intelligent that Guru decided to accept him as his own son and taught him all the shastras (sciences), which Budha absorbed in a short time. -
2019 Drik Panchang Hindu Calendar
2019 Drik Panchang Hindu Calendar Hindu Calendar for San Francisco, California, United States Amanta Calendar - new month begins from Amavasya Page 1 of 25 January 2019 Margashirsha - Pausha 1940 Navami K Pratipada S Saptami S Purnima S Ashtami K SUN 30 24 6 1 13 7 20 15 27 23 रिव 07:29 16:55 07:30 17:01 07:29 17:08 07:26 Pausha Purnima 17:15 07:22 17:23 Shakambhari Purnima Bhanu Saptami Chandra Grahan *Purna Tula Dhanu 10:56 Meena 23:23 Mithuna 10:36 Tula Chitra 18:49 U Ashadha 31:07+ Revati 23:23 Punarvasu 15:53 Swati 24:59+ Dashami K Dwitiya S Ashtami S Pratipada K Navami K MON 31 25 7 2 14 8 21 16 28 24 सोम 07:30 16:56 07:30 17:02 07:29 17:09 07:26 17:16 07:21 17:24 Pongal Chandra Darshana Makara Sankranti Tula Makara Mesha Karka Tula 19:30 Swati 19:15 Shravana Ashwini 24:27+ Pushya 12:58 Vishakha 25:45+ Ekadashi K Tritiya S Navami S Dwitiya K Dashami K TUE 1 26 8 3 15 9 22 17 29 25 मंगल 07:30 16:57 07:30 17:03 07:29 17:10 07:25 17:17 07:21 17:25 Saphala Ekadashi Tula 13:54 Makara 23:46 Mesha 30:39+ Karka 10:02 Vrishchika Vishakha 20:10 Shravana 10:11 Bharani 24:43+ Ashlesha 10:02 Anuradha 27:11+ Dwadashi K Chaturthi S Dashami S Tritiya K Ekadashi K WED 2 27 9 4 16 10 23 18,19 30 26 बुध 07:30 16:57 07:30 17:04 07:28 17:11 07:25 17:18 07:20 17:26 Sakat Chauth Pradosh Vrat Pausha Putrada Ekadashi Lambodara Sankashti Chaturth Shattila Ekadashi Vrishchika Kumbha Vrishabha Simha Vrishchika 29:11+ Anuradha 21:34 Dhanishtha 13:20 Krittika 24:11+ P Phalguni 28:52+ Jyeshtha 29:11+ Trayodashi K Panchami S Ekadashi S Panchami K Dwadashi K THU -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Jyothisha Prakaasham Mithuna Jaya
Jyothisha Prakaasham Mithuna (Jaya) Jyothisha Prakaasham Mithuna_Jaya (2014-2015) Vetti yah vedaangam sa aapnothi paramam padam prathikoolanivaarakam mokshopakaarakam cha 1 Jyothisha Prakaasham Mithuna (Jaya) Topics Editorial .................................................................................................................... 3 Jyothishavidanustaana Vivaranam ................................................................................ 5 Bhavartha Ratnakara - IV ............................................................................................ 8 Ganitha - I .............................................................................................................. 12 Nakshatras - VI ........................................................................................................ 19 Muhurtha – Electional Astrology - IV ........................................................................... 28 Navamsa Analysis - I ................................................................................................ 33 Gandantha – An Analysis - I ...................................................................................... 39 Amala Yoga ............................................................................................................. 46 Horoscope Analysis ................................................................................................... 51 Anukramaanika ........................................................................................................ 56 Vetti yah -
Né Pour Briller, Né Pour Réussir Avec Une Maîtrise Parfaite, Le Pr. Lal
Né pour briller, né pour réussir Avec une maîtrise parfaite, le Pr. Lal insère des explications dans le texte même, s’épargnant ainsi les notes. Critique, par Pradip Bhattacharya. Le Mahabharata de Vyasa. Le Karna Parva (livre de Karna), transcréé du sanskrit par le Pr Lal, Writers Workshop, Rps 1000 (broché). Tirage spécial en 50 exemplaires numérotés, avec un frontiscipe original peint à la main, Rps 2000. La bataille du Kurukshetra présente un double point fort : le duel Karna-Arjuna et la confrontation finale Bhima-Duryodhana. Nous arrivons au troisième livre de la bataille, l’ancienne génération est tombée ; et en même temps qu’elle, ses obsessions. La soif de revanche de Drupada sur Bhishma et Drona a été assouvie par deux de ses fils, engendrés dans ce but. Avant d’être décapité, Drona tue deux des principaux alliés des Pandava : Drupada et Virata. L’ancien Bahlika, Bhagadatta, Bhurishrava – tous sont tués. Rien ne fait plus obstacle au désir de Duryodhana de nommer Karna commandant en chef, un désir auquel il avait dû renoncer par deux fois. Bien que Karna ait fui au moins par trois fois du champ de bataille durant le commandement de Drona, Duryodhana s’accroche à son invincibilité avec une foi aveugle, avec le désespoir d’un homme qui se noie. Le lecteur notera un trait unique du style du Pr. Lal dans sa transcréation : l’utilisation de doublets chaque fois que Vyasa n’emploie pas le nom usuel d’un personnage. Ainsi, avec une maîtrise parfaite, il insère des explications dans le texte même, s’épargnant les notes. -
Chapter Iv Data Analysis
CHAPTER IV DATA ANALYSIS Ramayana and Mahabharata are Wiracarita, the heroic stories which are well – known from one generation to another. These two great epics are originally written in Sanskrit. The author of Ramayana is Walmiki, and the author of Mahabharata is Bhagawan Wyasa. Ramayana and Mahabharata have been translated into various languages. In Indonesia, these two great epics have been retold in various versions such as Wayang kulit performance, dance, book, novel, and comic. For this research, the writer chooses the Mahabharata novel by Nyoman. S. Pendit. With the focus of the research on the heroic journey of Arjuna in this novel. In this chapter, the writer would like to answer and to analyze three problem formulations of this research. First, the writer would like to retell Arjuna‟s journey based on the twenty parts selected in the Mahabharata novel. After that, as the second problem formulation, the writer would like to compare to what extent the journey of Arjuna on the twenty parts selected in the Mahabharata novel fulfills the criteria of the Hero‟s Journey theory proposed by Joseph Campbell. The Hero‟s Journey theory itself consists of seventeen stages divided into three big stages: Departure – Initiation – Return. It can be seen from the journey of Arjuna in the Mahabharata novel by Nyoman. S. Pendit. After going through the several archetypal journey process framed in the Hero‟s Journey theory, Arjuna gets or shows the life virtues in himself. Therefore, as the third problem formulation, the 34 writer would like to mention what kind of life virtues showed by Arjuna on the twenty parts selected in the Mahabharata novel.