M.4.0 Dress Code
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Approximate Weight of Goods PARCL
PARCL Education center Approximate weight of goods When you make your offer to a shopper, you need to specify the shipping cost. Usually carrier’s shipping pricing depends on the weight of the items being shipped. We designed this table with approximate weight of various items to help you specify the shipping costs. You can use these numbers at your carrier’s website to calculate the shipping price for the particular destinations. MEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 70 - 100 Jacket 1000 - 1200 Sports shirt, T-shirt 220 - 300 Coat, duster 900 - 1500 UnderpantsShirt 70120 - -100 180 JacketWind-breaker 1000800 - -1200 1200 SportsBusiness shirt, suit T-shirt 2201200 - -300 1800 Coat,Autumn duster jacket 9001200 - -1500 1400 Sports suit 1000 - 1300 Winter jacket 1400 - 1800 Pants 600 - 700 Fur coat 3000 - 8000 Jeans 650 - 800 Hat 60 - 150 Shorts 250 - 350 Scarf 90 - 250 UnderpantsJersey 70450 - -100 600 JacketGloves 100080 - 140 - 1200 SportsHoodie shirt, T-shirt 220270 - 300400 Coat, duster 900 - 1500 WOMEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 15 - 30 Shorts 150 - 250 Bra 40 - 70 Skirt 200 - 300 Swimming suit 90 - 120 Sweater 300 - 400 Tube top 70 - 85 Hoodie 400 - 500 T-shirt 100 - 140 Jacket 230 - 400 Shirt 100 - 250 Coat 600 - 900 Dress 120 - 350 Wind-breaker 400 - 600 Evening dress 120 - 500 Autumn jacket 600 - 800 Wedding dress 800 - 2000 Winter jacket 800 - 1000 Business suit 800 - 950 Fur coat 3000 - 4000 Sports suit 650 - 750 Hat 60 - 120 Pants 300 - 400 Scarf 90 - 150 Leggings -
MS Dress Code 2021-2022
Webb School of Knoxville Code of Dress & Appearance Middle School, 2021-2022 The Webb Middle School uniform allows students to dress neatly and comfortably for the activities in which they engage during a normal school day. All students are expected to be in school uniform every day. We hope the student uniform will help diminish the sartorial competition and peer pressure that is frequent among younger adolescents. Webb’s Middle School is a place where students should be confident that they are accepted for their character and personality, not for what they wear. Special Update for 2021-2022: The formerly instituted formal dress uniform requirement for Middle School is suspended for this school year. Please see below for this year’s Code of Dress & Appearance. All uniform shirts must be purchased from the following providers: Educational Outfitters <http://knoxville.educationaloutfitters.com/find-my-school/webb-school-of-knoxville/> Tommy Hilfiger <http://www.globalschoolwear.com> Lands’ End <https://www.landsend.com/shop/school/S-ytp-xe8?cm_re=lec-_-global-_-glbnv-school-_- 20160525-_-txt> Shirts, pants, skorts, skirts, and shorts also must be purchased from Educational Outfitters, Tommy Hilfiger, or Lands' End. Approved items are located on the Hilfiger site under the Middle School menu; Educational Outfitters has a list of all approved Middle School uniform items. When purchasing uniform items, please consider that your child will probably grow during the school year. This is especially important for eighth graders, who sometimes have to purchase new clothing to meet the dress code with only a few months remaining in the Middle School. -
Donated Goods Value Sheet
3927 1st Ave. South Billings, MT 59101 (406) 259-2269 Estimated Value of Donated Property Guidelines This is merely a guideline to assist you in determining values for your own items. You must take into consideration the quality and condition of your items when determining a value. T he IRS does not allow Family Service staff to assign a dollar valuation. We can only verify your gif t, so be sure to pick up a donation receipt when the goods are dropped off. Acc ording to IRS regulations and tax code, clothing and household goods must be in “good condition or better” for tax deductions. Women’s Clothing Men’s Clothing Item Low Range High Range Item Low Range High Range Top/Shirt/Blouse $3.00 $15.00 Jacket $8.00 $30.00 Bathrobe $5.00 $15.00 Overcoat $15.00 $60.00 Bra $1.00 $5.00 Pajamas $2.00 $8.00 Bathing Suit $4.00 $15.00 Pants, Shorts $4.00 $10.00 Coat $10.00 $70.00 Raincoat $6.00 $24.00 Dress $5.00 $20.00 Suit $15.00 $70.00 Evening Dress $10.00 $40.00 Slacks/Jeans $4.00 $25.00 Fur Coats $25.00 $300.00* Shirt $3.00 $8.00 Handbag $1.00 $50.00 Sweater $3.00 $10.00 Hat $1.00 $5.00 Swim trunks $3.00 $5.00 Jacket $4.00 $20.00 Tuxedo $15.00 $40.00 Nightwear/Pajamas $4.00 $10.00 Undershirt/T-shirt $1.00 $2.00 Sock $1.00 $1.50 Undershorts $1.00 $1.50 Skirt $3.00 $20.00 Belt $1.00 $8.00 Sweater $3.00 $25.00 Tie $1.00 $2.00 Slip $1.00 $5.00 Socks $1.00 $1.50 Slacks/Jeans $4.00 $35.00 Hat/Cap $1.00 $5.00 Suit – 2 pc. -
1914 Girl's Afternoon Dress Pattern Notes
1914 Girl's Afternoon Dress Pattern Notes: I created this pattern as a companion for my women’s 1914 Afternoon Dress pattern. At right is an illustration from the 1914 Home Pattern Company catalogue. This is, essentially, what this pattern looks like if you make it up with an overskirt and cap sleeves. To get this exact look, you’d embroider the overskirt (or use eyelet), add a ruffle around the neckline and put cuffs on the straight sleeves. But the possibilities are as limitless as your imagination! Styles for little girls in 1914 had changed very little from the early Edwardian era—they just “relaxed” a bit. Sleeves and skirt styles varied somewhat over the years, but the basic silhouette remained the same. In the appendix of the print pattern, I give you several examples from clothing and pattern catalogues from 1902-1912 to show you how easy it is to take this basic pattern and modify it slightly for different years. Skirt length during the early 1900s was generally right at or just below the knee. If you make a deep hem on this pattern, that is where the skirt will hit. However, I prefer longer skirts and so made the pattern pieces long enough that the skirt will hit at mid-calf if you make a narrow hem. Of course, I always recommend that you measure the individual child for hem length. Not every child will fit exactly into one “standard” set of pattern measurements, as you’ll read below! Before you begin, please read all of the instructions. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Ever-Changing Technology Keeps Apparel Makers and Retailers On
NEWSPAPER 2ND CLASS $2.99 VOLUME 70, NUMber 16 april 11–17, 2014 THE VOICE OF THE INDUSTRY FOR 69 YEARS TRADE SHOW REPORT Retailers Bring More Competitive Biz to LA Majors Market By Andrew Asch Retail Editor From technology to real estate, the way that major re- tailers do business is changing, and some of those chang- es were reflected in the Los Angeles Majors Market, a department store–focused event that ran April 7–9 at the California Market Center. “It’s becoming a real buyer’s market,” said Michael Sil- vestri, vice president of sales and marketing of outerwear for YMI, a Los Angeles–headquartered, denim-based line that exhibited in a temporary showroom in the CMC’s lobby. “They are fine-tuning their open-to-buy,” Silvestri said. “As a manufacturer, you have to become more dead- on with the assortment.” While Majors Market exhibitors had a wide range of estimates on buyer traffic—ranging from an increase to a decline over last year—the vast majority agreed that buy- ing habits have changed. “When they walk in, they know what they want. If you ➥ Majors Market page 8 RETAIL On left: Living Doll tank and shirt jacket, Boom Boom Jeans pant, Pink USA hat; on right: Signorelli tank, Revolution by Revolt short, Trixxi shirt, Accessory Collective hat Fashioning a New La ALISON A. NIEDER FALL FOR GRUNGE: “Nouveau Grunge” was one of the three trends for Fall 2014 featured at the Directives West trend presentation, held on opening day of LA Majors Market. For more from the show, see page 7. -
Vendor Payments Page: 1 03/05/2021 9:46AM Clay County Payments Made Between 1/1/2017 and 12/31/2017 Total Payments Between $0.00 and $1,000,000,000.00
apVendPymt Vendor Payments Page: 1 03/05/2021 9:46AM Clay County Payments made between 1/1/2017 and 12/31/2017 Total Payments between $0.00 and $1,000,000,000.00 Check # Date Status Cleared Date Invoice Inv. Date Description Amount Paid Check Total 0000016 JACKSON CO MEDICAL EXAMINER Bank code: com 100003529206/19/2017 C 08/08/2017 17-clay 06/07/2017 2017 MEDICAL EXAMINER SERVICES 138,026.40 138,026.40 100003604707/18/2017 C 08/25/2017 17-clay1 07/01/2017 2017 MEDICAL EXAMINER SERVICES 76,507.20 76,507.20 100003867610/30/2017 C 12/15/2017 17-Clay2 10/09/2017 2017 MEDICAL EXAMINER SERVICES 76,507.20 76,507.20 Total Payments Bank Code:com 291,040.80 Total Payments Vendor:0000016 291,040.80 0000035 AIMEE AGDERIAN Bank code: com 100003172302/01/2017 C 02/06/2017 66775439 12/09/2017 Reimbursement for hotel A.Agderian 93.20 93.20 100003248902/22/2017 C 03/20/2017 12142016 01/30/2017 Cell Phone Reimbursement~ 20.00 20.00 100003391804/25/2017 C 06/05/2017 cell jan mar 2017 04/17/2017 Cell Phone Reimbursement~ 40.00 40.00 100003460105/22/2017 C 06/05/2017 mar apr 2017 04/14/2017 Cell Phone Reimbursement~ 20.00 20.00 100003687108/22/2017 C 08/30/2017 7182017 07/18/2017 Cell Phone Reimbursement~ 60.00 60.00 100003758709/19/2017 C 10/06/2017 8222017 08/22/2017 Cell Phone Reimbursement~ 20.00 20.00 100004000112/18/2017 C 12/21/2017 nov dec 2017 12/11/2017 12/6/2017 Expense Statement Attached 84.70 84.70 Total Payments Bank Code:com 337.90 Total Payments Vendor:0000035 337.90 0000045 THIS END UP FURNITURE Bank code: com 100003133601/11/2017 C 01/20/2017 -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Proselect Store
Workwear T-SHIRT, High visibility SWEATER, High visibility PR01439, XS PR01445, XS PR01440, S PR01446, S PR01438, M PR01471, M PR01441, L PR01447, L PR01442, XL PR01448, XL PR01443, XXL PR01449, XXL PR01444, XXXL PR01450, XXXL VEST, High visibility JACKET, High visibility PR01458, L PR01402, XS PR01459, XL PR01403, S PR01404, M PR01405, L PR01406, XL PR01407, XXL PR01408, XXXL Workwear JACKET, High visibility JACKET, Fleece, High visibility PR01416, XS PR01431, XS PR01417, S PR01432, S PR01418, M PR01426, M PR01419, L PR01433, L PR01420, XL PR01434, XL PR01421, XXL PR01435, XXL PR01422, XXXL PR01436, XXXL JACKET, Operator jacket OVERALLS, High visibility PR01566, XS PR01473, XS (C42/C44) PR01567, S PR01474, S (C46/C48) PR01568, M PR01475, M (C50/C52) PR01569, L PR01476, L (C54/C56) PR01570, XL PR01477, XL (C58/C60) PR01571, XXL PR01478, XXL (C62/C64) PR01572, XXXL PR01479, XXXL (C66) Workwear OVERALLS, Lined, High visibility WORKSHOP OVERALLS PR01451, XS (C42/C44) PR01532, C48 PR01472, M (C50/C52) PR01533, C50 PR01453, L (C54/C56) PR01534, C52 PR01454, XL (C58/C60) PR01535, C54 PR01455, XXL (C62/C64) PR01536, C56 PR01456, XXXL (C66) PR01537, C58 WORKSHOP OVERALLS, Lined WORKWEAR SET, Jacket + Trousers PR01596, S PR01573, S + 48 PR01597, M PR01574, M + 50 PR01598, L PR01575, L + 52 PR01599, XL PR01576, XL + 54 PR01600, XXL PR01577, XXL + 56 PR01601, XXXL PR01578, XXXL + 58 PR01579, M + 48 PR01580, L + 50 PR01581, XL + 52 PR01582, XXL + 54 PR01583, XXXL + 56 Workwear * PR01423 TROUSERS, High visibility TROUSERS, High visibility PR01409, -
Clothing of Pioneer Women of Dakota Territory, 1861-1889
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1978 Clothing of Pioneer Women of Dakota Territory, 1861-1889 Joyce Marie Larson Follow this and additional works at: https://openprairie.sdstate.edu/etd Part of the Fiber, Textile, and Weaving Arts Commons, and the Interior Design Commons Recommended Citation Larson, Joyce Marie, "Clothing of Pioneer Women of Dakota Territory, 1861-1889" (1978). Electronic Theses and Dissertations. 5565. https://openprairie.sdstate.edu/etd/5565 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. CWTHIFG OF PIONEER WOMEN OF DAKOTA TERRI'IORY, 1861-1889 BY JOYCE MARIE LARSON A thesis submitted in partial fulfillment of the requirements for the degree Haster of Science, Najor in Textiles, Clothing and Interior Design, South Dakota State University 1978 CLO'IHING OF PIONEER WOHEU OF DAKOTA TERRITORY, 1861-1889 This thesis is approved as a creditable and independent investigation by a candidate for the degree, Master of Science, and is acceptable for meeting the thesis requirements for this degree. Acceptance of this thesis does not imply that the conclusions reached by the candidate are necessarily the conclusions of the major department. Merlene Lyman� Thlsis Adviser Date Ardyce Gilbffet, Dean Date College of �ome Economics ACKNOWLEDGEr1ENTS The author wishes to express her warm and sincere appre ciation to the entire Textiles, Clothing and Interior Design staff for their assistance and cooperation during this research. -
To Complete the Pattern Join Bodice #1 to #2 at Circle Front Bodice #1
To complete the pattern join bodice #1 to #2 at circle Chapter 2 Chapter 4 Chapter 6 Chapter 19 Front Bodice #1 1/2” FACING N CUT 1 FABRIC ON FOLD CUT 2 WITH FACING CUT 2 EXTENSIO INTERFACING USE FOR: GRAINLINE LAYOUT CUTTING FABRIC PATTERN MARKINGS DARTS SEAMS COLLARS CLOSURES CENTER FRONT FOLD To completeTo the pattern join bodice #1 to #2 at circle TO COMPLETE THE PATTERN JOIN BODICE #1 TO #2 AT CIRCLE STITCH TO MATCHPOINTS FOR DART TUCK FRONT BODICE #2 Front Bodice #2 Chapter 2 Chapter 4 Chapter 6 Chapter 19 STITCH TO MATCHPOINTS FOR DART TUCKS To complete the pattern join bodice #3 to #4 at circle Chapter 2 Chapter 4 Chapter 6 Back Bodice #3 CUT 2 FABRIC USE FOR: CK SEAM GRAINLINE LAYOUT CUTTING FABRIC CK FOLD PATTERN MARKINGS DARTS SEAMS COLLARS CENTER BA CUT HERE FOR CENTER BA To completeTo the pattern join bodice #3 to #4 at circle STITCH TO MATCHPOINTS FOR DART TUCKS Back Bodice #4 Chapter 2 Chapter 4 Chapter 6 Chapter 4 Chapter 11 Chapter 14 Chapter 17 MATCHPOINT Front Skirt #5 CUT 1 FABRIC USE FOR: V SHAPED SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED/ALINE HEM BIAS FALSE HEM CENTER FRONT FOLD Chapter 4 Chapter 11 Chapter 14 Front Yoke #6 CUT 1 FABRIC CUT 1 INTERFACING USE FOR: V SHAPE SEAM WAISTBAND WAIST FACING BIAS WAIST FINISH C. F. FOLD C. F. MATCHPOINT Chapter 4 Chapter 6 Chapter 10 Chapter 11 Chapter 14 Chapter 17 MARK DART POINT HERE Back Skirt #7 CUT 2 FABRIC USE FOR: SEAMS ZIPPERS WAISTBAND WAIST FACING BIAS WAIST FINISH CURVED ALINE HEM BIAS FALSE HEM Chapter 4 CUT ON FOLD Chapter 12 Chapter 17 H TC NO WHEN