2020 Festival Programme and Magazine
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Fiction Beyond Secularism 8flashpoints The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Founding Editor; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Nouri Gana (Comparative Literature and Near Eastern Languages and Cultures, UCLA); Jody Greene (Literature, UC Santa Cruz); Susan Gillman (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, Dina Al-Kassim 2. Moses and Multiculturalism, Barbara Johnson, with a foreword by Barbara Rietveld 3. The Cosmic Time of Empire: Modern Britain and World Literature, Adam Barrows 4. Poetry in Pieces: César Vallejo and Lyric Modernity, Michelle Clayton 5. Disarming Words: Empire and the Seductions of Translation in Egypt, Shaden M. -
Appetite for Consumption
BROUGHT TO YOU COURTESY OF 06–07 Tools Best of Midemlab 08–09 Campaigns Bon Iver, The National, Kanye West, Big Narstie 10–14 Behind The Campaign- Kate Ellis IN ASSOCIATION WITH sandbox JUNE 13 2018 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 206 APPETITE FOR CONSUMPTION the drain and strain of making unique content for everyone COVERFEATURE ike a precocious Oliver in a fancifully designed workhouse, the music Lindustry has never been shy of demanding more of its artists: labels want more attention; media want more access; retailers want more content; and live audiences just plain want more. The difference in 2018 is that these demands never stop. Three decades ago, there was a limit to how many in-store appearances Tower Records could fit into its shops, while radio and TV stations were APPETITE FOR limited by strict time slots. But in the digital age, where spatial limits are a thing of the past, there’s little stopping DSPs like CONSUMPTION Spotify, Apple Music and Amazon from packing their platforms with exclusive extra content as they tussle over subscriber numbers. But artists, managers and labels alike are feeling the strain. They spoke to us about the tough realities of this – but only on the condition of anonymity. “This is one of the most important issues in the business right now and one of the biggest conversations we are having in our company around any release,” one international marketer tells music:)ally. “Everyone wants something that is exclusive to them.” For overworked labels and managers, weighing up the constant demands from the drain and strain of making digital platforms for exclusive content is an extra headache to be negotiated. -
Bombing of Power Plant Blacks out Lights Of'haiphong SAIGON (AP)-U.S
Weather DUtrOmtUm 26,900 i of scattered showera eon- I Red Bank Area f •(*"•'• Hariri* tatofamorrow morning, v ' "V '••••-• Copyrightp-Tbe Red Sank Register, Inc., 1968. .. t Lew tosught In low ia*~ Partfr - cloudy awl milder tomorrow, DIAL 741-0010 W«h W-n. , MONMOUTH COUNTY'S HOME NEWSPAPER FOR 87 YEARp NO. .207 TUESDAY, APRIL 19, 1966 7c PER COPY U.S.- Bombing of Power Plant Blacks Out Lights of'Haiphong SAIGON (AP)-U.S. jet fight- explosions and said the lights of Neither Hanoi, nor Haiphong craft fire, although both Hai- closed out by the U.S. 25th In- er-bombers raided North Viet Haiphong went out at once. The has been hit by U.S. air attack, phong and Hanoi are said to be fantry Division 30 miles north- Nam's heartland for the second plant provides 15 per cent of but on Sunday American planes ringed with Soviet-built anti-air- west of Saigon and by a joint consecutive day, pounding a ma- North Viet Nam's electricity, in- brought the war close to the craft missile sites. U.S. 173d Airborne—Australian jor plant just outside Haiphong cluding a third of the power capital with attacks on missile The ground war against the force 75 miles northeast of the last night, a U.S. spokesman re- Haiphong uses and one-fourth of sites 15 and 17 miles south and Viet Cong continued without.any capital, A spokesman said there ported. the needs of the capital 60 miles southwest of Hanoi. Pilots re- significant contact reported7 with was no heavy fighting. -
BODEN BLACK (A Novel)
BODEN BLACK (A Novel) and WITH AXE AND PEN IN THE NEW ZEALAND ALPS: DIFFERENCES BETWEEN OVERSEAS AND NEW ZEALAND WRITTEN ACCOUNTS OF CLIMBING MOUNT COOK 1882-1920 AND THE EMERGENCE OF A NEW ZEALAND VOICE IN MOUNTAINEERING LITERATURE BY JURA (LAURENCE) FEARNLEY A thesis submitted to the Victoria University of Wellington in fulfillment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2012 1 ABSTRACT This thesis has two components: creative and critical. The creative component is the novel Boden Black. It is a first person narrative, imagined as a memoir, and traces the life of its protagonist, Boden Black, from his childhood in the late 1930s to adulthood in the present day. The plot describes various significant encounters in the narrator’s life: from his introduction to the Mackenzie Basin and the Mount Cook region in the South Island of New Zealand, through to meetings with mountaineers and ‘lost’ family members. Throughout his journey from child to butcher to poet, Boden searches for ways to describe his response to the natural landscape. The critical study is titled With Axe and Pen in the New Zealand Alps. It examines the published writing of overseas and New Zealand mountaineers climbing at Aoraki/Mount Cook between 1882 and 1920. I advance the theory that there are stylistic differences between the writing of overseas and New Zealand mountaineers and that the beginning of a distinct New Zealand mountaineering voice can be traced back to the first accounts written by New Zealand mountaineers attempting to reach the summit of Aoraki/Mount Cook. -
WHERE THERE's a WILL Hollywood's Biggest Willie Talks to JUICE About His Pi Transition from Comedy to Political Thrillers
Ilecis Student www.leedsdotstudent.co.uk Februy 5, 1999 Volume 29: Issue No.14 WHERE THERE'S A WILL Hollywood's biggest Willie talks to JUICE about his Pi transition from comedy to political thrillers LEEDS MP HAROLD BEST SPEAKS OUT FEMALE ON THE LOCAL COMMUNITY AND YOU ASSAULT OUTSIDE CLUB Thug leaves finalist with cracked skull A FEMALE finalist was BY SIJIANNAH BAILEY & and a couple of punches later viciously attacked and left STUART SMITH his girlfriend was on the floor. with a fractured skull after How can a bloke who's 6 ft tall she tried to break up a fight to spend the night in hospital. hit a 5 It 2 girl in the face?" • between a rowing couple. "I saw the girl get shoved Faversham bouncers • The attack took plax outside to the floor by her boyfriend. intervened in an effort to break di • the Faversham on Saturday and went to see if she was all up the fight but the attacker ••4111 aft 414 $ night. A man, who had just right," she explained. "I turned managed to escape. • . •P' II • • pushed a girl to the ground, around and saw the guy The assailant is described 0.41, • turned on the finalist and her punching my boyfriend Jamie. as about 6 ft tall. with short a I. .0 ' I"'fI I . ; boyfriend. The next thing I knew, I'd been brown hair. He was wearing 1.4 0111 .1 The Leeds University knocked to the floor, and had a white jacket and jeans and is pig.* r at student. -
How to Be a Footballer
CONTENTS Cover About the Book About the Author Title Page Prologue Dressing-rooms Superstitions Cars Defenders Tattoos Training grounds Clothes Volleys Team bus Droughts Celebrations Interviews Houses Transfers Music Abuse Headers Haircuts Goalkeepers Going Out Champions League vs FA Cup Endorsements Hotels Social media Gerrard Picture Section Acknowledgements Photo Credits Copyright ABOUT THE BOOK You become a footballer because you love football. And then you are a footballer, and you’re suddenly in the strangest, most baffling world of all. A world where one team-mate comes to training in a bright red suit with matching top-hat, cane and glasses, without any actual glass in them, and another has so many sports cars they forget they have left a Porsche at the train station. Even when their surname is incorporated in the registration plate. So walk with me into the dressing-room, to find out which players refuse to touch a football before a game, to discover why a load of millionaires never have any shower-gel, and to hear what Cristiano Ronaldo says when he looks at himself in the mirror. ABOUT THE AUTHOR First things first: yes I am very tall, no the weather isn’t different up here, and no I don’t play basketball. Glad that’s out the way. I’ve been a professional footballer for 20 years, have 42 England caps, have scored over 100 Premier League goals and hold the record for the most headed goals in Premier League history. I’ve been at a fair few clubs too, including Queens Park Rangers, Portsmouth, Aston Villa, Norwich, Southampton, Liverpool, Portsmouth, Tottenham Hotspur, Stoke and England.