DOCSLIB.ORG

Taking You Further Into the World of Film. Taking Y the World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Taking You Further Into the World of Film. Taking Y the World MAURIMAURIMAURI MerataMerataMerata Mita Mita Mita Ι New Ι NewΙ New Zealand Zealand Zealand Ι 1988 Ι 1988Ι 1988 2 June;22 June; June;WEWE PG;WE PG;WOULD PG; WOULD90 WOULD90 mins90 mins mins LIKE LIKE LIKE TO TO TO ACK ACK ACKNOWLEDGENOWLEDGENOWLEDGE the the the generous generous generous “When“When“assistanceWhenassistance assistanceshe she she made made made of ofMauri, the ofMauri, theMauri, the Embassy EmbassyMerata EmbassyMerata Merata Mitaof Mitaof Mita France,of France,became France,became became the the the Institutthe first Institut first Institutfirst Māori MāoriFrançais, MāoriFrançais, Français,woman womanwoman to to to PALMERSTONPALMERSTONPALMERSTON writewritewrite and and andthe directthe directthe directGoethe Goethe aGoethe dramatica a dramatic dramatic-Institut-Institut-Institut feature. feature. feature.and and and The MauriThe MauriThe MauriConfuscius (meaningConfuscius (meaningConfuscius (meaning life Institute lifeInstitute life force),Institute force), force), is isloosely is loosely loosely setset setaround around aroundinin bringing ina bringing lovea bringinga love love triangle triangle filmstriangle films films and from and fromand exploresfrom explores exploresFrance, France, France, cultural cultural cultural GermanyGermany Germany tensions, tensions, tensions, and and identity,and China. identity, identity,China. China. and andand changingchangingchanging ways ways ways of of life of life ”life -” ”-NZ - NZ NZOn On OnScreen Screen Screen NORTHNORTHNORTH FILMFILM FILM BAMBOOZLEDBAMBOOZLEDBAMBOOZLED SpikeSpikeSpike Lee Lee Lee Ι USA Ι USAΙ USA Ι 2000 Ι 2000Ι 2000 SOCIETYSOCIETYSOCIETY 9 June;99 June; June; R16 R16 R16 violence violence violence & &offensive & offensive offensive language; language; language; 135 135 135 min min min WithWithWith this this this blisteringly blisteringly blisteringly funny, funny, funny, unapologetically unapologetically unapologetically confrontational confrontational confrontational satire, satire, satire, writer writer writer -director-director-director Spike Spike Spike Lee Lee Lee examines examines examines the the the past, past, past, present, present, present, and and and future future future of of racismof racism racism in in in 202120212021 THETHETHE CLAN CLAN CLAN AmericanAmericanAmerican popular popular popular culture. culture. culture. Z Z Z BRIMSTONEBRIMSTONEBRIMSTONE AND AND AND GLORY GLORY GLORY BRIMSTONEBRIMSTONEBRIMSTONE AND AND AND GLORY GLORY GLORY SYSTEMSYSTEMSYSTEM CRASHER CRASHER CRASHER NoraNoraNora Fingscheidt Fingscheidt Fingscheidt Ι Germany Ι GermanyΙ Germany Ι 2019 Ι 2019Ι 2019 THETHETHE CLAN CLAN CLAN PabloPabloPablo Trapero William Trapero WilliamTraperoWilliam Ι WylerArgentina/Spain ΙWyler Argentina/SpainΙ WylerArgentina/Spain Ι USAΙ USA Ι USA Ι 1953Ι 1953 Ι 1953 Ι 2015 Ι Ι2015 2015 BACURAUBACURAUBACURAU KleberKleberKleber Mendonça Mendonça Mendonça Filho Filho Filho Ι Brazil/France Ι Brazil/FranceΙ Brazil/France Ι 2019 Ι 2019Ι 2019 ROMANROMANROMAN HOLIDAY HOLIDAY HOLIDAY 1616 June;16 June; June; M; M; M;125 125 125 mins mins mins 7 April;77 April; April; R13 R13 R13 violence, violence, violence, offensive offensive offensive language language language & sex& &sex sexscenes; scenes; scenes; 110 110 110 mins mins mins 7 July;77 July; July; R16, R16, R16, Graphic Graphic Graphic violence, violence, violence, sex sex sex scenes, scenes, scenes, offensive offensive offensive language language language & &nudity; & nudity;nudity; 1010 Nov;10 Nov; Nov; G; G; 119 G; 119 119 mins mins mins OnOn Onher her her wild wild wild quest quest quest for for forlove, love, love, 9 -9year 9-year-year-old-old-old Benni's Benni's Benni's untamed untamed untamed energy energy energy drives drives drives DeliveredDeliveredDelivered with with with muscularity muscularity muscularity and and and verve, verve, verve, Pablo Pablo Pablo Trapero Trapero Trapero’s ’80ss’ s80s 80s true true true crime crime crime 132132132 mins mins mins ThisThisThis near near near-perfect-perfect-perfect romcom romcom romcom gave gave gave an an unknownan unknown unknown actress actress actress called called called everyoneeveryoneeveryone around around around her her her to to despair.to despair. despair. System System System Crasher Crasher Crasher is isFingscheidt is Fingscheidt Fingscheidt’s ’firsts’ sfirst first dramadramadrama unravels unravels unravels the the the exploits exploits exploits of of aof wella awell well-connected-connected-connected Buenos Buenos Buenos Aires Aires Aires business- business- business- AfterAfterAfter the the the death deathdeath of ofherof her hergrandmother, grandmother, grandmother, Teresa Teresa Teresa comes comes comes home homehome to to toher her her matriar- matriar-matriar- AudreyAudreyAudrey Hepburn Hepburn Hepburn her her her‘hello ‘hello ‘hello world world world’ moment’ moment’ moment in in 1953 in1953 1953 – –making making– making her her heran an over-an over- over- featurefeaturefeature film film film as as director.as director.director. Her Her Herattention attention attention was was wasfirst first first drawn drawndrawn to to tothe the the theme themetheme while while while manmanman and and and his his hisrugby rugby rugby-star-star-star son son son and and and their their their ruthless ruthless ruthless kidnapping kidnapping kidnapping and and and ransom ransom ransom chalchalchal village village village in in a in neara anear near-future-future-future Brazil Brazil Brazil to to findto find find a successiona asuccession succession of ofsinisterof sinister sinister events events events nightnightnight star star star at at 24. at 24. 24.Hepburn Hepburn Hepburn sparkles sparkles sparkles as as Princess as Princess Princess Ann, Ann, Ann, an an elfinan elfin elfin European European European aristo aristo aristo filmingfilmingfilming the the thedocumentary documentarydocumentary Das Das Das Haus Haus Haus neben neben neben den den den Gleisen Gleisen Gleisen (2014) (2014) (2014) which which which de- de- de- boredoperation.boredoperation.boredoperation. to to tears to tears tears of of ambassador of ambassador ambassador’s’ sreceptions ’receptionss receptions and and and majors majorsmajors withwith with walruswalrus walrus mous- mous-mous- thatthatthat mobilizes mobilizes mobilizes all all ofall of itsof its residents.its residents. residents. “The “ The“The combination combination combination of ofsatire ofsatire satire and and andsavagery savagerysavagery pictspictspicts life life lifein ina in refugea arefuge refuge for for forhomeless homeless homeless women women women in in Stuttgart. in Stuttgart. Stuttgart. Among AmongAmong the the the women womenwomen is isprettyis pretty pretty fierce fiercefierce and and andintriguingly intriguinglyintriguingly unique uniqueunique” -” The ”- -The The Telegraph Telegraph Telegraph taches.taches.taches. One One One night, night, night, during during during a astate statea state visit visit visit to to Rome, to Rome, Rome, she she she slips slips slips out out outof of the of the thepalace palace palace waswaswas a fourteena afourteen fourteen-year-year-year-old-old-old girl girl girl who, who, who, as as aas “a system a“ system“system crasher crasher crasher”, ”,was”, was was no no longerno longer longer toto slumto slum slum it itwith itwith with commoners commoners commoners – –and and– and falls falls falls into into into the the theclutches clutches clutches of of an of an an acceptedacceptedaccepted by by anyby any any institution institution institution in inthein the theyouth youthyouth welfare welfare welfare service. service. service. AmericanTEHRANAmericanTEHRANAmericanTEHRAN reporter, reporter, TAXI reporter, TAXI TAXI Joe Joe JoeBradley Bradley BradleyJafarJafarJafar (Gregory Panahi(Gregory Panahi(Gregory Panahi Ι Peck).Iran ΙPeck). IranΙ Peck).Iran Ι 2015 Ι 2015Ι 2015 1414 April;14 April; April; PG PG PGoffensive offensive offensive language; language; language; 82 8282 mins mins mins THETHETHE FLORIDA FLORIDA FLORIDA PROJECT PROJECT PROJECT SeanSeanSean Baker Baker Baker Ι USA Ι USAΙ USA Ι 2017 Ι 2017Ι 2017 TheTheThe great great great Iranian Iranian Iranian director director director Jafar Jafar Jafar Panahi Panahi Panahi (Offside ( Offside(Offside, The, The, The Circle Circle Circle) has) )has has never never never let let let 2828 July;28 July; July; R13 R13 R13 violence, violence, violence, offensive offensive offensive language, language, language, drug drugdrug use, use,use, and and and sexual sexual sexual material; material;material; WHERETheTheWHEREWHEREThe 2021 2021 2021 IS FilmIS FilmTHEIS FilmTHE THESociety SocietyFRIEND SocietyFRIEND FRIEND programming programming ’programmingS’ SHOUSE?’S HOUSE? HOUSE? is is Abbasby isby Abbas AbbasMichaelby Michael KiarostamiMichael Kiarostami Kiarostami McDonnell, McDonnell, McDonnell, Ι Iran Ι IranΙ Iran Ι 1987 Ι 1987 Ι 1987 beingbeingbeing barred barred barred from from from filmmaking filmmaking filmmaking stop stop stop him him himcreating. creating. creating. In Tehran In TehranIn Tehran Taxi Taxi Taxi, shot, shot, shot en- en- en- 111111111 mins. mins. mins. BRIMSTONEBRIMSTONEBRIMSTONE AND AND AND GLORY GLORY GLORY ViktorViktorViktor Jakovleski Jakovleski Jakovleski Ι USAΙ USA Ι USA Ι 2017Ι 2017 Ι 2017 2323NZ June;23NZ June; NZFederationJune; Federation G;Federation G; 87G; 87 mins87 mins mins of of Film ofFilm Film Societies: Societies: Societies: www.nzfilmsociety.org.nz www.nzfilmsociety.org.nzwww.nzfilmsociety.org.nz tirelytirelytirely inside inside inside a car,a acar, car, Jafar Jafar Jafar Panahi PanahiPanahi
Load more

Recommended publications
  • Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
    FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II
    [Show full text]
  • Du 9 Octobre 2019 Au 12 Novembre 2019 N°
    Du 9 octobre 2019 Cinéma Art Et Essai au 12 novembre 2019 Jeune Public N° 169 Patrimoine CINÉMA BIARRITZ Recherche À l'affiche Entre nous SORTIES NATIONALES Chambre 212 4 Papicha 4 Tout est possible (The biggest little farm) 4 Mon chien stupide 5 Matthias et Maxime 5 Hors normes 5 Adults in the Room 6 J’ai perdu mon corps 6 Le Traître 7 Sorry We Missed You 7 Camille 8 «Place aux jeunes en quelque sorte... » ÉVÉNEMENTS - AVANT PREMIÈRES Mariage de Verida 8 Le Festival Amérique Latine à peine terminé, nous accueillons deux The bra 9 festivals : L’Invitation aux voyages et le Txiki Festival. Du 17 au 20 Jacob et les chiens qui parlent 9 octobre, L’Invitation aux voyages a choisi pour sa 4ème édition le thème Maya 10 "En reportage" et organise son ouverture au Royal avec la projection, le Le Gouffre aux chimères 10 16 octobre, de Camille un film de Boris Lojkine consacré à Camille Le sel de la terre 11 Lepage, cette jeune photo-reporter assassinée en République Sympathie pour le Diable 11 centrafricaine le 12 mai 2014. Du 30 octobre au 2 novembre la 7ème J'accuse 12 édition du Txiki Festival sera consacrée à "la terre". Sujet vaste et surtout Don't Give a Fox 12 d’une actualité brulante quand la jeunesse du monde affiche sa détermination à sauver notre planète ! Pour ce qui est de l’enjeu plus PATRIMOINE modeste du cinéma, il est évident, depuis des années, que la survie du 7ème Art passe par la reconquête du public jeune, « le cœur de cible » The Kid 13 du Txiki Festival.
    [Show full text]
  • QUESTIONS DE CINÉMA 2020–2021 Lycéens Et Apprentis Au Cinéma En Île-De-France Académies De Créteil Et Versailles
    INTERVENTIONS THÉMATIQUES PAR DES PROFESSIONNELS DU CINÉMA QUESTIONS DE CINÉMA 2020–2021 Lycéens et apprentis au cinéma en Île-de-France Académies de Créteil et Versailles www.acrif.org Questions de cinéma 2020–2021 / www.acrif.org • page 1 LES QUESTIONS DE CINÉMA Les questions de cinéma sont des interventions thématiques à partir d’un ou plusieurs films de la programmation. Elles favorisent l’ouverture vers d’autres films de l’histoire du cinéma. À partir d’un axe précis lié à des enjeux de mise en scène, l’intervenant porté par sa connaissance intime du cinéma propose aux élèves différents extraits de films. Les filmographies accompagnant les textes détaillés sont donc indicatives. Objectif de ce type d’intervention : amener les élèves à consolider leur pratique culturelle grâce à cette ouverture sur le cinéma. Les questions de cinéma ont été conçues par la coordination ACRIF en collaboration avec les intervenants que nous remercions pour leurs contributions. COMMENT LES PROPOSER AUX ÉLÈVES ? – Les interventions « Questions de cinéma » sont dispensées par des professionnels : réalisateurs, producteurs, scénaristes, critiques, univer- sitaires, comédiens... – Elles se font sur la base d’extraits de films. – Elles doivent se dérouler devant une seule classe, pour offrir les conditions optimales d’un dialogue avec les élèves. – Les interventions à partir d’un film de la programmation peuvent être proposéesavant ou après projection. – Réservation : de novembre 2020 à juin 2021 via le formulaire en ligne uniquement : http://www.acrif.org/form/formulaire-demande-dintervention#overlay-context=interventions – Il convient de faire une demande d’intervention, le plus en amont possible, idéalement 3 semaines avant la date souhaitée de l’intervention.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Colcoa-Press-2019-Part IV
    September 19, 2019 COLCOA French Film Festival Monday, September 23 – Saturday, September 28 DGA in Hollywood $$ This film festival showcases the latest work from France. It only looks like it the Coca Cola Film Festival if you read it too fast. September 3, 2019 Critic's Picks: A September To-Do List for Film Buffs in L.A Alain Delon in 'Purple Moon' (1960) A classic lesbian drama, French noirs starring Alain Delon and Jean Gabin and a series of matinees devoted to Katharine Hepburn are among the plentiful vintage and classic options for SoCal film buffs this month. OLIVIA AT THE LAEMMLE ROYAL | 11523 Santa Monica Blvd. Already underway and screening daily through Sept. 5 at the Laemmle Royal is a new digital restoration of Jacqueline Audry’s trailblazing 1951 feature Olivia, one of the first films, French or otherwise, to deal with female homosexuality. Set in a 19th-century Parisian finishing school for girls, the film depicts the struggle between two head mistresses (Edwige Feuillere and Simone Simon) for the affection of their students, and how one girl’s (Marie-Claire Olivia) romantic urges stir jealousy in the house. Audry, one of the key female filmmakers of post-World War II France, stages this feverish chamber drama (based on a novel by the English writer Dorothy Bussy) with a delicate yet incisive touch, allowing the story’s implicit sensuality to simmer ominously without boiling over into undue hysterics. Lesbian dramas would soon become more explicit, but few have matched Olivia’s unique combination of elegance and eroticism. FRENCH FILM NOIR AND KATHARINE HEPBURN MATINEES AT THE AERO | 1328 Montana Ave.
    [Show full text]
  • IFFR Feature Film Contact List
    Angola Air Conditioner World premiere Programme section: Bright Future Main Programme Director(s): Fradique Prod. Countries: Angola Prod. Year: 2020 Length: 72 Genre: Fiction 49th Company: Geração 80 INTERNATIONAL FILM FESTIVAL Contact: Jorge Cohen ROTTERDAM Email: [email protected] Logline: Air conditioners mysteriously start January 22 – falling from buildings in the Angolan capital. February 02, 2020 The search for a working unit forms the starting point for an pleasantly free film representing the city's heartbeat. A great jazzy soundtrack, a rap FEATURE FILM CONTACT LIST and the chaotic hum of the city guide us through January 31, 2020 its streets and buildings. Sold territories: All available Argentina Los que vuelven International premiere Programme section: Voices Main Programme Director(s): Laura Casabé Prod. Countries: Argentina Prod. Year: 2019 Length: 93 Genre: Fiction Company: Reel Suspects Contact: Alejandro Israel Email: [email protected] Logline: In this drama dealing with fear and oppression in South America, supernatural powers are unleashed when, in desperation, the wife of a white landowner invokes the spirits of the indigenous people. Her stillborn child is Patagonia. The calm, unchanging nature of the brought back to life, but at a terrible price. Is this impressive landscape contrasts with her restless the feared retribution? inner life, and the people from her past elicit old Sold territories: Argentina emotions and new insights, some of which are not so uplifting. Las poetas visitan a Juana Bignozzi Trailer: International premiere https://www.youtube.com/watch?v=hgAm8iev Programme section: Signatures Szw Director(s): Laura Citarella, Mercedes Halfon Sold territories: All available Prod.
    [Show full text]
  • Mise En Page 1
    octobre 2019 la lettre n° 301 z e d n a n r e F s i u o L - n a e J o t o h P - 2 1 2 e r b m a h C , é r o n o H e h p o t s i r h C e d m entretiens AFC l i u f u AFC d Sébastien Buchmann > p. 10 e g AFC a Claire Mathon n > p. 14 r u AFC o Rémy Chevrin t > p. 18 e l AFC r Jonathan Ricquebourg u > p. 22 s CSC n i André Turpin et Yves Bélanger t t > p. 24 o C e l l i m a C t e n i r v e h C y m é R e s i e e a u i ç Fiilms AFC sur les éCrAns >> pp.. 44 AACCttuuAAlliittééss AAFFCC >> pp.. 55 q h i n p h a a r s p r r F a g u r n FestivAls > p. 7 le CnC > p. 13 çà et là > p. 16, 30 presse > p. 16 o FestivAls > p. 7 le CnC > p. 13 çà et là > p. 16, 30 presse > p. 16 e g t o t i o o c t t e h a a r i p i c m d CCôôttéé pprrooFFeessssiioonn >> pp.. 1177 llAA CCsstt >> pp.. 2255 iinn mmeemmoorriiAAmm >> pp.. 3322,, 5500 a o é l s s n s i e e C d d A nnooss AAssssooCCiiééss >> pp.. 3344 àà 4499 iinntteerrnneett >> pp.
    [Show full text]
  • WIFF-2019-Program-FULL-1.Pdf
    HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device.
    [Show full text]
  • A3 De-Pliant Rencontres 2020 Def
    [email protected] www.rencontres-cinesalon.org ● Avec le réalisateur syrien Abdul Sattar Alherek Sattar Abdul syrien réalisateur le Avec • Jacob et les chiens qui parlent qui chiens les et Jacob D’Edmunds Jansons D’Edmunds 1h10 2019 • 15 15 h 4/04—16 30 h 28/03—10 SÉANCES animée par William Balbi du Portail Coucou Portail du Balbi William par animée les espoirs et la solidarité du peuple d’Alep. peuple du solidarité la et espoirs les • Bonjour le monde le Bonjour D’Anne-Lise Koeler & Eric Serre Eric & Koeler D’Anne-Lise 1h07 2019 éance éance S h 3/04—19 UNIQUE SÉANCE bombardements, elle filme au quotidien les pertes, pertes, les quotidien au filme elle bombardements, grandioses. gien, lorsque la guerre civile éclate en 2011. Sous les les Sous 2011. en éclate civile guerre la lorsque gien, • Loups tendres et loufoques et tendres Loups D’Arnaud Demuynck D’Arnaud 53mn 2019 leur histoire et celle de la Jamaïque aux paysages paysages aux Jamaïque la de celle et histoire leur - chirur mari, son avec Alep à vit al-Kateab Waad sonnalités de ces musiciens hors du commun, par par commun, du hors musiciens ces de sonnalités Primaire réservées Séances aux élèves du du élèves aux - per les voix, les musique, la par emporté serez à partir du mercredi 11 mars 11 mercredi du partir à Documentaire puissant, original, et touchant. Vous Vous touchant. et original, puissant, Documentaire ou aux caisses du cinéma les Arcades les cinéma du caisses aux ou www.cineplanet-salon.fr Buzzati. Dino divertissant.
    [Show full text]
  • 5 9 Agosto 2020
    24 5/ 9 AGOSTO 2020 Volteggiando alte sopra un paesaggio eterno, nel cuore di una città di pietra scura, le immagini de Le Avventure del Barone di Munchausen si dimenano su uno schermo gigante che torreggia su una piazzetta illuminata dalla luna. Mentre i bambini giocano, le persone sedute ai tavolini sistemate come se fosse un cinema all’aperto, mangiano, conversano e guardano catturate dal film. Altri preferiscono fuggire cercando salvezza nel bar locale. Ma non c’è modo di fuggire. Una luce brilla da dietro il bar e getta le ombre dei bevitori attraverso la piazza sullo schermo. Lì si mescolano con i personaggi del mio film, in una danza reale e fantastica allo stesso tempo, che rimane per sempre impressa nella mia memoria. L’Umbria Film Festival di Montone può far suscitare questo tipo di emozioni. È un evento magico. Sono orgoglioso di farne parte. Floating high above an eternal landscape, in the heart of a dark stone town, images from The Adventures of Baron Munchausen tumble across a giant screen which towers over a small moonlite square. While children play, people sitting at tables or chairs arranged as an affresco cinema, eat, talk, watch - captured by the film. Others prefer to escape - to the safety of the local café. But there is no escape. A light shines from behind the bar. It hurls the shadows of the drinkers back across the square and onto the screen. There they blend with the characters of my film in a dance of reality and fantasy that remains forever imprinted on my memory.
    [Show full text]
  • Here Are a Lot of Things We Accomplished Over Our First Decade
    20TH ANNIVERSARY YEAR 20TH ANNIVERSARY YEAR Fearless & Fearless & Fabulous 4 WOMEN OF Fabulous STYLE YOU NEED 4 WOMEN OF TO KNOW! STYLE YOU NEED TO KNOW! Day & Day & 20TH ANNIVERSARY YEAR Night Night GLAM FALL Fearless & FASHION HAS GLAM FALL YOU COVERED FASHION HAS Fabulous YOU COVERED 4 WOMEN OF STYLE YOU NEED 2 TO KNOW! Day & Night GLAM FALL FASHION HAS YOU COVERED THE INCOMPARABLE THE INCOMPARABLE LAURA DERN LAURA DERN Brighter Than Ever Brighter Than Ever Plus Lagerfeld’s Last Plus Collection for Lagerfeld’s Last Fendi, Inside the Collection for THE INCOMPARABLE New Four Seasons Fendi, Inside the Hotel Philadelphia New Four Seasons Spa & Beth Buccini Hotel Philadelphia on 20 Years of Spa & Beth Buccini LAURA DERN Kirna Zabête @PHILLYSTYLEZINE on 20 Years of PHILLYSTYLEMAG.COM Kirna Zabête Brighter Than Ever @PHILLYSTYLEZINE PHILLYSTYLEMAG.COM Plus Lagerfeld’s Last Collection for Fendi, Inside the New Four Seasons Hotel Philadelphia Spa & Beth Buccini on 20TH Years of 20Kirna Zabête ANNIVERSARY YEAR @PHILLYSTYLEZINE PHILLYSTYLEMAG.COM 20TH ANNIVERSARY YEAR 20TH ANNIVERSARY YEAR Fearless & Fearless & Fearless & Fabulous Fabulous 4 WOMEN OF Fabulous 4 STYLE YOU NEED 4 WOMEN OF WOMEN OF TO KNOW! STYLE YOU NEED STYLE YOU NEED TO KNOW! TO KNOW! Day & Day & 20TH ANNIVERSARY YEAR Night Night GLAM FALL Day & Fearless & FASHION HAS GLAM FALL YOU COVERED FASHION HAS Fabulous YOU COVERED Night 4 WOMEN OF STYLE YOU NEED TO KNOW! GLAM FALL FASHION HAS Day & YOU COVERED Night GLAM FALL FASHION HAS YOU COVERED THE INCOMPARABLE THE INCOMPARABLE LAURA
    [Show full text]
  • Network Review #36 December 2020
    Europa Cinemas Network Review #36 December 2020 Looking back at 2020 Europa Cinemas Awards Europa Cinemas Network Review President: Nico Simon General Director: Claude-Eric Poiroux Head of International Relations—Network Review Editor: Fatima Djoumer— [email protected]. Press: Charles McDonald— [email protected]. Deputy Editors: Sonia Ragone, Nicolas Edmery. Contributors to this Issue: Michael Gubbins, Martin Blaney, Tara Judah, Raphaëlle Gondry, Sonia Ragone, Lisa Püscher English Proofreader: Tara Judah. Translation: Cinescript, Berlin. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Burg Kino, Vienna © David Ruggiero Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Austria Editorial Burg Kino, Vienna by Claude-Eric Poiroux Belgium Quai10, Charleroi 6 Croatia Moving online, staying still: Kino Mediteran Europa Cinemas Labs in the time of coronavirus Czech Republic Lucerna, Prague 10 Denmark The cultural and social power Grand Teatret, Copenhagen of cinemas will see it survive France and thrive Le Zola, Villeurbanne 16 Germany Harmonie, Cinéma and Casino, Frankfurt Longing for the Big Screen and Aschaffenburg 27 Greece Film Festivals’ response Danaos, Athens to Covid-19 impacts film ecosystem Italy Cinema
    [Show full text]