Dorothea Lange: The Photographer as Agricultural Sociologist Author(s): Linda Gordon Source: The Journal of American History, Vol. 93, No. 3 (Dec., 2006), pp. 698-727 Published by: Organization of American Historians Stable URL: http://www.jstor.org/stable/4486410 . Accessed: 25/02/2015 10:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Organization of American Historians is collaborating with JSTOR to digitize, preserve and extend access to The Journal of American History. http://www.jstor.org This content downloaded from 128.103.149.52 on Wed, 25 Feb 2015 10:41:23 AM All use subject to JSTOR Terms and Conditions Dorothea Lange: The Photographeras AgriculturalSociologist Linda Gordon Forsuggestions on howto usethis article in theU.S. historyclassroom, see our"Teach- ingthe JAH" Web projectat http://www.indiana.edu/-jah/teaching/. To a startlingdegree, popular understandingof the Great Depression of the 1930s de- rivesfrom visual images,and among them,Dorothea Lange's are the most influential. Althoughmany do not know her name, her photographslive in the subconscious of virtuallyanyone in the UnitedStates who has any conceptof thateconomic disaster. Her picturesexerted great force in theirown time,helping shape 1930s and 1940s Popular Frontrepresentational and artisticsensibility, because the Farm SecurityAdministration (FSA),her employer, distributed the photographsaggressively through the mass media.