Speaking in Subtitles Revaluing Screen Translation
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A Wishy-Washy, Sort-Of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-22-2014 12:00 AM A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic Amy Gaizauskas The University of Western Ontario Supervisor Christine Sprengler The University of Western Ontario Graduate Program in Art History A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Amy Gaizauskas 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Gaizauskas, Amy, "A Wishy-Washy, Sort-of-Feeling: Episodes in the History of the Wishy-Washy Aesthetic" (2014). Electronic Thesis and Dissertation Repository. 2332. https://ir.lib.uwo.ca/etd/2332 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. A WISHY-WASHY, SORT-OF FEELING: EPISODES IN THE HISTORY OF THE WISHY-WASHY AESTHETIC Thesis Format: Monograph by Amy Gaizauskas Graduate Program in Art History A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Amy Gaizauskas 2014 Abstract Following Sianne Ngai’s Our Aesthetic Categories (2012), this thesis studies the wishy- washy as an aesthetic category. Consisting of three art world and visual culture case studies, this thesis reveals the surprising strength that lies behind the wishy-washy’s weak veneer. -
Animated Works by Nancy Andrews
FILM AT REDCAT PRESENTS Tue Mar 8 | 8:30 pm Jack H. Skirball Series $9 [students $7, CalArts $5] The Birdwoman and Her Dreams: Animated Works by Nancy Andrews World premiere and Los Angeles premieres With characters and stories synthesized from sources including history and autobiography, Nancy Andrews works in a hybrid form that combines research with storytelling, documentary, puppetry and vaudeville. The program presents the World Premiere of a Surprise Film along with two of her latest animated works. Inspired by classic "mad scientist" horror films and research into the physiology of insects, Behind the Eyes are the Ears (2010, 26 min.) features a soundtrack by Andrews and Zach Soares and mixes animation, live action and found footage to follow the revolutionary attempts of Dr. Sheri Myes to expand human perception and consciousness. On a Phantom Limb (2009, 35 min.), with music by John Cooper, invokes the realm of the invisible and takes as its starting point the filmmaker’s near-death experience during a harrowing surgical procedure. Andrews is the recipient of awards and grants from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Arts, among others. In person: Nancy Andrews “Nancy Andrews’s films are small treasures, finely crafted, exquisite in small details and as rare as they come. Her cinema is artisanal, beautiful in its homespuness, expressive in its miscellany of hand-made images, whether drawn, animated or acted, and sly in its humor.” www.redcat.org | 1 – Lawrence Kardish, The Museum of Modern Art “Behind the Eyes are the Ears embraces the full scope of the unknown—from the sinister to the rhapsodic… The now-familiar Rorschach is consumed/ subsumed by an unknown, other-dimensional entity growing inward from the sides of the screen—making the peripheral central, conflating analog and digital into a warm, comforting, enigmatic, oily stain of a talisman. -
BRING YOUR “A” GAME to VIDEO GAME LOCALIZATION a Publication of the American Translators Association Best Solution to This Problem
The Voice of Interpreters and Translators THE ATA Mar/Apr 2020 Volume XLIX Number 2 BRING YOUR “A” GAME TO VIDEO GAME LOCALIZATION A Publication of the American Translators Association best solution to this problem. A victory American Translators Association in California will greatly facilitate 225 Reinekers Lane, Suite 590 obtaining similar exemptions in other Alexandria, VA 22314 USA states that pass strict versions of the Tel:Tel: +1-703-683-6100+1.703.683.6100 ABC Test. Fax:Fax: +1-703-683-6122+1.703.683.6122 Through its membership in the Email: [email protected] 5 Professional Certication Coalition , Website: www.atanet.org FROM THE PRESIDENT ATA is also monitoring state legislation TED R. WOZNIAK regarding voluntary certication programs Editorial Board [email protected] to ensure that they do not negatively Paula Arturo impact ATA’s Certication Program. Lois Feuerle Geoff Koby (chair) CorinneMary McKee McKay 2020 is shaping up to be a year TedMary Wozniak McKee in which ATA focuses a great deal JostTed ZetzscheWozniak Advocacy and Jost Zetzsche on state and national legislation Publisher/Executive Director Other Business Publisher/ExecutiveWalter Bacak, CAE Director affecting the translation and [email protected] Bacak, CAE s I conclude the third month of [email protected] my term as president, I nd interpreting professions. Editor A myself spending a lot of time on JeffEditor Sanfacon advocacy efforts. [email protected] Sanfacon 2020 is shaping up to be a year in [email protected] which ATA focuses a great deal on state But not all proposed legislation Advertising and national legislation affecting the has negative consequences for ATA [email protected] translation and interpreting professions. -
Diversity and Inclusion in the European Audiovisual Sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print Version)
Diversity and inclusion in the European audiovisual sector IRIS Plus IRIS Plus 2021-1 Diversity and inclusion in the European audiovisual sector European Audiovisual Observatory, Strasbourg, 2021 ISSN 2079-1062 ISBN 978-92-871-9054-3 (Print version) Director of publication – Susanne Nikoltchev, Executive Director Editorial supervision – Maja Cappello, Head of Department for Legal Information Editorial team – Francisco Javier Cabrera Blázquez, Julio Talavera Milla, Sophie Valais Research assistant - Léa Chochon European Audiovisual Observatory Authors (in alphabetical order) Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Translation Marco Polo Sarl, Sonja Schmidt Proofreading Jackie McLelland, Johanna Fell, Catherine Koleda Editorial assistant – Sabine Bouajaja Press and Public Relations – Alison Hindhaugh, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76, allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax: +33 (0)3 90 21 60 19 [email protected] www.obs.coe.int Cover layout – ALTRAN, France Please quote this publication as Cabrera Blázquez F.J., Cappello M., Talavera Milla J., Valais S., Diversity and inclusion in the European audiovisual sector, IRIS Plus, European Audiovisual Observatory, Strasbourg, April 2021 © European Audiovisual Observatory (Council of Europe), Strasbourg, 2021 Opinions expressed in this publication are personal and do not necessarily represent the views of the Observatory, its members or the Council of Europe. Diversity and inclusion in the European audiovisual sector Francisco Javier Cabrera Blázquez, Maja Cappello, Julio Talavera Milla, Sophie Valais Foreword Let me tell you a few stories about extraordinary people. Artemisia Gentileschi was a seventeenth century painter, and quite a talented one at that. -
Spectacle Theater
SUN MON TUES Wed thurs fri SAT 1 2 3 4 5 SPECTACLE 7:30 7:30 7:30 7:30 5:00 PROTECTORS OF THE Queen of burlesque THE PINK EGG EAT MY DUST LADY OF BURLESQUE UNIVERSE Director Q&A! 7:30 10:00 10:00 10:00 FLASH FUTURE KUNG FU SPACE THUNDER KIDS HARD BASTARD 10:00 LITTLE MAD GUY 10:00 LADY OF BURLESQUE DArnA VS. THE PLANET WOMEN Midnight HERCULES UNCHAINED Midnight THE HORROR OF SPIDER ISLAND 6 7 8 9 10 11 12 3:00 7:30 7:30 7:30 7:30 7:30 5:00 blood brunch the pink egg Solar adventure dog day pizza, birra, Faso flash future kung fu lady of burlesque 5:00 7:30 keep cool 10:00 10:00 10:00 10:00 10:00 darna vs. the planet lost & forgotten cinema little mad guy space transformer eat my dust protectors of the space thunder kids women 7:30 universe Contemporary underground • special events Queen of burlesque 10:00 Midnight hard bastard the horror of spider island Midnight I.K.U. 13 14 15 16 17 18 19 3:00 7:30 7:30 7:30 7:30 7:30 & 10:00 5:00 fist church hard bastard pizza, birra, Faso Queen of burlesque dog day silent lovers yeast ONE NIGHT ONLY! 5:00 7:30 the pink egg 10:00 10:00 10:00 10:00 8Ball tv space transformer keep cool darna vs. the planet solar adventure Midnight ONE NIGHT ONLY! 7:30 women the horror of spider eat my dust island 10:00 little mad guy Midnight hercules unchained 20 21 22 23 24 25 26 3:00 7:30 7:30 7:30 7:30 7:30 5:00 blood brunch solar adventure MATCH CUTS PRESENTS Queen of burlesque eat my dust keep cool space transformer ONE NIGHT ONLY! 5:00 7:30 flash future kung fu 10:00 10:00 10:00 10:00 10:00 space thunder kids dog day I.K.U hard bastard YEAST the pink egg 7:30 10:00 space thunder kids I.K.U. -
A Mapping of Translation in the Euro-Mediterranean Region
A MAPPING OF TRANSLATION IN THE EURO-MEDITERRANEAN REGION PARTNERS Banipal, London ÇEVBIR, Istanbul European Council of Literary Translators’ Association (CEATL), Brussels Escuela de Traductores de Toledo, Toledo King Abdul-Aziz Foundation, Casablanca Next Page Foundation, Sofia Goethe Institut, Cairo Index Translationum (UNESCO) Institut du monde arabe, Paris Institut français du Proche-Orient, Damascus, Beirut, Amman, Ramallah Institute for research and studies in the Arab and Islamic World (IREMAM/MMSH), Aix-en-Provence Literature Across frontiers, Manchester Swedish Institute Alexandria, Alexandria Università degli studi di Napoli l’Orientale, Naples Saint-Joseph University, Beirut SUPPORT The mapping project was accomplished with the support of: the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, the French Ministry of Culture and Communication as well as the Conseil régional d’Ile de France the Institut français This document is also available in French and Arabic A MApping of TrAnslATion in The euro-MediTerrAneAn region A project carried out by Transeuropéennes and the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures Conclusions and Recommendations Final overview and compilation: Ghislaine Glasson Deschaumes Editing team: Anaïs-Trissa Khatchadourian The present conclusions and recommendations are the fruit of a collective effort over a number of months. They have benefited from the enlightening advice and attentive readings of Yana Genova, Richard Jacquemond, Mohamed-Sghir Janjar, Elisabeth Longuenesse, Franck Mermier and Hakan Özkan. The quantitative overviews were produced with the help of Sophie Brones Translated from French into English by Andrew Goffey Direction of the project: Ghislaine Glasson Deschaumes (Transeuropéennes) and Gemma Aubarell (Fondation Anna Lindh) Coordination: Anaïs-Trissa Khatchadourian, with the participation of Virginia Pisano (Transeuropéennes) and Chaymaa Ramzy (Fondation Anna Lindh). -
Cinema in Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’
Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’ Manuel Ramos Martínez Ph.D. Visual Cultures Goldsmiths College, University of London September 2013 1 I declare that all of the work presented in this thesis is my own. Manuel Ramos Martínez 2 Abstract Political names define the symbolic organisation of what is common and are therefore a potential site of contestation. It is with this field of possibility, and the role the moving image can play within it, that this dissertation is concerned. This thesis verifies that there is a transformative relation between the political name and the cinema. The cinema is an art with the capacity to intervene in the way we see and hear a name. On the other hand, a name operates politically from the moment it agitates a practice, in this case a certain cinema, into organising a better world. This research focuses on the audiovisual dynamism of the names ‘worker’, ‘factory’ and ‘people’ in contemporary cinemas. It is not the purpose of the argument to nostalgically maintain these old revolutionary names, rather to explore their efficacy as names-in-dispute, as names with which a present becomes something disputable. This thesis explores this dispute in the company of theorists and audiovisual artists committed to both emancipatory politics and experimentation. The philosophies of Jacques Rancière and Alain Badiou are of significance for this thesis since they break away from the semiotic model and its symptomatic readings in order to understand the name as a political gesture. Inspired by their affirmative politics, the analysis investigates cinematic practices troubled and stimulated by the names ‘worker’, ‘factory’, ‘people’: the work of Peter Watkins, Wang Bing, Harun Farocki, Danièle Huillet and Jean-Marie Straub. -
EN 301 775 V1.1.1 (2000-07) European Standard (Telecommunications Series)
Draft ETSI EN 301 775 V1.1.1 (2000-07) European Standard (Telecommunications series) Digital Video Broadcasting (DVB); Specification for the carriage of Vertical Blanking Information (VBI) data in DVB bitstreams European Broadcasting Union Union Européenne de Radio-Télévision EBU·UER 2 Draft ETSI EN 301 775 V1.1.1 (2000-07) Reference DEN/JTC-DVB-106 Keywords broadcasting, digital, DVB, SNG, TV, video ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.:+33492944200 Fax:+33493654716 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://www.etsi.org/tb/status/ If you find errors in the present document, send your comment to: [email protected] Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. -
Suzan Pitt Short Resume 2017 Website
SUZAN PITT abbreviated resume 1725 Burnell Drive, Los Angeles, CA 90065 Phone & Fax: (323) 352 4488 Email: [email protected] Animated Films Created by Suzan Pitt: 2013 PINBALL, 7 minutes, digital 2011 Visitation, 9 minutes, black and white 2006 El Doctor, 24 min., 35mm, color Prizes: Best Short Film, Sin Fronteras Film Festival, New Mexico (2006) Special Jury Prize, Huesca International Film Festival, Spain (2006) Best Animated Film, Ojai International Film Festival, Ojai, California (2006) First Prize for Animation, Morelia Film Festival, Michoacan, Morelia, Mexico (2006) First Prize for Animation, Arizona International Film Festival Tucson, Arizona (2007) Special Jury Prize, I Reel Film Festival, Seattle, Washington (2007) Selected Screenings El Doctor-And over 100 international film festivals 2006-2017 Museum of Modern Art, New York SICAF 2010, Seoul, Korea Pacifica Graduate Institute, Santa Barbara, CA Fest Anka, Slovakia Rio International Short Film Festival, Brazil And over 100 international film festivals 2006-2011 1995 Joy Street, 24 min., 35 mm, color 2004 Broadcast Sundance Channel 1998 NEMN Gold Apple Award 1997 Merit Award, International Wildlife Film Festival, Montana First Place for Short Film, Naples International Film Festival, Italy 1996 Sundance Film Festival- Park City, Utah London Film Festival- England Hiroshima International Animation Film Festival- Japan Cardiff International Festival of Film Animation- England Oslo International Animation Festival- Norway Festival due Noveau Cinéma- Montreal 24th Wellington -
Game On! Burning Issues in Game Localisation
Game on! Burning issues in game localisation Carme Mangiron Universitat Autònoma de Barcelona _________________________________________________________ Abstract Citation: Mangiron, C. (2018). Game on! Game localisation is a type of audiovisual translation that has gradually Burning issues in game localisation. been gathering scholarly attention since the mid-2000s, mainly due Journal of Audiovisual Translation, 1(1), 122-138. to the increasing and ubiquitous presence of video games in the digital Editor: A. Jankowska & J. Pedersen society and the gaming industry's need to localise content in order Received: January 22, 2018 to access global markets. This paper will focus on burning issues in this Accepted: June 30, 2018 field, that is, issues that require specific attention, from an industry Published: November 15, 2018 and/or an academic perspective. These include the position of game Funding: Catalan Government funds localisation within the wider translation studies framework, 2017SGR113. the relationship between game localisation and audiovisual translation, Copyright: ©2018 Mangiron. This is an open access article distributed under the game accessibility, reception studies, translation quality, collaborative terms of the Creative Commons translation, technology, and translator training. Attribution License. This allows for unrestricted use, distribution, and reproduction in any medium, provided the original author and source are Key words: video games, game localisation, audiovisual translation credited. (AVT), game accessibility, reception studies, quality, collaborative translation, technology, translator training [email protected]; https://orcid.org/0000-0002-6421-8581 122 Game on! Burning issues in game localisation 1. Introduction Over the last four decades, video games have achieved a ubiquitous role in the digital society. Not only have they become one of the most popular leisure options, they are also being used for purposes beyond entertainment, such as education, health, and advertising. -
GREEK FILM SERIES Spring 2010 Contemporary & Classic Films About Greece
GREEK FILM SERIES Spring 2010 Contemporary & Classic Films about Greece FREE AND OPEN TO THE PUBLIC sponsored by USM Hellenic Initiatives Program and Hellenic Society of Maine “Το φιλί της ζωής” (“The Kiss of Life”) Directed by Nick Zapatinas Greece, 2007. Sunday, February 7, 3 PM, , Talbot Auditorium, Luther Bonney Hall, USM Portland Campus Paschalis (Laertis Malkotsis) is a 30 year old agronomist who is about to marry his beloved Anthoula on the island of Milos, but he accidentally embarks on the ferry to Sifnos where he meets Zoi (Catherine Papoutsaki), a beautiful but strange photographer who is going to the island for her own 'purposes'. Things become even more difficult for Paschalis when a strike of ship captains threatens to cost him his marriage! But things change when, together with Zoi, he meets a couple (Zeta Douka & Themos Anastasiadis) in Sifnos, who try to help him reunite with his future wife in time for the wedding. But many unexpected situations reveal surprising things about the four heroes. Beautifully photographed on the island of Sifnos. Not rated in the US, but suggested “R” for brief nudity and sexuality. In Greek with English subtitles, 103 minutes. “Πεντε Λεπτα Ακοµα” (“Five More Minutes”) Dir. by Yannis Xanthopoulos Greece, 2006. Sunday, March 7, 3 PM, Talbot Auditorium, Luther Bonney Hall, USM Portland Campus In modern Athens, a motorbike dealer (Tassos) suffers from erotic jealousy. He and his young wife (Aliki) have constant arguments over the telephone calls that Aliki leaves unanswered when Tassos is around. This behavior triggers his paranoia to the extreme. -
Linguistic Practices in Cyprus and the Emergence of Cypriot Standard Greek*
San Diego Linguistic Papers 2 (2006) 1-24 LINGUISTIC PRACTICES IN CYPRUS AND THE EMERGENCE OF CYPRIOT STANDARD GREEK* Amalia Arvaniti University of California, San Diego ----------------------------------------------- In Cyprus today systematic changes affecting all levels of linguistic analysis are observed in the use of Standard Greek, giving rise to a distinct linguistic variety which can be called Cypriot Standard Greek. The changes can be attributed to the influence of English and Cypriot Greek (the local linguistic variety), and to the increasing use of the Standard in semi-formal occasions. Equally important is the reluctance to recognize the diglossic situation on the island (in which Standard Greek is the H variety and Cypriot Greek the L), for political and ideological reasons. This in turn means that the attention of the Cypriot speakers is not drawn to the differences between Standard Greek as spoken in Greece and their usage of it; thus the differences become gradually consolidated, while the users remain unaware of them. ----------------------------------------------- 1 Introduction The past two decades have seen a proliferation of scholarly work on the linguistic situation in Cyprus. This body of work is concerned with several topics, such as the speakers’ awareness of the linguistic varieties spoken on the island (e.g., Karyolemou & * This paper is a companion to Arvaniti (this volume b). Although the papers compliment each other, they are written in such a way that each can be read independently of the other; for this reason, some introductory sections (e.g. the historical background) show a degree of overlap. The bulk of the data in this article was gathered in Cyprus from 1996 to 2001, with additional data collected since then using a variety of web resources.