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Music & Letters

2008 – 89:1

Articles

Regula Hohl Trillini The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender 1-17

Roger Savage Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ 18-55

Marcia J. Citron ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ 56-83

Mark Berry Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ 84-108

Reviews of Books Benjamin Skipp Repeating Ourselves: American Minimal Music as Cultural Practice. By Robert Fink. 109-112

Michael Talbot Il ‘ grosso’ romano: Questioni di genere e nuove prospettive storiografiche. By Agnese Pavanello. 112-113

Claudia R. Jensen Eighteenth-Century Russian Music. By Marina Ritzarev. 113-117 Andrew Steptoe : A Biography. By Piero Melograni. 117-118

Andrew Steptoe Mozart: The First Biography. By Franz Xaver Niemetschek, trans. by Helen Mautner. 118-119

Lucy Walker Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth- Century Italian Opera. By Naomi André. 119-121

Stefanie Tcharos Operatic Migrations: Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas. 121-124

Barry Cooper Musical Childhoods and the Cultures of Youth. Ed. by Susan Boynton and Roe- Min Kok. 124-126

Julian Rushton , Gentleman Compositeur. By Viviane Niaux. 126-127

Michael Spitzer Nietzsche and Music. By Georges Liébert. 128-129

Michael Saffle Reflections on Liszt. By Alan Walker. • The Cambridge Companion to Liszt. Ed. by Kenneth Hamilton. 129-132

Gurminder Kaur Bhogal The Ballets of : Creation and Interpretation. By Deborah Mawer. 132-134

Aidan J. Thomson Edward Elgar, Modernist. By J. P. E. Harper-Scott. 134-139

David Fanning Variations on the Theme: Galina Ustvolskaya. By Simon Bokman. Trans. by Irina Behrendt. 139-141

Arnold Whittall Music, Theatre and Politics in Germany: 1848 to the Third Reich. Ed. by Nikolaus Bacht. 141-143

Edward Venn : The Spiritual Dimension. By Graham Elliott. 143-148

John Paynter Music in Educational Thought and Practice: A Survey from 800 BC. 2nd edn. By Bernarr Rainbow with Gordon Cox. 148-149

Anthony Gritten The Discourse of Musicology. By Giles Hooper. 149-154

Carol A. Hess The Spanish Song Companion. Devised and translated by Jacqueline Cockburn and Richard Stokes. 154-155

Jonathan Stock The Musical Human: Rethinking John Blacking's Ethnomusicology in the Twenty-First Century. Ed. by Suzel Ana Reily. 155-157

Music & Letters

2008 – 89:2

Articles

Jonathan P. Wainwright Richard Dering's Few-Voice ‘Concertato’ 165-194

Nicholas Vazsonyi Beethoven Instrumentalized: 's Self-Marketing and Media Image 195-211

Suzanne Cole Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century 212-226

Stephanie E. Pitts and Christopher P. Spencer Loyalty and Longevity in Audience Listening: Investigating Experiences of Attendance at a Festival 227-238

Reviews of Books Emma Hornby Music in Medieval Europe: Studies in Honour of Bryan Gillingham. Ed. by Terence Bailey and Alma Santosuosso. 239-242

Emma Hornby The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine. By James Grier. 242-244

Oliver Neighbour

William Byrd and his Contemporaries: and a Monograph. By Philip Brett and ed. by Joseph Kerman and Davitt Moroney. 244-248

Michael Talbot J. S. Bach's Concerted Ensemble Music: The Ouverture. Ed. by Gregory Butler. 248-252

William Drabkin Explaining Tonality: Schenkerian Theory and Beyond. By Matthew Brown. • Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter. Ed. by L. Poundie Burstein and David Gagné. 252-255

Julian Budden Society, Culture and Opera in Florence, 1814–1830: Dilettantes in an ‘Earthly Paradise’. By Aubrey S. Garlington. 255-256

Shay Loya and his World. Ed. by Christopher H. Gibbs and Dana Gooley. 256-260

Laura Tunbridge Schumanns Albumblätter. Ed. by Ute Jung-Kaiser and Matthias Kruse. 260-261

Brian Hart Vincent d’Indy et son temps. Ed. by Manuela Schwartz with the assistance of Myriam Chimènes. 261-266

Brian Hart French Music since Berlioz. Ed. by Richard Langham Smith and Caroline Potter. 266-270

Michael Christoforidis : Poet of the Piano. By Walter Aaron Clark. 270-272

David J. Code Debussy and the Fragment. By Linda Cummins. 272-274

Nick Chadwick Theodor W. Adorno and Alban Berg: Correspondence 1925–1935. Ed. by Henri Lonitz. Trans. by Wieland Hoban. 274-279

Pauline Fairclough Sergey Prokofiev: Diaries 1907–1914. Prodigious Youth. Ed. by Anthony Phillips. 279-282

Peter Dickinson Lou Harrison. By Leta E. Miller and Fredric Lieberman. 282-283

Ben Earle Remembering the Future. By Luciano Berio. 283-287

Christopher Mark Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ed by Alison Latham. 287-290

Geoffrey Baker Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. By David F. García. 290-292

Allan F. Moore Empire of Dirt: The Aesthetics and Rituals of British Indie Music. By Wendy Fonarow. 292-293

Anthony Gritten Sound Ideas: Music, Machines, and Experience. By Aden Evens. 293-298

Reviews of Music Richard Freedman Claude le Jeune, Livre de melanges 1585. Ed. by Isabelle His. • Paschal de L’Estocart, Sacrae Cantiones 1582. Ed. by Annie Coeurdevey and Vincent Besson. • Jacotin, Chansons. Ed. by Frank Dobbins and Marie-Alexis Colin. • Eustache Du Caurroy, Missa pro defunctis. Ed. by Marie-Alexis Colin. 299-302

Nick Chadwick Alban Berg, Sonate für Klavier op. 1 UE33070. Ed. by Klaus Lippe. 302-303

Music & Letters

2008- 89:3

Articles

Monteverdi, Marenzio, and Battista Late Thoughts: Reflections on Artists Guarini's ‘Cruda Amarilli’ and Composers at Work. Ed. by Karen 311-336 Massimo Ossi Painter and Thomas Crow. 415-419 Nicholas Baragwanath Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation The Reception of Bach's Organ Works (with a Note about Tippett) 337-345 from Mendelssohn to Brahms. By Oliver Neighbour Russell Stinson. 419-421 James Garratt

Instrumental Arias or Sonic Tableaux: Nationale Musik im 20. Jahrhundert. ‘Voice’ in Haydn's String Quartets Opp. Kompositorische und soziokulturelle 9 and 17 346-372 Nancy November Aspekte der Musikgeschichte zwischen Ost- und Westeuropa. Konferenzbericht In Havana and Paris: The Musical 2002. Ed. by Helmut Loos and Activities of Alejo Carpentier Stefan Keym. 421-426 Gundula Kreuzer 373-395 Caroline Rae Le Juif errant, paroles d’E. Scribe et Whose Phenomenology of Music? David d’H. V. de Saint-Georges, musique de F. Huron's Theory of Expectation Halévy: Un grand opéra français au 396-404 Giorgio Biancorosso début du Second Empire. By Béatrice Prioron-Pinelli. 427-430 Diana Hallman Vaughan Williams Essays. Ed. by Byron Adams and Robin Wells. Classic Chic: Music, Fashion, and 405-408 Alain Frogley Modernism. By Mary E. Davis. 430-432 Davinia Caddy Europe, Empire, and Spectacle in Nineteenth-Century British Music. Ed. Déodat de Séverac ou Le Chantre du by Rachel Cowgill and . Midi. By Catherine Buser Picard. 408-411 J. P. E. Harper-Scott 432-434 Roger Nichols

Catch and Glee Culture in Eighteenth- Léo Delibes, Jean de Nivelle: Dossier de Century England. By Brian Robins. 411- presse parisienne (1880). Edited by 413 Christina Bashford Pauline Girard and Bérengère de l’Épine. 434-435 Mark A. Pottinger Music as Philosophy: Adorno and Beethoven's Late Style. By Michael Spitzer. 413-415 Raymond Monelle

Musical Education in Europe (1770– Deutsche Leitkultur Musik? Zur 1914): Compositional, Institutional, and Musikgeschichte nach dem Holocaust. Political Challenges. Ed. by Michael Ed. by Albrecht Riethmüller. Fend and Michel Noiray. 453-458 Toby Thacker 435-438 Gordon Cox Maximum Clarity and Other Writings on Grieg: Music, Landscape and Music. By Ben Johnston and ed. by Bob Norwegian Identity. By Daniel M. Gilmore. 458-460 David Nicholls Grimley. 438-440 Stephen Downes Music of the Twentieth Century: A Study Libretto im Progress: Brechts und Weills of its Elements and Structure. By Ton de Aufstieg und Fall der Stadt Mahagonny Leeuw. 460-462 Robert Adlington aus textgeschichtlicher Sicht. By Esbjörn Nyström. 440-441 Peter Tregear Essays from the Third International Schenker Symposium. Ed. by Allen 's Orchestral Music and Cadwallader. • Analysis of Tonal Music: the German Intellectual Tradition: The A Schenkerian Approach (Second Philosophical Roots of Musical Edition). By Allen Cadwallader and Modernism. By Charles Youmans. David Gagné. 462-464 William Drabkin 441-444 Peter Tregear Emblems of Mind: The Inner Life of , Stravinsky's Histoire du Music and Mathematics. By Edward Soldat: A Facsimile of the Sketches. Ed. Rothstein. 464-465 Dorothy Ker by Maureen A. Carr. • Igor Stravinsky, Les Noces: Study Score, Scènes Music Analysis East and West. Ed. by chorégraphiques russes avec chant et Walter B. Hewlett and Eleanor musique composées par Igor Stravinsky. Selfridge-Field. 465-467 Alan Marsden Ed. by Margarita Mazo and Millan Sachania. 444-448 Stephen Walsh Mozart's Piano Music. By William Kinderman. 467-472 John Irving Creative Union: The Professional Organization of Soviet Composers, Singing in Style: A Guide to Vocal 1939–1953. By Kiril Tomoff. Performance Practices. By Martha 448-450 Pauline Fairclough Elliott. 472-474 John Potter

After Sibelius: Studies in Finnish Music. Handel's Operas 1726–1741. By Winton By Tim Howell. 450-452 Tomi Mäkelä Dean. 474-476 Fiona McLauchlan

Um das Spätwerk betrogen? Prokofjews The Performance of Italian Basso letze Schaffensperiode. Ed. by Ernst Continuo: Style in Keyboard Kuhn. 452-453 David Fanning Accompaniment in the Seventeenth and Eighteenth Centuries. By Giulia Nuti. 476-480 David Schulenberg

Le Plaisir musical en France au XVIIe siècle. Ed. by Thierry Favier and Manuel Couvreur. 480-484 Don Fader

Musicking Shakespeare: A Conflict of Theatres. By Daniel Albright. 484-487 Julie Sanders

Cathedral and Civic Ritual in Late Medieval and Renaissance Florence: The Service Books of Santa Maria del Fiore. By Marica S. Tacconi. 487-490 Susan Boynton

Les Manuscrits du processional, i: Autriche à Espagne. Ed. by Michel Huglo. • Les Manuscrits du processional, ii: France à Afrique du Sud. Ed. by Michel Huglo. 490-493 David Hiley

Music & Letters

2008- 89:4

Articles

Byrd's Patrons at Prayer Liturgy and Contemplation in Byrd's Music and Letters Advance Access Gradualia. By Kerry McCarthy. published on June 16, 2008 606-608 Hugh Benham 499-509 Kerry McCarthy Music in Renaissance Florence: Studies Blurring the Lines: ‘Elizabeth Rogers hir and Documents. By Frank A. D’Accone. Virginall Book’ in Context 608-610 Bojan Bujic 510-546 Candace Bailey Music in Seventeenth-Century Naples: Style and Politics in the Philips–Handel Francesco Provenzale (1624–1704). By Ode for Queen Anne's Birthday, 1713 Dinko Fabris. 610-612 Noel O’Regan 547-561 James A. Winn Music in the Collective Experience in ‘Our true north’: Walton's First Sixteenth-Century Milan. By Christine , Sibelianism, and the Suzanne Getz. 612-614 Vassilis Nationalization of Modernism in Vavoulis England 562-589 J. P. E. Harper-Scott Music and Theology: Essays in Honor of Sonata Principles Robin A. Leaver. Edited by Daniel 590-598 Matthew Riley Zager. 614-618 David Yearsley

Critical Musicology and the The Creative Development of Johann Responsibility of Response: Selected Sebastian Bach, i: 1695–1717. Music to Essays. By Lawrence Kramer. Delight the Spirit. By Richard D. P. 599-603 Ruth A. Solie Jones. 618-620 Stephen Rose

Johann Georg Werdenstein (1542– The Cantatas of J. S. Bach. With their 1608): A Major Collector of Early Music Librettos in German–English Parallel Prints. By Richard Charteris. Text. By Alfred Dürr; revised and 603-604 Peter Ward Jones translated by Richard D. P. Jones. 620-622 Matthew Dirst Leonardo Vinci e il suo tempo: Atti dei Convegni internazionali di studi (Reggio J. S. Bach: A Life in Music. By Peter Calabria, 10–12 giugno 2002; 4–5 Williams. 622-625 giugno 2004). Ed. by Gatetano Pitarresi. 604-605 Reinhard Strohm

Schubert in the European Imagination, i: Brahms and his World: A Biographical The Romantic and Victorian Eras; ii: Dictionary. By Peter Clive. Fin-de-Siècle Vienna. By Scott Messing. 646-650 Paul B. Berry 625-628 James Garratt On Brahms and his Circle: Essays and Pleasure and Meaning in the Classical Documentary Studies by Karl Geiringer. Symphony. By Melanie Lowe. Revised and enlarged by George S. 628-633 W. Dean Sutcliffe Bozarth. 650-653 Styra Avins

Joseph Haydn. 6 String Quartets Opus Wagner and the Art of the Theatre. By 54/55. Full Score and Parts. Ed. by Patrick Carnegy. 653-657 Katherine R. Simon Rowland-Jones • . Syer 6 String Quartets Opus 64. Full Score and Parts. Ed. by Simon Rowland-Jones Lectures on Musical Life: William 633-634 William Drabkin Sterndale Bennett. Ed. By Nicholas Temperley and Yunchung Yang Vincent Novello (1781–1861): Music for 657-659 Bennett Zon the Masses. By Fiona M. Palmer. 634-635 Charles Edward McGuire Edward Elgar and the Nostalgic Imagination. By Matthew Riley. Divas and Scholars: Performing Italian 661-666 Michael Allis Opera. By Philip Gossett. 635-638 Sean M. Parr The Mahler Family Letters. Ed., trans., and annotated by Stephen McClatchie. Johann Strauss: Leben und Werk in 666-672 Peter Franklin Briefen und Dokumenten, vol. 10: Ergänzungen und Korrekturen, Register. Die Unordnung der Dinge: Das Ed. by Franz Mailer. 638-639 Andrew musikalische Groteske in der Wiener Lamb Moderne (1885–1914). By Federico Celestini. 672-675 Nick Chadwick François-Joseph Fétis, Correspondance. Compiled and Ed. by Robert Why Classical Music still Matters. By Wangermée. Lawrence Kramer. 675-677 Jonathan 640-642 Kerry Murphy Dunsby

Helmholtz musicus: Die Objektivierung Berio's Sequenzas: Essays on der Musik im 19. Jahrhundert durch Performance, Composition and Analysis. Helmholtz’ Lehre von den Ed. by Janet K. Halfyard. Tonvorstellungen. By Matthias Rieger. 677-679 Arnold Whittall 642-646 Alexander Rehding

Olivier Messiaen: Music, Art and Literature. Ed. by Christopher Dingle and Nigel Simeone. • Olivier Messiaen: Oiseaux exotiques. By Peter Hill and Nigel Simeone. 679-682 Arnold Whittall

Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth- Century American Music. Ed. by Ray Allen and Ellie M. Hisama. 682-684 Arnold Whittall

All the Gods: Benjamin Britten's Night- piece in Context. By Christopher Wintle and ed. by Julian Littlewood. 684-685 Edward Venn

New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. By Amy C. Beal. 686-687 Björn Heile

The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980. By Gillian Mitchell. 687-690 Gordon E. Smith

Bruce Montgomery/Edmund Crispin: A Life in Music and Books. By David Whittle. 690-692 Steven Martin

Music Divided: Bartók's Legacy in Cold War Culture. By Danielle Fosler- Lussier. 692-697 Rachel Beckles Willson