Music & Letters 2008 – 89:1 Articles Regula Hohl Trillini The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender 1-17 Roger Savage Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ 18-55 Marcia J. Citron ‘An honest contrivance’: Opera and Desire in ‘Moonstruck’ 56-83 Mark Berry Arnold Schoenberg's ‘Biblical Way’: From ‘Die Jakobsleiter’ to ‘Moses Und Aron’ 84-108 Reviews of Books Benjamin Skipp Repeating Ourselves: American Minimal Music as Cultural Practice. By Robert Fink. 109-112 Michael Talbot Il ‘concerto grosso’ romano: Questioni di genere e nuove prospettive storiografiche. By Agnese Pavanello. 112-113 Claudia R. Jensen Eighteenth-Century Russian Music. By Marina Ritzarev. 113-117 Andrew Steptoe Wolfgang Amadeus Mozart: A Biography. By Piero Melograni. 117-118 Andrew Steptoe Mozart: The First Biography. By Franz Xaver Niemetschek, trans. by Helen Mautner. 118-119 Lucy Walker Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth- Century Italian Opera. By Naomi André. 119-121 Stefanie Tcharos Operatic Migrations: Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas. 121-124 Barry Cooper Musical Childhoods and the Cultures of Youth. Ed. by Susan Boynton and Roe- Min Kok. 124-126 Julian Rushton George Onslow, Gentleman Compositeur. By Viviane Niaux. 126-127 Michael Spitzer Nietzsche and Music. By Georges Liébert. 128-129 Michael Saffle Reflections on Liszt. By Alan Walker. • The Cambridge Companion to Liszt. Ed. by Kenneth Hamilton. 129-132 Gurminder Kaur Bhogal The Ballets of Maurice Ravel: Creation and Interpretation. By Deborah Mawer. 132-134 Aidan J. Thomson Edward Elgar, Modernist. By J. P. E. Harper-Scott. 134-139 David Fanning Variations on the Theme: Galina Ustvolskaya. By Simon Bokman. Trans. by Irina Behrendt. 139-141 Arnold Whittall Music, Theatre and Politics in Germany: 1848 to the Third Reich. Ed. by Nikolaus Bacht. 141-143 Edward Venn Benjamin Britten: The Spiritual Dimension. By Graham Elliott. 143-148 John Paynter Music in Educational Thought and Practice: A Survey from 800 BC. 2nd edn. By Bernarr Rainbow with Gordon Cox. 148-149 Anthony Gritten The Discourse of Musicology. By Giles Hooper. 149-154 Carol A. Hess The Spanish Song Companion. Devised and translated by Jacqueline Cockburn and Richard Stokes. 154-155 Jonathan Stock The Musical Human: Rethinking John Blacking's Ethnomusicology in the Twenty-First Century. Ed. by Suzel Ana Reily. 155-157 Music & Letters 2008 – 89:2 Articles Jonathan P. Wainwright Richard Dering's Few-Voice ‘Concertato’ Motets 165-194 Nicholas Vazsonyi Beethoven Instrumentalized: Richard Wagner's Self-Marketing and Media Image 195-211 Suzanne Cole Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England 212-226 Stephanie E. Pitts and Christopher P. Spencer Loyalty and Longevity in Audience Listening: Investigating Experiences of Attendance at a Chamber Music Festival 227-238 Reviews of Books Emma Hornby Music in Medieval Europe: Studies in Honour of Bryan Gillingham. Ed. by Terence Bailey and Alma Santosuosso. 239-242 Emma Hornby The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-Century Aquitaine. By James Grier. 242-244 Oliver Neighbour William Byrd and his Contemporaries: Essays and a Monograph. By Philip Brett and ed. by Joseph Kerman and Davitt Moroney. 244-248 Michael Talbot J. S. Bach's Concerted Ensemble Music: The Ouverture. Ed. by Gregory Butler. 248-252 William Drabkin Explaining Tonality: Schenkerian Theory and Beyond. By Matthew Brown. • Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter. Ed. by L. Poundie Burstein and David Gagné. 252-255 Julian Budden Society, Culture and Opera in Florence, 1814–1830: Dilettantes in an ‘Earthly Paradise’. By Aubrey S. Garlington. 255-256 Shay Loya Franz Liszt and his World. Ed. by Christopher H. Gibbs and Dana Gooley. 256-260 Laura Tunbridge Schumanns Albumblätter. Ed. by Ute Jung-Kaiser and Matthias Kruse. 260-261 Brian Hart Vincent d’Indy et son temps. Ed. by Manuela Schwartz with the assistance of Myriam Chimènes. 261-266 Brian Hart French Music since Berlioz. Ed. by Richard Langham Smith and Caroline Potter. 266-270 Michael Christoforidis Enrique Granados: Poet of the Piano. By Walter Aaron Clark. 270-272 David J. Code Debussy and the Fragment. By Linda Cummins. 272-274 Nick Chadwick Theodor W. Adorno and Alban Berg: Correspondence 1925–1935. Ed. by Henri Lonitz. Trans. by Wieland Hoban. 274-279 Pauline Fairclough Sergey Prokofiev: Diaries 1907–1914. Prodigious Youth. Ed. by Anthony Phillips. 279-282 Peter Dickinson Lou Harrison. By Leta E. Miller and Fredric Lieberman. 282-283 Ben Earle Remembering the Future. By Luciano Berio. 283-287 Christopher Mark Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ed by Alison Latham. 287-290 Geoffrey Baker Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. By David F. García. 290-292 Allan F. Moore Empire of Dirt: The Aesthetics and Rituals of British Indie Music. By Wendy Fonarow. 292-293 Anthony Gritten Sound Ideas: Music, Machines, and Experience. By Aden Evens. 293-298 Reviews of Music Richard Freedman Claude le Jeune, Livre de melanges 1585. Ed. by Isabelle His. • Paschal de L’Estocart, Sacrae Cantiones 1582. Ed. by Annie Coeurdevey and Vincent Besson. • Jacotin, Chansons. Ed. by Frank Dobbins and Marie-Alexis Colin. • Eustache Du Caurroy, Missa pro defunctis. Ed. by Marie-Alexis Colin. 299-302 Nick Chadwick Alban Berg, Sonate für Klavier op. 1 UE33070. Ed. by Klaus Lippe. 302-303 Music & Letters 2008- 89:3 Articles Monteverdi, Marenzio, and Battista Late Thoughts: Reflections on Artists Guarini's ‘Cruda Amarilli’ and Composers at Work. Ed. by Karen 311-336 Massimo Ossi Painter and Thomas Crow. 415-419 Nicholas Baragwanath Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation The Reception of Bach's Organ Works (with a Note about Tippett) 337-345 from Mendelssohn to Brahms. By Oliver Neighbour Russell Stinson. 419-421 James Garratt Instrumental Arias or Sonic Tableaux: Nationale Musik im 20. Jahrhundert. ‘Voice’ in Haydn's String Quartets Opp. Kompositorische und soziokulturelle 9 and 17 346-372 Nancy November Aspekte der Musikgeschichte zwischen Ost- und Westeuropa. Konferenzbericht In Havana and Paris: The Musical Leipzig 2002. Ed. by Helmut Loos and Activities of Alejo Carpentier Stefan Keym. 421-426 Gundula Kreuzer 373-395 Caroline Rae Le Juif errant, paroles d’E. Scribe et Whose Phenomenology of Music? David d’H. V. de Saint-Georges, musique de F. Huron's Theory of Expectation Halévy: Un grand opéra français au 396-404 Giorgio Biancorosso début du Second Empire. By Béatrice Prioron-Pinelli. 427-430 Diana Hallman Vaughan Williams Essays. Ed. by Byron Adams and Robin Wells. Classic Chic: Music, Fashion, and 405-408 Alain Frogley Modernism. By Mary E. Davis. 430-432 Davinia Caddy Europe, Empire, and Spectacle in Nineteenth-Century British Music. Ed. Déodat de Séverac ou Le Chantre du by Rachel Cowgill and Julian Rushton. Midi. By Catherine Buser Picard. 408-411 J. P. E. Harper-Scott 432-434 Roger Nichols Catch and Glee Culture in Eighteenth- Léo Delibes, Jean de Nivelle: Dossier de Century England. By Brian Robins. 411- presse parisienne (1880). Edited by 413 Christina Bashford Pauline Girard and Bérengère de l’Épine. 434-435 Mark A. Pottinger Music as Philosophy: Adorno and Beethoven's Late Style. By Michael Spitzer. 413-415 Raymond Monelle Musical Education in Europe (1770– Deutsche Leitkultur Musik? Zur 1914): Compositional, Institutional, and Musikgeschichte nach dem Holocaust. Political Challenges. Ed. by Michael Ed. by Albrecht Riethmüller. Fend and Michel Noiray. 453-458 Toby Thacker 435-438 Gordon Cox Maximum Clarity and Other Writings on Grieg: Music, Landscape and Music. By Ben Johnston and ed. by Bob Norwegian Identity. By Daniel M. Gilmore. 458-460 David Nicholls Grimley. 438-440 Stephen Downes Music of the Twentieth Century: A Study Libretto im Progress: Brechts und Weills of its Elements and Structure. By Ton de Aufstieg und Fall der Stadt Mahagonny Leeuw. 460-462 Robert Adlington aus textgeschichtlicher Sicht. By Esbjörn Nyström. 440-441 Peter Tregear Essays from the Third International Schenker Symposium. Ed. by Allen Richard Strauss's Orchestral Music and Cadwallader. • Analysis of Tonal Music: the German Intellectual Tradition: The A Schenkerian Approach (Second Philosophical Roots of Musical Edition). By Allen Cadwallader and Modernism. By Charles Youmans. David Gagné. 462-464 William Drabkin 441-444 Peter Tregear Emblems of Mind: The Inner Life of Igor Stravinsky, Stravinsky's Histoire du Music and Mathematics. By Edward Soldat: A Facsimile of the Sketches. Ed. Rothstein. 464-465 Dorothy Ker by Maureen A. Carr. • Igor Stravinsky, Les Noces: Study Score, Scènes Music Analysis East and West. Ed. by chorégraphiques russes avec chant et Walter B. Hewlett and Eleanor musique composées par Igor Stravinsky. Selfridge-Field. 465-467 Alan Marsden Ed. by Margarita Mazo and Millan Sachania. 444-448 Stephen Walsh Mozart's Piano Music. By William Kinderman. 467-472 John Irving Creative Union: The Professional Organization of Soviet Composers, Singing in Style: A Guide to Vocal 1939–1953. By Kiril Tomoff. Performance Practices. By Martha 448-450 Pauline Fairclough Elliott. 472-474 John Potter After Sibelius: Studies in Finnish Music. Handel's Operas 1726–1741. By Winton By Tim Howell. 450-452 Tomi Mäkelä Dean. 474-476 Fiona McLauchlan Um das Spätwerk betrogen? Prokofjews The Performance of Italian Basso letze Schaffensperiode. Ed. by Ernst Continuo: Style in Keyboard Kuhn. 452-453 David Fanning Accompaniment in the Seventeenth and Eighteenth Centuries. By Giulia Nuti. 476-480 David Schulenberg Le Plaisir musical en France au XVIIe siècle. Ed. by Thierry Favier and Manuel Couvreur. 480-484 Don Fader Musicking Shakespeare: A Conflict of Theatres. By Daniel Albright.