DOCSLIB.ORG

The Joy of Love

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Joy of Love THE JOY OF LOVE Eero Lehtimäki, Olli Leppäniemi, conductor clarinet www.joensuu.fi/kaupunginorkesteri THU 20TH OF FEBRUARY 2020 AT 19, CARELIA HALL THE JOY OF LOVE Eero Lehtimäki, conductor Olli Leppäniemi, clarinet Giuseppe Verdi Edward Elgar Overture from La Traviata Salut d’amour op. 12 Outi Tarkiainen Wolfgang Amadeus Mozart Joye Symphony no 40 G minor KV550 Molto allegro Andante Uljas Pulkkis Menuetto Allegro assai Tales of Joy, Passion and Love Tales of Joy Tales of Passion Tales of Love INTERMISSION Duration of the concert is about 2 tuntia ARTISTS soloist and musician with various orchestras and chamber music groups. In addition Eero Lehtimäki | conductor to his acknowledgements as a musician, Lehtimäki has also graduated as a Master of Eero Lehtimäki (s. 1989) teki läpimurtonsa Science (Technology) in acoustics at the Aalto Eero Lehtimäki (b. 1989) made his University. He admires versatile sophistication breakthrough by conducting the Mariinsky and makes music to take people to places they Theatre Orchestra in concert on extremely could not even imagine. short notice at Turku Music Festival in 2016. Since then, he has performed with almost all of the Finnish professional symphony Olli Leppäniemi | clarinet orchestras. He started as the artistic director Olli Leppäniemi is one of the leading and chief conductor of Joensuu City Orchestra clarinetists of our time. His international in 2019, and has been the artistic director soloist career was launched after winning of the Brinkhall Music Festival since 2018. the 1st Prize in the 2009 Carl Nielsen Clarinet In 2020, Lehtimäki will start as the artistic Competition in Denmark. Leppäniemi is director of the Joensuu Winter Music Festival. also considered one of the finest and most established orchestral clarinetists of his Eero started his conducting studies in generation, having held three principal Jorma Panula’s class for young conductors clarinet positions by the age of 29. He is a in 2010 and finished his conducting studies great favourite with the audiences. at the Sibelius Academy in spring 2016. He has also studied orchestral and opera Leppäniemi studied clarinet with Yehuda conducting in Vienna with Johannes Wildner, Gilad in Los Angeles, Hans-Christian Bræin in Simeon Pironkoff and Konrad Leitner. Eero Oslo, and with Reijo Koskinen in the Sibelius- has attended master classes of Jorma Panula Academy. He also gives big importance in and Valery Gergiev and studied privately with his first teacher, Jorma Lautanen in the Hannu Lintu. Lappeenranta Music Institute, Finland. Before starting his conducting studies, Leppäniemi works as Principal Clarinetist Lehtimäki graduated from the Helsinki in the Danish National Symphony Orchestra. Conservatory of Music with clarinet and bass Previously he has held Principal Clarinet clarinet as main instruments, and he has also positions both in Bergen Philharmonic studied the historical clarinets in Austria and Orchestra in Norway and in Lahti Symphony Germany. He has been the artist in residence Orchestra in Finland. He has also been a clarinetist at Iitti Music Festival annually since member of the Oulu Symphony Orchestra 2013 and he is still irregularly performing as where he held the principal e-flat clarinet position. Leppäniemi has appeared as a guest important chamber music festivals, including principal clarinet in the Chicago Symphony the Risør Kammermusik, Lyckeby Festival, Orchestra, Philharmonia Orchestra in London, Chamber Music in Lake Tuusula, Oulu Music Finnish Radio Symphony Orchestra, Oslo Festival, Murten Classics and Copenhagen Philharmonic, Norwegian National Opera Chamber Music Festival as well as the Crusell and Finnish National Opera among others. - Festival. He frequently plays chamber music with musicians such as Francoix Leleux, In 2009 Leppäniemi was the first Finnish Jaques Zoon, Janne Saksala, Ilya Gringolts, musician ever to have won the first prize in Tatyana Masurenko, Severin von Eckardstein, the prestigious Carl Nielsen International Laurent Lefèvre, Trio Con Brio Copenhagen, Clarinet Competition. He also received two Faure Quartet and the Danish String Quartet. special awards in the competition; the best interpretation of Danish music, and the As a keen interpreter of contemporary Odense Symphony Orchestra prize. In addition music Leppäniemi has premiered concertos to the Nielsen competition Leppäniemi has and other works works by Kimmo Hakola, Olli been a prize winner in the international Kortekangas, Sampo Haapamäki and Aki Yli- Prague Spring - clarinet competition, in the Salomäki. international Verdi Note - competition in Italy, as well as the Lahti National wind instrument In addition to being one of the prominent competition in Finland.Leppäniemi is also clarinet performers of our time, Leppäniemi recipient to several award prizes, such as the has made a long term commitment to music 2010 Danish Music Critics Artist of The Year education as well. He currently serves as Award and the most recently awarded Finnish clarinet techer in Malmö, Sweden, as well as States Artist Grant for the year 2014. in Sibelius-Academy in Finland. Previously Leppäniemi has served in the faculty of the Recently Leppäniemi has appeared with Grieg Academy in Bergen, Norway. He has critical acclaim as soloist with the BBC Scottish been invited to give masterclasses in the Symphony Orchestra, Tapiola Sinfonietta, Crusell Festival in Finland, Vitoria Festival Helsinki Philharmonic Orchestra, Bergen in Spain, Raudaskylä Woodwind and Brass Philharmonic Orchestra, Copenhagen Tivoli Festival in Finland, the Royal Danish Music Symphony Orchestra and Danish National Academy, the Sibelius-Academy, University of Symphony Orchestra, including the Danish Southern California and Nurmes Music Festival Premiere of John Coriglianos Clarinet in Finland. Concerto. Most recently Leppäniemi has served Leppäniemi is devoted to playing chamber in the jury for the Carl Nielsen Clarinet music and has appeared in several of the most Competition in 2013, one of the biggest music competitions for clarinet worldwide, love of an young gentleman and terminally ill alongside with Yehuda Gilad, Sabine Meyer courtesan. A short overture starts by a cautious and Philippe Berrod. and tentative section of strings where music moves to a melancholy swinging dance. Any Olli Leppäniemi is a Buffet Crampon artist, big drama is not heard yet. A beautiful and and Rico Reeds Artist. tender introduction creates expecting mood for opening the curtain. INTRODUCTION TO MUSIC Outi Tarkiainen: Joye Giuseppe Verdi: Overture Finnish Outi Tarkiainen (1985–) is a young from La Traviata generation composer who moves naturally in The music of Italian opera master Giuseppe Verdi the field of classical and jazz music. Several of (1813–1901) is familiar to everyone at some level. her works have influences from both genres His works have hade a strong impact on popular and which are having an intuitive and creative culture and the arias have been used as movie conversation with each other. Tarkiainen’s output music and in the commercials. However, Verdi’s consist of vocal and chamber music, works for operas have earned their popularity by musical soloist and orchestra and compositions for values and they are still the most performed jazz orchestra. Tarkiainen got her composition operas around the world. Verdi composed almost diploma from Sibelius Academy and has also 30 operas like Nabucco, Macbeth, Rigoletto, Il studied composition in United States and trovatore, La Traviata, Un ballo in maschera, Aida, London. Otello and Falstaff. For this concert has been chosen a miniature The precursors of Verdi were Vincenzo Bellini, work Joye from year 2017. The title of the work Gaetano Donizetti and Gioachino Rossini whose refers to the ancient French words ’bliss’ and works have also left a footprint in the history ’fortune’. Tarkiainen tells that her idea was upload of music. In the 19th century, Italy was a real to the work all that boisterousness and euphoria superpower of opera. The strenght of Verdi which captures a human being at the moment was a fine sense of drama, practical librettos of intensive happiness. and the mastery of unforgettable melodies. Today we hear an overture from the opera La Uljas Pulkkis: Tales of Joy, Traviata (The Fallen Woman) which is based to the novel La Dame aux Camélias by Alexandre Passion and Love Dumas jr. The premiere of the opera was in 1853 Also a composer of younger generation, in Venice. The story tells about the disastrous Finnish Uljas Pulkkis (1975–) gained reputation suddenly we have a septet playing inside of an at an early age by winning several composing orchestra. competitions like Queen Elisabeth competition 1999 and Unesco’s Rostrum competition in 2001. Pulkkis studied first mathematics at the Edward Elgar: University of Helsinki but swiched to musicology Salut d’amour and finally as a composition student in Sibelius Academy. The career of British Edward Elgar (1857–1934) is a bit exceptional. He got attention first time as a The composition style of Pulkkis is a mixture composer when he was in his 40s and composed of numerous influences. The prolific composer his most famous works during next 20 years. prefers everything from renaissance polyphony Elgar is one of the best known British composers to Richard Wagner. In his compositions, Pulkkis with his romantic style output and his Land of has also used a big orchestra and its possibilities Glory and Hope song has been considered as a but also later created also spectral music. second national anthem. Olli Leppäniemi interprets Pulkkis’ Clarinet Today we hear a short but charming piece Concerto Tales of Joy, Passion and Love from Salut d’amour which was originally composed 2005. The work stems form Pulkkis’ love to opera for violin and piano. The history of the piece music: The clarinet soloist is like a star tenor goes to year 1888 when Elgar got a new private middle of dramatic events. The concerto consists student, Caroline Roberts who was eight years of three movements but they are played without his senior. The pair fell in love and year later they a break.
Load more

Recommended publications
  • Radio Aktuell
    RADIO AKTUELL NR. 35 / 2018 | IHR RUNDFUNK-PROGRAMM VOM 1. – 7. SEPTEMBER | WWW.HOERZU.DE LIVE -KONZERT Herkules- Kantate Musikfest Erzgebirge Das Barockorchester Wrocław eröffnet unter der Leitung von Jarosław Thiel (Foto) das Festival für Alte Musik mit J. S. Bachs Kantate BWV 213, „Die Wahl des Herkules“, uraufgeführt 1733 zum elften Geburtstag von Prinz Friedrich Christian. Das „Dramma per musica“ handelt von Herkules, dem Göttersohn mit den sagenhaften Kräften, der auf seinem Weg vor eine Entscheidung gestellt wird: In die eine Richtung lockt die Wollust, in die andere ruft die Tugend. Bei J. S. Bach steht der Held auch in seinem Stimmfach mitten zwischen ihnen: Er wird vom Altus gesungen, die Wollust vom Sopran, die Tugend vom Tenor 20.04 FR RBB Kultur/MDR Kultur ŁUKASZ RAJCHERT ŁUKASZ B FOTO: HÖHEPUNKTE DER WOCHE OPER TALK KONZERT „Die Perlenfischer“ Jürgen Michaelsen Turku Music Festival Bizets wenig gespieltes Exotikdrama Der Modeschöpfer erzählt von den Die Sopranistin Kristīne Opolais sang wurde in Salzburg aufgeführt Anfängen seiner Karriere in Paris Arien aus Opern von Verdi und Puccini SO 20.04 RBB Kultur/MDR Kultur MO 22.30 RBB Kultur/MDR Kultur MI 20.04 RBB Kultur/MDR Kultur CYAN MAGENTA YELLOW BLACK CYAN MAGENTA YELLOW BLACK SA 1. SEPTEMBER RADIOPROGRAMM NACH SPARTEN SORTIERT 1. SEPTEMBER SA M M KONZERT 20.04 RBB KULTUR HAUPTSENDER KLASSIK, JAZZ & KULTUR INFORMATION DEUTSCHLAND- RUNDFUNK BERLIN-BRANDENBURG MDR DLFDKULTUR KULTUR MDR KULTUR NDR KULTUR SWR 2 HR 2 BR-KLASSIK FUNK MDR AKTUELL 5.05 Aus 6.00 Am Morgen 6.00 Klassisch 6.03 Musik am Morgen 6.04 Kultur- 6.05 Auftakt 5.35 Presseschau 5.00 Stunden- L RADIOBERLIN 88,8 L KULTURRADIO L RADIOEINS L SACHSEN-ANHALT R R R den Archiven 6.45 Kalenderblatt in den Tag Werke von L.
    [Show full text]
  • Waltz from the Sleeping Beauty
    Teacher Workbook TABLE OF CONTENTS Letter from Jessica Nalbone .................................................................................2 Director of Education, North Carolina Symphony Information about the 2012/13 Education Concert Program ............................3 North Carolina Symphony Education Programs .................................................4 Author Biographies ..............................................................................................6 Carl Nielsen (1865-1931) .......................................................................................7 Oriental Festival March from Aladdin Suite, Op. 34 Wolfgang Amadeus Mozart (1756-1791) ..........................................................15 Symphony No. 39 in E-flat Major, K.543, Mvt. I or III (Movements will alternate throughout season) Claude Debussy (1862-1918) ..............................................................................28 “Golliwogg’s Cakewalk” from Children’s Corner, Suite for Orchestra Piotr Ilyich Tchaikovsky (1840-1893) ..................................................................33 Waltz from The Sleeping Beauty Igor Stravinsky (1882-1971) ...............................................................................44 “Dance of the Young Girls” from The Rite of Spring Loonis McGlohon (1921-2002) & Charles Kuralt (1924-1997) ..........................52 “North Carolina Is My Home” Richard Wagner (1813-1883) ..............................................................................61 Overture to Rienzi
    [Show full text]
  • Czech Portraits Friday, Mar
    Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument.
    [Show full text]
  • ONYX4206.Pdf
    EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure
    [Show full text]
  • Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition
    CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions.
    [Show full text]
  • The Elgar Sketch-Books
    THE ELGAR SKETCH-BOOKS PAMELA WILLETTS A MAJOR gift from Mrs H. S. Wohlfeld of sketch-books and other manuscripts of Sir Edward Elgar was received by the British Library in 1984. The sketch-books consist of five early books dating from 1878 to 1882, a small book from the late 1880s, a series of eight volumes made to Elgar's instructions in 1901, and two later books commenced in Italy in 1909.^ The collection is now numbered Add. MSS. 63146-63166 (see Appendix). The five early sketch-books are oblong books in brown paper covers. They were apparently home-made from double sheets of music-paper, probably obtained from the stock of the Elgar shop at 10 High Street, Worcester. The paper was sewn together by whatever means was at hand; volume III is held together by a gut violin string. The covers were made by the expedient of sticking brown paper of varying shades and textures to the first and last leaves of music-paper and over the spine. Book V is of slightly smaller oblong format and the sides of the music sheets in this volume have been inexpertly trimmed. The volumes bear Elgar's numbering T to 'V on the covers, his signature, and a date, perhaps that ofthe first entry in the volumes. The respective dates are: 21 May 1878(1), 13 August 1878 (II), I October 1878 (III), 7 April 1879 (IV), and i September 1881 (V). Elgar was not quite twenty-one when the first of these books was dated. Earlier music manuscripts from his hand have survived but the particular interest of these early sketch- books is in their intimate connection with the round of Elgar's musical activities, amateur and professional, at a formative stage in his career.
    [Show full text]
  • Fmqautumn 2016 3 FMQ :: Autumn 2016
    Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in.
    [Show full text]
  • 18 February 2020
    18 February 2020 12:01 AM Stanislaw Moniuszko (1819-1872) Overture to Verbum Nobile: Opera in 1 act (1860) Polish Radio Symphony Orchestra, Jerzy Salwarowski (conductor) PLPR 12:06 AM Gabriel Faure (1845-1924) Elegy, Op 24 Tsuyoshi Tsutsumi (cello), Emmanuel Strosser (piano) FIYLE 12:13 AM Johannes Brahms (1833-1897) Schicksalslied (Song of destiny), Op 54 Oslo Philharmonic Choir, Oslo Philharmonic Orchestra, Rafael Fruhbeck de Burgos (conductor) NONRK 12:29 AM Francesco Durante (1684-1755) Concerto per quartetto No 2 in G minor Concerto Koln DEWDR 12:41 AM Wolfgang Amadeus Mozart (1756-1791) Divertimento in E flat major, K113 Saarbrucken Radio Symphony Orchestra, Myung-Whun Chung (conductor) DESR 12:55 AM Johann Nepomuk Hummel (1778-1837) Rondo in B minor (Op.109) Stefan Lindgren (piano) SESR 01:04 AM Jacques Ibert (1890-1962) Trois Pieces Breves for wind quintet Ariart Woodwind Quintet SIRTVS 01:11 AM Edward Elgar (1857-1934) Froissart, concert overture Op 19 BBC National Orchestra of Wales, Tadaaki Otaka (conductor) GBBBC 01:27 AM Johann Sebastian Bach (1685-1750) Toccata in D major, BWV 912 Leif Ove Andsnes (piano) NONRK 01:39 AM Gabriel Faure (1845-1924) Cello Sonata No 2 in G minor, Op 117 Andreas Brantelid (cello), Bengt Forsberg (piano) NONRK 02:01 AM Franz Liszt (1811-1886) Piano Concerto No 2 in A major, S125 Anton Lahovsky (piano), Andris Poga (conductor), Latvian National Symphony Orchestra LVLR 02:22 AM Domenico Scarlatti (1685-1757) Keyboard Sonata in B minor, Kk 27 (L449) Anton Lahovsky (piano) LVLR 02:24 AM Franz Liszt
    [Show full text]
  • Classic Choices April 6 - 12
    CLASSIC CHOICES APRIL 6 - 12 PLAY DATE : Sun, 04/12/2020 6:07 AM Antonio Vivaldi Violin Concerto No. 3 6:15 AM Georg Christoph Wagenseil Concerto for Harp, Two Violins and Cello 6:31 AM Guillaume de Machaut De toutes flours (Of all flowers) 6:39 AM Jean-Philippe Rameau Gavotte and 6 Doubles 6:47 AM Ludwig Van Beethoven Consecration of the House Overture 7:07 AM Louis-Nicolas Clerambault Trio Sonata 7:18 AM Wolfgang Amadeus Mozart Divertimento for Winds 7:31 AM John Hebden Concerto No. 2 7:40 AM Jan Vaclav Vorisek Sonata quasi una fantasia 8:07 AM Alessandro Marcello Oboe Concerto 8:19 AM Franz Joseph Haydn Symphony No. 70 8:38 AM Darius Milhaud Carnaval D'Aix Op 83b 9:11 AM Richard Strauss Der Rosenkavalier: Concert Suite 9:34 AM Max Reger Flute Serenade 9:55 AM Harold Arlen Last Night When We Were Young 10:08 AM Wolfgang Amadeus Mozart Exsultate, Jubilate (Motet) 10:25 AM Wolfgang Amadeus Mozart Symphony No. 3 10:35 AM Wolfgang Amadeus Mozart Piano Concerto No. 10 (for two pianos) 11:02 AM Johannes Brahms Symphony No. 4 11:47 AM William Lawes Fantasia Suite No. 2 12:08 PM John Ireland Rhapsody 12:17 PM Heitor Villa-Lobos Amazonas (Symphonic Poem) 12:30 PM Allen Vizzutti Celebration 12:41 PM Johann Strauss, Jr. Traumbild I, symphonic poem 12:55 PM Nino Rota Romeo & Juliet and La Strada Love 12:59 PM Max Bruch Symphony No. 1 1:29 PM Pr. Louis Ferdinand of Prussia Octet 2:08 PM Muzio Clementi Symphony No.
    [Show full text]
  • New Resume Ate Fim De 9, Completo
    I. Personal Data CAIO PAGANO BIRTH DATE: 5/14/1940 CITIZENSHIP: American/ Italian/Brazilian II. FORMAL SCHOOLING AND TRAINING A/ K-12 Dante Alighieri School in São Paulo, Brazil concluded 1957. B/ Higher Education 1- Masters in Law, College of Law, University of São Paulo 1965. 2- Doctorate in Music, Catholic University of America, Washington D.C., U.S.A., 1984. C/ Music Education Magda Tagliaferro School of Piano, with teacher Lina Pires de Campos, São Paulo, Brazil, 1948-1958. Private teaching: Magda Tagliaferro, São Paulo 1948-1958. Mozarteum Academy Buenos Aires, Argentina, teacher Moises Makaroff May-August, 1961. École Magda Tagliaferro: Magda Tagliaferro, 1958, Paris, France. Mozarteum Academy, Salzburg, Austria, teacher Magda Tagliaferro, 1958. Professor Sequeira Costa, Lisbon, Portugal, August- December, 1964. !Professor Helena Costa Oporto, Portugal, January- !September, 1965. 1 Summer Camp Cascais, Portugal, teachers Karl Engel and Sandor Vegh, 1965-1966. Hochschule für Musik Hannover, Germany, teacher Karl Engel, 1966-1968. !Hochschule für Musik Hamburg, Germany, teacher Conrad !Hansen, 1968-1970 Harpsichord Studies, Pro-Arte, São Paulo, Brazil, teacher Stanislav Heller, 1964. Theory & Harmony, teachers O. Lacerda and Caldeira Filho, São Paulo, Brazil, 1952-1957. Form and Analysis, São Paulo, Brazil, teacher Camargo Guarnieri 1958. 2 1. Full-Time Professorships .1 Piano Professor in Music seminars at Pro-Arte; São Paulo, Brazil, 1963. .2 Piano Professor at the University of São Paulo, Brazil Department of Music, 1970-1984. .3 Visiting Professor at Texas Christian University, Fort Worth, TX, U.S.A., 1984-1986. Second term 1989/1990. .4 Professor at Arizona State University, Tempe AZ, U.S.A., 1986-present; since 1999, Regents’ Professor; in 2010 !selected Professor of the Year .5 Artistic Director at Centre for Studies of the Arts, Belgais, Portugal, 2001-2002.
    [Show full text]
  • Romantic Serenades for Strings Dvorˇák · Elgar · Janácˇek · Kalinnikov · Tchaikovsky Romantic Serenades for Strings
    95655 Romantic Serenades for Strings Dvorˇák · Elgar · Janácˇek · Kalinnikov · Tchaikovsky Romantic Serenades for Strings CD1 58’00 CD3 42’50 Pyotr Ilyich Tchaikovsky 1840-1893 Capella Istropolitana Edward Elgar 1857-1934 Niels Wilhelm Gade 1817–1890 Serenade for Strings Op.48 Jaroslav Krcˇek Serenade Op.20 for strings (1888-1892) Novellette No.1 in F Op.53 (1874) 1. I. Pezzo in forma di sonatina: 9. Allegro Piacevole 3’31 1. I. Andantino – Allegro vivace Andante non troppo – Recording: 6-11 May 1990, Moyzes Hall of the 10. Larghetto 6’37 e grazioso 6’05 Allegro moderato 7’50 Slovak Philharmonic (5-9) 11. Allegretto 2’58 2. II. Scherzo: Moderato 5’02 Producers: Karol Kopernicky, Hubert Geschwandtner 2. II. Valse: Moderato (5-9) 3. III. Andantino con moto 3’58 (Tempo di valse) 3’39 © 2018 Brilliant Classics Orchestra da Camera ‘Ferruccio Busoni’ 4. IV. Allegro vivace 3’40 3. III. Elégie: Larghetto elegiaco 8’27 Music Licensed Courtesy of Naxos Music Group Massimo Belli director 4. IV. Finale (Tema russo): Novellette No.2 in E Op.58 (1883–6) Andante; Allegro con 1st violin: Gabriel Ferrari, Valentino 5. I. Andante – Allegro ma spirito 7’07 CD2 53’08 Dentesani, Olga Zakharova, Giuseppe non troppo 7’29 Vasily Kalinnikov 1866-1901 Carbone 6. II. Intermezzo: Ensemble Instrumental Musica Viva 1. Serenade in G minor for strings 2nd violin: Martina Lazzarini, Furio Allegro moderato 4’28 Alexander Rudin cello & conductor (1891) – Andantino 9’13 Belli, Giuseppe Dimaso, Verena Rojc 7. III. Andante espressivo 5’52 Viola: Giancarlo Di Vacri, Federico 8.
    [Show full text]
  • The Inception of Trumpet Performance in Brazil and Four Selected
    THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE-ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Clayton Juliano Rodrigues Miranda In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music July 2016 Fargo, North Dakota North Dakota State University Graduate School Title THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE- ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) By Clayton Juliano Rodrigues Miranda The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Jeremy Brekke Chair Dr. Cassie Keogh Dr. Robert W. Groves Dr. Betsy Birmingham Approved: 6/13/2016 Dr. John Miller Date Department Chair ABSTRACT This disquisition provides a modern performance edition of four Brazilian compositions for trumpet and piano by Henrique Alves de Mesquita’ (1830–1906) Fantasia para Piston [Fantasy for trumpet, 1854], Heitor Villa-Lobos’s (1887–1959) Vocalise-Estudo [Vocalise-etude, 1929], Invocação e Ponto [Invocation and point] by Osvaldo Costa de Lacerda (1927-2011), and Edmundo Villani-Cortes’s (b.
    [Show full text]