RNN-Based Generation of Polyphonic Music and Jazz Improvisation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bienvenue Juillet 2018.Indd
AGENDA Juillet 2018 Édité par la Direction du Tourisme et des Congrès SOMMAIRE CONTENTS PLAN PAR QUARTIERS | MAP OF NEIGHBOURHOODS | MAPPA PER QUARTIERI 2 SOMMARIO MENSUEL ÉDITÉ PAR AGENDA > MANIFESTATIONS | DIARY > EVENTS | AGENDA > MANIFESTAZIONI 12 MONTHLY PUBLICATION BY MENSILE EDITO DA | | Direction du Tourisme AGENDA > EXPOSITIONS DIARY > EXHIBITIONS AGENDA > MOSTRE 46 et des Congrès de la Principauté de Monaco INFORMATIONS UTILES | USEFUL INFORMATION | INFORMAZIONI UTILI 48 Athos Palace 2, rue de la Lüjerneta 98030 Monaco Cedex T. +377 92 16 61 16 www.visitmonaco.com [email protected] Dépôt légal : juillet 2018 RÉGIE PUBLICITAIRE ADVERTISING AGENCY REGIA PUBBLICITARIA Les Gémeaux 15, rue Honoré Labande 98000 Monaco T. +377 97 70 75 95 www.monaco-communication.mc [email protected] IMPRIMÉ PAR PRINTED BY STAMPATO DA Graphic Service Monaco NOTA BENE Le contenu informatif est susceptible de modifications. Retrouvez le programme des manifestations sur : www.visitmonaco.com This information is subject to change. Consult the programme of events at: www.visitmonaco.com Il contenuto informativo è suscettibile di modifiche. Ritrovate il programma delle manifestazioni su: www.visitmonaco.com Photo de couverture :Fotolia PLAN DE LA MAP OF THE MAPPA DEL PRINCIPAUTÉ PRINCIPALITY PRINCIPATO 2 Voir pages suivantes See next pages Vedere pagine seguenti Lieux de spectacles | Event locations s Monaco Le Grand Tour Luoghi di spettacolo (Arrêts du Bus panoramique) > p. 4-8 d H1 Monte-Carlo Golf Club a D3 Académie de Musique Prince Rainier III (La Turbie, Mont-Agel, alt. 810 m) > p. 8 de Monaco > p. 4 f D5 Musée Océanographique et Aquarium > p. 4 z G3 Auditorium Rainier III > p. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
Ten Who Died in 2012 See Page 7 2 City Pulse • December 26, 2012
FREE a newspaper for the rest of us www.lansingcitypulse.com Dec. 26, 2012-Jan. 1, 2013 The poet the rapper the businessman the farmer the scientist the maid the waitress the actress two teachers World War II and five million cups of coffee Ten who died in 2012 See page 7 2 www.lansingcitypulse.com City Pulse • December 26, 2012 CAPITAL AREA DISTRICT LIBRARIES LOVE THY NEIGHBOR This holiday season, buy THY the tablet or eReader… Gay | Straight | Atheist | Jew Muslim | Christian | Homeless get the books free! Rich | Democrat | Republican Use your CADL card to download Black | White | Brown our eBooks and eAudiobooks. Male | Female | Trans NEIGHBOR • Compatible with Kindle, Nook, iPad and many other devices WE’RE WILLING TO GIVE IT A TRY • Available 24/7 • Never overdue 125 S. Pennsylvania Ave. Worship Service Pilgrim Congregational Sunday 10AM We’ll even throw in free, United Church of Christ (517) 484-7434 Lansing MI personalized help to get www.PilgrimUCC.com you started! Visit cadl.org/download 20% OFF for details. your entire PURCHASE SU CASA EXPIRES 12/31/2012 SOME EXCLUSIONS APPLY MUST PRESENT BOUTIQUE COUPON WITH PURCHASE FAMILY OWNED & OPERATED SINCE 1974 Hosted by SHOP LOCAL! Berl Schwartz NOW OPEN SUNDAYS NOON TO 5:00P.M. THROUGH CHRISTMAS! Newsmakers PART II Over 38 years serving Lansing & still smokin’! Lansing’s oldest & most unique boutique. 517.487.9090 • 1041 N. Cedar • Lansing, MI • www.sucasajewelers.com TIM BARRON EVERY WEEKDAY MORNING 6AM-9AM Ari Adler Spokesman for Republican Speaker of the House Jase Bolger Lynn Martinez Former Democratic state representative Walt Sorg City Pulse contributor Susan Demas Senate reporter, MIRS Comcast Ch. -
Marshall University Music Department Presents a Senior Recital, Jordan Trent, Jazz Bass Jordan Trent
Marshall University Marshall Digital Scholar All Performances Performance Collection Fall 11-16-2014 Marshall University Music Department Presents a Senior Recital, Jordan Trent, jazz bass Jordan Trent Follow this and additional works at: http://mds.marshall.edu/music_perf Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Trent, Jordan, "Marshall University Music Department Presents a Senior Recital, Jordan Trent, jazz bass" (2014). All Performances. Book 620. http://mds.marshall.edu/music_perf/620 This Recital is brought to you for free and open access by the Performance Collection at Marshall Digital Scholar. It has been accepted for inclusion in All Performances by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. This performance is dedicated to Mr. john Schott School of Music and Theatre Things Ain't What They Used to Be - Mercer Ellington Possibly one of the easiest to recognize forms in Western music MUSIC is that of the 12-bar blues. "Things ... " is a tune that was performed by Duke Ellington's band, but was composed by his son, Mercer. In 1941, there was a strike by ASCAP, (American Society of Composers, Authors, and Publishers) this strike caused members of ASCAP to have to put a presents freeze on the release of new compositions at this time. Since Duke was a member, he turned to his son and Billy Strayhorn to write compositions for Ellington's band, and get credit for them. During this time, Strayhorn wrote compositions such as "Chelsea Bridge" and "Take the 'A' Train". -
Django Reinhardt: the Journey of the Gypsy King
Django Reinhardt: The Journey of the Gypsy King [Minor Swing ] [Black Slide] Introduction: The ideas of art music and folk music have always been separate and somewhat black and white. The virtuosity of performance and the complexity of composition have largely defined art music—just as simplicity and relatability have done that for folk music. To combine the two styles of music for creation’s sake is not a new musical idea, but historically the end product generally has seemed to privilege and to lean more towards art music rather than folk. Django Reinhardt, however, is one of the first musicians to ever take it in the other direction, elevating folk influences to be on a par with classical ones. His ability to take simple rhythms and melody lines and add complex virtuosic guitar improvisation over those melodies are what make the gypsy style so innovative, aesthetically rewarding, accessible, and historically influential. His contributions in gypsy jazz have left their mark on other styles of music such as blues, rock and roll, bluegrass and other jazz styles. Furthermore, if we were to mention the greatest guitar players of the last century, we would have to include Django Reinhardt on the list. 1:15 History of Django and his disability: As with most European gypsies, the Reinhardt family was constantly on the move. Therefore, the story of Django Reinhardt's birth is somewhat unclear. However, we do know that he was born somewhere near a little town called Liberchies in Belgium in a gypsy encampment on January 23 rd , 1910. He was named Jean-Baptiste Reinhardt, and as with most gypsy children, he was given a nickname. -
Don't Miss the Tribute to the Modern Jazz Quartet Performance!
Sketches 3 Don’t miss the Tribute to the Modern Jazz Quartet Performance! Jazz aficionados with a sense of history will already have their tickets to this premier performance of a tribute to the now-deceased members of the celebrated Modern Jazz Quartet. Larry Vuckovich and Noel Jewkes, both eminent musicians in their own rights, have assembled an outstanding group, picked not only for their musical abilities, but also because all of them have had, in different ways, connections to the music of the Modern Jazz Quartet. Herb Gibson has studied the vibraphone with the vibes genius Milt Jackson, who was such an important part of the music of the Modern Jazz Quartet. Herb carries with him and continues this lineage of jazz music. Akira Tana, on drums, has accompanied the Heath Brothers – Albert “Tootie” Heath and Jimmy Heath – who are still performing with the artistic quality of their now-deceased brother, Percy Heath, who was a member of the MJQ. In this world premier performance in the Coleman Auditorium, Larry Vuckovich, piano, and Noel Jewkes, reeds, (co-leaders) Tommy Kesecker, vibes, Josh Workman, guitar, Eric Golub, violin, and Buca Necak, bass, along with Gibson and Tana, will perform the rich and gorgeous compositions listeners associated with the Modern Jazz Quartet for the decades when they reigned supreme. Among the compositions planned for the evening are: Django, Bag's Groove, Skating In Central Park, selections from Porgy & Bess, Concerto De Aranjuez, and Thinking Of You MJQ by Vince Guaraldi, plus original compositions by Noel Jewkes which are strikingly rich in texture and nuance. -
Chick Willis Uk £3.25
ISSUE 163 WINTER 2020 CHICK WILLIS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by CHRISTMAS STOCKING FILLERS Merlin Daleman CHICK WILLIS pictured at the Birmingham Jazz Festival. Chick makes an appearance in a new feature for Jazz BIG BEAR RECORDS CD OFFER Rag. We link up with Henry’s Blueshouse in Birmingham to EXCLUSIVELY FOR READERS OF THE JAZZ RAG present Henry’s Bluesletter (pages 32-33) ALL CDS £8 EACH OR THREE FOR £16 INCLUDING P&P 4 FESTIVAL IN TIME OF PLAGUE Birmingham, Sandwell and Westside Jazz Festival goes ahead 5 THE VIRUS IN NUMBERS JAZZ CITY UK VOLUME 2: THE JAM SESSIONS 6 ‘A TRUE NEW ORLEANS CHARACTER’ Coroner/trumpeter Frank Minyard Howard McCrary Various Artists Various Artists Lady Sings Potato Head 7 I GET A KICK OUT OF… Moments Like This Jazz City UK Volume 2 Jazz City UK Volume 1 The Blues Jazz Band Promoter John Billett Laughing at Life Stompin’ Around 8 COMPETITION: LOUIS ARMSTRONG 9 GOODBYE TO A STAR Roger Cotterrell on Peter King 11 BBC YOUNG JAZZ MUSICIAN OF THE YEAR 12 SUPERBLY SWINGING Alan Barnes remembers Dick Morrissey Remi Harris Trio Tipitina King Pleasure & Nomy Rosenberg Django’s Castle 14 FRENCH BOOGIE STAR Ninick Taking Care of The Biscuit Boys Nomy Rosenberg Trio with Bruce Adams Ron Simpson profiles Ben Toury Business Live At Last Swing Hotel du Vin 16 50 BY LOUIS Scott Yanow’s choice FIND US ON FACEBOOK 18 ROY WILLIAMS IN PICS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 20 REFLECTING DREAMS Marilyn Mazur interviewed by Ron Simpson features from the archives, competitions and who knows what else, be sure to ‘like’ us. -
How to Start a Gypsy Jazz Group
KS3/4/5KS5 How to start a gypsy jazz group David Guinane is by David Guinane Head of Music at Beaumont School in St Albans, and a guitar player in a gypsy jazz quartet. INTRODUCTION In my experience, many secondary music departments are awash with guitarists (usually evidenced by their inability to leave cases in a sensible place). There are, of course, countless ways to get them involved with a school’s music making: rock schools, bands, or the guitar chair in a big band, for example. However, the ‘bedroom guitarist’ still thrives in many schools – the player who learns tunes from the internet, but lacks the experience of playing with others, thus not developing a whole range of essential musical skills. Without a guitar specialist in the department, or at least someone with the patience to watch them struggle to plug their instrument into an amp and tune up, guitarists can often be underused, or even abandoned entirely. Gypsy jazz, best exemplified by the music of Django Reinhardt and Stéphane Grappelli, has provided a stimulating and challenging environment for guitarists (and many other musicians) in my school. This resource is designed to give all teachers a starting point for creating a gypsy jazz ensemble, a potential club or project that can involve potentially disaffected guitarists in your schools. Once you’ve got the basics down, you can expand the style to include a host of other musicians, developing their ability to improvise and play jazz. Jazz Manouche The Quintette du Hot Club de France was a jazz group founded in 1934 by guitarist Django Reinhardt and violinist Stéphane Grappelli. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
January 2019 Vol
A Mirror and Focus for the Jazz Community January 2019 Vol. 35, No. 01 EARSHOT JAZZSeattle, Washington Kate Olson Photo by Daniel Sheehan LETTER FROM THE DIRECTOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community New Year’s Revolutions Executive Director John Gilbreath Managing Director Karen Caropepe Programs Manager Tara Peters Marketing & Development Associate Lucienne Jazz has always flowed Aggarwal comfortably in the dynamic Earshot Jazz Editors Lucienne Aggarwal & pocket between evolution Tara Peters and revolution; changing too fast for some, and too Contributing Writers Paul de Barros, Marianne Gonterman, Ian Gwin, Peter slowly for others. People Monaghan, Steve Peters, Paul Rauch, Josh will always love what they Rawlings, Jovino Santos Neto love—and that’s a good Calendar Editors Casey Adams, Jane thing. Jazz is expansive Emerson, & Caitlin Peterkin enough to accommodate Photography Daniel Sheehan hardliners in any one of Layout Tara Peters its many expressive styles, Distribution Karen Caropepe, Dan Dubie & whether in swing, bebop, Earshot Jazz volunteers free jazz, fusion, smooth, Send Calendar Information to: big band, funk or elec- [email protected] tronic—deconstructed or Board of Directors Danielle Leigh reconstructed. But, wheth- (President), John W. Comerford (Vice President), Jon Perrino (Secretary), Sheila er through evolution or Hughes, Chris Icasiano, Maurice James, revolution, it has become Chris Nutter, Gail Pettis, Ruby Smith Love, unusual to hear someone Diane Wah staunchly maintain that jazz can only be one thing—and that’s a good Emeritus Board Members Clarence Acox, Sue thing, too. Coliton, Taina Honkalehto, Viren Kamdar, The Earshot organization has a strong reputation of giving voice to the Hideo Makihara, Peter Monaghan, Kenneth revolutionary masters of jazz, believing that the art form best moves for- W. -
Paris Noir: Race and Jazz in Post-War Paris
Paris Noir: Race and Jazz in Post-War Paris Essential Questions: Why was Paris a jazz capital after World War II? Why did black Americans (particularly writers and jazz musicians) live in Paris after World War II during decolonization? What were the push and pull factors of African American migration to post-World War II Paris? How did Sidney Bechet link New Orleans jazz to Paris? What influence did Paris have on bop? How are jazz and jazz people naturally transnational? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: Explain how Paris became the center of African American culture after World War II despite France’s decolonization policy. Determine the factors that transformed Jazz into a transnational and interracial music. Assess the relevancy of the post-World War II African American writers . Historical Context Based On: *Paris Noir: African Americans in the City of Light by Tyler Stovall *Jazz Diasporas: Race, Music and Migration in Post-World War II Paris by Rashida K. Bragg *France and Its Empire Since 1870 by Alice L. Conklin, Sarah Fishman, Robert Zaretsky Year Zero: A History of 1945 by Ian Burma Historical context presented by Marcie Hutchinson Paris: A New Black Community • Who- African American Writers, Artists Musicians • What- African American expatriate community • Where- Left Bank (Latin Quarter and Saint-Germain-des-Prés • -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of