The Eleven Caesars Sample Question Paper
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Vestal Virgins and Their Families
Vestal Virgins and Their Families Andrew B. Gallia* I. INTRODUCTION There is perhaps no more shining example of the extent to which the field of Roman studies has been enriched by a renewed engagement with anthropology and other cognate disciplines than the efflorescence of interest in the Vestal virgins that has followed Mary Beard’s path-breaking article regarding these priestesses’ “sexual status.”1 No longer content to treat the privileges and ritual obligations of this priesthood as the vestiges of some original position (whether as wives or daughters) in the household of the early Roman kings, scholars now interrogate these features as part of the broader frameworks of social and cultural meaning through which Roman concepts of family, * Published in Classical Antiquity 34.1 (2015). Early versions of this article were inflicted upon audiences in Berkeley and Minneapolis. I wish to thank the participants of those colloquia for helpful and judicious feedback, especially Ruth Karras, Darcy Krasne, Carlos Noreña, J. B. Shank, and Barbara Welke. I am also indebted to George Sheets, who read a penultimate draft, and to Alain Gowing and the anonymous readers for CA, who prompted additional improvements. None of the above should be held accountable for the views expressed or any errors that remain. 1 Beard 1980, cited approvingly by, e.g., Hopkins 1983: 18, Hallett 1984: x, Brown 1988: 8, Schultz 2012: 122. Critiques: Gardner 1986: 24-25, Beard 1995. 1 gender, and religion were produced.2 This shift, from a quasi-diachronic perspective, which seeks explanations for recorded phenomena in the conditions of an imagined past, to a more synchronic approach, in which contemporary contexts are emphasized, represents a welcome methodological advance. -
Descriptive Catalogue of the Bowdoin College Art Collections
Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1895 Descriptive Catalogue of the Bowdoin College Art Collections Bowdoin College. Museum of Art Henry Johnson Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Johnson, Henry, "Descriptive Catalogue of the Bowdoin College Art Collections" (1895). Museum of Art Collection Catalogues. 11. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/11 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. BOWDOIN COLLEGE Desgriptive Catalogue OF THE Art Collections DESCRIPTIVE CATALOGUE OF THE BOWDOIN COLLEGE ART COLLECTIONS BY HENRY JOHNSON, Curator BRUNSWICK, ME. 1895 PUBLISHED BY THE COLLEGE. PRINTED AT JOURNAL OFFICE, LEWISTON, ME. Historical Introduction. The Honorable James Bowdoin, only son of the emi- nent statesman and patriot, Governor James Bowdoin of Massachusetts, returned to this country in 1809 from Europe, where he had been engaged in important diplomatic missions for the United States government. His death occurred in 1811. He bequeathed to the College, besides his library and other valuable property, his collection of paintings, seventy in number, brought together chiefly in Europe, and two portfolios of drawings. The drawings were received by Mr. John Abbot, the agent of the College, December 3, 1811, along with the library, of which they were reckoned a part. -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
OCR a Level Ancient History H407 Specification
A LEVEL Ancient History A LEVEL Specification ANCIENT HISTORY H407 For first assessment in 2019 Version 1.1 (April 2018) ocr.org.uk/alevelancienthistory Disclaimer Specifications are updated over time. Whilst every effort is made to check all documents, there may be contradictions between published resources and the specification, therefore please use the information on the latest specification at all times. Where changes are made to specifications these will be indicated within the document, there will be a new version number indicated, and a summary of the changes. If you do notice a discrepancy between the specification and a resource please contact us at: [email protected] We will inform centres about changes to specifications. We will also publish changes on our website. The latest version of our specifications will always be those on our website (ocr.org.uk) and these may differ from printed versions. Registered office: © 2018 OCR. All rights reserved. 1 Hills Road Cambridge Copyright CB1 2EU OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from OCR is an exempt charity. this specification booklet for their own internal use. Oxford Cambridge and RSA is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Contents 1 Why choose an OCR A Level in Ancient History? 2 1a. Why choose an OCR qualification? 2 1b. Why choose an OCR A Level in Ancient History? 3 1c. What are the key features of this specification? 4 1d. What is new in OCR A Level in Ancient History? 4 1e. -
Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action Under the Principate Thomas E
Xavier University Exhibit Faculty Scholarship Classics 2010 Saving the Life of a Foolish Poet: Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action under the Principate Thomas E. Strunk Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/classics_faculty Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Byzantine and Modern Greek Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Indo-European Linguistics and Philology Commons, and the Other Classics Commons Recommended Citation Strunk, Thomas E., "Saving the Life of a Foolish Poet: Tacitus on Marcus Lepidus, Thrasea Paetus, and Political Action under the Principate" (2010). Faculty Scholarship. Paper 15. http://www.exhibit.xavier.edu/classics_faculty/15 This Article is brought to you for free and open access by the Classics at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. SYLLECTA CLASSICA 21 (2010): 119–139 SAVING THE LIFE OF A FOOLISH POET: TACITUS ON MARCUS LEPIDUS, THRASEA PAETUS, AND POLITICAL ACTION UNDER THE PRINCIPATE Thomas E. Strunk Abstract: This paper explores Tacitus’ representation of Thrasea Paetus. Preliminary to analyzing this portrayal, I discuss two pas- sages often cited when exploring Tacitus’ political thought, Agricola 42.4 and Annales 4.20. I reject the former’s validity with regard to Thrasea and accept the latter as a starting point for comparing Tacitus’ depictions of Marcus Lepidus and Thrasea. Tacitus’ char- acterizations of Thrasea and Lepidus share the greatest resemblance in the trials of Antistius Sosianus and Clutorius Priscus, both of whom wrote verses offensive to the regime. -
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Chapter �� The Musaeum: Its Contents 12.1 Introduction When Strada in 1568 thanked Duke Guglielmo of Mantua for the benefice conferred on his elder son Paolo, he offered the use of his house to the Duke, providing a brief description of its contents and adding that ‘most of these things have been seen by all those gentlemen of the court of Your Excellency that have been here [in Vienna]’.1 This confirms the accessibility of Strada’s Musaeum and the representative function it fulfilled. To have any idea of the impact the Musaeum had on such visitors, it is useful to provide a quick sketch of its contents. A sketch, an impression: not a reconstruction. There are a number of sourc- es which give a very elementary impression of what Strada’s studiolo may have looked like, and there are some other sources which give slightly more con- crete information on which specific objects, or type of objects, passed through his hands. Some of these—in particular the large-scale acquisitions of antique sculpture for the Duke of Bavaria in 1566–1569—were certainly not intended for Strada’s own collection, and they did never even come to Vienna. In most cases the information is too scanty to identify objects mentioned with any cer- tainty, or to determine what their destination was. We just do not know wheth- er Strada bought them on behalf of the Emperor, whether he bought them on commission from other patrons, whether he bought them on speculation— that is as a true art-dealer, hoping to sell them to the visitors of his house or dispose of them advantageously in some other way—or whether he bought them after all just for his own collection. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones a Dissertation Submitted in Partial
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Alain Gowing, Chair Catherine Connors Alexander Hollmann Deborah Kamen Program Authorized to Offer Degree: Classics ©Copyright 2015 Brandon F. Jones University of Washington Abstract The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones Chair of Supervisory Commitee: Professor Alain Gowing Department of Classics This study is about the construction of identity and self-promotion of status by means of elite education during the first and second centuries CE, a cultural and historical period termed by many as the Second Sophistic. Though the Second Sophistic has traditionally been treated as a Greek cultural movement, individual Romans also viewed engagement with a past, Greek or otherwise, as a way of displaying education and authority, and, thereby, of promoting status. Readings of the work of Quintilian, Tacitus and Pliny, first- and second-century Latin prose authors, reveal a remarkable engagement with the methodologies and motivations employed by their Greek contemporaries—Dio of Prusa, Plutarch, Lucian and Philostratus, most particularly. The first two chapters of this study illustrate and explain the centrality of Greek in the Roman educational system. The final three chapters focus on Roman displays of that acquired Greek paideia in language, literature and oratory, respectively. As these chapters demonstrate, the social practices of paideia and their deployment were a multi-cultural phenomenon. Table of Contents Acknowledgements ........................................................................... 2 Introduction ....................................................................................... 4 Chapter One. -
Titian 10079667.Pdf
— AT I T DUC S S OF U B I NO. n i i e PL E . HE HE R Fro t sp ec n h ffizi Galler o n (I t e U y, Fl re ce) ‘ This portrait of the Duchess of Urbino from the Uflizi must not i P alace T be confused with the portra t of the Duchess in the Pitti . he here is E G z D Urbm o sitter leonora on aga , uchess of , and the portrait was painted somewhere between the years I 536 and I 538 at a period when the master’ s art had ripen ed almost to the point of its highest achievement. L I S T OF I L L US T RA T I O NS P late 1 The Du chess of U rbino . Frontispiece I n the Ufiizi G alle F lo e nce ry, r I I . L a B ella I n the P l ttl P alace Flo e nce , r m men I I I . The E nto b t I n the L ou v re l F m l I V . The Ho y a iy I n the Uflizx G alle F lo ence ry, r f t C therine V . T he M arriage o S . a I n the P itt: P alace F lo e nce , r V I . Flora I n the 05 21 G alle F lo ence ry, r V I I . S acred and P rofane L ov e . I n the B o he se P alace Rome rg , T h ol V I I I . -
The Characterization of Thrasea Paetus in the Tacitean Narrative
The Characterization of Thrasea Paetus in the Tacitean Narrative In an important contribution on Tacitus‟ life, Birley (2000) pointed out that Tacitus‟ full name might have been P. Cornelius Tacitus Caecina Paetus. In other words, the famous Stoic whom Tacitus so pointedly described in the later books of the Annals might have been a distant relative of the historian. If the identification is correct, it is not unreasonable to speculate that a very young Tacitus might even have met Thrasea at some point before his death in A.D. 66. Unless new evidence emerges, this remains only a possibility. What is certain, however, is that Thrasea Paetus and all the men that belonged to his „philosophical/political network‟ are extensively investigated in Tacitus‟ historical works (Syme 1991). The culmination of Thrasea‟s glory is famously celebrated in the vivid narrative of Annals 16, but Thrasea occupies a distinguished position in the Tacitean corpus from its very inception. Indeed in the preface of the Agricola, which marked the beginning of Tacitus‟ literary career, Tacitus states that his plans for writing a life of his father-in-law had to be postponed after Arulenus Rusticus and Herennius Senecius had been put to death for writing lives of Thrasea Paetus and Helvidius Priscus respectively (Woomdan 2014). There is every reason to believe that Tacitus was familiar with these biographies, and Arulenus‟ life of Thrasea is probably a major source for the later books of the Annals (Questa 1967; Bellardi 1974). In the Agricola, Tacitus does not approve of those who sought glory through famous–but in the end useless–deaths: his criticism is not, however, ideological. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and