Critical Environments Engineering Guide
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Critical Design – a New Paradigm for Teaching and Learning Universal Design
INTERNATIONAL CONFERENCE ON ENGINEERING AND PRODUCT DESIGN EDUCATION, 7 & 8 SEPTEMBER 2017, OSLO AND AKERSHUS UNIVERSITY COLLEGE OF APPLIED SCIENCES, NORWAY CRITICAL DESIGN – A NEW PARADIGM FOR TEACHING AND LEARNING UNIVERSAL DESIGN Anne Britt TORKILDSBY PhD in Design, The Norwegian Research Laboratory for Universal Design, NTNU, Norway ABSTRACT The critical design method, which was originally developed as a tool for designers, architects, engineers, etc. to open the (design) brief when designing “extreme environments” of the future [1a] – in so doing throwing light upon the design process from a critical perspective and highlighting considerations that might otherwise be overlooked – is now gradually being adapted to and applied in the field of universal design. Bringing this way of thinking about design into higher education could encourage teachers and students to broaden their knowledge in this field, better equipping students to create in an inclusive manner and ensuring that future products, buildings, and exterior spaces are accessible to all to the greatest extent possible [2]. In order to test and further develop this way of thinking about universal design for educational contexts, two series of workshops have been conducted: One at a research institute for rehabilitation engineering and design, and one within a Master’s programme in occupational therapy. The purpose of this paper is to describe the process of adapting the critical design method as it is used in institutional environments, such as hospitals and prisons, to various universal design contexts, and to discuss the preliminary results. The paper also examines the question of whether critical design is an optimal method of challenging and ultimately improving the field of universal design – and, if so, how to proceed in order to achieve the best teaching and learning outcomes. -
Operating Room Air Distribution Solutions Dennis Sikkema Director of Technical Sales and Training COPYRIGHT MATERIALS
Operating Room Air Distribution Solutions Dennis Sikkema Director of Technical Sales and Training COPYRIGHT MATERIALS This presentation is protected by US and International copyright laws. Reproduction, distribution, display and use of the presentation without written permission of the speaker is prohibited. Price Industries, Inc., 2017. Operating Room Solutions Table of Contents 1. Air Distribution Introduction 2. Operating Room Air Distribution – Types, Standards and Research 3. Sizing Examples and Opportunities 4. Ceilings 5. Wrap up/ Questions Operating Room Solutions Air Distribution Introduction Operating Room Solutions Air Distribution Introduction • Considerations for Air Distribution Products – Airborne Contamination Control – Cleanability – Comfort • Air Distribution strategies – Turbulent/Mixing Flow – Laminar Flow – Radial Flow – Displacement Ventilation Operating Room Solutions Air Distribution Introduction • Group A – Mounted in or near the ceiling projecting air horizontally • Square plaques • Double deflection grilles (sidewall mount) • Group B – Mounted in the floor with a vertical, non-spreading jet • Linear bar grilles (floor mounted) • Group C – Mounted in the floor with a vertical, spreading jet • Underfloor twist diffuser Operating Room Solutions Air Distribution Introduction • Group D – Mounted in or near the floor that project the air horizontally • Displacement diffusers Operating Room Solutions Air Distribution Introduction • Group E – Ceiling mounted vertical projection diffuser • Vertical slot diffuser • Air -
Communication Design: Material Artefact, Immaterial Influence Culture–Practice–Discourse: a Theoretical Framework for A
Volume 15 Paper 04 SMT VOLUME 15 ASTRACT KEY WORDS Communication Design: Material Communication design is a purposeful activity that and culturally produced it can also be conceived as a Communication Design, Artefact, Immaterial Influence involves human subjects and relations, is tied to action, discourse. This paper considers the relationship between Practice, Culture, Discourse, representation and is context-bound. Furthermore, design culture, practice, and discourse and proposes an PAPER 04 Production, Critical ‘effective’ communication design can be understood as emergent theoretical framework for critically reflecting on Culture–practice–discourse: Practice, Theory accomplishing its purpose in having a desired influence on communication design as a discursive practice—a practice a theoretical framework an individual’s belief, values, behaviour, or action, and is that both shapes and is shaped by culture and wider for a critical approach a basic concern of the design practitioner. In this regard, discourses, that is both regulated and has the potential to to communication design design practice knowledge—‘practice’ meaning both transform its operations. professional situations and preparing for such situations AUTHOR Veronika Kelly by increasing expertise—can be conceived as being created in and by a particular culture, at the same time that it also creates culture. As design practice knowledge is socially Culture–practice–discourse: a theoretical framework for a critical approach to communication design Volume 15 Paper 04 INTRODUCTION world’. As ‘culture’, ‘practice’ and ‘discourse’ can be understood differently, taking into consideration 1 – In this paper the terms Communication design1 that is ‘effective’ in achieving the scholarship of Michel Foucault, Donald Schön, ‘communication design’ and its purpose can be conceived as having a desired and Norman Fairclough helps inform examination ‘design’ are used interchangeably. -
Methods for a Critical Graphic Design Practice
Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism. -
Designing UFAD Systems Betterbricks Workshop, September 7-8, 2005
Designing UFAD Systems BetterBricks Workshop, September 7-8, 2005 Acknowledgments Designing Underfloor Air Course Development Distribution (UFAD) Systems Taylor Engineering Allan Daly Workshop for BetterBricks Pacific Gas & Electric Co. Cascadia Region of Green Building Council Puget Sound / Oregon Chapters of ASHRAE ASHRAE Seattle – Sept. 7, Portland – Sept. 8, 2005 Projects, Images Arup, Flack + Kurtz, Nailor Industries, Fred Bauman, P.E. EH Price, Tate Access Floors, Center for the Built Environment, York International University of California, Berkeley 2 Agenda 9:00-9:10 Opening Comments 9:10-9:30 Introduction 9:30-10:10 Diffusers and Stratification 10:10-10:50 Underfloor Plenums Introduction 10:50 -11:05 Break 11:05-11:45 Load Calculations, Energy 11:45-12:00 Comfort and IAQ 12:00 -1:00 Lunch 9:10 – 9:30 1:00-1:20 Horizontal and Vertical Distribution 1:20-1:35 Commissioning and Operations 1:35-1:50 Post-Occupancy Evaluations 1:50-2:05 How to Decide to Go with UFAD? 2:05-2:15 Wrap-Up, Conclusions 2:15 -2:30 Break 2:30-4:00 Panel Discussion 3 CBE Organization CBE Industry Partners Industry/University Cooperative Research Center (I/UCRC) Armstrong World Industries Skidmore Owings and Merrill Steelcase, Inc. National Science Foundation provides support and Arup* evaluation California Department of Syska Hennessy Group General Services Tate Access Floors Inc.* Industry Advisory Board shapes research agenda California Energy Commission Taylor Engineering Team: Semi-annual meetings emphasize interaction, shared goals • Taylor Engineering Charles M. Salter Associates and problem solving • Guttmann & Blaevoet E.H. Price Ltd. • Southland Industries • Swinerton Builders Flack + Kurtz, Inc. -
Speculative – Post-Design Practice Or New Utopia?
1 The XXI International Exhibition photographs Curators of the Triennale di Milano, respective authors & Robert Sošić, Ivica Mitrović & Oleg Šuran “The 21st Century. Design Ivo Martinović, Glorija Lizde, After Design”, presentation Darko Škrobonja, kontejner.org Exhibition equipment design of the Republic of Croatia Filip Havranek & Kristina thanks to Lugonja ( Havranek+Lugonja ) National Museum od Science General Consulate of Republic 2 and Technology Leonardo of Croatia in Milano: Authors da Vinci / Cavallerizze ( Iva Pavić, Emina El Majzoub ), Lina Kovačević, Robert Čanak, 2 April – 12 September 2016 Dunja Miličić, Luciana Škabar, Anselmo Tumpić, Nikola Bojić, Maja Mrduljaš, Jure Grgić, Jelena Damir Prizmić, Ivica Mitrović, Speculative – Post-Design Perišić, Marko Golub, Filip Rogošić Oleg Šuran, Andreja Kulunčić, Practice or New Utopia? Nina Bačun, Anders Mellbrat English translation & Silvio Vujičić Publishers Mirna Herman Baletić & Leo Štedul Ministry of Culture of ( Jezični laboratorij d.o.o. ) Organisers the Republic of Croatia & Ministry of Culture of Croatian Designers Association Italian translation the Republic of Croatia & Erika Koporčić & Katja Anić Croatian Designers Association for publishers Zlatko Hasanbegović, PhD graphic design coordination & Ivana Borovnjak Oleg Šuran Mirjana Jakušić, Iva Mostarčić & Nevena Tudor Perković editors Typefaces Ivica Mitrović & Oleg Šuran Thema, Thema Moderato, speculative.hr Typonine Sans, texts Typonine Sans Condensed Zagreb, 2016 Ivica Mitrović & Marko Golub ( Nikola Đurek, Typonine -
Critical Design As Approach to Next Thinking
The Design Journal An International Journal for All Aspects of Design ISSN: 1460-6925 (Print) 1756-3062 (Online) Journal homepage: http://www.tandfonline.com/loi/rfdj20 Critical design as approach to next thinking Liene Jakobsone To cite this article: Liene Jakobsone (2017) Critical design as approach to next thinking, The Design Journal, 20:sup1, S4253-S4262, DOI: 10.1080/14606925.2017.1352923 To link to this article: http://dx.doi.org/10.1080/14606925.2017.1352923 © 2017 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 06 Sep 2017. Submit your article to this journal Article views: 63 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rfdj20 Download by: [UC Berkeley Library] Date: 06 November 2017, At: 20:32 Design for Next 12th EAD Conference Sapienza University of Rome 12-14 April 2017 doi: 10.1080/14606925.2017.1352923 Critical Design As Approach To Next Thinking Liene Jakobsone a* aArt Academy of Latvia *Corresponding author email: [email protected] Abstract: Critical design offers opportunities to benefit considerably the future design thinking. This practice is based on premises that are meaningful for the whole design discipline if adopted as an integral part of design process. There are two valuable aspects, identified and discussed in this paper, that are underestimated or even omitted as quality criteria of the traditional industrial design practice, but are at the core of the critical design practice: it is critically concerned with future and aware of design's potential in shaping it towards the preferable; and it is aimed at challenging the ideological constraints that limit the designers and the society, and impede the true progress of the humanity. -
Prediction of Room Air Diffusion with Reduced
PREDICTION OF ROOM AIR DIFFUSION FOR REDUCED DIFFUSER FLOW RATES A Thesis by KAVITA GANGISETTI Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE December 2010 Major Subject: Mechanical Engineering PREDICTION OF ROOM AIR DIFFUSION FOR REDUCED DIFFUSER FLOW RATES A Thesis by KAVITA GANGISETTI Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved by: Co-Chairs of Committee, David Claridge Michael Pate Committee Members, Hamn- Ching Chen Jelena Srebric Head of Department, Dennis O‟Neal December 2010 Major Subject: Mechanical Engineering iii ABSTRACT Prediction of Room Air Diffusion for Reduced Diffuser Flow Rates. (December 2010) Kavita Gangisetti, B.Tech. Jawaharlal Nehru Technological University, Hyderabad, India Co-Chairs of Advisory Committee: Dr. David E. Claridge Dr. Michael Pate With the ever-increasing availability of high performance computing facilities, numerical simulation through Computational Fluid Dynamics (CFD) is increasingly used to predict the room air distribution. CFD is becoming an important design and analytical tool for investigating ventilation inside the system and thus to increase thermal comfort and improve indoor air quality. The room air supply diffuser flow rates can be reduced for less loading with the help of a variable air volume unit. The reduction in supply flow rate reduces the energy consumption for the unoccupied and reduced load conditions. The present research is to study the comfort consequences for reduced diffuser flow rates and loading and to identify the hot and cold spots inside a room. -
A Thesis Discussing How to Rewrite Destructive Gender Norms in the Commercial Fashion Industry
Independent Project: Final Written Report Rewrite A thesis discussing how to rewrite destructive gender norms in the commercial fashion industry. Author: Julia Därth Supervisor: Cassandra Troyan, Matilda Plöjer Examiner: Mathilda Tham Term: VT20 Subject: Visual Communication + Change Level: Independent Project Course: 2DI68E Abstract The purpose of this thesis is to explore how gender norms are represented and depicted in the commercial sphere of fashion, affecting primarily females. The thesis will highlight the voices of several young females of today and their perception of how it is to be influenced and exposed to gender norms in regards to fashion. This thesis theoretical chapters consists of theories in gender norms, norm-critical design, fashion magazines, editorial design, fashion photography, norm-critical photography and intersectional feminism. Furthermore, the method used for this paper are interviews, a total of 17 people were interviewed, whereas five of them are currently working in either the commercial fashion industry or as creatives on a global level. The interviews occurred online, through both emailing and Instagram. This thesis concludes that several aspects, primarily based on the male gaze negatively influence gender norms in the commercial sphere of fashion. However, it is also concluded that there are several change agents, working towards breaking these toxic influences. The thesis is also part of a design project, which final outcome is exhibited at the exhibition Windows Of Opportunity. An online exhibition hosted by the program Design + Change and Visual Communication + Change, at the Linnaeus University in Sweden https://2020.designportfoliolnu.se/rewrite. Keywords: Gender norms, Fashion, Intersectional Feminism, Male Gaze, Commercial, Norm-Critical, Fashion Magazine, Beauty 1 Table of content 1. -
Technical Communication As Design: a Design Pedagogy Study
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2020 Technical communication as design: A design pedagogy study Philip Brandon Gallagher Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Recommended Citation Gallagher, Philip Brandon, "Technical communication as design: A design pedagogy study" (2020). Graduate Theses and Dissertations. 17885. https://lib.dr.iastate.edu/etd/17885 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Technical communication as design: A design pedagogy study by Philip Brandon Gallagher A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Rhetoric and Professional Communication Program of Study Committee: Charlie Kostelnick, Major Professor Barbara Blakely Stacy Tye-Williams Margaret LaWare Carol Faber The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this dissertation. The Graduate College will ensure this dissertation is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2020 Copyright © Philip Brandon Gallagher, 2020. All rights reserved. ii DEDICATION To my most compassionate, loving, supportive, and unflappable family, I want you to know that I could not have accomplished this feat without each and every one of you. -
FORCED AIR HVAC SYSTEMS It’S More Than Just Hot Air…
4/23/2019 FORCED AIR HVAC SYSTEMS It’s more than just hot air… 1 ABOUT ME • Dan Int-Hout • Chief Engineer • 43 Years of Experience • Voting Member ASHRAE Residential Building Committee • ASHRAE / Distinguished Lecturer • Published over 50 articles and technical papers • Manages presentation of product data and provides advanced application engineering for our sales reps 2 AGENDA • Diffuser performance terminology • Thermal comfort • Selecting air distribution components and system parameters for effective air mixing • ASHRAE Standard 55-2016 Thermal Comfort and determining optimum occupant comfort strategies • Predicting end use acoustic environments • Meeting the Ventilation requirements of ASHRAE Standards 62.1 and 62.2 • Effective control of shared ventilation resources 3 1 4/23/2019 RESIDENTIAL, MULTI-FAMILY (Low, Medium and High Rise), AND COMMERCIAL • Air distribution follows basic rules, whether an office or a residence • The air distribution system in most single family dwellings, even expensive ones, is seldom highly engineered • With multi-family dwellings, there are opportunities to distribute ventilation or heating/cooling flow within or between residences. • Ventilation codes are requiring variable quantities of ventilation air as occupants run kitchen hoods and driers • This implies that a shared ventilation supply needs to be dynamically controlled to be effective, which starts to closely resemble a commercial VAV system 4 TERMINOLOGY 5 UNDERSTANDING THE TERMINOLOGY DROP THROW Primary Air Jets - Air jets from free round -
Critical Design Review 2012-2013 NASA USLI
Critical Design Review 2012-2013 NASA USLI “Research is what I’m doing when I don’t know what I’m doing.” - Werner Von Braun [Type text] I) Summary of CDR Report [Type text] Tarleton State University i Critical Design Review Note to reader: To facilitate the reading of the Critical Design Review, we have mirrored the Student Launch Project Statement of Work. In the body of the CDR, you will find extensive detail in the design of our SMD payload. The payload’s features are threefold; atmospheric data gathering sensors, a self-leveling camera system, and a video camera. One of the two major strengths of our payload design is the originality of our autonomous real-time camera orientation system (ARTCOS). The other major strength can be found in the originality of our self-designed Printed Circuit Board layouts. This feature alone represents over 150 man hours of work. Along with space and power efficiencies, the PCBs provide major enhancement of the signal integrity of the sensor data. For ease of reading, you will find documents such as itemized final build budget and launch procedures moved to the appendix along with Sensor and Material Safety Data sheets. We have enjoyed the challenges presented in the writing of this document and submit it for your review. Tarleton State University ii Critical Design Review Table of Contents I) Summary of CDR Report ............................................................................................. 1 Team Summary ..........................................................................................................