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2015 Annual Report
HOW THE BANK IS DRIVING CHANGE 2015 ANNUAL REPORT The bank for a changing world BNP PARIBAS, AN INTEGRATED MODEL, A GUARANTEE OF PERFORMANCE 3 QUESTIONS ABOUT BANKS ..................................................................................................... 29 Business model ................. 5 Key figures ......................... 6 International presence .... 7 The Board of Directors .... 8 Interview with the Chief Executive Officer .... 11 How do banks How do banks What will the bank of contribute to participate in the the future look like? ......... 49 The Executive ........... 33 ........... 41 Committee ......................... 13 the real economy? energy transition? Our business ...................... 14 Viewpoints .................... 34 Viewpoints .................... 42 Viewpoints .................... 50 ..................... Shareholders 18 Financing the real How BNP Paribas Digitalisation at the economy: a key role is accelerating the heart of BNP Paribas’ Human Resources ............. 20 for BNP Paribas energy transition transformation Corporate Social Highlights ...................... Highlights ...................... Highlights ...................... Responsibility .................... 22 36 44 52 BNP Paribas: BNP Paribas: BNP Paribas: supporting the furthering the driving change Our commitments ............ 24 real economy energy transition BNP Paribas is the bank for a changing world, aware of the changes affecting society, attuned to its concerns and committed to meeting its future needs. Through examples and highlights of the past year, the 2015 Annual Report presents not only the BNP Paribas Group, but also provides answers to questions in society on the role of banks. BNP PARIBAS AN INTEGRATED MODEL, A GUARANTEE OF PERFORMANCE BUSINESS MODEL AN INTEGRATED GROUP AND EUROPEAN LEADER The capacity to serve a diversified client base is at the include payments, deposits, traditional and specialised heart of BNP Paribas’ business model. financing, savings, protection insurance, wealth and asset management as well as real-estate services. -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
Dark Matter #4
Cover Page DarkIssue Four Matter July 2011 SF, Fantasy & Art [email protected] Dark Matter Issue Four July 2011 SF, Fantasy & Art [email protected] Dark Matter Contents: Issue 4 Dark Matter Stuff 1 News & Articles 7 Gun Laws & Cosplay 7 Troopertrek 2011 8 Hugo Award Nominees 10 2010 Aurealis Awards 14 2011 Aurealis Awards to be held in Sydney again 15 2011 Ditmar Awards 16 2011 Chronos Awards 20 Renovation WorldCon 22 Iron Sky update 28 Art by Ben Grimshaw 30 Ebony Rattle as Electra, Art by Ben Grimshaw 31 The Girl in the Red Hood is Back … But She’s a Little Different 32 Launching & Gaining Velocity 34 Geek and Nerd 35 Peacemaker - A Comic Book 36 Continuum 7 Report 38 Starcraft 2 - Prae.ThorZain 46 Good Friday Appeal 50 FAQ about the writing of Machine Man, by Max Barry 65 J. Michael Straczynski says... 67 Interviews 69 Kevin J. Anderson talks to Dark Matter 69 Tom Taylor and Colin Wilson talk to Dark Matter 78 Simon Morden talks to Dark Matter 106 Paul Bedford talks to Dark Matter 115 Cathy Larsen talks to Dark Matter 131 Madeleine Roux talks to Daniel Haynes 142 Chewbacca is Coming 146 Greg Gates talks to Dark Matter 153 Richard Harland talks to Dark Matter 165 Letters 173 Anime/Animation 176 The Sacred Blacksmith Collection 176 Summer Wars 177 Evangelion 1.11 You are [not] alone 178 Evangelion 2.22 You can [not] advance 179 Book Reviews 180 The Razor Gate 180 Angelica 181 2 issue four The Map of Time 182 Die for Me 183 The Gathering 184 The Undivided 186 the twilight saga: the official illustrated guide 188 Rivers -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Duncan, Ralph Randolph II, "Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form." (1990). LSU Historical Dissertations and Theses. 4910. https://digitalcommons.lsu.edu/gradschool_disstheses/4910 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The qualityof this reproduction is dependent upon the quality of the copysubmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Macmillan Children's Publishing Group
macmillan children’s publishing group Bologna 2017 Farrar, Straus and Giroux Books for Young Readers Feiwel & Friends First Second Henry Holt Books for Young Readers Imprint Roaring Brook Press Swoon Reads 1 Macmillan Children’s Publishing Group Foreign Subsidiary Rights Contacts Kristin Dulaney Executive Director, Subsidiary Rights 646-307-5297 [email protected] Miriam Miller Subsidiary Rights Manager 646-307-5298 [email protected] 2 Macmillan Children’s Publishing Group Farrar, Straus and Giroux Books for Young Readers Feiwel & Friends Swoon Reads First Second Henry Holt Books for Young Readers Imprint Roaring Brook Press 3 Table of Contents Young Adult - pg. 5 Middle Grade - pg. 19 Chapter Books - pg. 31 Nonfiction - pg. 37 Picture Books - pg. 42 Graphic Novels - pg. 61 Backlist - pg. 73 4 YOUNG ADULT 5 macmillan children’s publishing group YOUNG ADULT Ava Dellaira At 17 Farrar, Straus and Giroux Books for Young Readers March 2018; 5 ½ x 8 ¼; 384 pp.; Ages 12-18; Editor: Joy Peskin A sweeping, multi-generational love story. To 17-year-old Angie, Marilyn is her hardworking, devoted single mother. But Marilyn was once young, too. When Marilyn was 17, she met and fell in love with Angie’s father, whom Angie’s never met and Marilyn has always told her he died before she was born. When Angie discovers (c) Tom Dellaira evidence of a long-lost uncle she starts to wonder: What if her dad is still alive, too? So she sets off on a journey to find him, hitching a ride with her ex-boyfriend, Sam. Along the way, she un- covers some hard truths about herself, her mother, and what truly happened to her father. -
Media Website Contact List
MEDIA WEBSITE CONTACT LIST version: 8/2016 Outlet Name First Name Last Name Title Email Address Website Address Bleeding Cool Richard Johnston Editor-in-Chief [email protected] http://www.bleedingcool.com/ Comics Alliance Andrew Wheeler Editor in Chief [email protected] http://comicsalliance.com/ Comics Alliance Kevin Gaussoin Editor in Chief [email protected] http://comicsalliance.com/ Comic Book Resources Albert Ching Managing Editor [email protected] http://www.comicbookresources.com/ Comic Vine Tony Guerrero Editor-in-Chief [email protected] http://www.comicbookresources.com/ ComicBook.com James Viscardi Editor in Chief [email protected] http://comicbook.com/ Forces of Geek Erin Maxwell Reporter [email protected] http://www.forcesofgeek.com/ IGN Entertainment Joshua Yehl Comics Editor [email protected] http://www.ign.com/ ICV2 Milton Griepp Editor in Chief [email protected] http://icv2.com/ Newsarama Chris Arrant Editor-in-Chief [email protected] http://www.newsarama.com/ The Beat Heidi MacDonald Editor in Chief [email protected] http://www.comicsbeat.com/ Comicosity Matt Santori-Griffith Senior Editor [email protected] http://www.comicosity.com/ The Mary Sue Maddy Myers Editor [email protected] http://www.themarysue.com/ The Mary Sue Dan Van Winkle Editor [email protected] http://www.themarysue.com/ Multiversity Comics Brian Salvatore Editor-in-Chief [email protected] http://multiversitycomics.com/ Comic Crusaders [email protected] www.comiccrusaders.com/ Graphic Policy Brett Schenker Founder / Blogger in Chief [email protected] https://graphicpolicy.com/ THIS LIST OF CONTACTS IS DESIGNED TO BE A RESOURCE FOR PUBLISHERS TO HELP PROMOTE THEIR PROJECTS TO THE PUBLIC. -
2019-09-12-Pk-Fbd-Final.Pdf
PRESS KIT Brussels, September 2019 The 2019 Brussels Comic Strip Festival Brussels is holding its 10th annual Comic Strip Festival from 13 to 15 September 2019 From their beginning at the turn of the previous century, Belgian comics have really become famous the world over. Many illustrators and writers from our country and its capital are well- known beyond our borders. That is reason enough to dedicate a weekend to this rich cultural heritage. Since its debut in 2010, the Brussels Comic Strip Festival has become the main event for comics fans. Young and old, novices and experts, all share a passion for the ninth art and come together each year to participate in the variety of activities on offer. More than 100,000 people and some 300 famous authors gather every year. For this 2019 edition, the essential events are definitely on the schedule: autograph sessions, the Balloon's Day Parade and many more. There's a whole range of activities to delight everyone. Besides the Parc de Bruxelles, le Brussels Comic Strip Festival takes over the prestigious setting of Brussels' Palais des Beaux-Arts, BOZAR. Two places that pair phenomenally well together for the Brussels Comic Strip Festival. Festival-goers will be able to stroll along as they please, enjoying countless activities and novelties on offer wherever they go. From hundreds of autograph signings to premiere cartoon screenings and multiple exhibitions and encounters with professionals, ninth art fans will have plenty to keep them entertained. Finally, the Brussels Comic Strip Festival will award comics prizes: The Atomium Prizes, during a gala evening when no less than €90,000 will be awarded for the best new works from the past year. -
Judge Dredd Megazine, #1 to 412
Judge Dredd stories appearing in the Judge Dredd Megazine, #1 to 412 Note: Artists whose names appear after an “&” are colourists; artists appearing after “and” are inkers or other co-artists. Volume One The Boy Who Thought He Art: Barry Kitson & Robin Boutell Wasn't Dated: 26/12/92 America Issue: 19 Issues: 1-7 Episodes: 1 Warhog Episodes: 7 Pages: 9 Issue: 19 Pages: 62 Script: Alan Grant and Tony Luke Episodes: 1 Script: John Wagner Art: Russell Fox & Gina Hart Pages: 9 Art: Colin MacNeil Dated: 4/92 Script: Alan Grant and Tony Luke Dated: 10/90 to 4/91 Art: Xuasus I Was A Teenage Mutant Ninja Dated: 9/1/93 Beyond Our Kenny Priest Killer Issues: 1-3 Issue: 20 Resyk Man Episodes: 3 Episodes: 1 Issue: 20 Pages: 26 Pages: 10 Episodes: 1 Script: John Wagner Script: Alan Grant Pages: 9 Art: Cam Kennedy Art: Sam Keith Script: Alan Grant and Tony Luke Dated: 10/90 to 12/90 Dated: 5/92 Art: John Hicklenton Note: Sequel to The Art Of Kenny Dated: 23/1/93 Who? in 2000 AD progs 477-479. Volume Two Deathmask Midnite's Children Texas City Sting Issue: 21 Issues: 1-5 Issues: 1-3 Episodes: 1 Episodes: 5 Episodes: 3 Pages: 9 Pages: 48 Pages: 28 Script: John Wagner Script: Alan Grant Script: John Wagner Art: Xuasus Art: Jim Baikie Art: Yan Shimony & Gina Hart Dated: 6/2/93 Dated: 10/90 to 2/91 Dated: 2/5/92 to 30/5/92 Note: First appearance of Deputy Mechanismo Returns I Singe the Body Electric Chief Judge Honus of Texas City. -
Graphic Novel Collections in Academic ARL Libraries
Graphic Novel Collections in Academic ARL Libraries Cassie Wagner This study examines the extent to which ARL academic libraries collect graphic novels. Using a core list of 176 titles developed from winners of major comics industry awards and a library-focused “best of” list, the holdings of 111 ARL academic libraries were searched using the librar- ies’ online catalogs. Results suggest that most of the libraries studied do not aggressively collect graphic novels. Also examined were associations between date of publication, prior serialization, overall collection size, monograph budget, and ARL ranking and graphic novel holdings. To better serve scholarly research in this area of increasing interest, libraries will need to reexamine their collecting policies. ne of a handful of art forms Comics have undergone a renaissance whose development began in recent years. Since the mid-1980s, an in the United States, comic increasing number of comics have focused strips appeared around the on stories that appeal to readers outside turn of the twentieth century. The first the stereotypical demographic of young generally recognized comic book, Famous men and boys.1 Comics imported from Funnies, appeared in 1934. The success of Japan—manga—and stories in genres this work, a compendium of previously other than superheroics and science fiction published newspaper comic strips, led have appeared. This broader approach other comic strip syndicates to create their has reaped dividends. Trade comics and own collections and quickly commission graphic novels are a fast-growing area of new material for the new format. The publishing, with sales topping $250 million genre most commonly associated with in 2005, more than triple the amount sold comic books, superhero adventures, be- in 2001.2 In addition, a number of major gan in earnest with the first appearance recent movies based on comic books have of Superman in 1938. -
COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights Exhibited on Preview in NEW YORK from February 27Th to March 4Th
& Press Release ǀ PARIS ǀ 11 February 2015 FOR IMMEDIATE RELEASE COMICS and ILLUSTRATIONS PARIS – 14 MARCH 2015 Highlights exhibited on preview in NEW YORK from February 27th to March 4th Spirou et FantasioSpirou et Cauvin par Fournier Franquin GREG Janry Morvan * Munuera Nic Roba Tome Vehlmann Yann Yoann © Dupuis 2015 Philippe Francq Uderzo André Franquin Detail of an original illustration for Dior, 2001 Colour cover of Pilote n°489, 20 March 1969 Detail of an original board, Spirou et Fantasio, Estimate: €12,000-15,000 Estimate: €100,000-120,000 Spirou et les Hommes-Bulles, 1960 * © Francq © 2015 Goscinny - Uderzo Estimate: €70,000-80,000 Paris - Following the success of the Comics and Illustration inaugural auction in Paris in April 2014, which realised over €4M, Christie’s will hold a second auction dedicated to sequential art on the upcoming 14 March. This sale, once again carried out in partnership with the Daniel Maghen Gallery, will represent a wide selection of comic artists and heroes, of which the highlights will be exhibited during a preview held at Christie’s New York from February 27th until March 4th 2015. Daniel Maghen, auction expert: «The greatest names in comic history will be celebrated, such as the legendary characters of Hergé, Tintin and Captain Haddock, in an exceptional original cover of the Journal de Tintin, estimated between €350,000 and €400,000, as well as Edgar P. Jacobs’ Blake and Mortimer, and Albert Uderzo’s Astérix and Obélix. The «new classics» will also be represented along with Moebius, whose colour cover of the Incal and a page of Arzach will be offered. -
Interview Asaf Hanuka – December 2012 Brest En Bulle: Where Does
Interview Asaf Hanuka – december 2012 Brest en bulle: Where does your passion for drawing come from ? When did you become aware that you wanted to be an illustrator ? Asaf Hanuka: It's a combination of several factors. I always liked drawing and as a kid I fell in love with american comic books. Together with my brother, illustrator Tomer Hanuka, we copied frames from X-men comics and invented imaginary stories (we couldn't read english). When I become older I realized drawing is the perfect excuse to stay home and be alone in a room, which to this date is my favorite activity. So becoming an illustrator and cartoons was the perfect choice for both my natural creative tendency and my social complex. BeB: Who or what has inspired you in graphic arts, illustration and comics ? A.H: Probably wanting to be somewhere else, to get a way from my middle class boring suburb life in Israel in the 80s. Comics were so colorful and dynamic, I just wanted to disappear inside it. And since that wasn't possible, I compromised on creating it. BeB: How did you become a professional illustrator? What was your training in Lyon like ? How would you define the bonds between you and France ? A.H: I went to study commercial art in Lyon because I wanted to have what is referred in the art industry as "the french touch". It means the the drawing is correct, it works. and in Emile Cohl art school in Lyon there was a true science of drawing and painting and I had spent great 3 years over there.