CONTRIBUTORS

PAUL EGGERT, an Australian Research Council professorial fellow based at the University of New South Wales at ADFA, has prepared critical editions of works by D. H. Lawrence, Henry Kingsley, and Rolf Boldrewood, and writes on editorial theory and philosophies of conservation. With Roger Osborne, he is co-editing Under Western Eyes for The Cambridge Edition of the Works of Joseph Conrad.

YAEL LEVIN, Associate Professor of Culture and Literature at the University of Tromsø, is author of Tracing the Æsthetic Principle in Conrad's Novels (2008) and has published in The Conradian, Conradiana and Partial Answers. She is currently working on a second book, The Interruption of Writing: The Plight of the Writing Subject from Porlock to the Posthuman.

JEREMY HAWTHORN, Professor of British Literature at The Norwegian University of Science and Technology, Trondheim, is the author of Sexuality and the Erotic in the Fiction of Joseph Conrad (2007). His editions of Under Western Eyes and The Shadow-Line both appeared in Oxford World’s Classics in 2003. With Max Saunders, he is currently editing The Inheritors and “The Nature of a Crime” for The Cambridge Edition of the Works of Joseph Conrad.

RICHARD NILAND, Lecturer at the University of Strathclyde, Glasgow, is the author of Conrad and History (2010). He has edited Volume 3: A Personal Record to The Arrow of Gold in Joseph Conrad: The Contemporary Reviews (forthcoming), and has written on Conrad for The Conradian and The Polish Review and on Harpo Marx for The Journal of Popular Culture.

CATHERINE DELESALLE-NANCEY, Assistant Professor of English at the Université Jean Moulin-Lyon 3, has published on repetition in the works of Malcolm Lowry, La Divine comédie ivre: répétition, reprise et ressassement dans l’œuvre en prose de Malcolm Lowry, (2010) and has written 160 Contributors several articles on Lowry and Conrad. She has also published articles on Ford Madox Ford and on Margaret Atwood and Kazuo Ishiguro.

DAPHNA ERDINAST-VULCAN is Professor of English at the University of Haifa, Israel and Editor-in-Chief of the University of Haifa Press. She is the author of Graham Greene’s Childless Fathers (1988), Joseph Conrad and the Modern Temper (1991), The Strange Short Fiction of Joseph Conrad (1999), and has recently completed a study entitled Bakhtin and the Question of the Subject: Between Philosophy and Literature.

CAROLA M. KAPLAN, Professor Emerita of English at California State University, Pomona, is co-editor of Seeing Double: Revisioning Edwardian and Modernist Fiction (1996) and Conrad in the Twenty-First Century (2005). In addition to Conrad, she has published extensively on Modernist writers, including E. M. Forster, D. H. Lawrence, and T. E. Lawrence. She is a psychoanalyst with a private practice in Encino, California.

JOSIANE PACCAUD-HUGUET is Professor of Modern English Literature and Literary Theory at Université Lumière-Lyon 2, where she is also Dean of the Faculty of Languages. She has published extensively on Conrad and literary theory and has edited several volumes of collected essays on this topic. She is currently finishing a monograph on the Modernist Moment of Vision.

ANDRZEJ BUSZA, Associate Professor Emeritus at the University of British Columbia, is a poet and translator, who has published several volumes of poetry in Polish and English. He received the Koscielski Literary Prize (1962) and the Turzanski Foundation Award for lifetime achievement (2005). A monograph on his poetry recently appeared in Poland. Among his Conrad publications are the seminal Conrad’s Polish Literary Background (1966).

LUDMILLA VOITKOVSKA is Associate Professor in English at the University of Saskatchewan. Her most recent Conrad publications include “Drawn into Liminal Space: Conrad’s Women in Love” and “What is Polish Ukraine?” She is currently working on a book Living in Translation: Exile as a Continuum in Conrad's Fiction.