Chapter 4: A-Ha's "Take on Me" and Postmodern Metamorphoses
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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space). -
Modernist Permabulations Through Time and Space
Journal of the British Academy, 4, 197–219. DOI 10.5871/jba/004.197 Posted 18 October 2016. © The British Academy 2016 Modernist perambulations through time and space: From Enlightened walking to crawling, stalking, modelling and street-walking Lecture in Modern Languages read 19 May 2016 ANNE FUCHS Fellow of the Academy Abstract: Analysing diverse modes of walking across a wide range of texts from the Enlightenment period and beyond, this article explores how the practice of walking was discovered by philosophers, educators and writers as a rich discursive trope that stood for competing notions of the morally good life. The discussion proceeds to then investigate how psychological, philosophical and moral interpretations of bad prac- tices of walking in particular resurface in texts by Franz Kafka, Thomas Mann and the interwar writer Irmgard Keun. It is argued that literary modernism transformed walking from an Enlightenment trope signifying progress into the embodiment of moral and epistemological ambivalence. In this process, walking becomes an expression of the disconcerting experience of modernity. The paper concludes with a discussion of walking as a gendered performance: while the male walkers in the modernist texts under discussion suffer from a bad gait that leads to ruination, the new figure of the flâneuse manages to engage in pleasurable walking by abandoning the Enlightenment legacy of the good gait. Keywords: modes of walking, discursive trope, Enlightenment discourse, modernism, modernity, moral and epistemological ambivalence, gender, flâneuse. Walking on one’s two legs is an essential but ordinary skill that, unlike cycling, skate-boarding, roller-skating or ballroom dancing, does not require special proficiency, aptitude or thought—unless, of course, we are physically impaired. -
A-Ha to Return with New Album and Rio Spectacular for September 2015 and International Tour Dates for 2016
PRESS RELEASE A-HA TO RETURN WITH NEW ALBUM AND RIO SPECTACULAR FOR SEPTEMBER 2015 AND INTERNATIONAL TOUR DATES FOR 2016 Following on from the announcement that legendary Norwegian band a-ha are to reform to play the 30 th anniversary Rock in Rio music festival, the band are delighted to announce the release of a brand new studio album this autumn, with international tour dates to follow in 2016. The new album, Cast In Steel , will be the band’s tenth studio album, and the first new music by the group since the critical and commercial success of 2009’s Foot of the Mountain . Cast In Steel will be released on 4 th September 2015, three weeks before the band return to play the Rock in Rio music festival in Brazil, and thirty years since their debut single, Take on Me , reached number one around the world. * * * The Album When a-ha played the Oslo Spektrum in December 2010 to close the ‘Ending on A High Note – Farewell Tour’, it felt a definitive full-stop on the band’s activities. As Morten Harket says, ‘it has been a genuine and real disbanding. There has been no a-ha in the sense of the word during that time.’ For Morten, Paul Waaktaar and Magne Furuholmen, the five- year break has allowed them to explore a rich seam of various creative projects, both musical and artistic. The return came about in a simple, organic way, as Paul explains: ‘it started off very easy and low-key with Morten dropping by my studio at various occasions, and I would show him songs that I was working on. -
Taushet På Tautra SIDE 3
STUDENTAVISA I TRONDHEIM 1914 - 2005 NR. 4 91. ÅRGANG 22. FEBRUAR - 7. MARS Taushet på Tautra SIDE 3 – Samlokalisering uinteressant SIDE 8 Livet etter ISFiT SIDE 24 Godbit fra UKA-05: Seigmen SIDE 40 LEDER KOMMENTAR Lovdebatt uten NTNU Etter over to års drakamp vedtar Stortinget den 28. februar den nye loven om høyere utdanning. Stortingets utdanningskomité har nå behandlet ferdig Kristin Clemets opprinnelige lovforslag. De har endret det på enkelte sentrale punkter. Under Dusken applauderer sammen med et samlet utdannings-Norge den nye loven, som blant annet stadfester følgende: Universiteter og høyskoler får selv bestemme om de vil velge eller ansette rektor. Styret kan endre til ansatt rektor ved to tredjedels fl ertall. Departementet oppnevner ikke styreleder. Gratisprinsippet lovfestes. I loven vil det sannsynligvis stå rett fram at høyere utdanning skal være gratis. Ikke kun i hovedregelen, som utdannings- og forskningsdepartementet Barahona Alejandra Illustrasjon: opprinnelig foreslo. Den akademiske motstanden mot departementets Når eg blir seksogseksti forslag har vært stor helt fra starten av. For norsk akademia må det være gledelig å høre Rolf Reikvam fra Stortingets utdanningskomité godt argument for byrja på ein langvarig studietid. si rett ut at professopprop, fakkeltog og krasse Dette er ein voldsom kontrast til det biletet av ein høringsutalelser har påvirket deres valg. kunnskapsnasjon som regjeringa prøver å male. Som studentar ved ein høgare utdanningsinstitusjon, Samme Reikvam påpeker i dette nummeret MAGNUS BRATTSET DRABLØS forventar vi at dei pengane vi ikkje tener i studietida, av Under Dusken at det sammenlignet med er kapital vi vil tilegne oss i framtida med betre betalte Oslo-miljøets reaksjoner har vært temmelig Pengar. -
Mass Culture and Individuality in Hermann Broch’S Late Works
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sunderland University Institutional Repository MASS CULTURE AND INDIVIDUALITY IN HERMANN BROCH’S LATE WORKS JANET PEARSON A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy. APRIL 2015 i Abstract Mass Culture and Individuality in Hermann Broch’s Late Works Janet Pearson This thesis explores Hermann Broch’s thought regarding the relationship between the individual and the mass, in an age of mass-culture. Broch, an Austrian-Jewish intellectual, who emigrated to America in 1938, discussed ideas upon this theme in theoretical essays, including a theory of mass hysteria (Massenwahntheorie) as well as his fictional The Death of Virgil (Der Tod des Vergil). In the study, the analysis of his theoretical work shows that Broch’s views regarding the masses differ from those of other theorists contemporary to him (Le Bon, Freud and Canetti), in that they are closely linked to his theory of value. It also establishes that his ideas about individuality reach back to the earliest philosophers, and that he perceived this dimension of human existence to be changing, through the development of ‘ego- consciousness’. Building upon this, the textual analysis of the Virgil demonstrates that Broch finds similarities between his own era and the age of Augustus, but also indicates that the concept of individuality portrayed in the work goes beyond that discussed in his theoretical writing and points towards a new role for art in the post-industrial age. -
The Individual and the «Spiritual» World in Kafka's Novels
Studies in 20th Century Literature Volume 3 Issue 1 Article 3 8-1-1978 The Individual and the «Spiritual» World in Kafka's Novels Ulrich Fülleborn Universitat Erlangen-Niirnberg Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fülleborn, Ulrich (1978) "The Individual and the «Spiritual» World in Kafka's Novels," Studies in 20th Century Literature: Vol. 3: Iss. 1, Article 3. https://doi.org/10.4148/2334-4415.1057 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Individual and the «Spiritual» World in Kafka's Novels Abstract Following an earlier essay by the same author on 'Perspektivismus und Parabolik' in Kafka's shorter prose pieces, this article gives a description of the structure of Kafka's novels in terms of the concepts 'the individual' (cf. Kierkegaard's 'individuals') and 'the spiritual world' (Kafka: «There is no world but the spiritual one»). Joseph K. and the land-surveyor K. become individuals by leaving the world of everyday life and passing over into the incomprehensible spiritual world of trials and a village-castle community, in the same way that Karl Rossmann had passed over into the 'Nature-theatre of Oklahoma' before them. And they remain as individuals, since in this world they struggle to hold their own. -
Norway's Efforts to Electrify Transportation
Rolling the snowball: Norway’s efforts to electrify transportation Nathan Lemphers Environmental Governance Lab Working Paper 2019-2 Rolling the snowball: Norway’s efforts to electrify transportation EGL Working Paper 2019-2 September 2019 Nathan Lemphers, Research Associate Environmental Governance Lab Munk School of Global Affairs and Public Policy University of Toronto [email protected] Norway’s policies to encourage electric vehicle (EV) adoption have been highly successful. In 2017, 39 per cent of all new car sales in Norway were all-electric or hybrid, making it the world’s most advanced market for electric vehicles (IEA 2018). This high rate of EV ownership is the result of 30 years of EV policies, Norway’s particular political economy, and significant improvements in EV and battery technology. This paper argues that Norway’s sustained EV policy interventions are not only starting to decarbonize personal transportation but also spurring innovative electrification efforts in other sectors such as maritime transport and short- haul aviation. To explain this pattern of scaling, the paper employs Bernstein and Hoffmann’s (2018) framework on policy pathways towards decarbonization. It finds political causal mechanisms of capacity building and normalization helped create a welcoming domestic environment to realize early uptake and scaling of electric vehicles, and subsequently fostered secondary scaling in other modes of transportation. The initial scaling was facilitated by Norway’s unique political economy. Ironically, Norway’s climate leadership is, in part, because of its desire to sustain oil and gas development. This desire steered the emission mitigation focus towards sectors of the economy that are less contentious and lack opposing incumbents. -
Anthorn, 1968-2001
Grand Valley State University ScholarWorks@GVSU Volume 25 Lanthorn, 1968-2001 4-17-1991 Lanthorn, vol. 25, no. 29, April 17, 1991 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol25 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 25, no. 29, April 17, 1991" (1991). Volume 25. 29. http://scholarworks.gvsu.edu/lanthorn_vol25/29 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 25 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Laker Baseball Defeats MSU! Star Search VI Boasts Big Turn Out Grand Valley State University anthorn Volume 25 Issue 29 April 17,1991 Looking Back at Campus Housing Just how have your housing dollars been spent? By Steve Ungrey declined to be identified said that she was News Writer quite upset when she first saw the order, wondering exactly what these mugs were Records recently obtained by the Lanthorn being used for in Housing. indicate that the Housing Department has “I called Rick Hanke and he told me purchased several items of questionable specifically that there was no mistake on the value for use by the department. order form,” the mailroom employee said. Items include several Other examples of Hanke stresses that anyone who different types of mugs, products purchased by books on counseling has a question or problem regard Housing include 216 and sports, pens and ing money spent by Housing on assorted novelty nose pencils, posters from a non-housing items should contact disguises for a total of rape treatment center, the Housing Office at 895-3531 $183.60, 180 each of and novelty nose dis troll, golf ball, and and set up a meeting time with guises. -
Franz Kafka's Transformations
Franz Kafka’s Transformations Andrew Barker ALONE amongst the contributions to the volume, this essay does not address a Scandinavian topic. The theme of transformation in Franz Kafka’s work and life does, however, allow us to recall that Peter Graves is himself a notable example of a changeling, having begun his career at Aberdeen University as a student of German under the venerable Professor Wilhelm (Willy) Witte. What is presented here may thus serve as a reminder of a world Peter inhabited long ago, before he morphed into the Scandinavian polymath we know and honour today. The impetus for the present contribution came from reading James Hawes’ exhilarating study Excavating Kafka (2008).1 This work was promptly written off by Klaus Wagenbach, the doyen of Kafka studies in Germany, who is quoted as saying: ‘Irgendein Dämel kommt daher, weiß nix und schreibt über Kafka’ (Jungen 2008).2 In defence of Wagenbach’s po-faced dismissal of a much younger, non-German scholar’s work, one might plead that his grasp of English was insufficient for him to grasp the book’s satirical and polemical intentions. In fact, Excavating Kafka is the work of a scholar who knows a great deal about Kafka, and writes about him with panache and insight. I can match Hawes neither in my knowledge of Kafka nor the secondary literature, but I share with him a mounting frustration with the commonly-peddled myths about Kafka’s life and work, and it is some of these which I shall address in this short paper. Looking at the work first, I shall concentrate on what is probably Kafka’s most iconic story, Die Verwandlung (1912; ‘Metamorphosis’), the English translation of whose title I find particularly problematic. -
Hunting High and Low: 30Th Anniversary Super Deluxe
A-ha – Hunting High And Low: 30th Anniversary Super Deluxe (37:11, k.A., k.A., k.A., k.A.; 4 CDs, 1 DVD; Warner Music Germany, 1985/2015) A-ha veröffentlichen zum 30- jährigen Jubiläum ihres internationalen Durchbruchs das remasterte Debütalbum „Hunting High And Low“ in einer „Super Deluxe“-Ausgabe. Der neue Sound ist luftig leicht, klar und detailreich. Neben den vier CDs mit dem remasterten Material, diversen B-Sides und bisher unveröffentlichten Demos, enthält das Re-Issue auch eine DVD und ein 60-seitiges Booklet mit selten gezeigten Fotos und Geschichten zur Entstehung des Albums. Für echte Fans hört sich die Zusammenstellung des Paketes sehr verheißungsvoll an. Darf man jetzt schon über den Kauf von Weihnachtsgeschenken nachdenken? Disc 1 – The Album 01. Take On Me 02. Train Of Thought 03. Hunting High And Low 04. The Blue Sky 05. Living A Boy’s Adventure Tale 06. The Sun Always Shines On T.V. 07. And You Tell Me 08. Love Is Reason 09. I Dream Myself Alive 10. Here I Stand And Face The Rain Disc 2 – The Demos 1982-1984 01. Lesson One (Autumn 1982 “Take On Me” Demo) 02. Presenting Lily Mars (Naersnes Demo) 03. Nå Blåser Det På Jorden (Naersnes Demo) 04. The Sphinx (Naersnes Demo) 05. Living A Boy’s Adventure Tale (Naersnes Demo) 06. Dot The I 07. The Love Goodbye 08. Nothing To It 09. Go To Sleep 10. Train Of Thought (Demo) 11. Monday Mourning 12. All The Planes That Come In On The Quiet 13. The Blue Sky (Demo) 14. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.