Vulliamy's Turret Clock in Bushley Church
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SIS Bulletin Issue 77
Scientific Instrument Society Bulletin June No. 77 2003 Bulletin of the Scientific Instrument Society ISSN 0956-8271 For Table of Contents, see back cover President Gerard Turner Vice-President Howard Dawes Honary Committee Gloria Clifton, Chairman Alexander Crum Ewing, Secretary Simon Cheifetz,Treasurer Willem Hackmann, Editor Peter de Clercq, Meetings Secretary Ron Bristow Tom Lamb Tom Newth Alan Stimpson Sylvia Sumira Trevor Waterman Membership and Administrative matters The Executive Officer (Wg Cdr Geoffrey Bennett) 31 High Street Stanford in the Vale Tel: 01367 710223 Faringdon Fax: 01367 718963 Oxon SN7 8LH e-mail: [email protected] See outside back cover for information on membership Editorial Matters Dr.Willem Hackmann Sycamore House The PLaying Close Tel: 01608 811110 Charlbury Fax: 01608 811971 Oxon OX7 3QP e-mail: [email protected] Society’s Website www.sis.org.uk Advertising See “summary of Advertising Services’ panel elsewhere in this Bulletin. Further enquiries to the Executive Officer, Design and printing Jane Bigos Graphic Design 95 Newland Mill Tel: 01993 209224 Witney Fax: 01993 209255 Oxon OX28 3SZ e-mail: [email protected] Printed by The Flying Press Ltd,Witney The Scientific Instrument Society is Registered Charity No. 326733 © The Scientific Instrument Society 2003 Editorial Spring Time September issue.I am still interested to hear which this time will be published elec- I am off to the States in early June for three from other readers whether they think this tronically on our website.He has been very weeks so had to make sure that this issue project a good idea. industrious on our behalf. -
This Clock Is a Rather Curious the Movement Is That of a a Combination
MINERAL GLASS CRYSTALS 36 pc. Assortment Clear Styrene Storage Box Contains 1 Each of Most Popular Sizes From 19.0 to 32.0 $45.00 72 pc. Assortment Clear Styrene Storage Box Contains 1 Each of Most Popular Refills Available Sizes From 14.0 to 35.0 On All Sizes $90.00 :. JJl(r1tvfolet Gfa:ss A~hesive Jn ., 'N-e~ilie . Pofot Tobe · Perfect for MinenifGlass Crystals - dire$ -iA. secondbn ~un or ultraviolet µgh{'DS~~~ cfa#ty as gl;lss. Stock Up At These Low Prices - Good Through November 10th FE 5120 Use For Ronda 3572 Y480 $6.50 V237 $6.50 Y481 $6.95 V238 $6.95 Y482 $6.95 V243 $6.95 51/2 x 63/4 $9.95 FREE - List of Quartz Movements With Interchangeability, Hand Sizes, Measurements, etc. CALL TOLL FREE 1-800-328-0205 IN MN 1-800-392-0334 24-HOUR FAX ORDERING 612-452-4298 FREE Information Available *Quartz Movements * Crystals & Fittings * * Resale Merchandise * Findings * Serving The Trade Since 1923 * Stones* Tools & Supplies* VOLUME13,NUMBER11 NOVEMBER 1989 "Ask Huck" HOROLOGICAL Series Begins 25 Official Publication of the American Watchmakers Institute ROBERT F. BISHOP 2 PRESIDENT'S MESSAGE HENRY B. FRIED QUESTIONS & ANSWERS Railroad 6 Emile Perre t Movement JOE CROOKS BENCH TIPS 10 The Hamilton Electric Sangamo Clock Grade MARVIN E. WHITNEY MILITARY TIME 12 Deck Watch, Waltham Model 1622-S-12 Timepieces WES DOOR SHOP TALK 14 Making Watch Crystals JOHN R. PLEWES 18 REPAIRING CLOCK HANDS 42 CHARLES CLEVES OLD WATCHES 20 Reality Sets In ROBERT D. PORTER WATCHES INSIDE & OUT 24 A Snap, Crackle, & Pop Solution J.M. -
The Turret Clock Keeper's Handbook Chris Mckay
The Turret Clock Keeper’s Handbook (New Revised Edition) A Practical Guide for those who Look after a Turret Clock Written and Illustrated by Chris McKay [ ] Copyright © 0 by Chris McKay All rights reserved Self-Published by the Author Produced by CreateSpace North Charleston SC USA ISBN-:978-97708 ISBN-0:9770 [ ] CONTENTS Introduction ...............................................................................................................................11 Acknowledgements .................................................................................................................. 12 The Author ............................................................................................................................... 12 Turret clocks— A Brief History .............................................................................................. 12 A Typical Turret Clock Installation.......................................................................................... 14 How a Turret Clock Works....................................................................................................... 16 Looking After a Turret Clock .................................................................................................. 9 Basic safety... a brief introduction................................................................................... 9 Manual winding .............................................................................................................. 9 Winding groups ............................................................................................................. -
The Evolution of Tower Clock Movements and Their Design Over the Past 1000 Years
The Evolution Of Tower Clock Movements And Their Design Over The Past 1000 Years Mark Frank Copyright 2013 The Evolution Of Tower Clock Movements And Their Design Over The Past 1000 Years TABLE OF CONTENTS Introduction and General Overview Pre-History ............................................................................................... 1. 10th through 11th Centuries ........................................................................ 2. 12th through 15th Centuries ........................................................................ 4. 16th through 17th Centuries ........................................................................ 5. The catastrophic accident of Big Ben ........................................................ 6. 18th through 19th Centuries ........................................................................ 7. 20th Century .............................................................................................. 9. Tower Clock Frame Styles ................................................................................... 11. Doorframe and Field Gate ......................................................................... 11. Birdcage, End-To-End .............................................................................. 12. Birdcage, Side-By-Side ............................................................................. 12. Strap, Posted ............................................................................................ 13. Chair Frame ............................................................................................. -
In the Stores of the British Museum Are Three Exquisite Springs, Made in the Late 1820S and 1830S, to Regulate the Most Precise Timepieces in the World
1 Riotous assemblage and the materials of regulation Abstract: In the stores of the British Museum are three exquisite springs, made in the late 1820s and 1830s, to regulate the most precise timepieces in the world. Barely the thickness of a hair, they are exquisite because they are made entirely of glass. Combining new documentary evidence, funded by the Antiquarian Horological Society, with the first technical analysis of the springs, undertaken in collaboration with the British Museum, the research presented here uncovers their extraordinary significance to the global extension of nineteenth century capitalism through the repeal of the Corn Laws. In the 1830s and 1840s the Astronomer Royal, George Biddell Airy; the Hydrographer to the Admiralty, Francis Beaufort; and the Prime Minister, Sir Robert Peel, collaborated with the virtuoso chronometer-maker, Edward John Dent, to mobilize the specificity of particular forms of glass, the salience of the Glass Tax, and the significance of state standards, as means to reform. These protagonists looked to glass and its properties to transform the fiscal military state into an exquisitely regulated machine with the appearance of automation and the gloss of the free-trade liberal ideal. Surprising but significant connexions, linking Newcastle mobs to tales of Cinderella and the use of small change, demonstrate why historians must attend to materials and how such attention exposes claims to knowledge, the interests behind such claims, and the impact they have had upon the design and architecture of the modern world. Through the pivotal role of glass, this paper reveals the entangled emergence of state and market capitalism, and how the means of production was transformed in vitreous proportions. -
FINE CLOCKS Wednesday 13 December 2017
FINE CLOCKS Wednesday 13 December 2017 FINE CLOCKS Wednesday 13 December at 2pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Saturday 9 December +44 (0) 20 7447 7447 James Stratton M.R.I.C.S Monday to Friday 11am to 3pm +44 (0) 20 7447 7401 fax + 44 (0) 20 7468 8364 8.30am to 6pm Sunday 10 December To bid via the internet please [email protected] +44 (0) 20 7447 7447 11am to 3pm visit bonhams.com Monday 11 December Administrator As a courtesy to intending 9am to 4.30pm Please note that bids should be Vanessa Howson bidders, Bonhams will provide a Tuesday 12 December submitted no later than 4pm on + 44 (0) 20 7468 8204 written Indication of the physical 9am to 4.30pm the day prior to the sale. [email protected] condition of lots in this sale if a Wednesday 13 December New bidders must also provide request is received up to 24 9am to 12pm proof of identity when submitting hours before the auction starts. bids. Failure to do this may result This written Indication is issued SALE NUMBER in your bids not being processed. subject to Clause 3 of the Notice 24222 to Bidders. Bidding by telephone will only be CATALOGUE accepted on lots with a low Please see back of catalogue estimate in excess of £1,000 for important notice to bidders £20.00 Live online bidding is ILLUSTRATIONS available for this sale Front cover: Lot 116 Please email [email protected] Back cover: Lot 53 with “Live bidding” in the subject Inside front cover: Lot 102 line 48 hours before the auction Inside back cover: Lot 115 to register for this service. -
The History of the Church Clock St Pauls Church Woodhouse Eaves Leicestershire
The History Of The Church Clock St Pauls Church Woodhouse Eaves Leicestershire. By Maria Jansen Page 1 of 16 Introduction There has always been a mystery surrounding the Church Clock, or Village Clock as it was sometimes known. The information contained in this research seeks to solve some of these and has recently unearthed some interesting and informative old documents, copies of which are referred to in this document and can be found in the Appendices. Design St Paul’s Church Woodhouse Eaves and St Peter’s Copt Oak were two of many of the churches designed by architect William Railton. For these two local churches he used the same design as can be seen at the bottom of original sketch ‘Design of the churches at Woodhouse Eaves and Copt Oak of Charnwood Forest Leicestershire’ [Figure 1] and were built about the same time in 1836/7. Figure 1: Copy of William Railton original architect design 18351 1 ‘Design of the Churches at Woodhouse Eaves and Copt Oak, on Charnwood Forest, Leicestershire by William Railton’, Incorporated Church Building Society (ICBS), Lambeth Palace Library online [http://images.lambethpalacelibrary.org.uk/luna/servlet/s/ubaajd] Page 2 of 16 St Paul’s and St Peter churches were not originally designed with a clock installed, as can be seen in the original design. However St Paul’s has undergone many alterations over the years, including the installation of the clock and two clock faces. St Peter at Copt Oak [Figure 2] remains today with no clock installed and with the original ‘window’, hood moulds and foliage label stops, which can be seen clearly over the front door and triple lancet bell openings on each face with parapet and pinnacles. -
Cambridge University Press 978-1-108-41966-6 — the Victorian Palace of Science Edward J
Cambridge University Press 978-1-108-41966-6 — The Victorian Palace of Science Edward J. Gillin Index More Information Index A Geological Manual,94 Albemarle Street, 68 A Preliminary Discourse on the Study of Albert, Prince, 160, 195 Natural philosophy,4 anti slavery, 158 A rudimentary treatise on clock and at the British Association, 68 watchmaking, 245 Michael Faraday, 184 Aberdeen, University of, 29 Alison, Archibald, 50–52 abolition of slavery, 3, 91, 158 on architecture, 51, 52 Acland, Thomas, 198 on Parliament, 51 acoustics, 30, 31, 56, 58, 59, 84, 140, 143 on utility, 52 Adams, Robert, 116, 117 political views, 51 Admiralty, 224 All Saint’s Church, Babbacombe, 120 Airy, George Biddell, 203, 216, 218, 220, All Souls College, Oxford, 95 232, 233, 238, 244, 252, 253, 256, An Introduction to the Study of Chemical 262, 263, 267, 268, 271 Philosophy,99 accuracy, 214, 224, 225, 237 Anderson, John Wilson, 131, 132 as Astronomer Royal, 221–23 Anglican, 6, 244 at Cambridge, 220 architecture, 109 at Greenwich, 216, 217, 221–23, 224, Broad Church, 6 225, 231 Cornwall, 188 authority over Edward John Dent, 250–51 geology, 107 career, 220 governance, 51 compass deviation, 221 High Church, 47, 106 dispute with Benjamin Vulliamy, 234–38 John Frederic Daniell, 99 Edmund Beckett Denison, 216 science, 5 Edward John Dent, 219, 225–26, 237 theology, 4 galvanic regulation, 217 universities, 125 galvanic time system, 227, 228–32, Anning, Mary, 91 238–44, 252, 253, 258 Ansted, David, 266 Greenwich time, 217 Anston stone, 102, 115, 117, 118, 265, Greenwich -
Century Regulator by John Roger Arnold Expert Adviser's Statement
Case 5 2010-11 : An early 19 th -century regulator by John Roger Arnold Expert Adviser’s Statement EXECUTIVE SUMMARY 1. Brief Description of item • What is it ? Longcase regulator • What is it made of ? Mahogany, brass and steel. • What are its measurements ? Height 193 cms. • Who is the artist/maker and what are his/her dates? John Roger Arnold (1769 – 1843) • What date is the item? 1795 – 1800 • What condition is it in? Good and original. 2. Context • Provenance From the time of manufacture to the recent sale at Bonham’s London Auction House (15th December 2009), making an assumption of inheritance, the regulator has a traceable provenance – see appendix 3 below. • Key literary and exhibition references The regulator has not been exhibited and has not featured in any published work. 3. Waverley criteria • Which of the Waverley criteria does the item meet? (If it is of ‘outstanding significance for the study of some particular branch of art learning or history’ which area of art learning or history). Waverley Criteria1 and 3. • Very briefly why? Waverley Criterion 1– It is so connected with our history (including local history) and national life that its departure would be a misfortune. This regulator is important because it is intimately connected with the life and business of one of Britain’s internationally recognised and celebrated chronometer making businesses and with the history of precision timekeeping in this country - an area in which London clock, watch and chronometer makers lead the world for over a century. The Arnold business had a history of providing regulators of the highest quality to observatories, perhaps the most celebrated examples being two regulators commissioned from John Arnold senior in April 1772 for the Royal Observatory, Greenwich. -
Turret Clock Tour BHI Ipswich Branch – Part 1 Ian Coote MBHI
Turret Clock Tour BHI Ipswich Branch – Part 1 Ian Coote MBHI The Ipswich Branch has organised an annual turret clock tour for many years, the last two of them centred on Braintree, Essex. This article combines the two tours by points of interest, rather than chronologically. Figure 3. Great Leighs round tower. Figure 5. Boreham clock and sundial. Figure 1. Braintree clock as seen on the 2016 turret tour. Figure 2. Braintree St Michael’s as found. St Michael’s Braintree Sometime in 2016, a redundant clock movement was complete. It was decided to restore it to working order taken from the church muniments room, where it had with a view to eventually displaying it in the church. Figure 4. Great Leighs clock by Tucker. been gathering dust for 80 years, with the intention of Our 2016 turret tour began in Rod’s garage. By that disposing of it for scrap. A parochial church council (PCC) time, a local woodturner had made two new barrels member, Rod Davey, refused to allow such a travesty and which were reassembled on to their arbors with new Great Leighs stowed it safely in his own garage. bronze bearings: the originals were iron, and in a poor Tucker, of 42 Theobald’s Road, London, is often said He knew nothing about clocks, but realised that this state. to be a recycler of clocks, adding his own name plate, Figure 6. Inspecting the Boreham clock. was an interesting old mechanism and began looking for Apart from re-bushing two or three pivot holes and a but I have only encountered clocks with his name cast advice. -
Italian Astronomical Clocks As Public Astrological Machines
Chapter 7 Italian Astronomical Clocks as Public Astrological Machines Marisa Addomine A personal interest in ancient monumental clocks and research into public astronomical timekeepers has led to a closer examination of the occurrence of aspectaria and zodiacs on a number of typically Italian clocks and of the methods used to obtain information from such dials. Although there has been little recent discussion of how to use these indicators, which have generally been considered as no more than curiosities or fashionable decorations, the widespread interest in astrology in the late medieval and Renaissance periods suggests that there is a more specific story to be told. This chapter considers, therefore, the occurrence of these distinctive dials and some sources that re- veal their intended use.* Astronomical Clocks in Public European public astronomical clocks dating back to the Renaissance period are concentrated in two areas, Germany and German-speaking countries in the north, Italy in the south. When discussing monumental clocks, most hor- ological scholars still rely on Alfred Ungerer’s text, which takes into account only five examples in Italy, poorly described.1 An article written sixty years later by Emmanuel Poulle was still based on Ungerer’s reports as far as Italy is concerned.2 More recent research, however, including archival descriptions of astronomical turret clocks and partial relics, has led to the identification of * I am grateful to Marisa Cotti and Leontina Diemmi for their wonderful help in my first steps in astrology, to Chris McKay for his invaluable hints and suggestions and, last but not least, to my husband Daniele Pons, who shares in all my horological research. -
A Large Patinated Eight-Day Swinging Mystery Clock Circa: French, Circa 1890
Attributed to Farcot A Large Patinated Eight-Day Swinging Mystery Clock Circa: French, Circa 1890. French, Circa 1890. 127 x 0 cm (50 x 0 inches) Bronze A Large Patinated Eight-Day Swinging Mystery Clock. Single train timepiece movement with Brocot escapement, initialled R and numbered 2712. This large and imposing mystery clock standing at 127 cm (50 inches) high is modelled as a classical maiden in the manner of Albert Ernest Carrier-Belleuse. The figure holds aloft in her left arm a spherical clock case with the hours marked in Roman numerals, forming the upper section of a grid-iron pendulum terminating in a smaller orb. The pendulum swings gently with seemingly no means to maintain its momentum. Below the upper ball is the pivot point for the swing. Three delicate suspension springs provide the breakpoint. Below this are three rods that connect to the smaller ball. When the clock is running, this entire grid iron pendulum moves from left to right. French, Circa 1890. Artist description: Henry Eugène Adrien Farcot (1830-1896) was an established Parisian clock-maker working 1858 - 1890. It is recorded that he exhibited at Paris in 1861, London in 1862, Paris again in 1867, Philadelphia in 1876 and Paris for the last time in 1878. A pioneering engineer in many fields, Farcot was the most renowned nineteenth century maker of conical pendulum and 'ingenious mystery' clocks, taking out successive patents throughout his long career. Farcot exhibited examples of this magnificent clock on his stands at the London Exhibition of 1862, the Paris Exposition of 1867 and 1878 and at the 1876 Philadelphia Exhibition.