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  • PETER ZEITLINGER Director of Photography
    PETER ZEITLINGER Director of Photography Narrative Features: SALT AND FIRE - Benaroya Pictures - Werner Herzog, director QUEEN OF THE DESERT - IFC Films/Benaroya - Werner Herzog, director ANGELIQUE - EuropaCorp - Ariel Zeitoun, director HATED - Independent - Lee Madsen, director MY SON, MY SON WHAT HAVE YE DONE - First Look Pictures - Werner Herzog, director Starring Willem Dafoe and Michael Shannon THE BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS - Millennium Films - Werner Herzog, director Nomination, Best Cinematography, Independent Spirit Awards Starring Nicolas Cage and Eva Mendes HOUSE OF CARDS - The Independents - Silvia Zeitlinger, director RESCUE DAWN - MGM - Werner Herzog, director Starring Christian Bale and Steve Zahn INVINCIBLE - Werner Herzog Filmproduktion - Werner Herzog, director Documentary Features: LO & BEHOLD, REVERIES OF THE CONNECTED WORLD - Magnolia Pictures - Werner Herzog, director INTO THE INFERNO - Netflix - Werner Herzog, director FROM ONE SECOND TO THE NEXT - AT&T - Werner Herzog, director CAVES OF FORGOTTEN DREAMS - Werner Herzog Filmproduktion - Werner Herzog, director TONTINE MASSACRE - Scrimshaw Productions - Ezna Sands, director ENCOUNTERS AT THE END OF THE WORLD - Discovery Films - Werner Herzog, director Nomination, Academy Award, Best Documentary GRIZZLY MAN - Lionsgate - Werner Herzog, director Winner, Alfred P. Sloan Prize, Sundance Film Festival Nine Best Documentary Awards WHEEL OF TIME - Werner Herzog Filmproduktion - Werner Herzog, director LITTLE DIETER NEEDS TO FLY - Werner Herzog Filmproduktion
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  • Rescue Dawn La Cavale Secours À L’Aube — États-Unis 2007, 126 Minutes Charles-Stéphane Roy
    Document généré le 28 sept. 2021 03:04 Séquences La revue de cinéma Rescue Dawn La cavale Secours à l’aube — États-Unis 2007, 126 minutes Charles-Stéphane Roy Léo Bonneville 1919-2007 Numéro 250, septembre–octobre 2007 URI : https://id.erudit.org/iderudit/58972ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Roy, C.-S. (2007). Compte rendu de [Rescue Dawn : la cavale / Secours à l’aube — États-Unis 2007, 126 minutes]. Séquences, (250), 43–43. Tous droits réservés © La revue Séquences Inc., 2007 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ CRITIQUES I LES FILMS RESCUE DAWN I La cavale // fut un temps où les bravades de Werner Herzog dans des contrées impossibles attiraient les badauds par milliers dans les salles. Après avoir été jusqu'au bout de l'enfer et en être revenu d'innombrables fois, l'Allemand a délaissé la fiction le temps de plusieurs documentaires réussis, plus inspiré par les vrais fous que par ses créations.
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  • Approvement the Analysis of Dieter Dengler's Defense Mechanism in Rescue Dawn Movie English Letters Department Letters And
    APPROVEMENT THE ANALYSIS OF DIETER DENGLER’S DEFENSE MECHANISM IN RESCUE DAWN MOVIE A Thesis Submitted to Letters and Humanities Faculty in partial Fulfillment of the requirements for By: Woro Endah Sitoresmi 105026000921 Approved By: Advisor, Mohammad Supardi, S.S. ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2008 i ABSTRACT Woro Endah Sito Resmi, “The Analysis of Dieter Dengler’s Defense Mechanism in Rescue Dawn Movie”. Skripsi. Jakarta: Letters and Humanities Faculty, State Islamic University Syarif Hidayatullah, July 2008. The paper examines Dieter Dengler’s defense mechanism in surviving process from the Vietcong jail as the main character in Rescue Dawn movie. The paper looks at one problem: How are Dieter Dengler’s surviving process viewed from the concept of defense mechanism. The objective of the research is intended to describe Dieter Dengler’s defense mechanism in surviving process from the jail that implied in this movie. This movie is analyzed carefully and accurately using the theory of Sigmund Freud’s Psychoanalysis; it is Ego defense mechanism concept. The data on this research are got from the unit of analysis, the sources, and the analysis from the writer. As it is fulfilled, the writer finds out that Dieter applied his defense mechanism through Eros instinct, fantasy, repression, format reaction, rationalization and sublimation. His defense mechanism becomes the power which leads and dominates all of his actions in order to get the freedom. ii LEGALIZATION A thesis entitled “The analysis of Dieter Dengler’s Defense Mechanism in Rescue Dawn movie” has been defended before the Letters and Humanities Faculty’s Examination Committee on October, 16 2008.
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    PRESS NOTES - 2020 - MUSIC BOX FILMS LOGLINE Werner Herzog travels the globe to reveal a deeply personal portrait of his friendship with the late travel writer Bruce Chatwin, a kindred spirit who dedicated his life to illuminating the mysteries of the world. SYNOPSIS Werner Herzog turns the camera on himself and his decades-long friendship with the late travel writer Bruce Chatwin, a kindred spirit whose quest for ecstatic truth carried him to all corners of the globe. Herzog’s deeply personal portrait of Chatwin, illustrated with archival discoveries, film clips, and a mound of “brontosaurus skin,” encompasses their shared interest in aboriginal cultures, ancient rituals, and the mysteries stitching together life on earth. WERNER HERZOG Werner Herzog was born in Munich on September 5, 1942. He grew up in a remote mountain village in Bavaria and studied History and German Literature in Munich and Pittsburgh. He made his first film in 1961 at the age of 19. Since then he has produced, written, and directed more than sixty feature- and documentary films, such as Aguirre der Zorn Gottes (AGUIRRE, THE WRATH OF GOD, 1972), Nosferatu Phantom der Nacht (NOSFERATU, 1978), FITZCARRALDO (1982), Lektionen in Finsternis (LESSONS OF DARKNESS, 1992), LITTLE DIETER NEEDS TO FLY (1997), Mein liebster Feind (MY BEST FIEND, 1999), INVINCIBLE (2000), GRIZZLY MAN (2005), ENCOUNTERS AT THE END OF THE WORLD (2007), Die Höhle der vergessenen Träume (CAVE OF FORGOTTEN DREAMS, 2010). Werner Herzog has published more than a dozen books of prose, and directed as many operas. Werner Herzog lives in Munich and Los Angeles.
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  • A Collection of Essays on Werner Herzog
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  • Complete Works Films
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  • Motifs of Fiction in Werner Herzog's Films Chantal Poch [email protected], Pompeu Fabra University
    Inner and deeper: Motifs of fiction in Werner Herzog's films Chantal Poch [email protected], Pompeu Fabra University Volume 7.2 (2019) | ISSN 2158-8724 (online) | DOI /cinej.2019.224 | http://cinej.pitt.edu Abstract The emphasis on the mix of facts and inventions has prevailed in the studies about Bavarian director Werner Herzog’s treatment of fiction, leading to the same result again and again: for Herzog, poetic truth is more important than factual truth. But how can we go beyond this conclusion? This paper will try to open an alternative path of analysis more adequate to his philosophy of filmmaking, one that works through the detection of visual and narrative motifs in his films, thus searching the impact of Herzog’s idea of fiction into his poetics. Keywords: Werner Herzog; German Cinema; Motifs; Fiction; Ecstatic Truth New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Inner and deeper: Motifs of fiction in Werner Herzog's films Chantal Poch Introduction Asking ourselves about the nature of fiction in film brings up to the question whether this fiction acts as an opposite of truth or, indeed, as truth itself. Bavarian director Werner Herzog has built an entire oeuvre regarding this problem: from the blurry lines between his fictional movies and documentaries to the recurrent inclusion of false quotes and events on his scripts, all of his films seem to add something to the same direction: the confusion of fact and fiction.
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  • From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
    From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) R3712 RESCUE DAWN (USA, 2006) Credits: director/writer, Werner Herzog. Cast: Christian Bale, Steve Zahn, Jeremy Davies, Marshall Bell. Summary: War/action film set in Laos in the 1960s. Follows the real-life story of U.S. fighter pilot Dieter Dengler (Bale), a German-American shot down and captured in Laos during the Vietnam War. Dengler then organized the successful escape of a small band of POWs. “Bale loved chaotic filming with German director” WENN entertainment news wire service (Nov 6, 2006) Felperin, Leslie. “Rescue dawn” Variety 404/5 (Sep 18-24, 2006), p. 65-6. Goldstein, Gregg. “MGM to the ‘Rescue’ at Toronto fest” Hollywood reporter 396 (Dep 11, 2006), p. 1, 22. Goslawski, Barbara. “Rescue dawn” Box office 142/11 (Nov 2006), p. 102, 104. Hill, Logan. “Dark and lovely; The brooding Christian Bale works his strange Hollywood magic” New York (Oct 23, 2006), p. “Rescue dawn” Official web site viewed May 2006: (http://www.gibraltarfilms.com/projects/rescuedawn/#) Shown at various film festivals since Sept. 2006 but not scheduled for limited release in the U.S. until July 4, 2007 (c.f. Internet Movie Database) Schruers, Fred. “Movies; Three from the dark side; here comes trouble; Christian Bale lays on the complexity intently, one borrowed obsession at a time” Los Angeles times (Nov 12, 2006), Sunday calendar, p. E1. Smith, Gavin. “Feast of famine?” Film comment 42/6 (Nov/Dec 2006), p.
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  • Werner Herzog (1942) Regisseurs, BRD 1949-1990
    Duitsland Instituut Film: Werner Herzog (1942) Regisseurs, BRD 1949-1990 Werner Herzog is na Rainer Werner Fassbinder de meest bezeten en de meest productieve regisseur van de Nieuwe Duitse Film, de filmstroming die in de jaren zestig en zeventig het echte leven wilde laten zien. Werner Herzog Stipetic wordt geboren in München en groeit op in het landelijke Beieren. Het gezin heeft het niet breed. Als Werner elf jaar is, scheiden zijn ouders en vertrekt hij met zijn moeder en twee broers weer naar München. Herzog is een getalenteerd schrijver en wint prijzen met opstellen en later met scenario’s. Op zijn twintigste begint hij aan een studie geschiedenis en literatuur. In deze tijd maakt hij al zijn eerste korte films die hij zelf produceert met de Werner Herzog Filmproduktion. Hij streeft naar volledige controle over zijn films. Naar de filmacademie wil hij niet. Hij is ervan overtuigd dat je op school niet leert filmen. In 1967 wint Herzog de hoofdprijs op het festival van de korte film in Oberhausen. Een jaar later verschijnt zijn eerste speelfilm ‘Lebenszeichen’ die door critici enthousiast wordt ontvangen. Zijn film ‘Auch Zwerge haben klein angefangen’ (1970) gaat over een onderdrukte dwergenkolonie en wordt verboden door de FSK. De commissie vindt de portrettering van de dwergen smakeloos. Internationale critici zijn juist enthousiast over de allegorie van vrijheid en onderdrukking. ‘Aguirre - der Zorn Gottes’ (1972) is Herzogs eerste samenwerking met acteur Klaus Kinski. De film over de geflipte conquistador is een groot succes. Kinski en Herzog halen op het witte doek het beste uit elkaar naar boven, maar achter de schermen is het precies andersom.
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    THE NATIONAL FILM PRESERVE LTD. PRESENTS THE THIS FESTIVAL IS DEDICATED TO Sam Shepard 1943–2017 THE NATIONAL FILM PRESERVE LTD. PRESENTS THE Julie Huntsinger | Directors Tom Luddy Joshua Oppenheimer | Guest Director Mara Fortes | Curator Kirsten Laursen | Chief of Staff Brandt Garber | Production Manager Karen Schwartzman | SVP, Partnerships Erika Moss Gordon | VP, Filmanthropy & Education Melissa DeMicco | Development Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | VP, Publicity Justin Bradshaw | Media Manager Lily Coyle | Assistant to the Directors Marc McDonald | Theater Operations Manager Lucy Lerner | SHOWCorps Manager Erica Gioga | Housing/Travel Manager Chapin Cutler | Technical Director Ross Krantz | Technical Wizard Barbara Grassia | Projection and Inspection Annette Insdorf | Moderator Paolo Cherchi Usai | Resident Curators Mark Danner Pierre Rissient Peter Sellars Publications Editor Jason Silverman (JS) Chief Writer Larry Gross (LG) Prized Program Contributors Fiona Armour (FA), Sheerly Avni (SA), Meredith Brody (MB), Paolo Cherchi Usai (PCU), Mark Danner (MD), Mara Fortes (MF), Scott Foundas (SF), Gary Giddins (GG), Leonard Maltin (LM), Errol Morris (EM), Joshua Oppenheimer (JO), Peter Sellars (PS), Milos Stehlik (MS), David Thomson (DT), Alice Waters (AW) Tribute Curator Short Films Curators Student Prints Curator Chris Robinson Barry Jenkins Gregory Nava Nicholas O’Neill 1 Guest Director Sponsored by FilmStruck The National Film Preserve, Ltd. Each year, Telluride’s Guest Director serves as a key collaborator in the A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Festival’s programming decisions, bringing new ideas and overlooked films. Past Guest Directors include Laurie Anderson, Geoff Dyer, Buck Henry, Founded in 1974 by James Card, Tom Luddy and Bill & Stella Pence Guy Maddin, Michael Ondaatje, Alexander Payne, B.
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  • Into the Abyss
    Mongrel Media Presents INTO THE ABYSS A Werner Herzog Film 106 min. USA, 2011 Languages: English FESTIVALS: 2011 TELLURIDE FILM FESTIVAL 2011 TORONTO INTERNATIONAL FILM FESTIVAL Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS In his fascinating examination of a triple homicide case in Conroe, Texas, Werner Herzog probes the human psyche to explore why people kill—and why a state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” Herzog’s inquiries also extend to the other convicted killer, Jason Burkett; his father, also incarcerated; a woman who lost both her mother and brother in the crime; as well as a chaplain and former executioner who’ve been with death row prisoners as they’ve taken their final breaths. As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory. DIRECTOR'S STATEMENT I am not an advocate of the death penalty. I do not even have an argument; I only have a story, the history of the barbarism of Nazi Germany. There were thousands and thousands of cases of capital punishment; there was a systematic program of euthanasia, and on top of it the industrialized extermination of six million Jews in a genocide that has no precedence in human history.
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